Dominique Visse, Ensemble Clément Janequin - Adriano Banchieri: Barca di Venetia per Padova (1990)
EAC | FLAC | Image (Cue & Log) ~ 346 Mb | Total time: 63:55 | Scans included
Classical | Label: Harmonia Mundi | # HMC 901281 | Recorded: 1989
EAC | FLAC | Image (Cue & Log) ~ 346 Mb | Total time: 63:55 | Scans included
Classical | Label: Harmonia Mundi | # HMC 901281 | Recorded: 1989
A boat from Venice to Padua? Yes, it does sound odd and, to recall Alice, it becomes curiouser and curiouser. The ill-assorted company of passengers includes a student, some lawyers from Murano, a fisherman from the Lagoon, a couple of girls whose profession is older than agriculture, a music-master from Lucca, and a Florentine bookseller who invites five singers on board. All the makings of a Ship of Fools if not of a Marx Brothers comedy. And so it turns out to be. The singers (four from different parts of Italy, the fifth an alcoholic German who passes round the bottle before the proceedings commence), begin with a couple of madrigals. The mood becomes infectious; the student and one of the girls produce a couple of bantering and distinctly obscene dialogues, but then everything is suddenly brought to a halt by a group of Jewish passengers who begin a prayer meeting. More madrigals and some airs are sung before the passengers disembark, where they are promptly accosted by a fraud masquerading as a soldier.
This delightful sequence of miniatures, strung together in a loose dramatic narrative in the style of the madrigal comedies of Vecchi and Striggio, is sung with great verve and style, bringing out all the humour of Banchieri's text. The music itself spans a wide range, from lighter popularesque trifles to short 'serious' madrigals deliberately parodying the styles of Gesualdo and Marenzio. The Clement Janequin Ensemble rises to the occasion superbly, matching these vignettes with appropriate vocal styles. This is not perhaps great music, but it does provide a delightfully entertaining glimpse of the Italian social world of the early seventeenth century. The Marenzio pieces, on the other hand, are a serious matter and here the group is not quite so successful. Its decision to include instrumental support to the vocal texture is certainly plausible, and it brings a rich sonority to the sound which it exploits imaginatively, particularly in Marenzio's miniature masterpiece Cruda Amarilli. But after a while the rather hard-edged sound becomes a little relentless, and there are also occasional inaccuracies of pitch and other technical awkwardnesses. But one must not grumble; there is little enough Marenzio in the catalogue, and this imaginatively arranged record will be welcomed.–Iain Fenlon
Performer:
Ensemble Clément Janequin:
Dominique Visse, haute-contre
Pascal Bertin, haute-contre
Bruno Boterf, ténor
Philippe Cantor, baryton
François Fauché, basse
Antoine Sicot, basse
Konrad Junghänel, archiliuto
Ariane Maurette, viole ds gambe
Yvon Repérant, clavecin et orgue
Tracklist:
Adriano Banchieri (1568-1634)
Le Bateau de Venise à Padoue, comédie madrigalesque, Op. 12
01. L'umor svegliato
02. Strepito di Pescatori
03. Parone di barca e Ninetta
04. Barcaruolo à pasaggieri
05. Libraio Fiorentino
06. Mastro di musica Luchese
07. Cinque cantori in diversi lenguaggi
08. Venetiano e Thedesco
09. Madrigale affettuoso
10. Madrigale capriccioso
11. Mattinata in dialogo
12. Dialogo
13. Mercante Bresciano et Hebrei
14. Madrigale alla Romana (Stile del Marenzio Romano)
15. Madrigale alla Napolitana (A Imitazione del Spano Napolitano)
16. Prima ottava all'improvviso nel liuto
17. Seconda ottava all'improvviso nel liuto
18. Aria à imitazione del Radesca alla Piamontese
19. Barcaruoli procaccio e tutti al fine
20. Soldato svaligiato
Luca Marenzio (1553/4-1599)
Madrigaux à 5 voix (7e Livre, 1595) (Battista Guarini)
Cruda amarilli
21. Prima parte: Cruda amarilli
22. Seconda parte: Ma grideran per me le piagge e i monti
Care mie selve
23. Prima parte: Care mie selve
24. Seconda parte: Così (chi'l crediria?)
Questi vaghi concenti
25. Prima parte: Questi vaghi concenti
26. Seconda parte: Deh! se potessi anch'io
Capitolo à 6 voix (6e Livre, 1595) (Luigi Tansillo)
Se quel dolor
27. Prima parte: Se quel dolor
28. Seconda parte: Quando si more
29. Terza parte: Dunque da voi convien
30. Quarta parte: Damni, pietosa morte
31. Quinta parte: O Fortuna volubil
32. Sesta parte. Ma questo, oime
33. Settina parte. Altr'aurora bisogna
34. Ottava parte. Un temp'io mi credea
35. Nona parte. Occhi, de' miei desiri
36. Decima et ultima parte. Una pur chiedera
Exact Audio Copy V1.8 from 15. July 2024
EAC extraction logfile from 8. February 2025, 22:06
Ensemble Clément Janequin, Dominique Visse / Banchieri . Barca di Venetia per Padova . Visse
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Range status and errors
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Filename C:\_RIPs\Banchieri . Barca di Venetia per Padova . Visse\Banchieri-BarcaVenetiaPadova-Visse.wav
Peak level 99.6 %
Extraction speed 3.3 X
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Test CRC 93CE301C
Copy CRC 93CE301C
Copy OK
No errors occurred
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==== Log checksum D51197AD20778064D63523DA8325621DD22A2110CD867A775EEC686063628B13 ====
Thanks to the original releaser