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Fall Out Boy - Infinity On High (2007) Japanese Edition

Posted By: Designol

Date: 11 Oct 2022 20:26:09

Infinity on High is the third studio album by American rock band Fall Out Boy, released on February 6, 2007, by Island Records. Recorded from July to October 2006 at Pass Studios in Los Angeles, California, its music was composed by lead singer and guitarist Patrick Stump and the lyrics were penned by bassist Pete Wentz. The album features collaborations with new producers and guest artists, such as Babyface and Jay-Z, and sees the band experimenting with genres including R&B, soul, and flamenco. Fall Out Boy also utilized instruments such as horns, violins, and pianos, which had not been used on previous releases.

A funny thing happened to Fall Out Boy on the road to Infinity on High: they got famous. Before 2005's From Under the Cork Tree they were just another pop-punk unit from suburban Chicago happy to break even at shows with gas money. Next thing anyone knew, they were headlining arenas and being heralded as the new face of pop-punk alongside their peers in My Chemical Romance. It was a position that never seemed to rest easy with the guys, and because of this, Infinity on High seems a bit conflicted. Fall Out Boy wants to charm everyone here. They want to prove themselves to critics by moving past the confines of emo, allowing a love of all things pop to come right to the forefront. Yet they also want to resonate directly with those day-one fans who may long for the intimate VFW shows of yesterday. This disparity makes points of the record seem awkward, and for the first time, the band appears to over-think things. Pete Wentz's lyrics are oftentimes resentful, full of fame-induced angst, and really emphasize his need to drive home his position that stardom has not changed the band. So it's in weird contrast to these sentiments that Jay-Z is the one opening the album and calling out haters who said FOB would fail. The glorification of their celebrity abruptly switches into Patrick Stump stating (pleading?) that the band is not buying into the hype – nor do they even want it. "Make us poster boys for your scene/But we are not making an acceptance speech" is defiant, and when his sweet voice asserts, "Crowds are won and lost and won again/But our hearts beat for the diehards," it's clear that FOB still holds their roots close. But this is contradicted by the fact that the album's majority is far and away their poppiest material to date, more pop/rock than pop-punk, which inevitably means more interesting to those who know them just as that "Dance, Dance" band with the media-whoring bassist, Pete Wentz.

So the results are hit-and-miss. The Maroon 5-ish "I'm Like a Lawyer…" is glaringly one of the Babyface-produced tracks, and with a vocal hook uncomfortably close to Phil Collins' cover of "Groovy Kind of Love," it plays like the guys were the ruffled house band for a prom. It's ill-fitting, a notion that continues in cuts like the soft rock piano of "Golden" and the airy "The (After) Life of the Party." But on the flip side, the fizzy urban-pop nugget "This Ain't a Scene, It's an Arms Race" dances around double-time hardcore choruses and backing choral singers with dizzying precision and infectious results, while dramatic gospel flair excellently lines "Hum Hallelujah." Stump's vocal control and agility is incredible; he truly brings songs alive in a way uniquely his own, and it's a toss-up as to whether he or drummer Andrew Hurley should get this record's gold star. So it's not to say the pop explosion that is Infinity on High is all bad. Even the studio extravagances – multiple producers (Babyface and Butch Walker handle a few outside Neil Avron) and decadent layers of horns, string sections, and choirs – don't detract from its overall enjoyability. Yet unlike My Chemical Romance, who knew exactly what they wanted in the grand theatrics of 2006's Welcome to the Black Parade and completely went for it without apology, Fall Out Boy is at odds. Previously, they could easily skip around with pop baggage, hardcore tension, cunning wordplay, and infectious melodies without losing their edge. Now they just seem too self-aware. Don't misunderstand: once Infinity on High sinks in, it's indeed a fun record. But for a band that was once so self-assured and able to utilize its talents so compellingly, the album is regrettably haphazard. Fall Out Boy may hate people who "dissect us 'til this doesn't mean a thing anymore," but in trying to appeal to all of them, they lost something unique along the way.

Review by Corey Apar, Allmusic.com

Fall Out Boy at Allmusic
Fall Out Boy at Wiki

Tracklist:

01. Thriller (3:30)
02. The Take Over, The Breaks Over (3:34)
03. This Ain't A Scene, It's An Arms Race (3:33)
04. I'm Like A Lawyer With The Way I'm Always Trying To Get You Off (Me & You) (3:32)
05. Hum Hallelujah (3:51)
06. Golden (2:33)
07. Thnks Fr Th Mmrs (3:24)
08. Don't You Know Who I Think I Am? (2:52)
09. The (After) Life of The Party (3:22)
10. The Carpal Tunnel of Love (3:24)
11. Bang The Doldrums (3:32)
12. Fame < Infamy (3:07)
13. You're Crashing, But You're No Wave (3:43)
14. I've Got All This Ringing In My Ears And None On My Fingers (4:04)
15. G.I.N.A.S.F.S. [Bonus Track] (3:17)
16. It's Hard To Say 'I Do', When I Don't [Bonus Track] (3:24)

EAC log

Exact Audio Copy V1.0 beta 3 from 29. August 2011

Отчёт EAC об извлечении, выполненном 21. апреля 2012, 15:50

Fall Out Boy / Infinity On High [Island UICL-9040]

Дисковод: PLEXTOR CD-R PREMIUM2 Adapter: 0 ID: 0

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 30
Способность читать области Lead-in и Lead-out : Да
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000

Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео

TOC извлечённого CD

Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:29.55 | 0 | 15729
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10 | 30:07.12 | 3:23.63 | 135537 | 150824
11 | 33:31.00 | 3:31.25 | 150825 | 166674
12 | 37:02.25 | 3:06.02 | 166675 | 180626
13 | 40:08.27 | 3:42.15 | 180627 | 197291
14 | 43:50.42 | 4:03.28 | 197292 | 215544
15 | 47:53.70 | 3:16.27 | 215545 | 230271
16 | 51:10.22 | 3:23.45 | 230272 | 245541

Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

Имя файла F:\For rutracker.org\Fall Out Boy - Infinity On High [Japan Island UICL-9040] - 2007\Fall Out Boy - Infinity On High [Island UICL-9040].wav

Пиковый уровень 100.0 %
Скорость извлечения 2.2 X
Качество диапазона 100.0 %
CRC теста A9669BFD
CRC копии A9669BFD
Копирование… OK

Ошибок не произошло

AccurateRip: сводка

Трек 1 : извлечено точно (доверие 2) [5FF8A102] (AR v2)
Трек 2 : извлечено точно (доверие 2) [25B0DC43] (AR v2)
Трек 3 : извлечено точно (доверие 2) [0492F74E] (AR v2)
Трек 4 : извлечено точно (доверие 2) [62055233] (AR v2)
Трек 5 : извлечено точно (доверие 2) [8321E319] (AR v2)
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Трек 10 : извлечено точно (доверие 2) [888F5BDB] (AR v2)
Трек 11 : извлечено точно (доверие 2) [3401938C] (AR v2)
Трек 12 : извлечено точно (доверие 2) [636BB474] (AR v2)
Трек 13 : извлечено точно (доверие 2) [87C84DF4] (AR v2)
Трек 14 : извлечено точно (доверие 2) [6637758A] (AR v2)
Трек 15 : извлечено точно (доверие 2) [A2540C24] (AR v2)
Трек 16 : извлечено точно (доверие 2) [95D6D629] (AR v2)

Все треки извлечены точно

Конец отчёта

–– CUETools DB Plugin V2.1.4

[CTDB TOCID: 7rmPTxXKj5ocOjeOEBpChEiM2ag-] found
Submit result: 7rmPTxXKj5ocOjeOEBpChEiM2ag- has been confirmed
Track | CTDB Status
1 | (1/1) Accurately ripped
2 | (1/1) Accurately ripped
3 | (1/1) Accurately ripped
4 | (1/1) Accurately ripped
5 | (1/1) Accurately ripped
6 | (1/1) Accurately ripped
7 | (1/1) Accurately ripped
8 | (1/1) Accurately ripped
9 | (1/1) Accurately ripped
10 | (1/1) Accurately ripped
11 | (1/1) Accurately ripped
12 | (1/1) Accurately ripped
13 | (1/1) Accurately ripped
14 | (1/1) Accurately ripped
15 | (1/1) Accurately ripped
16 | (1/1) Accurately ripped

==== Контрольная сумма отчёта 5190464E4257524817D3251674C4D8200D116F0025F9DC6AAF2B6A46FC43B047 ====

CUETools log

[CUETools log; Date: 12.10.2022 0:58:15; Version: 2.1.7]
[CTDB TOCID: 7rmPTxXKj5ocOjeOEBpChEiM2ag-] found.
Track | CTDB Status
1 | (132/132) Accurately ripped
2 | (131/132) Accurately ripped
3 | (131/132) Accurately ripped
4 | (132/132) Accurately ripped
5 | (131/132) Accurately ripped
6 | (131/132) Accurately ripped
7 | (131/132) Accurately ripped
8 | (131/132) Accurately ripped
9 | (131/132) Accurately ripped
10 | (132/132) Accurately ripped
11 | (132/132) Accurately ripped
12 | (132/132) Accurately ripped
13 | (132/132) Accurately ripped
14 | (132/132) Accurately ripped
15 | (131/132) Accurately ripped
16 | (124/132) Accurately ripped, or (2/132) differs in 7416 samples @03:23:22-03:23:32, or (3/132) differs in 4134 samples @03:23:26-03:23:32
[AccurateRip ID: 001fc4af-017c56f0-c10cc910] found.
Track [ CRC | V2 ] Status
01 [c888e426|5ff8a102] (05+26/31) Accurately ripped
02 [6ba2bcdc|25b0dc43] (05+26/31) Accurately ripped
03 [8c658734|0492f74e] (05+26/31) Accurately ripped
04 [2cd09db9|62055233] (05+26/31) Accurately ripped
05 [953fae07|8321e319] (05+26/31) Accurately ripped
06 [ec931543|aa3723a6] (05+26/31) Accurately ripped
07 [0ef4bd9a|3dd556f6] (05+26/31) Accurately ripped
08 [460d465f|88d0f8af] (05+26/31) Accurately ripped
09 [fcb464a2|5ac83146] (05+26/31) Accurately ripped
10 [9e6ec2c2|888f5bdb] (05+26/31) Accurately ripped
11 [8094c380|3401938c] (05+26/31) Accurately ripped
12 [5d776d35|636bb474] (05+26/31) Accurately ripped
13 [3e09b5ac|87c84df4] (05+25/30) Accurately ripped
14 [6f3cc0e1|6637758a] (05+26/31) Accurately ripped
15 [60441d3c|a2540c24] (05+26/31) Accurately ripped
16 [ba55865b|95d6d629] (05+26/31) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 100,0 [A9669BFD] [DE695175] CRC32
01 97,0 [9B0103CD] [0892024B]
02 96,6 [3E30A78A] [BC578055]
03 100,0 [6BC8DF33] [705D0D97]
04 96,6 [A2F35253] [B21313EF]
05 96,9 [34D6C27A] [8FE4BE6E]
06 96,6 [D97FA15E] [0039DC2E]
07 96,6 [7362D942] [07D6C55A]
08 100,0 [EAC4D660] [C0672666]
09 96,6 [29AF5698] [A82BA837]
10 96,6 [1F81AD1B] [126F20EE]
11 96,6 [CFA3E1D3] [ED3D4BB7]
12 96,6 [D5464C0E] [66294517]
13 96,6 [E8AB13C0] [643C2132]
14 96,6 [12FE55EF] [CE1EE86B]
15 96,6 [A181819F] [E3286324]
16 96,6 [B278EEC3] [297FDE34]

DR log

foobar2000 1.6.3 / Dynamic Range Meter 1.1.1
log date: 2022-10-12 00:55:53

––––––––––––––––––––––––––––––––––––––––
Analyzed: Fall Out Boy / Infinity On High [Island UICL-9040]
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR5 -0.26 dB -6.58 dB 3:30 01-Thriller
DR4 -0.29 dB -6.21 dB 3:34 02-The Take Over, The Breaks Over
DR5 0.00 dB -6.65 dB 3:32 03-This Ain't A Scene, It's An Arms Race
DR5 -0.29 dB -6.75 dB 3:32 04-I'm Like A Lawyer With The Way I'm Always Trying To Get You Off (Me & You)
DR5 -0.27 dB -6.65 dB 3:51 05-Hum Hallelujah
DR7 -0.30 dB -10.44 dB 2:32 06-Golden
DR4 -0.29 dB -7.09 dB 3:24 07-Thnks Fr Th Mmrs
DR5 0.00 dB -6.18 dB 2:52 08-Don't You Know Who I Think I Am?
DR4 -0.29 dB -6.82 dB 3:22 09-The (After) Life of The Party
DR4 -0.29 dB -6.17 dB 3:24 10-The Carpal Tunnel of Love
DR5 -0.29 dB -6.37 dB 3:31 11-Bang The Doldrums
DR5 -0.29 dB -5.84 dB 3:06 12-Fame < Infamy
DR5 -0.29 dB -6.40 dB 3:42 13-You're Crashing, But You're No Wave
DR5 -0.29 dB -6.77 dB 4:03 14-I've Got All This Ringing In My Ears And None On My Fingers
DR5 -0.29 dB -6.41 dB 3:16 15-G.I.N.A.S.F.S. [Bonus Track]
DR5 -0.29 dB -7.05 dB 3:24 16-It's Hard To Say 'I Do', When I Don't [Bonus Track]
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 16
Official DR value: DR5

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 1045 kbps
Codec: FLAC
================================================================================

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