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    Filippo Mineccia - The Jommelli Album (2016)

    Posted By: tirexiss
    Filippo Mineccia - The Jommelli Album (2016)

    Filippo Mineccia - The Jommelli Album (2016)
    EAC | FLAC (image+.cue, log) | Covers Included | 01:00:53 | 322 MB
    Genre: Classical, Vocal | Label: Pan Classics | Catalog: PC 10352

    The innovations of Niccolò Jommelli (1714 74) transformed mid-18th-century Italian opera just as much as Gluck’s slightly later so-called reforms, but his tercentenary passed by largely uncelebrated; this recital album was recorded in 2014 after a concert tour around Spain and presents a cross-section of arias from seven different cantatas, oratorios and operas written between 1749 and 1768.
    Filippo Mineccia is a visceral performer for whom dramatic characterisation seems to be paramount, while the range of musical moods provides some scope for versatile and astute musicianship. His sustained higher notes can be overly forced but there is plenty of theatrical personality in the florid passagework in Leonte’s ‘Fra il mar turbato’ from Bajazette (Turin, 1753), during which the small band Nereydas play turbulent stormy effects with brio. Gently undulating muted strings convey a soft breeze in Sesto’s ‘Se mai senti spirarti sul volto’ from La clemenza di Tito (Stuttgart, 1753) – an outstandingly lovely aria that warrants more relaxed singing than we get from Mineccia’s mildly effortful exaggerations (though some of his embellishments in the da capo are delightfully tender).
    There are two assertively sculpted arias for St John from the oratorio La Passione di Nostro Signore Gesú Cristo (Rome, 1749), dedicated to Cardinal Henry Benedict Stuart (Bonnie Prince Charlie’s younger brother), and the graceful pastoral ‘Pastor son’io’ from a Christmas cantata for the Blessed Nativity (1750) also dates from Jommelli’s Roman period; these show Mineccia’s sensitivity with words but there is also some uneven tuning and his timbre is occasionally shrill. Mineccia’s singing sounds much more at home in the lively ‘Salda rupe’ from Pelope (Stuttgart, 1755), but there are some vocal flaws in ‘O vos omnes’ from the Lamentazioni per il Mercoledi Santo (c1751) that regrettably diminish an unhindered appreciation of Jommelli’s skill.

    Filippo Mineccia - The Jommelli Album (2016)

    Track List:

    1. Fra il mar turbato 5:13
    (Bajazette - Torino 1753)
    2. Se mai senti spirarti sul volto 10:39
    (La Clemenza di Tito - Stuttgart 1753)
    3. Come a vista 7:08
    (La Passione di Nostro Signore Gesú Cristo - Rome 1749)
    4. Pastor son’io 9:08
    (Cantata per la Natività della Beatissima Vergine - Rome 1750)
    5-8. Sinfonia a due violine e basso 6:56
    Largo - Fuga - Largo - Allegro
    (Milano, Conservatorio, Noseda O 36 - 2)
    9. O vos omnes 3:18
    (Lamentazioni per il Mercoledì Santo - Rome c1751)
    10. Ritornerà fra voi 4:53
    (La Passione di Nostro Signore Gesú Cristo - Rome 1749)
    11. Parto, ma la speranza 3:25
    (La Schiava Liberata - Ludwigsburg 1768)
    12. Salda rupe 10:13
    (Pelope – Stuttgart 1755)

    Performers:
    Filippo Mineccia (countertenor)
    Nereydas
    Javier Ulises Illán, conductor

    Exact Audio Copy V1.3 from 2. September 2016

    EAC extraction logfile from 19. October 2018, 8:35

    Filippo Mineccia / The Jommelli Album

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    Filename K:\Rips\Jommelli - The Jommelli Album - Mineccia\Filippo Mineccia - The Jommelli Album.wav

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    ==== Log checksum 26524A06A3AC7C8603F190A50137A0153B8BA0378DF5FFB213BB118EF3039CF7 ====

    Thanks to the Original ripper (unknown)!

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