Filippo Maria Bressan, Academia de li Musici, Athestis Chorus - Galuppi: Messa per San Marco, 1766 (2003)
Filippo Maria Bressan, Academia de li Musici, Athestis Chorus - Galuppi: Messa per San Marco, 1766 (2003)
EAC | FLAC | Image (Cue & Log) ~ 299 Mb | Total time: 63:21 | Scans included
Classical | Label: Chandos | CHAN 0702 | Recorded: 2002
EAC | FLAC | Image (Cue & Log) ~ 299 Mb | Total time: 63:21 | Scans included
Classical | Label: Chandos | CHAN 0702 | Recorded: 2002
Baldassare Galuppi was extremely popular during his lifetime, and according to more than one contemporary source he died the wealthiest Italian composer of the 18th century. Though primarily remembered for his contribution to the development of opera (he wrote more than 100), Galuppi also composed an abundance (148 works as of last count) of oratorios, cantatas, motets, and masses. Utilizing a score that Galuppi composed earlier, conductor Filippo Maria Bressan and the Academia de li Musici and the Athestis Chorus offer a reconstruction of a service that may have taken place in 1766 during Advent at St. Marks in Venice, where Galuppi held his long-standing position of musical director.
Galuppi’s opening Concerto a quattro in D major provides an engaging and musically promising introduction to a program that rarely achieves the same level of excitement. For instance, the following Kyrie by Galuppi’s apprentice and eventual successor Ferdinando Bertoni relies haplessly on convention, with its uninspired, painfully predictable rhythmic structure. Following this, Galuppi’s Gloria seems like a relative bastion of inspiration, especially in the vocal writing. Soprano Mariachiara Chizzoni delivers lovely performances of the “Laudamus te” and the especially challenging “Qui sedes ad dexteram Patris”, whose thrilling final sequence of high notes she negotiates beautifully. Countertenor Roberto Balconi’s solemn “Qui tollis peccata” also is beautifully done. Another pleasant if brief concerto follows, serving as an interlude before Galuppi’s final Credo.
Chandos’ sound is very fine, with the choir soloists projecting slightly forward.–John Greene
Performer:
Athestis Chorus
Academia de li Musici
Filippo Maria Bressan, conductor
Track List:
Concerto for 2 violins, viola & cello in D major
01. I. Maestoso
02. II. Allegro
03. III. Andantino
Kyrie a quattro concertato per la Ducal Cappella di San Marco (1766)
04. Kyrie eleison
05. Christe eleison
06. Kyrie eleison
Gloria & Credo, for 4 voices (1766)
07. Gloria: Gloria in excelsis Deo
08. Gloria: Laudamus te
09. Gloria: Gratias agimus tibi
10. Gloria: Domine Deus
11. Gloria: Domine Fili unigenite
12. Gloria: Qui tollis peccata mundi
13. Gloria: Siscupe depreciationem nostram
14. Gloria: Qui sedes ad dexteram Patris
15. Gloria: Quoniam tu solus Sanctus / Cum Sancto Spiritu
16. Gloria: Cum Sancto Spiritu
Concerto for 2 violins, viola & cello No. 1 in G minor
17. I. Grave e Adagio
18. II. Spiritoso
19. III. Allegro
Gloria & Credo, for 4 voices (1766)
20. Credo: Credo in unum Deum
21. Credo: Crucifixus etiam pro nobis
22. Credo: Et resurrexit tertia die
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 6. November 2012, 3:00
Athestis Chorus, Academia de li Musici, Filippo Maria Bressan / Galuppi - Messa per San Marco
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Filippo Maria Bressan, Academia de li Musici, Athestis Chorus - Galuppi: Messa per San Marco, 1766 (2003)
Thanks to the original releaser