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Ivano Zanenghi, L'Opera Stravagante - Baldassare Galuppi: La Scusa (2005)

Posted By: ArlegZ
Ivano Zanenghi, L'Opera Stravagante - Baldassare Galuppi: La Scusa (2005)

Ivano Zanenghi, L'Opera Stravagante - Baldassare Galuppi: La Scusa (2005)
EAC | FLAC | Image (Cue & Log) ~ 345 Mb | Total time: 70:47 | Scans included
Classical | Label: ORF | # CD 390 | Recorded: 2002

Bij Venetiaanse muziek van rond 1700 is de eerste naam die bij je opkomt: Antonio Vivaldi. Geen twijfel mogelijk. Moeilijker wordt het als je het nummer twee moet noemen: Albinoni? Marcello? Tartini? Voor luitist (en dirigent) Ivano Zaneghi was er maar één die qua roem en vaardigheden de vergelijking met Vivaldi kon doorstaan, en dat was Baldassare Galuppi (1706-1785). De verfijning in muzikale expressie en de elegante stijl van zijn wereldlijke en geestelijke composities zijn inderdaad opmerkelijk. Sommige van de stukken op deze cd bleven ongepubliceerd. De cantate 'La scusa', vermoedelijk uit de jaren 1770, is bewaard in een manuscript in de Venetiaanse Marciana bibliotheek.

Víkingur Ólafsson - Mozart & Contemporaries (2021)

Posted By: ArlegZ
Víkingur Ólafsson - Mozart & Contemporaries (2021)

Víkingur Ólafsson - Mozart & Contemporaries (2021)
EAC | FLAC | Image (Cue & Log) ~ 262 Mb | Total time: 84:01 | Scans included
Classical | Label: Deutsche Grammophon | # 486 0525 | Recorded: 2021

For his latest album, Ólafsson presents some of his favourite Mozart keyboard works in the company of pieces by a selection of the composer’s leading contemporaries. Juxtaposing works by Mozart, Haydn and C.P.E. Bach with rarely-recorded Galuppi and Cimarosa, Mozart & Contemporaries dispels the image of Mozart as the angelic and prodigious idiot savant, instead presenting a mature composer through music primarily dating from the 1780s: a resourceful, hard-working adult who had come to know adversity. All is artfully brought together by Ólafsson’s signature thought-provoking programming.

Gerard Lesne, Il Seminario musicale - Vivaldi: Salve Regina, Violin concerto RV 581; Galuppi: Motets (2004)

Posted By: ArlegZ
Gerard Lesne,  Il Seminario musicale - Vivaldi: Salve Regina, Violin concerto RV 581; Galuppi: Motets (2004)

Gérard Lesne, Il Seminario musicale - Vivaldi: Salve Regina, Violin concerto RV 581; Galuppi: Motets (2004)
EAC | FLAC | Image (Cue & Log) ~ 507 Mb | Total time: 66:34+56:29 | Scans included
Classical | Label: Virgin | # 5 62413 2 | Recorded: 1991-92

Gérard Lesne founded the Il Seminario musicale Ensemble in 1985. Since 1990, the Ensemble has been in residence at the Royaumont Foundation, where it attracts vocalists and instrumentalists who share Lesne's enthusiam for the 17th and 18th century Italian repertoire. The musicians perform on old instruments and strive to reproduce as faithfully as possible the lilt and narrative line characteristic of the baroque style as expressed in works by composers such as Monteverdi, Cavalli, Scarlatti, Vivaldi, Caldara, Pergolesi, and the others. The size of the ensemble is variable depending on the repertoire. Based on a rich and varied continuo section (theorbo, cello, basson, double bass, organ and harpsichord) supporting one or more soloists, it can be expanded with the addition of a string quartet to make a small chamber orchestra suitable for performing chamber operas.

Ensemble Il Falcone - Baldassarre Galuppi: Concerti a Quattro (2006)

Posted By: ArlegZ
Ensemble Il Falcone - Baldassarre Galuppi: Concerti a Quattro (2006)

Ensemble Il Falcone - Baldassarre Galuppi: Concerti a Quattro (2006)
EAC | FLAC | Image (Cue & Log) ~ 317 Mb | Total time: 57:59 | Scans included
Classical | Label: Dynamic | # CDS519 | Recorded: 2005

Italian master Baldassare Galuppi's catalog is so heavy with opera, sacred vocal works, and solo harpsichord pieces that it tends to dwarf his tiny output of purely instrumental music, a good deal of which awaits proper documentation. The odd-numbered set of seven Concerti a Quattro recorded here by Genoa-based newcomers Ensemble Il Falcone on the Italian Dynamic label originate not with a published set, but a set of manuscript parts in the Biblioteca Estense in Modena. The first printed editions of these concerti came out in the early '60s, and a few have been recorded as separate items, with L'Offerta Musicale being the first to release a recording of the whole set for Tactus in 2000. According to Dynamic, neither of the two published editions was pressed into use here; the music is played from the original manuscript parts.

Arturo Benedetti Michelangeli plays Beethoven, Galuppi and D. Scarlatti (2005/1962)

Posted By: Vilboa
Arturo Benedetti Michelangeli plays Beethoven, Galuppi and D. Scarlatti (2005/1962)

Arturo Benedetti Michelangeli plays Beethoven, Galuppi and D. Scarlatti (2005/1962)
NTSC 4:3 (720x480) VBR | (LinearPCM, 2 ch) | 4,31 Gb (DVD5) | 84 min
Classical | Opus Arte

The legendary Italian pianist Arturo Benedetti Michelangeli (1920 - 1995), playing at the height of his powers, performs two Beethoven sonatas in an historic recording now digitally restored and re-mastered. He also plays earlier sonatas by Scarlatti and Galuppi. Michelangeli's fine control and perfect clarity - always present in his playing - have positioned him as one of the most outstanding recording artists of any generation.

Fabio Pirona, Capella Savaria - Baldassare Galuppi: Il Caffe di Campagna (1997)

Posted By: ArlegZ
Fabio Pirona, Capella Savaria - Baldassare Galuppi: Il Caffe di Campagna (1997)

Fabio Pirona, Capella Savaria - Baldassare Galuppi: Il Caffè di Campagna (1997)
EAC | FLAC | Image (Cue & Log) ~ 539 Mb | Total time: 57:24+58:17 | Scans included
Classical | Label: Hungaroton | # HCD 31658-59 | Recorded: 1996

Attorno alla metà del '700 Baldassare Galuppi (1706-1785) era il compositore più completo, di maggiore successo, e il più significativo dell'Italia settentrionale. La fama della sua attività come compositore di opere serie giunse a Londra, dove fu chiamato nel 1741, e a S. Pietroburgo dove Caterina di Russia lo volle nel 1765.Nel 1749 Galuppi iniziò la collaborazione, assai fruttifera, con Carlo Goldoni, dalla quale trasse materia per una dozzina di opere buffe, genere al quale il "Buranello" attese nella parte finale della propria carriera.

Fabio Pirona, Savaria Baroque Orchestra - Baldassare Galuppi: Gustavo Primo, Re di Svezia (2003)

Posted By: ArlegZ
Fabio Pirona, Savaria Baroque Orchestra - Baldassare Galuppi: Gustavo Primo, Re di Svezia (2003)

Fabio Pirona, Savaria Baroque Orchestra - Baldassare Galuppi: Gustavo Primo, Re di Svezia (2003)
EAC | FLAC | Image (Cue & Log) ~ 624 Mb | Total time: 66:41+69:31 | Scans included
Classical | Label: Hungaroton | # HCD 32103-04 | Recorded: 2003

Gustavo primo, re di Svezia (Gustavus the First, King of Sweden) is a three act opera seria by Baldassare Galuppi, with a libretto by Carlo Goldoni, fictionalising events in the life of Gustav I of Sweden. Composed in honour of the Genoese nobleman marchese Giovanni Giacomo Grimaldi, it premiered on 25 May 1740 at Venice's Teatro San Samuele. It was first recorded in 2003 by Karoly, Gonzalez, Cecchetti and the Capella Savaria Baroque Orchestra, conducted by Fabio Pirona.

Wolfgang Katschner, Lautten Compagney Berlin - Galuppi: La Diavolessa (2004)

Posted By: ArlegZ
Wolfgang Katschner, Lautten Compagney Berlin - Galuppi: La Diavolessa (2004)

Wolfgang Katschner, Lautten Compagney Berlin - Galuppi: La Diavolessa (2004)
EAC | FLAC | Image (Cue & Log) ~ 645 Mb | Total time: 125:15 | Scans included
Classical | Label: CPO | # 999 947-2 | Recorded: 2003

La diavolessa dates some way into the Galuppi/Goldoni canon, being the 13th of their joint ventures. It was first given during November 1755 at Teatro San Samuele in Venice, and like many of Galuppi’s operas soon traveled beyond the confines of Italy, being taken up in Leipzig and Prague in the year following its Venetian premiere. The motivational force of the plot is greed, but Goldoni also has some pertinent observations on social status to make. The action centers round the Naples home of Don Poppone, a wealthy fool obsessed by the belief that there is hidden treasure in his cellar.

Fabio Pirona, Savaria Baroque Orchestra - Baldassarre Galuppi: La clemenza di Tito (2008)

Posted By: ArlegZ
Fabio Pirona, Savaria Baroque Orchestra - Baldassarre Galuppi: La clemenza di Tito (2008)

Fabio Pirona, Savaria Baroque Orchestra - Baldassarre Galuppi: La clemenza di Tito (2008)
EAC | FLAC | Image (Cue & Log) ~ 683 Mb | Total time: 68:45+74:16 | Scans included
Classical | Label: Hungaroton | # HCD 32538-39 | Recorded: 2007

The Clemenza di Tito, which goes back to an original libretto by Pietro Metastasio, known even the educated music lover in general only in the version of Mozart (1791), which represents a late culmination of the genus Opera seria. The material was particularly popular in the Age of Enlightenment, no less than 46 different versions are known, some come from greats of the musical life of the time such as Hasse, Gluck, Jommelli, Traetta, Anfossi and Myslivecek. Baldassare Galuppi (1706-1785) was already a mature man and highly respected composer when he created his version for the Venice carnival season in 1760. It was his 65th opera, but there is no sign of fatigue in the score.

Arturo Benedetti Michelangeli - Beethoven: Sonata No.32, Op.111; Galuppi, Scarlatti (1986)

Posted By: ArlegZ
Arturo Benedetti Michelangeli - Beethoven: Sonata No.32, Op.111; Galuppi, Scarlatti (1986)

Arturo Benedetti Michelangeli - Beethoven: Sonata No.32, Op.111; Galuppi, Scarlatti (1986)
EAC | FLAC | Image (Cue & Log) ~ 189 Mb | Total time: 49:50 | Scans included
Classical | Label: Decca | # 417 772-2 | Recorded: 1965

Considered one of the greatest pianists of the 20th century, Arturo Benedetti Michelangeli (1920-1995) nevertheless left only a small body of recordings due to his perfectionism. Nor did he give live concerts often, frequently canceling them at the last minute for flimsy reasons. Still, his playing was prized for its clarity, directness, and unique interpretations.

Filippo Maria Bressan, Academia de li Musici, Athestis Chorus - Galuppi: Messa per San Marco, 1766 (2003)

Posted By: ArlegZ
Filippo Maria Bressan, Academia de li Musici, Athestis Chorus - Galuppi: Messa per San Marco, 1766 (2003)

Filippo Maria Bressan, Academia de li Musici, Athestis Chorus - Galuppi: Messa per San Marco, 1766 (2003)
EAC | FLAC | Image (Cue & Log) ~ 290 Mb | Total time: 63:21 | Scans included
Classical | Label: Chandos | CHAN 0702 | Recorded: 2002

Baldassare Galuppi was extremely popular during his lifetime, and according to more than one contemporary source he died the wealthiest Italian composer of the 18th century. Though primarily remembered for his contribution to the development of opera (he wrote more than 100), Galuppi also composed an abundance (148 works as of last count) of oratorios, cantatas, motets, and masses. Utilizing a score that Galuppi composed earlier, conductor Filippo Maria Bressan and the Academia de li Musici and the Athestis Chorus offer a reconstruction of a service that may have taken place in 1766 during Advent at St. Marks in Venice, where Galuppi held his long-standing position of musical director.

George Petrou, Armonia Atenea - The 5 countertenors (2015)

Posted By: ArlegZ
George Petrou, Armonia Atenea - The 5 countertenors (2015)

George Petrou, Armonia Atenea, Max Emanuel Cencic, Yuriy Mynenko, Valer Sabadus, Xavier Sabata, Vince Yi -The 5 countertenors: Jommelli, Porpora, Galuppi, Handel, Mysliveček, J.C. Bach, Gluck, Bertoni, Hasse (2015)
EAC | FLAC | Image (Cue & Log) ~ 349 Mb | Total time: 63:46 | Scans included
Classical | Label: DECCA | # 478 8094 | Recorded: 2013

Decca’s new release brings together five of the world’s most renowned countertenors, who bring the rich world of baroque opera to life. Once rarely heard, countertenors are now firmly established on the operatic stage and concert platform and their popularity has reached an all-time high. This album features virtuosic highlights from baroque opera and showcases the extraordinary abilities of five astonishing artists: Max Emanuel Cencic, Yuriy Mynenko, Valer Sabadus, Xavier Sabata and Vince Yi.

Parnassus Ensemble - Musica da Camera: Telemann, Handel, Galuppi, Janitsch, J.C.Bach (2009)

Posted By: tirexiss
Parnassus Ensemble - Musica da Camera: Telemann, Handel, Galuppi, Janitsch, J.C.Bach (2009)

Parnassus Ensemble - Musica da Camera: Telemann, Handel, Galuppi, Janitsch, J.C.Bach (2009)
EAC | FLAC (image+.cue, log) | Covers Included | 57:36 | 346 MB
Genre: Classical | Label: Accent | Catalog: ACC 10006

Masterpieces Played by Masters asserts the back cover of this reissue confidently. That gives the wrong idea of the flavor of this little disc of chamber music from the middle eighteenth century, originally recorded in 1978. The instruments are all either of the relevant period or copies of such, making this one of the earlier applications of historical-performance principles to pre-Classical music. The "Masters" part of the equation is justifiable enough; flutist Barthold Kuijken and the other players involved all had long careers in the Dutch heartland of the historical-performance movement, and, unlike so many other players trained primarily in the Baroque repertory, they take naturally to the light charm of the pieces played here.

Andrea Bacchetti - Galuppi: Piano Sonatas (2008)

Posted By: tirexiss
Andrea Bacchetti - Galuppi: Piano Sonatas (2008)

Andrea Bacchetti - Galuppi: Piano Sonatas (2008)
EAC | FLAC (image+.cue, log) | Covers Included | 01:08:39 | 247 MB
Genre: Classical | Label: RCA Red Seal | Catalog: 88697367932

Baldassare Galuppi was a Venetian composer, mainly noted for his large output in opera and his collaborations with Goldoni who wrote many a libretto for him, some of which that were re-used by subsequent composers (like Il Mondo della Luna and Haydn). His dates - 1706 -1785 - make him part of a later generation than Bach, Vivaldi, Haendel and Scarlatti but of an older one than Haydn and Mozart, and roughly a contemporary of Bach's two eldest sons - Wilhelm-Friedemann and Carl-Philipp-Emmanuel. The Sonatas featured here are performed in a new edition from the original sources (usually contemporary copies rather than original manuscripts) by Mario Marcarini (who wrote the liner notes) and pianist Andrea Bacchetti.

Peter Kopp, Vocal Concert Dresden - Le Grazie Veneziane: Music from the Ospedali (2009)

Posted By: ArlegZ
Peter Kopp, Vocal Concert Dresden - Le Grazie Veneziane: Music from the Ospedali (2009)

Peter Kopp, Vocal Concert Dresden - Le Grazie Veneziane: Music from the Ospedali (2009)
EAC | FLAC | Image (Cue & Log) ~ 445 Mb | Total time: 72:46 | Scans included
Classical | Label: Carus | CARUS83264 | Recorded: 2009

Sacred music written for female singers and instrumentalists of the Ospedali became celebrated during the 18th century. This unique musical tradition became widely famous largely through the works of such notable composers as Vivaldi, Hasse, Porpora and Galuppi, who were active as teachers at the four "Ospedali grandi".