Interpol - Our Love to Admire (2007) Deluxe Edition
EAC | FLAC | Image (Cue&Log) ~ 332 Mb (incl 5%) | Mp3 (CBR320/Stereo) ~ 110 Mb (incl 5%) | Full Scans ~ 211 Mb
Genre: Indie Rock, Post Punk Revival, New Wave, Alternative Rock | Label: Capitol Records | # 0946 3 96247 2 0 | Time: 00:47:03
EAC | FLAC | Image (Cue&Log) ~ 332 Mb (incl 5%) | Mp3 (CBR320/Stereo) ~ 110 Mb (incl 5%) | Full Scans ~ 211 Mb
Genre: Indie Rock, Post Punk Revival, New Wave, Alternative Rock | Label: Capitol Records | # 0946 3 96247 2 0 | Time: 00:47:03
”Our Love to Admire” is the third studio album by the American post-punk revival band Interpol, released July 10, 2007 on Capitol Records. Recorded at Electric Lady Studios in Greenwich Village and The Magic Shop Studios in New York City, the album is the group's first to be released on a major label. The album has scored Interpol's best chart positions in their career, debuting inside the top five of the UK & US album charts, reaching number-three on the European Albums Chart.
Though Our Love to Admire is technically Interpol's first major-label album, the way the band attempted to streamline the gorgeously dark atmospherics of Turn on the Bright Lights into something more marketable on Antics made that album feel more like their big-time debut than this album does. On Our Love to Admire, Interpol spends roughly half their time following Antics' gameplan of distilling their sound into readily accessible hooks, and the other half stretching their sound with deluxe arrangements and filligrees like strings, brass, and keyboards (all of which are used to grandiose effect on "Wrecking Ball"). Our Love to Admire's poppy tracks have been polished into black patent leather brilliance: "No I in Threesome"'s jaunty, insistent rhythms and "The Heinrich Maneuver"'s relatively bright, bouncy attack show that Interpol has gotten better, or at least more accomplished, at transforming their sound into singles since Antics. More heartening news for Turn on the Bright Lights fans arrives on Our Love to Admire's ambitious tracks, some of which come close to touching the greatness of Interpol's debut. "Pioneer to the Falls" uses the album's expansive production to the hilt, beginning with elegantly treacherous guitars, strings, and pianos; Daniel Kessler's soaring guitar solo and Paul Banks' repeated entreaties of "you fly straight into my heart" feel like the musical equivalent of storm clouds clearing. The song is filmic and full of ideas, and updates the spirit behind Turn on the Bright Lights without rehashing its sound slavishly. "Mammoth" is another standout, a tense yet hypnotic rocker that builds into a graceful fury around the refrain "spare me the suspense" and the band's relentless rhythm section. However, two of the prettiest songs vie for the title of the album's strongest track: "Rest My Chemistry" is Our Love to Admire's languid, luminous centerpiece (and the song that most clearly recalls Turn on the Bright Lights' magic), while the album's spare, vulnerable finale, "The Lighthouse," boasts some of Banks' most natural, affecting vocals yet. When Our Love to Admire falters – and it falters a fair amount of the time – it's because Interpol's attention to atmosphere and detail outpaces the songwriting. At this point the band is so professional that songs like "The Scale," "Who Do You Think?," and "Pace Is the Trick" can sound good in the moment, but fail to leave a lasting impression. With nearly as many awkward moments as inspired ones, Our Love to Admire is a somewhat schizophrenic listening experience. It feels like half of an album by a band making sure their songs that fit the mold of what they've done before, and half of an album by a band using their major-label leverage to push their boundaries. Who knows which version of the band will prevail, but there are just enough interesting songs on Our Love to Admire to suggest that they can't be written off entirely just yet.Review by Heather Phares, Allmusic.com
Although formed during the late '90s, Interpol rose to international attention in 2002 as part of New York City's post-punk revival. The group took its cues from Joy Division and the Chameleons, fashioning a darkly atmospheric sound helmed by intricate guitars and Paul Banks' somber baritone. Interpol also had a striking visual presence marked by the members' fondness for suits, which only strengthened their stately, British-influenced appeal. Nevertheless, the band remained rooted in America, where guitarist Daniel Kessler and drummer Greg Drudy first struck up a musical partnership while attending New York University. Carlos Dengler, another NYU student who had previously played guitar, joined as the group's bassist – and by sheer coincidence, Kessler later bumped into Paul Banks, a guitarist/vocalist whom Kessler had spent time with in France. Having settled on an initial lineup, Interpol became a fully active band in 1998 and began issuing a series of 8-track recordings. After the band's first gigs in early 2000, Drudy vacated his position and was replaced by drummer Sam Fogarino.
Regular appearances at New York venues like Brownie's and the Mercury Lounge helped endear Interpol to local audiences. Meanwhile, a brief U.K. tour in April 2001 was punctuated by a radio session for John Peel's BBC program, which expanded the band's audience overseas. 2001 also saw the band releasing its third EP, Precipitate, and appearing on the compilation album This Is Next Year, a double-disc set of Brooklyn-area acts. Matador Records signed the band in early 2002; by the year of the year, the independent label had issued both a three-song single and the band's debut LP, Turn on the Bright Lights. The album turned Interpol into a successful indie rock act, providing further proof that New York City had become a hub of marketable post-punk revivalism in the early 21st century.
Extensive touring followed, including international dates and television appearances. The band also opened for the Cure as part of that band's Curiosa Festival; soon after, Interpol released its second album, 2004's Antics. Three songs entered the Top 40 charts in the U.K., where the record later went gold. Following a major-label upgrade to the roster of Capitol Records, Interpol returned in 2007 with Our Love to Admire. Along with their Interpol duties, the band's members kept busy with other projects: Fogarino joined forces with Swervedriver's Adam Franklin as the Setting Suns (who later changed their name to Magnetic Morning), while Paul Banks embarked on a solo career as Julian Plenti, releasing the 2009 album Julian Plenti Is Skyscraper. Dengler ventured into writing film scores. The band began recording their fourth album in early 2009, and in spring 2010, it was announced that Dengler was leaving Interpol; around that time, the band self-released the single "Lights." Dave Pajo was announced as the touring bassist for the group's shows with U2 and in Europe that summer. Interpol, which marked the band's return to Matador, arrived in September 2010.
Regular appearances at New York venues like Brownie's and the Mercury Lounge helped endear Interpol to local audiences. Meanwhile, a brief U.K. tour in April 2001 was punctuated by a radio session for John Peel's BBC program, which expanded the band's audience overseas. 2001 also saw the band releasing its third EP, Precipitate, and appearing on the compilation album This Is Next Year, a double-disc set of Brooklyn-area acts. Matador Records signed the band in early 2002; by the year of the year, the independent label had issued both a three-song single and the band's debut LP, Turn on the Bright Lights. The album turned Interpol into a successful indie rock act, providing further proof that New York City had become a hub of marketable post-punk revivalism in the early 21st century.
Extensive touring followed, including international dates and television appearances. The band also opened for the Cure as part of that band's Curiosa Festival; soon after, Interpol released its second album, 2004's Antics. Three songs entered the Top 40 charts in the U.K., where the record later went gold. Following a major-label upgrade to the roster of Capitol Records, Interpol returned in 2007 with Our Love to Admire. Along with their Interpol duties, the band's members kept busy with other projects: Fogarino joined forces with Swervedriver's Adam Franklin as the Setting Suns (who later changed their name to Magnetic Morning), while Paul Banks embarked on a solo career as Julian Plenti, releasing the 2009 album Julian Plenti Is Skyscraper. Dengler ventured into writing film scores. The band began recording their fourth album in early 2009, and in spring 2010, it was announced that Dengler was leaving Interpol; around that time, the band self-released the single "Lights." Dave Pajo was announced as the touring bassist for the group's shows with U2 and in Europe that summer. Interpol, which marked the band's return to Matador, arrived in September 2010.
Official Website
Wiki
Tracklist:
01. Pioneer To The Falls (5:42)
02. No I In Threesome (3:51)
03. The Scale (3:25)
04. The Heinrich Maneuver (3:29)
05. Mammoth (4:13)
06. Pace Is The Trick (4:37)
07. All Fired Up (3:35)
08. Rest My Chemistry (5:01)
09. Who Do You Think (3:13)
10. Wrecking Ball (4:33)
11. The Lighthouse (5:24)
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
Отчёт EAC об извлечении, выполненном 19. декабря 2010, 16:54
Interpol / Our Love To Admire (Deluxe Limited Edition)
Дисковод: ASUS DRW-24B1ST Adapter: 0 ID: 2
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000
Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео
TOC извлечённого CD
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11 | 41:39.17 | 5:24.33 | 187442 | 211774
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла D:\Music\!MyCDRips\Interpol\Interpol - 2007 - Our Love To Admire (Deluxe Limited Edition) (0946 3 96247 2 0)\Interpol - 2007 - Our Love To Admire (Deluxe Limited Edition) (wav)\Interpol - Our Love To Admire (Deluxe Limited Edition).wav
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CRC теста AA63BF3D
CRC копии AA63BF3D
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Ошибок не произошло
AccurateRip: сводка
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Трек 10 точное извлечение (доверие 200) [3F3C3CA3]
Трек 11 точное извлечение (доверие 200) [39760D27]
Все треки извлечены точно
Конец отчёта
Отчёт EAC об извлечении, выполненном 19. декабря 2010, 16:54
Interpol / Our Love To Admire (Deluxe Limited Edition)
Дисковод: ASUS DRW-24B1ST Adapter: 0 ID: 2
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000
Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:41.71 | 0 | 25645
2 | 5:41.71 | 3:51.14 | 25646 | 42984
3 | 9:33.10 | 3:24.60 | 42985 | 58344
4 | 12:57.70 | 3:28.47 | 58345 | 73991
5 | 16:26.42 | 4:13.23 | 73992 | 92989
6 | 20:39.65 | 4:37.07 | 92990 | 113771
7 | 25:16.72 | 3:35.13 | 113772 | 129909
8 | 28:52.10 | 5:00.38 | 129910 | 152447
9 | 33:52.48 | 3:13.22 | 152448 | 166944
10 | 37:05.70 | 4:33.22 | 166945 | 187441
11 | 41:39.17 | 5:24.33 | 187442 | 211774
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла D:\Music\!MyCDRips\Interpol\Interpol - 2007 - Our Love To Admire (Deluxe Limited Edition) (0946 3 96247 2 0)\Interpol - 2007 - Our Love To Admire (Deluxe Limited Edition) (wav)\Interpol - Our Love To Admire (Deluxe Limited Edition).wav
Пиковый уровень 100.0 %
Качество диапазона 100.0 %
CRC теста AA63BF3D
CRC копии AA63BF3D
Копирование… OK
Ошибок не произошло
AccurateRip: сводка
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Трек 10 точное извлечение (доверие 200) [3F3C3CA3]
Трек 11 точное извлечение (доверие 200) [39760D27]
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Конец отчёта
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01 89,0 [4EB2752C] [AF54ECC6]
02 99,8 [10D3F5BE] [CEF01EA7]
03 97,0 [D78F3F78] [4D2FB0A9]
04 100,0 [E46CD737] [33676203]
05 99,8 [C40CC311] [7A274A41]
06 97,9 [CDE0FC29] [13B55CDA]
07 99,8 [6E936877] [9F991D4C]
08 99,8 [146B7010] [6D8D1299]
09 99,8 [AEACCD60] [951CBB89]
10 97,6 [67C96441] [CDCED642]
11 99,8 [D4FAAD0A] [ECE51A9E]