Jordi Savall, Le Concert des Nations - Vivaldi: Teuzzone (2011)
EAC | FLAC | Image (Cue & Log) ~ 839 Mb | Total time: 64:58+48:36+46:01 | Scans included
Classical | Label: Naïve | # OP30513 | Recorded: 2011
EAC | FLAC | Image (Cue & Log) ~ 839 Mb | Total time: 64:58+48:36+46:01 | Scans included
Classical | Label: Naïve | # OP30513 | Recorded: 2011
Teuzzone is an early opera, written in 1719, only five years after Vivaldi's first venture into the field. His developing skill as an opera composer is evident in the music's vivid delineation of the characters and their moods. There isn't much of a dramatic arc to the music of the three acts, but for the listener willing to forego that expectation, the individual moments are wonderfully effective and engaging. The libretto features the standard late Baroque operatic themes of thwarted romance and court intrigue, but it takes place in China, perhaps the first libretto to be set in the Far East. Jordi Savall had led Le Concert des Nations in one previous Vivaldi opera, Farnace, recorded live in 2001. In this 2011 studio recording, the sound quality is considerably better, and the performances are consistently superb. Le Concert des Nations plays with its accustomed elegance and attentiveness to Savall's nuanced reading. Of the seven roles, Vivaldi only assigns one each to a tenor and a baritone. It's a testimony to the inventiveness and variety of his music (and also to these terrific performances) that the preponderance of high voices isn't wearing. The casting has remarkable depth; even the smallest roles are sung with dazzling technique and tone, and with dramatic acuity. Male soprano Paolo Lopez plays the lead as the prince Teuzzone, a role Vivaldi wrote for a female soprano. He has a powerful, full-bodied, colorful voice with none of the vaporous pallor that once characterized countertenors. This performance puts him securely in the company of distinguished countertenors to emerge early in the 21st century. It's a large role, with seven significant arias and numerous recitatives and ensembles, the most notable of which is the rhapsodic duet, "Que amaro tormento," with the sweet, expressive contralto Delphine Galou. Countertenor Antonio Giovannini has a much smaller part than Lopez, but his voice is no less appealing. As the villainess, mezzo soprano Rafaella Milanesi has a role as large and demanding as the lead's, and she sings with an effortless-sounding coloratura. Roberta Mameli stands out for the warmth and remarkable flexibility of her soprano, and delivers what is probably the most accomplished performance in the outstanding cast. Baritone Furio Zanasi and tenor Makoto Sakurada make very strong, heroic impressions in their relatively minor roles. Naïve's sound is detailed, clean, and spacious, but it feels dramatically static, an ambience more appropriate for oratorio than for opera.–Stephen Eddins
Performer:
Teuzzone – Paolo Lopez
Zidiana – Raffaella Milanesi
Zelinda – Delphine Galou
Cino – Roberta Mameli
Sivenio – Furio Zanasi
Egaro – Antonio Giovannini
Troncone, Argonte – Makoto Sakurada
Le Concert des Nations
Direttore – Jordi Savall
Track List:
CD1:
01. Sinfonia: I. Allegro
02. II. Andante
03. III. […]
04. Scena 1. Atto I. Recitativo: Nostro, amici, è il trionfo (Troncone, Cino, Sivenio)
05. Recitativo accompagnato: Ma gia vien meno il cor (Troncone)
06. Scena 2. Cavatina: Al fiero moi tormento (Zidiana)
07. Recitativo: Amo Teuzzone, e 'l Cielo (Zidiana, Egaro)
08. Aria: Come suol la navicella (Egaro)
09. Scena 3. Recitativo: Ne' miei lumi, o reina (Sivenio, Zidiana)
10. Aria: Tu mio vezzoso (Zidiana)
11. Scena 4. Recitativo: Signor, te appunto io qui attendea (Sivenio, Cino)
12. Aria: In trono assiso (Sivenio)
13. Scena 5. Recitativo: Innocenza, ragion, vorrei ch'ancora (Cino)
14. Aria: Taci per poco ancora (Cino)
15. Scena 6. Arioso: Ove giro il mesto sguardo (Teuzzone)
16. Recitativo: Zelinda, o Dio, Zelinda (Teuzzone)
17. Duetto: Che amaro tormento (Teuzzone, Zelinda)
18. Recitativo: O sposo, o dolce (Zelinda, Teuzzone)
19. Scena 7. Coro: Dagl’Elisi ove posate
20. Scena 8. Recitativo: D'arte e d'inganno, ecco, reina, il tempo (Sivenio, Zidiana, Cino)
21. Aria: Sarò tua regina e sposa (Zidiana)
22. Scena 9. Recitativo: Miei fidi, si taccia (Zelinda)
23. Aria: La timida cervetta (Zelinda)
24. Scena 10. Ritornello e Recitativo: Pria che del morto re l'alto si spieghi (Sivenio)
25. Arioso: Alma bella che vedi il mio core (Zidiana, Teuzzone, Sivenio, Cino)
26. Recitativo: Questo, o principi, o duci (Cino)
27. Recitativo accompagnato: Noi della Cina imperator Troncone (Cino)
28. Recitativo: Zidiana? (Teuzzone, Cino, Sivenio)
29. Coro: Viva Zidiana, viva!
30. Recitativo: Cinesi, i Numi invoco (Teuzzone)
31. Aria: Come fra turbini (Teuzzone)
32. Scena 11. Recitativo: Custodi, il contumace (Cino, Sivenio, Zidiana, Egaro)
33. Scena 12. Recitativo: Fermate, iniqui, e non osate a' danni (Zelinda, Zidiana, Cino, Sivenio, Egaro)
34. Aria: Mi va scherzando in sen (Cino)
35. Recitativo: Sivenio, in te confido (Zidiana)
36. Aria: Non paventa già mai le cadute (Sivenio)
37. Scena 13. Recitativo: Tu, s'egli è ver che tanto (Zidiana, Zelinda)
38. Scena 14. Recitativo: Mio core, io non m'inganno (Zelinda)
39. Aria: Ti sento, sì, ti sento (Zelinda)
CD2:
01. Atto II. Scena 1. Cavatina: Di trombe guerriere (Teuzzone)
02. Recitativo: Ho vinto, fidi, ho vinto (Teuzzone)
03. Scena 2. Recitativo: Ove, o prence, fra l’armi? (Zelinda, Teuzzone)
04. Aria: Tornerò, pupille belle (Teuzzone)
05. Scena 3. Recitativo: Parte il mio sposo? O Dei! (Zelinda)
06. Aria: Un’aura lusinghiera (Zelinda)
07. Scena 4. Recitativo: Teuzzon, vuoi armi ed ire? (Zidiana)
08. Scena 7. Recitativo: Amica, Qual pietà per Teuzzon? (Zidiana, Zelinda)
09. Scena 8. Recitativo: Sospese il tuo commando (Egaro, Zidiana)
10. Aria: La Gloria del tuo sangue (Egaro)
11. Scena 9. Recitativo: Mercè al vostro valor, che su la fronte (Zidiana, Sivenio, Cino)
12. Aria: Vedi le mie cotene (Zidiana)
13. Scena 11. Recitativo: Teuzzon, rendasi questo (Sivenio, Teuzzone, Cino)
14. Aria: Sì, ribelle anderò, morirò (Teuzzone)
15. Scena 12. Recitativo: Niega eseguir la destra (Cino, Sivenio)
16. Aria: Non temer: sei giunto in porto (Sivenio)
17. Recitativo: Scrissi. Che vuoi di più, brama crudele? (Cino)
18. Aria: Nel suo carcere ristretto (Cino)
19. Scena 13. Recitativo: Condannato è, reina (Zelinda, Zidiana)
20. Scena 14. Recitativo: Contumace alle leggi (Sivenio, Zidiana, Zelinda)
21. Scena 15. Recitativo: Arde Sivenio, è tollerarlo e forza (Zidiana, Zelinda)
22. Aria: Guarda in quest’occhi e senti (Zelinda)
23. Scena 16. Recitativo: Due seggi qui (Zidiana, Egaro, Teuzzone)
24. Scena 17. Recitativo: T’ubbidirò, spietato, e su quel foglio (Zidiana, Zelinda)
25. Aria: Ritorna a lusingarmi (Zidiana)
CD3:
01. Atto III. Scena 1. Recitativo: Già dispose I miei fidi (Zelinda)
02. Arioso: Quanto costi, al mio riposo (Cino)
03. Recitativo: Cino… Vergine saggia! (Zelinda, Cino)
04. Aria: Con palme ed allori (Zelinda)
05. Scena 2. Recitativo: Cieli! Ch’io ‘l creda? E sarà vero? (Cino, Sivenio)
06. Scena 3. Recitativo: Principi, onde tant’ire? (Zidiana, Sivenio, Cino)
07. Aria: Sì, per regnar (Zidiana)
08. Scena 4. Recitativo: Il colpo mi stordi (Cino, Sivenio)
09. Aria: Son fra scogli e fra procelle (Cino)
10. Scena 5. Recitativo: Ah, Sivenio crudel, chè tal ben deggio (Sivenio)
11. Aria: Base al regno e guida al trono (Sivenio)
12. Scena 6. Arioso: Antri cupi, infausti orrori (Teuzzone)
13. Recitativo: A che m’astrigi, Amor? (Zelinda, Teuzzone)
14. Scena 7. Recitativo: T’arresta! (Zidiana, Zelinda, Teuzzone)
15. Scena 8. Recitativo: Reina… (Egaro, Zidiana, Zelinda, Teuzzone)
16. Aria: Dille ch’il viver mio (Teuzzone)
17. Scena 9. Recitativo: Vanne, spietato, vane (Zidiana, Zelinda)
18. Aria: Io sembro appunto (Zidiana)
19. Scena 10. Recitativo: Chi sa, stele, chisa che di mie vene (Zelinda)
20. Aria: Per lacerarlo (Zelinda)
21. Scena 11. Arietta: Liete voci, amiche trombe (Zidiana)
22. Scena 12. Recitativo: Popoli, al reo Teuzzon v’ha un reo maggiore (Zidiana, Sivenio, Teuzzone, Zelinda, Cino, Egaro)
23. Recitativo accompagnato: Sangue, virtù, dovere (Cino)
24. Recitativo: Come? (Zelinda, Teuzzone, Zidiana, Egaro, Sivenio, Cino)
25. Scena ultima. Recitativo: Che farò? (Tutti)
26. Coro: In sen della virtude
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 10. June 2019, 14:28
Jordi Savall, Le Concert des Nations / Vivaldi - Teuzzone (Atto I)
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Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 10. June 2019, 15:41
Jordi Savall, Le Concert des Nations / Vivaldi - Teuzzone (Atto II)
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Read mode : Secure
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Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
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Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
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Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 10. June 2019, 19:45
Jordi Savall, Le Concert des Nations / Vivaldi - Teuzzone (Atto III)
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Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
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Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
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Add ID3 tag : No
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Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
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Copy OK
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Track 14 accurately ripped (confidence 20) [20968DCE] (AR v2)
Track 15 accurately ripped (confidence 20) [6B11B921] (AR v2)
Track 16 accurately ripped (confidence 20) [72A11A8A] (AR v2)
Track 17 accurately ripped (confidence 20) [74E5EDD5] (AR v2)
Track 18 accurately ripped (confidence 20) [F3FACC41] (AR v2)
Track 19 accurately ripped (confidence 20) [E496F27A] (AR v2)
Track 20 accurately ripped (confidence 20) [BE31D4B4] (AR v2)
Track 21 accurately ripped (confidence 20) [9E1097E9] (AR v2)
Track 22 accurately ripped (confidence 20) [D79F41D7] (AR v2)
Track 23 accurately ripped (confidence 20) [ABD72B9C] (AR v2)
Track 24 accurately ripped (confidence 20) [9E5DF07E] (AR v2)
Track 25 accurately ripped (confidence 20) [1F4FF492] (AR v2)
Track 26 accurately ripped (confidence 20) [45D345F5] (AR v2)
All tracks accurately ripped
End of status report
==== Log checksum 594AE85F9AA87A8C1275E123D5D6135C122F8E5785E978BDD24DCB4BE7CECF84 ====