Lamberto Gardelli, Royal Philharmonic Orchestra, Montserrat Caballé - Gioacchino Rossini: Guillaume Tell (2010)
EAC | FLAC | Image (Cue & Log) ~ 1,01 Gb | Total time: 66:34+73:00+58:00+40:14 | Scans included
Classical | Label: EMI Classics | # 6407632 | Recorded: 1982
EAC | FLAC | Image (Cue & Log) ~ 1,01 Gb | Total time: 66:34+73:00+58:00+40:14 | Scans included
Classical | Label: EMI Classics | # 6407632 | Recorded: 1982
Guillaume Tell was the composer’s last and longest opera. I do not think I would go on to say that it was also necessarily his best, but it is certainly an amazing work full of life. It is, in many ways, both a summation of his operatic genius and a tantalizing glimpse of what might have been had he continued to write for the stage. Like his other last operas it was written for Paris and in its scale and mixture of public and private events is a clear forerunner of such works as Les Huguenots and Don Carlos. At the same time it can be regarded as essentially classical, but with that style subtly transfigured into one that is just as essentially romantic. It represents a turning point in the history of opera, so that the obvious question arises as to why it is so seldom encountered on the stage, and why many music-lovers know it solely by its undoubtedly magnificent overture.
There are several answers to this, but as is clear from these discs they are a mixture of the inherent performance problems and of the expectations of the audience. The performance difficulties tend to centre on casting, in particular of the tenor role of Arnold. This was first sung by Adolphe Nourrit, but its most famous performer was Gilbert-Louis Duprez who made a feature of taking the many high Bs and Cs from the chest rather than with the head voice as the composer would have expected from previous singers. Nowadays tenors who use the head voice in this role are rare, and one of the great pleasures of this performance is Nicolai Gedda’s willingness to do this for at least some of the time. Maybe it is less momentarily exciting but the sheer quantity of high notes can make tenors singing with the chest voice very wearing to listen to. In addition he sings with real elegance, assisted by the use of the original French words.
Problems of casting almost as great arise with the role of Matilde, and the choice of Montserrat Caballé was inspired. Her tone and phrasing show both classical restraint and an understanding of the composer’s style, and so too does Gabriel Bacquier in the title role. I could continue in this vein for the many other secondary roles; the inclusion of French singers seems to have spurred the others on in their adoption of a Gallic style. It is typical of the care over casting that the first solo - the very minor role of a fisherman – is beautifully sung here by Charles Burles with just the right ease of tone and attention to phrasing. The chorus and orchestra are English but sing and play with immense care for the subtlety of Rossini’s writing under Lamberto Gardelli’s very idiomatic direction.–John Sheppard
Performer:
Mathilde – Montserrat Caballé
Jemmy – Mady Mesplé
Hedwige – Jocelyne Taillon
Guillaume Tell – Gabriel Bacquier
Arnold – Nicolai Gedda
Gessler – Louis Hendrix
Melchthal – Gwynne Howell
Walter – Kolo Kovacs
Fisherman – Charles Burles
Rodolphe – Ricardo Cassinelli
Leuthold – Nicolas Christou
Huntsman – Leslie Fyson
Ambrosian Opera Chorus
Royal Philharmonic Orchestra
Conductor – Lamberto Gardelli
Tracklist:
Gioacchino Rossini (1792-1868)
Guillaume Tell
CD1:
01. Ouverture
02. Acte I. Quel jour serein le ciel présage! (Chœur)
03. Accours dans ma nacelle (Pêcheur, Tell, Jemmy, Hedwige)
04. On entend des montagnes (Chœur, Jemmy, Hedwige, Pêcheur, Tell, Arnold, Melchthal)
05. Pasteurs, que vos accents s'unissent (Melchthal, Chœur, Arnold, Pêcheurs, Tell)
06. Près des torrents qui grondent (Chœur)
07. Contre les feux du jour que mon toit solitaire (Tell, Melchthal)
08. Le mien, dit-il, jamais le mien! (Arnold)
09. Où vas-tu?
10. Du danger quand sonnera l'heure
11. Ô Ciel, tu sais si Mathilde m'est chère! (Tell, Arnold)
12. Sur nos têtes le soleil brille (Hedwige)
13. Quand le Ciel entend votre promesse (Melchthal, Tell, Chœur, Arnold)
14. Des antiques vertus vous nous rendez l'exemple (Melchthal, Tell, Arnold)
15. Gessler proscrit ces voeux, écoutez le tyran (Tell, Hedwige, Jemmy)
16. Hymenée, ta journée fortunée luit pour nous (Chœur)
17. Pas de six
18. Gloire, honneur au fils de Tell … Enfants de la nature (Chœur, Jemmy Hedwige)
CD2:
01. Pâle et tremblant, se soutenant à peine (Jemmy Pêcheur Leuthold, Hedwige, Melchthal)
02. Arnold a disparu (Tell, Chœur, Leuthold, Hedwige)
03. Dieu de bonté, Dieu tout-puissant (Chœur, Rodolphe, Jemmy, Hedwige, Melchthal)
04. Ils vont parler
05. Comme lui nous aurions dû faire (Jemmy, Hedwige, Rodolphe, Chœur, Pêcheurs, Melchthal)
06. Acte II. Quelle sauvage harmonie (Chœur)
07. Quel est ce bruit? (Chasseur, Chœur)
08. Ils s'éloignent enfin
09. Sombre forêt (Mathilde)
10. Ma présence pour vous est peut-être un outrage?
11. Oui, vous l'arrachez à mon âme
12. Deux aveu! ce tendre langage
13. Il est digne de mon amour, oui … Dans celle que j'aime …
14. On vient, séparons-nous (Arnold, Mathilde)
15. Ciel! Walter et Guillaume, oui … Tu n'étais pas seul en ces lieux?
16. Quand l'Helvétie est un champ de supplices
17. Ses jours qu'ils ont osé proscrire
18. Il est donc vrai! (Arnold, Tell, Walter)
19. Des profondeurs du bois immense (Tell, Arnold, Walter, Chœur)
20. En ces temps de malheurs (Chœur)
21. On pardonne la crainte à de si grands malheurs
22. De prompts effets la promesse est suivie
23. L'avalanche roulant de haut des nos montagnes
24. Jurons, jurons par nos dangers (Tell, Arnold, Walter, Chœur)
CD3:
01. Acte III. Arnold, d'où naît ce désespoir? (Mathilde, Arnold)
02. Pour notre amour plus d'espérance (Mathilde)
03. Qual bruit arrive à mon oreille?
04. Sur la rive étrangère (Mathilde, Arnold)
05. Gloire au povoir suprême! (Chœur)
06. Vainement dans son insolence (Gessler, Chœur)
07. Que l'empire germain de votre obéissance (Gessler)
08. Toi que l'oiseau ne suvrait pas (Chœur)
09. Danse
10. Toi que l'oiseau ne suvrait pas (Chœur)
11. Pas de Soldats
12. Audaciaux, incline-toi! (Rodolphe, Tell, Chœur, Gessler)
13. C'est là cet archer redoutable (Soldats, Gessler, Tell, Rodolphe, Jemmy)
14. Réjoins ta mère, je l'ordonne (Tell, Gessler, Jemmy)
15. Je te bénis en répandant des larmes (Tell, Gessler, Jemmy)
16. Sois immobile, et vers la terre (Tell)
17. Victoire! victoire! (Chœur, Jemmy, Tell, Gessler, Mathilde)
18. Au nom du souverain, je le prends sous ma garde
19. Quand l'orgueil les égare (Mathilde, Rodolphe, Chœur, Soldats, Gessler, Jemmy, Tell)
20. Anathème à Gessler! (Mathilde, Rodolphe, Chœur, Soldats, Gessler, Jemmy, Tell)
CD4:
01. Appendix. Ah! que ton âme se rassure (Jeremy)
02. Acte IV. Ne m'abandonne pas, espoir de la vengeance!
03. Asile héréditaire (Arnold)
04. Vengeance! Vengeance!
05. Amis, amis, secondez ma vengeance (Chœur, Arnold)
06. Où vas-tu? Te douleur t'égare (Chœur, Hedwige, Jemmy)
07. Je rends à votre amour un fils digne de vous
08. Quoi! dans nos maux acceptant un partage (Mathilde, Jemmy, Hedwige)
09. Toi, qui du faible est l'espérance (Hedwige, Mathilde, Chœur)
10. Suivez-moi! suivez-moi! (Leuthold, Hedwige, Mathilde)
11. Je te revois! (Hedwige, Jemmy, Tell, Soldats, Gessler, Chœur, Mathilde)
12. En vain il vent nous fuir
13. A ces signeux de flamme enfin cessons de craindre (Walter, Tell, Jemmy, Hedwige, Mathilde, Chœur, Arnold)
14. Pourquoi ta presence, ô mon père! … Tout change et grandit en ces lieux! (Arnold, Tell, Hedwige, Jemmy, Chœur)
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 30. September 2023, 17:19
Lamberto Gardelli, Royal Philharmonic Orchestra / Rossini: Guillaume Tell CD1
Used drive : ASUS BW-16D1HT Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
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==== Log checksum 54A0C89BF4212F39EAE4A70D66B7EF07125D6BEF0243062353FCA0665F45ADCA ====
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 30. September 2023, 17:44
Lamberto Gardelli, Royal Philharmonic Orchestra / Rossini: Guillaume Tell CD2
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Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
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Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
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Copy CRC 442A47B8
Copy OK
No errors occurred
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==== Log checksum 2AC25C289465C3C48049E30E2AAC4AEC4DE3DA5FCB8EA5C801315C378A2B3418 ====
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 30. September 2023, 18:05
Lamberto Gardelli, Royal Philharmonic Orchestra / Rossini: Guillaume Tell CD3
Used drive : ASUS BW-16D1HT Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
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==== Log checksum 4790C5CF90E12ED4F94D26DF324F4AF445D55F1F8974BA1DD5F72845BD44BB57 ====
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 30. September 2023, 18:23
Lamberto Gardelli, Royal Philharmonic Orchestra / Rossini: Guillaume Tell CD4
Used drive : ASUS BW-16D1HT Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
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2 | 6:01.36 | 3:20.15 | 27111 | 42125
3 | 9:21.51 | 3:37.15 | 42126 | 58415
4 | 12:58.66 | 2:22.68 | 58416 | 69133
5 | 15:21.59 | 3:33.27 | 69134 | 85135
6 | 18:55.11 | 1:55.48 | 85136 | 93808
7 | 20:50.59 | 4:21.02 | 93809 | 113385
8 | 25:11.61 | 2:26.23 | 113386 | 124358
9 | 27:38.09 | 2:43.02 | 124359 | 136585
10 | 30:21.11 | 2:51.55 | 136586 | 149465
11 | 33:12.66 | 0:39.60 | 149466 | 152450
12 | 33:52.51 | 1:22.00 | 152451 | 158600
13 | 35:14.51 | 1:21.68 | 158601 | 164743
14 | 36:36.44 | 3:37.47 | 164744 | 181065
Range status and errors
Selected range
Filename D:\ArlegZ\Rossini - Guillaume Tell - Lamberto Gardelli CD4.wav
Peak level 91.1 %
Extraction speed 6.8 X
Range quality 100.0 %
Test CRC ADE8D51C
Copy CRC ADE8D51C
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 4) [0B74732C] (AR v2)
Track 2 accurately ripped (confidence 4) [42BF50B1] (AR v2)
Track 3 accurately ripped (confidence 4) [7092A06F] (AR v2)
Track 4 accurately ripped (confidence 4) [13569AC9] (AR v2)
Track 5 accurately ripped (confidence 4) [7E58FB51] (AR v2)
Track 6 accurately ripped (confidence 4) [833F26BD] (AR v2)
Track 7 accurately ripped (confidence 4) [FAA26E8E] (AR v2)
Track 8 accurately ripped (confidence 4) [3F478C29] (AR v2)
Track 9 accurately ripped (confidence 4) [2745C425] (AR v2)
Track 10 accurately ripped (confidence 4) [478C6947] (AR v2)
Track 11 accurately ripped (confidence 4) [A1CD8B49] (AR v2)
Track 12 accurately ripped (confidence 4) [F1BED0CC] (AR v2)
Track 13 accurately ripped (confidence 4) [7529A01F] (AR v2)
Track 14 accurately ripped (confidence 4) [36A592ED] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: GpNNkO7faJE0UcvX2f9Lnq5dhuo-] found
Submit result: GpNNkO7faJE0UcvX2f9Lnq5dhuo- has been confirmed
Track | CTDB Status
1 | (55/56) Accurately ripped
2 | (56/56) Accurately ripped
3 | (56/56) Accurately ripped
4 | (56/56) Accurately ripped
5 | (56/56) Accurately ripped
6 | (56/56) Accurately ripped
7 | (56/56) Accurately ripped
8 | (56/56) Accurately ripped
9 | (56/56) Accurately ripped
10 | (56/56) Accurately ripped
11 | (56/56) Accurately ripped
12 | (56/56) Accurately ripped
13 | (56/56) Accurately ripped
14 | (56/56) Accurately ripped
==== Log checksum C3D37904E0080DA127992E6B44AC36E0B6A984C10AF853013CAD28EBC3AD069E ====