Tags
Language
Tags
March 2024
Su Mo Tu We Th Fr Sa
25 26 27 28 29 1 2
3 4 5 6 7 8 9
10 11 12 13 14 15 16
17 18 19 20 21 22 23
24 25 26 27 28 29 30
31 1 2 3 4 5 6

London Baroque - Jean-Philippe Rameau: Pieces de clavecin en concerts (2003)

Posted By: Designol
London Baroque - Jean-Philippe Rameau: Pieces de clavecin en concerts (2003)

London Baroque - Jean-Philippe Rameau: Pièces de clavecin en concerts (2003)
EAC | FLAC | Image (Cue&Log) ~ 425 Mb | Mp3 (CBR320) ~ 363 Mb | Scans included
Genre: Classical | Label: BIS | # BIS-CD-1385 | Time: 01:07:00

Vivaldi, Handel, Purcel, J.S. Bach and now Rameau: London Baroque is proceeding through the Baroque Masters at an impressive pace. After acclaimed recordings of the Fantazias of Purcell and Bach's trio sonatas the turn has come to Pièces de Clavecin en Concerts, Jean-Philippe Rameau's important collection of chamber music works. The title (Concert pieces for harpsichord) is actually misleading, for although the harpsichord does play an important role throughout, the violin and viola da gamba are indispensable. Here London Baroque members Ingrid Seifert, Charles Medlam and Terence Charlston again prove their almost uncanny ability to play as one. Being mainly famous for his operas and stage works, Rameau in his Pièces has created a series of character pieces of which many are portraits of friends and acquaintances of the composer. Among the titles are the names and colleagues such as Marais and Forqueray but there is also a delightful self-portrait in La Rameau. A kaleidoscopic journey through the artistic circles of Paris in 1740, which can only be recommended.

Jean-Philippe Rameau was an extraordinarily gifted and imaginative composer as highly esteemed in his day as he continues to be in ours. With the exception of his oeuvre for harpsichord, Rameau’s Pièces de clavecin en concerts represents the only chamber music he composed in his long and prolific life. Unlike his solo harpsichord works, which mostly count among his earliest compositions, Rameau’s six settings for harpsichord, flute/violin, and violin/cello were written much later in 1741 when he was at the height of his powers. And throughout these often widely diverse, emotionally charged, and programmatically alluring works we cannot help but hear Rameau auspiciously summarizing in chamber scale his varied achievements to date.

There are many fine recordings of the Pieces de clavecin en concerts on CD, though few take full advantage of the interpretive possibilities in these scores. This new performance by London Baroque is as accomplished as we might expect from these veteran players; however, given the competition, its few minor shortcomings (and one major one) prevent this ensemble’s otherwise worthy offering from ranking among the best.

As with most other performances (the Leonhardt Consort on Teldec being the most notable exception) London Baroque observes all repeats yet fails to make the most of their expressive potential. Compare for instance their treatment of the opening “La Laborde” of the second Concert to the performance by the Ensemble Baroque du Festival D’Aix-En-Provence on Pierre Verany. Though certainly vivid and lively, London Baroque’s slightly slower tempos and rather unimaginative delineation of line (compared to Pierre Verany’s viola de gambist Sylvie Moquet!) make for a less compelling ideal. Other moments also are less interesting than they could be: London Baroque’s rendering of the potentially mesmerizing second-movement “L’indiscrete” of the fourth Concert could use a bit more of the alacrity and verve demonstrated by the Leonhardt Consort or by Pinnock/Podger/Mason on a recent Channel Classics recording.

But the major problem with London Baroque’s performance lies with its omission of the optional flute obbligato that most groups sensibly include. Without it, the full range of the composer’s broadly diverse musical palette becomes greatly diminished–“La Livri” loses its eerie melancholy, “L’Agaçante” is denied its elegant air, and “La Cupis” simply doesn’t flower as brightly as it should. Listeners familiar with other performances that incorporate this vital wind element will lament its absence here.

Review by John Greene, ClassicsToday.com

London Baroque - Jean-Philippe Rameau: Pieces de clavecin en concerts (2003)



London Baroque
Ingrid Seifert, violin
Charles Medlam, bass viol
Terence Charlston, harpsichord

Tracklist:

Jean-Philippe Rameau (1683-1764)

Concert No.1 in C minor
01. I. La Coulicam (3:40)
02. II. La Livri (3:01)
03. III. Le Vézinet (3:32)

Concert No.2 in G major
04. I. La Laborde (6:05)
05. II. La Boucon (4:48)
06. III. L'agaçante (2:35)
07. IV. Menuets I & II (4:38)

Concert No.3 in A major
08. I. La La Poplinière (4:50)
09. II. La timide (6:36)
10. III. Tambourins I & II (2:41)

Concert No.4 in B flat major
11. I. La pantomime (4:23)
12. II. L'indiscrète (1:46)
13. III. La Rameau (4:48)

Concert No.5 in D minor
14. I. La Forqueray (4:41)
15. II. La Cupis (5:47)
16. III. La Marais (3:12)


Exact Audio Copy V1.3 from 2. September 2016

EAC extraction logfile from 6. June 2018, 21:14

London Baroque / Jean-Philippe Rameau - Pièces de clavecin en concerts

Used drive : PLDS DVD-RW DU8A6SH Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:40.02 | 0 | 16501
2 | 3:40.02 | 3:00.53 | 16502 | 30054
3 | 6:40.55 | 3:31.42 | 30055 | 45921
4 | 10:12.22 | 6:05.15 | 45922 | 73311
5 | 16:17.37 | 4:47.38 | 73312 | 94874
6 | 21:05.00 | 2:34.72 | 94875 | 106496
7 | 23:39.72 | 4:38.25 | 106497 | 127371
8 | 28:18.22 | 4:50.00 | 127372 | 149121
9 | 33:08.22 | 6:35.48 | 149122 | 178794
10 | 39:43.70 | 2:40.47 | 178795 | 190841
11 | 42:24.42 | 4:22.68 | 190842 | 210559
12 | 46:47.35 | 1:45.50 | 210560 | 218484
13 | 48:33.10 | 4:47.55 | 218485 | 240064
14 | 53:20.65 | 4:40.55 | 240065 | 261119
15 | 58:01.45 | 5:46.70 | 261120 | 287139
16 | 63:48.40 | 3:11.45 | 287140 | 301509


Range status and errors

Selected range

Filename C:\temp\BIS-CD-1385 - Rameau - Pieces de clavecin en concerts\Rameau - Pieces de clavecin en concerts.wav

Peak level 99.9 %
Extraction speed 4.0 X
Range quality 100.0 %
Test CRC 29687CBB
Copy CRC 29687CBB
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 3) [62B2075C] (AR v2)
Track 2 accurately ripped (confidence 3) [5298A67F] (AR v2)
Track 3 accurately ripped (confidence 3) [B05B0A24] (AR v2)
Track 4 accurately ripped (confidence 3) [C527BEEA] (AR v2)
Track 5 accurately ripped (confidence 3) [C9EB15C0] (AR v2)
Track 6 accurately ripped (confidence 3) [8D17CA39] (AR v2)
Track 7 accurately ripped (confidence 3) [1DC75B6F] (AR v2)
Track 8 accurately ripped (confidence 3) [42C41B8A] (AR v2)
Track 9 accurately ripped (confidence 3) [2A0F73F3] (AR v2)
Track 10 accurately ripped (confidence 3) [E4EDDBD2] (AR v2)
Track 11 accurately ripped (confidence 3) [FE6F77BD] (AR v2)
Track 12 accurately ripped (confidence 3) [228A47C6] (AR v2)
Track 13 accurately ripped (confidence 3) [A39BECCB] (AR v2)
Track 14 accurately ripped (confidence 3) [10FC8DF3] (AR v2)
Track 15 accurately ripped (confidence 3) [963E23B0] (AR v2)
Track 16 accurately ripped (confidence 3) [EB8884CB] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum 33DA8097420DA74EC334BC7C0106A24863B2833DE21D7E096537729E84BDF4A2 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-06-09 23:09:45

––––––––––––––––––––––––––––––––––––––––
Analyzed: London Baroque / Jean-Philippe Rameau - Pièces de clavecin en concerts
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -2.60 dB -19.09 dB 3:40 01-Concert No.1 in C minor - I. La Coulicam
DR12 -5.66 dB -20.46 dB 3:01 02-Concert No.1 in C minor - II. La Livri
DR13 -2.38 dB -17.70 dB 3:32 03-Concert No.1 in C minor - III. Le Vézinet
DR14 0.00 dB -18.03 dB 6:05 04-Concert No.2 in G major - I. La Laborde
DR12 -5.73 dB -21.02 dB 4:48 05-Concert No.2 in G major - II. La Boucon
DR13 -0.75 dB -17.67 dB 2:35 06-Concert No.2 in G major - III. L'agaçante
DR13 -4.23 dB -20.41 dB 4:38 07-Concert No.2 in G major - IV. Menuets I & II
DR13 -2.16 dB -19.13 dB 4:50 08-Concert No.3 in A major - I. La La Poplinière
DR13 -3.03 dB -20.39 dB 6:36 09-Concert No.3 in A major - II. La timide
DR13 0.00 dB -16.90 dB 2:41 10-Concert No.3 in A major - III. Tambourins I & II
DR13 -2.00 dB -18.09 dB 4:23 11-Concert No.4 in B flat major - I. La pantomime
DR12 -3.15 dB -19.65 dB 1:46 12-Concert No.4 in B flat major - II. L'indiscrète
DR12 -1.30 dB -18.12 dB 4:48 13-Concert No.4 in B flat major - III. La Rameau
DR13 -0.36 dB -17.83 dB 4:41 14-Concert No.5 in D minor - I. La Forqueray
DR13 -3.30 dB -19.99 dB 5:47 15-Concert No.5 in D minor - II. La Cupis
DR13 -0.84 dB -19.06 dB 3:12 16-Concert No.5 in D minor - III. La Marais
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 16
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 867 kbps
Codec: FLAC
================================================================================

London Baroque - Jean-Philippe Rameau: Pieces de clavecin en concerts (2003)

All thanks to original releaser

More interesting music in My Blog