Bob Chilcott - Requiem & Other Choral Works (2012)
Wells Cathedral Choir, The Nash Ensemble, Matthew Owens, conductor
EAC | FLAC | Image (Cue&Log) ~ 249 Mb | Mp3 (CBR320) ~ 183 Mb | Artwork included
Classical, Choral, Sacred | Label: Hyperion | # CDA67650 | Time: 01:19:38
Wells Cathedral Choir, The Nash Ensemble, Matthew Owens, conductor
EAC | FLAC | Image (Cue&Log) ~ 249 Mb | Mp3 (CBR320) ~ 183 Mb | Artwork included
Classical, Choral, Sacred | Label: Hyperion | # CDA67650 | Time: 01:19:38
As a composer of sacred music, Bob Chilcott has found his own niche by writing accessible choral works that speak to contemporary sensibilities. As has been noted frequently, his Requiem evokes Gabriel Fauré and Maurice Duruflé, mostly through its gentle feeling and serene melodies, though without imitating their style or content. Rather, it has its own mix of somber harmonies and fluid, chantlike lines, and the expression of the work is a little cooler and darker. Chilcott's music admits occasional and mild dissonance, though the orientation is strongly modal and the harmonies always feel like a natural result of the counterpoint. Chilcott's Salisbury Motets, Downing Service, and three shorter pieces share the same modern Anglican style, which is approachable and easy to follow. The Wells Cathedral Choir, under the direction of Matthew Owens, sings with a pure tone and clear diction, and the sound of the recordings is quite resonant, thanks to the responsive acoustics of the Cathedral of St. Andrew.Review by Blair Sanderson, Allmusic.com
This disc of premiere recordings of music by one of the most popular British choral composers is dominated by the Requiem of 2010, a medium-length work, cast in seven movements and moulded firmly in the Fauré/Duruflé tradition. Largely reflective in nature (and eschewing the more vengeful and wrathful texts), Chilcott has drawn his inspiration from his time as a chorister at King’s College, Cambridge. The ‘Pie Jesu’ is, naturally, given to a soprano (most eloquently sung by the angelic Laurie Ashworth), and there is also an important role for the tenor soloist in the Offertorio. This movement starts with an affectionate homage to Duruflé, and there are nods here and there to Howells and Rutter en route. Although this is music steeped in the Anglican mainstream, there is just enough of a French influence to prevent it from becoming anodyne and nebulous. Much of the music is slow and reflective with only a few major outbursts, most notably in the uplifting Sanctus. The addition of a wind quartet and timpani brings a freshness and piquancy to the timbral palette and blends beautifully with Jonathan Vaughn’s superb organ-playing.
The finest of the quartet of motets is the turbulent ‘When to the temple Mary went’. The Wells choristers also excel in the ‘Downing’ Mag and Nunc, expertly written treatments of these well-loved canticles. The ending of the Magnificat is a stroke of pure genius. Matthew Owens draws impassioned and beautiful performances throughout this delightful disc.Review by Malcolm Riley, Gramophone
Andrew Staples, tenor (1-7)
Laurie Ashworth, soprano (1-7)
Jonathan Vaughn, organ (1-7, 12-16)
The Nash Ensemble (1-7)
Wells Cathedral Choir
Matthew Owens, conductor
Recording details: June 2011
Wells Cathedral, United Kingdom
Tracklist:
Requiem
01. I. Introit & Kyrie (9:28)
02. II. Offertorio (7:49)
03. III. Pie Jesu (6:03)
04. IV. Sanctus & Benedictus (2:14)
05. V. Agnus Dei (5:01)
06. VI. Thou knowest, Lord (5:04)
07. VII. Lux aeterna (6:12)
Salisbury Motets
08. I sing of a mayden (4:07)
09. When to the temple Mary went (4:40)
10. Lovely tearof lovely eye (6:09)
11. Hail, star of the sea most radiant (3:01)
Downing Service
12. I. Magnificat (2:50)
13. II. Nunc dimittis (4:33)
14. Pilgrim Jesus (2:13)
15. The Nine Gifts (4:26)
16. Jesus, springing (5:51)
Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 15. July 2012, 20:30
Bob Chilcott / Requiem & Other Works
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==== Log checksum 09AA58D056220F187B70E9FC9CB911A76DCC2FC5EFB0B0E66FDDB4EDEF5CBE8F ====
EAC extraction logfile from 15. July 2012, 20:30
Bob Chilcott / Requiem & Other Works
Used drive : Optiarc DVD RW AD-7203A Adapter: 4 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -T "COMMENT=Ripped by GFox" -8 -V %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 9:27.68 | 0 | 42592
2 | 9:27.68 | 7:48.41 | 42593 | 77733
3 | 17:16.34 | 6:02.52 | 77734 | 104935
4 | 23:19.11 | 2:13.44 | 104936 | 114954
5 | 25:32.55 | 5:00.59 | 114955 | 137513
6 | 30:33.39 | 5:03.73 | 137514 | 160311
7 | 35:37.37 | 6:11.68 | 160312 | 188204
8 | 41:49.30 | 4:06.54 | 188205 | 206708
9 | 45:56.09 | 4:39.71 | 206709 | 227704
10 | 50:36.05 | 6:09.02 | 227705 | 255381
11 | 56:45.07 | 3:00.47 | 255382 | 268928
12 | 59:45.54 | 2:49.43 | 268929 | 281646
13 | 62:35.22 | 4:33.19 | 281647 | 302140
14 | 67:08.41 | 2:12.54 | 302141 | 312094
15 | 69:21.20 | 4:25.66 | 312095 | 332035
16 | 73:47.11 | 5:50.56 | 332036 | 358341
Range status and errors
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Filename D:\EAC\Bob Chilcott - Requiem & Other Works.wav
Peak level 91.6 %
Extraction speed 0.2 X
Range quality 100.0 %
Test CRC 1D61E910
Copy CRC 1D61E910
Copy OK
No errors occurred
AccurateRip summary
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Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
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Track 9 not present in database
Track 10 not present in database
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None of the tracks are present in the AccurateRip database
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foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-12-28 21:08:47
––––––––––––––––––––––––––––––––––––––––
Analyzed: Wells Cathedral Choir, Matthew Owens / Bob Chilcott: Requiem & Other Choral Works
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR16 -4.18 dB -28.37 dB 9:28 01-Requiem - I. Introit & Kyrie
DR18 -2.16 dB -28.15 dB 7:49 02-Requiem - II. Offertorio
DR12 -13.54 dB -31.73 dB 6:03 03-Requiem - III. Pie Jesu
DR13 -0.75 dB -20.53 dB 2:14 04-Requiem - IV. Sanctus & Benedictus
DR13 -15.91 dB -34.51 dB 5:01 05-Requiem - V. Agnus Dei
DR16 -2.27 dB -25.51 dB 5:04 06-Requiem - VI. Thou knowest, Lord
DR15 -6.39 dB -28.91 dB 6:12 07-Requiem - VII. Lux aeterna
DR17 -6.80 dB -31.87 dB 4:07 08-Salisbury Motets - I sing of a mayden
DR13 -5.60 dB -27.65 dB 4:40 09-Salisbury Motets - When to the temple Mary went
DR17 -3.58 dB -28.16 dB 6:09 10-Salisbury Motets - Lovely tearof lovely eye
DR13 -3.89 dB -23.73 dB 3:01 11-Salisbury Motets - Hail, star of the sea most radiant
DR14 -1.90 dB -24.00 dB 2:50 12-Downing Service - I. Magnificat
DR13 -3.59 dB -23.77 dB 4:33 13-Downing Service - II. Nunc dimittis
DR13 -1.67 dB -20.34 dB 2:13 14-Pilgrim Jesus
DR14 -3.49 dB -24.34 dB 4:26 15-The Nine Gifts
DR14 -7.82 dB -27.94 dB 5:51 16-Jesus, springing
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 16
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 437 kbps
Codec: FLAC
================================================================================
log date: 2017-12-28 21:08:47
––––––––––––––––––––––––––––––––––––––––
Analyzed: Wells Cathedral Choir, Matthew Owens / Bob Chilcott: Requiem & Other Choral Works
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR16 -4.18 dB -28.37 dB 9:28 01-Requiem - I. Introit & Kyrie
DR18 -2.16 dB -28.15 dB 7:49 02-Requiem - II. Offertorio
DR12 -13.54 dB -31.73 dB 6:03 03-Requiem - III. Pie Jesu
DR13 -0.75 dB -20.53 dB 2:14 04-Requiem - IV. Sanctus & Benedictus
DR13 -15.91 dB -34.51 dB 5:01 05-Requiem - V. Agnus Dei
DR16 -2.27 dB -25.51 dB 5:04 06-Requiem - VI. Thou knowest, Lord
DR15 -6.39 dB -28.91 dB 6:12 07-Requiem - VII. Lux aeterna
DR17 -6.80 dB -31.87 dB 4:07 08-Salisbury Motets - I sing of a mayden
DR13 -5.60 dB -27.65 dB 4:40 09-Salisbury Motets - When to the temple Mary went
DR17 -3.58 dB -28.16 dB 6:09 10-Salisbury Motets - Lovely tearof lovely eye
DR13 -3.89 dB -23.73 dB 3:01 11-Salisbury Motets - Hail, star of the sea most radiant
DR14 -1.90 dB -24.00 dB 2:50 12-Downing Service - I. Magnificat
DR13 -3.59 dB -23.77 dB 4:33 13-Downing Service - II. Nunc dimittis
DR13 -1.67 dB -20.34 dB 2:13 14-Pilgrim Jesus
DR14 -3.49 dB -24.34 dB 4:26 15-The Nine Gifts
DR14 -7.82 dB -27.94 dB 5:51 16-Jesus, springing
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 16
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 437 kbps
Codec: FLAC
================================================================================