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Mikhail Pletnev - Tchaikovsky: The Symphonies (2010)

Posted By: peotuvave
Mikhail Pletnev - Tchaikovsky: The Symphonies (2010)

Mikhail Pletnev - Tchaikovsky: The Symphonies (2010)
EAC Rip | Flac (Image + cue + log) | 1.94 GB | MP3 320Kbps CBR | 1.15 GB | 7 CDs | Full Scans
Genre: Classical | Label: Deutsche Grammophon | Catalog Number: 001477302

Deutsche Grammophon's 2010 reissue of Mikhail Pletnev's recordings of the symphonies and major orchestral works of Pyotr Il'yich Tchaikovsky is a seven-disc trimline box set that presents the music in a logical fashion and meets expectations of what this admired conductor can do. Pletnev leads the Russian National Orchestra with confidence and clearheaded thinking, and his interpretations of Tchaikovsky definitely lean to the rational side of Romanticism: as passionate and emotional as the works are in the public imagination, Pletnev always remembers that Tchaikovsky was at heart a classicist, so he is careful not to neglect the formal concerns and gracefulness of melody that are the soul of the music. These works are at their finest in their lyrical passages, and Pletnev appears to appreciate the eloquence of Tchaikovsky's themes somewhat more than his dramatic writing, for there is a noticeable emphasis on orchestral detail in the softer passages, and he takes great care with the most delicate supporting lines. Even so, there is enough red blood in the symphonies' fast movements to please those who come to Tchaikovsky for fire, and the overtures and other works for orchestra, such as the explosive 1812 Overture, provide ample energy and excitement. Each CD contains one symphony and a filler work, so there are no inconvenient breaks of works between movements, and the unnumbered "Manfred" Symphony is also included, along with the less famous tone poems. DG's exceptional sound in these recordings from the 1990s is as clean and crisp as anyone could wish.

Composer: Peter Ilyich Tchaikovsky
Conductor: Mikhail Pletnev
Orchestra/Ensemble: Russian National Orchestra

Reviews: This set underlines various lessons. One of them is not to disdain the first three symphonies. They may not have the torrid solar flares of the last three but they certainly deserve as much attention as comes the way of Balakirev 1, the Borodins, the Glazunovs and the Lyapunovs.

Pletnev is a most caring and thoughtful shaper of moods as the First Symphony shows. The playing is finely nuanced to match the strong balletic character. Indeed it made me think of Nutcracker more than once. The finale is handled with more natural passion by Bernstein with Pletnev and his RNO sounding laboured here rather than possessed. I admit the music at this point does not help. The Marche Slave makes peace with Russian nationalism and recalls the Ippolitov-Ivanov’s Sardar (from the Caucasian Sketches) but with those passionate Tchaikovskian hallmarks. It is good to hear the melodramatics of the Festival Overture on the Danish Anthem even if there are echoes or pre-echoes of 1812. The trumpet at 3.30 sounds perfectly placed in this lively resonant acoustic.

The Second Symphony is heard in its last revision. Once again we are reminded that in the 1870s Tchaikovsky, while abjuring nationalism, made common cause with the likes of Borodin and Balakirev and did this with style. The second movement recalls moments in the Fifth Symphony but without quite the same spective sturm und drang. This is more balletic. The third movement forms links with the “apotheosis of the dance” in Beethoven 7 with a dash of Nutcracker. The finale looks to the theatre again but stiffened with whirling folk-dance material. Fate was composed in 1868 and is an engaging example of a tragic mood that he was to employ with greater force and mastery in Francesca and Romeo and Juliet. Pletnev is an attentive advocate and this is well worth hearing even if Markevitch (Philips) is a more headlong champion of this rare piece. Rising from chamber intimacy to the extremes of Imperial bombast the 1812 Overture is not the chaff that we may have been tempted to conclude. This 1880 piece is reverent and thoughtful exploring a realm for which Tchaikovsky had great regard but then after some surprisingly Schumann-like passages flinging all restraint aside for some concluding the haughty and warlike revelry. If you listen with open ears there is much more of the lyricist here than of the tub-thumper - Victor Hochhauser had a lot to answer for not to mention the phalanx of hi-fi gurus of the 1960s and 1970s! The bells in this case are rather a modest presence though the orchestra at large - and especially the strings - play up a storm and the artillery impresses. Does anyone have any details of the artillery effects used?

The Third Symphony's five movements are relaxed and inhabit the mirliton world of the ballet. The moods are pastel subtle rather than painted with garish emotionalism. This is enjoyable as a character suite with Pletnev attentively limning in delicious details. The summation comes in the sturdy finale in a manner which is more Glazunov than the magus/victim of the emotional storms to come. Speaking of which, Pletnev's Romeo and Juliet ends the third disc. This is craftily weighed and paced. Much of it is understated. There is no neon dazzle under the skin unlike the more obviously alluring Stokowski which still sounds wonderful from 1959 (NY Stadium, Everest and HDTT) or a year later the superb Monteux and the LSO in Vienna. Pletnev has the edge in terms of quality of sound and the dramatic sections still hum with high tensile power - all more so because the surrounding poetics are low key – an almost English reserve.

The Fourth Symphony is my favourite among the Seven though Manfred supplants it from time to time. However the Fourth has been with me for as long as I have been gripped by concert music. This dates back to an inspired BBCTV production of Ivanhoe in the late-1960s which used the symphony for the title and incidental music. The stereo Mravinsky/Leningrad PO on DG retains pride of place though I also remember with very great affection a 1970s LP of Barenboim conducting the work - the CBS disc included a copy of the miniature full score. Pletnev handles this rather like his way with Romeo and Juliet. The lower key poetics are handled almost casually certainly with under-dramatised natural sensitivity. The scherzo - pizzicato third movement goes with a confiding swing and that hallmark microscopic attention to dynamics. The two outer movements have plenty of drippingly crimson meat reserved for the brass. Pletnev lays into the finale with a fiery whiplash. For those who find Mravinsky just too meltingly headlong Pletnev has the answer. His recording is in truly splendid sound seemingly natural and in keeping with the emotional campaign that is Tchaikovsky's plot.

Another superheated score comes in the shape of Francesca da Rimini. Ahronovich's visit to London, the LSO and the RFH in the early 1980s produced a gloriously molten concert performance - not as yet issued on CD (come on BBC Legends!). More practically any Francesca has to square up to the Stokowski 1958 Everest recording with the NY Stadium Orchestra. The difference is pretty much the same as indicated earlier on in relation to Romeo and Juliet. Stokowski is a possessed and feral enchanter and his way with the work in 1959 has the trees bend in the whooping gale. Pletnev is ferocious enough but gives minatory brooding its head. It's a fine account again and ranks among the nest. If you want an even more elemental reading then try one recommended tome by Nick Barnard - it's one on an old and dead and gone Olympia OCD and the conductor is Ovchinnikov. Pletnev embraces the romance of the piece and makes as much of a success of it as he does with Romeo and Juliet. There's also some lovingly calculated and very satisfying stereo effects.

Russian playing but without that soviet stryle bray in the brass contributions. Pity. Who drummed into those young and old players that they had to sound like Boston or New York or London or Stockholm? At the end of Francesca though the brass walls, gale-bent string thickets and furious percussion are given their wall-banging heads. Once again though no resonance is allowed for the tam-tam – shame!

The Fifth Symphony is on CD 5. This is a good and in the finale better than good performance, majoring on the strengths of the cycle as a whole – sane exegesis, truly inspirational sound (sample the finale) and wonderful stereo separation (try start of III). By a hair’s breadth it is not quite as well rounded and exciting as Monteux and the LSO (Vanguard). Nor is it as molten as Mravinsky, Dudamel (DG) or Stokowski in an extraordinary performance on Cameo Classics with the International Festival Orchestra. That said this is one of those performances that is likely to sustain its hold on you over the years and the craggy brass in the finale are packed with adrenaline. This is followed by a musically magical Hamlet – no need to knit your brows over which bar represents which part of the story. Just sit back and enjoy this superb piece of Tchaikovsky writing and interpretation.

The Pathétique follows a stormily grumpy Voyevoda interlaced with some uncannily supernatural and very attractive Sadko-style Rimskian pages. Capriccio Italien, alongside the First Piano Concerto, 1812, Marche Slave and Romeo and Juliet was for may years a spectacular ‘pops’ companion at 1960s and 1970s concerts in the London parks by the Victor Hochhauser organisation. It’s played ramrod straight here, with caring precision and pleases all over again not least in the engineers’ spatial placement of the percussion and brass. The Sixth Symphony was recorded previously by the same forces in 1991 in London by Virgin Classics (VC7 59661-2) and that disc had a great reputation but, by at least one account, inferior sound. It’s glorious – try the whirlwind violins at the strutting peak of the third movement (5:04) and the tender violin-borne and horn-lofted waves of the finale (3:50).

The seventh disc starts with a passionate yet nationalistic The Tempest. It is a rung down from Hamlet and two down from Romeo and Francesca but it is still well worth getting to know in this recording. This Manfred is also passionate and instantly engages and holds the listener. I cannot claim that this has the fervour of Maazel (Eloquence) the blistering intensity of Svetlanov ( BMG) or of the raw elemental power of Symeonov (Vista Vera) but it is no routine run-through. Pletnev for example takes trudging italicised care with the phrasing at the start of the finale. He is blessed with poetically distanced harp playing (11:52). He tellingly sculpts the welling up of emotion and places it unerringly with the passion-spent exhaustion of the last few bars.

Markevitch is still well worth seeking out in Tchaikovsky. He can be heard in a recent splendid reissue on Newton Classics which I hope to review here. It was out ‘originally’ on a big Philips box (426 048-211194) in 1991. He is quite the emotional magician by the side of his own cooler music. I also like Svetlanov and Rozhdestvensky - try the wonderful Regis/Alto issues whether LSO or most recently the Russian State - though I have not heard the latter in the first three symphonies. Also excellent, though largely unsung, is Temirkanov and the RPO on BMG-RCA and Jansons on Chandos.

I hope it is clear that this set is highly desirable. Compare it with 449 967-2GH5 from 1996 when DG issued only the six numbered symphonies without any ‘fillers’. It can be counted in the company of such fine Collectors Edition Universal sets as the Kodaly , the Brahms and the Prokofiev operas.

The notes by David Nice though short in supply are a good backdrop. You can always go to Warrack or Brown for more.

These discs are well filled and the recordings, which are of 1993-96 vintage and made in the Great Hall of the Moscow Conservatory, are admirable with a great sense of three-dimensional imaging and satisfying musical insight.

Tracklisting:

CD 01

Symphony No.1 in G minor, Op.13 "Winter Reveries"
1. I. Allegro tranquillo [13:31]
2. II. Adagio cantabile ma non tanto [11:57]
3. III. Scherzo (Allegro scherzando giocoso) [08:30]
4. IV. Finale (Andante lugubre - Allegro maestoso) [13:40]

5. Slavonic March, Op.31 [09:34]

6. Festival Overture on the Danish National Anthem op.15 [12:41]

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 3. March 2011, 23:45

Mikhail Pletnev, Russian National Orchestra / Tchaikovsky: The Symphonies (CD1)

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CD 02

Symphony No.2 in C minor, Op.17 "Little Russian"
1. I. Andante sostenuto - Allegro vivo [11:05]
2. II. Andantino marziale, quasi moderato [06:51]
3. III. Scherzo. Allegro molto vivace - Trio. L'istesso tempo [05:33]
4. IV. Finale. Moderato assai - Allegro vivo - Presto [09:46]

5. Fatum, Op.77 [18:46]

6. Ouverture solenelle "1812", Op.49 [15:47]

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 3. March 2011, 22:43

Mikhail Pletnev, Russian National Orchestra / Tchaikovsky: The Symphonies (CD2)

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Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : No
Used interface : Native Win32 interface for Win NT & 2000

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Quality : High
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Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
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CD 03

Symphony No.3 in D, Op.29 Polish
1. I. introduzione e Allegro [15:26]
2. II. Alla tedesca (Allegro moderato) [06:41]
3. III. Andante elegiaco [09:16]
4. IV. Scherzo (Allegro vivo) [06:26]
5. V. Finale (Allegro con fuoco) [08:51]

6. Romeo and Juliet, Fantasy Overture [19:15]

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 3. March 2011, 21:46

Mikhail Pletnev, Russian National Orchestra / Tchaikovsky: The Symphonies (CD 3)

Used drive : MATSHITADVD-RAM UJ880AS Adapter: 0 ID: 1

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Read offset correction : 102
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Null samples used in CRC calculations : No
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Quality : High
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Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %j–picture="%i"%j %s -o %d


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Range status and errors

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Copy CRC 250B66DB
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No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database

End of status report

==== Log checksum 0B731F8CF5D4561DFB19FA1552A39A1BF3A3F852E4B5D13D4C5EF6B2105F502A ====


CD 04

Symphony No.4 in F minor, Op.36
1. I. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo [18:49]
2. II. Andantino in modo di canzone [09:43]
3. III. Scherzo. Pizzicato ostinato - Allegro [05:44]
4. IV. Finale (Allegro con fuoco) [09:14]

5. Francesca da Rimini, Op.32 [23:52]

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 3. March 2011, 18:14

Mikhail Pletnev, Russian National Orchestra / Tchaikovsky: The Symphonies (CD4)

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Null samples used in CRC calculations : No
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %j–picture="%i"%j %s -o %d


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Copy OK

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No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database

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==== Log checksum 9C4FBF272545A332FED3BB2AF17AE9743FD1D6D2EAE6AC9718BDCE0C634A4930 ====


CD 05

Symphony No.5 in E minor, Op.64
1. I. Andante - Allegro con anima [14:56]
2. II. Andante cantabile, con alcuna licenza - Moderato con anima [13:22]
3. III. Valse (Allegro moderato) [05:52]
4. IV. Finale (Andante maestoso - Allegro vivace) [12:32]

5. Hamlet - Overture-Fantasy after Shakespeare, Op.67 [19:05]

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 3. March 2011, 16:41

Mikhail Pletnev, Russian National Orchestra / Tchaikovsky: The Symphonies (CD5)

Used drive : MATSHITADVD-RAM UJ880AS Adapter: 0 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
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Make use of C2 pointers : No

Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : No
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %j–picture="%i"%j %s -o %d


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Range status and errors

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Peak level 99.9 %
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Copy CRC 2EAF7441
Copy OK

No errors occurred


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No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database

End of status report

==== Log checksum 5BAD8816970107B6FBFBFF16796571CC531CAD92D2C84A5836A6468FE92AAEED ====


CD 06

1. The Voyevode, Op.78 [14:20]

2. Capriccio italien, Op.45 [17:15]

Symphony No.6 in B minor, Op.74 -"Pathétique"
3. I. Adagio - Allegro non troppo [18:49]
4. II. Allegro con grazia [07:29]
5. III. Allegro molto vivace [08:07]
6. IV. Finale (Adagio lamentoso - Andante) [11:33]

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 3. March 2011, 14:08

Mikhail Pletnev / Tchaikovsky: The Symphonies (CD6)

Used drive : MATSHITADVD-RAM UJ880AS Adapter: 0 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
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Make use of C2 pointers : No

Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : No
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %j–picture="%i"%j %s -o %d


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1 | 0:00.00 | 14:20.00 | 0 | 64499
2 | 14:20.00 | 17:15.00 | 64500 | 142124
3 | 31:35.00 | 18:49.00 | 142125 | 226799
4 | 50:24.00 | 7:29.00 | 226800 | 260474
5 | 57:53.00 | 8:07.00 | 260475 | 296999
6 | 66:00.00 | 11:33.00 | 297000 | 348974


Range status and errors

Selected range

Filename C:\Users\grigoris\Uploads\TCHAIKOVSKY The Symphonies - Pletnev (7 CD)\CD 6\Mikhail Pletnev - Tchaikovsky- The Symphonies (CD6).wav

Peak level 99.9 %
Extraction speed 0.1 X
Range quality 100.0 %
Copy CRC 69954CF1
Copy OK

No errors occurred


AccurateRip summary

Track 1 cannot be verified as accurate (confidence 5) [07F78B72], AccurateRip returned [37397592]
Track 2 cannot be verified as accurate (confidence 5) [F401A3B0], AccurateRip returned [1FB5FB1F]
Track 3 cannot be verified as accurate (confidence 5) [3545A759], AccurateRip returned [13C19F33]
Track 4 cannot be verified as accurate (confidence 5) [29CFCDC5], AccurateRip returned [A3DB9D58]
Track 5 cannot be verified as accurate (confidence 5) [2151C2F0], AccurateRip returned [092280B3]
Track 6 cannot be verified as accurate (confidence 5) [BEE351C5], AccurateRip returned [73EA35AA]

No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database

End of status report

==== Log checksum 3A0085EF456656B05A2A4031F95FE2C932D78DEBE11569C0B548981BC669F0CE ====


CD 07

1. The Tempest, Op.18 [21:49]

Manfred Symphony, Op.58
2. I. Lento lugubre - Moderato con moto - Andante [15:17]
3. II. Vivace con spirito [09:50]
4. III. Andante con moto [10:17]
5. IV. Allegro con fuoco [18:29]

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 3. March 2011, 12:57

Mikhail Pletnev, Russian National Orchestra / Tchaikovsky: The Symphonies (CD7)

Used drive : MATSHITADVD-RAM UJ880AS Adapter: 0 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Combined read/write offset correction : 0
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : No
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %j–picture="%i"%j %s -o %d


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.32 | 21:49.00 | 32 | 98206
2 | 21:49.32 | 15:17.00 | 98207 | 166981
3 | 37:06.32 | 9:50.00 | 166982 | 211231
4 | 46:56.32 | 10:17.00 | 211232 | 257506
5 | 57:13.32 | 18:29.00 | 257507 | 340681


Range status and errors

Selected range

Filename C:\Users\grigoris\Uploads\TCHAIKOVSKY The Symphonies - Pletnev (7 CD)\CD 7\Mikhail Pletnev, Russian National Orchestra - Tchaikovsky- The Symphonies (CD7).wav

Peak level 99.9 %
Extraction speed 0.3 X
Range quality 100.0 %
Copy CRC 04D8157B
Copy OK

No errors occurred

End of status report

==== Log checksum C0E13B97A18ED9F3C7FC9F495596E4C691C7A2BF0978F1F7E0C9D7AB8655799B ====



Thanks to the original releaser
Download:

Nitroflare:

FLAC: CD 1 | CD 2 | CD 3 | CD 4 | CD 5 | CD 6 | CD 7

MP3: CD 1 | CD 2 | CD 3 | CD 4 | CD 5 | CD 6 | CD 7