Bach Collegium Japan, Masaaki Suzuki - Wolfgang Amadeus Mozart: Requiem & Vesperae solennes de confessore (2014)
Bach Collegium Japan, Masaaki Suzuki - Wolfgang Amadeus Mozart: Requiem (2014)
EAC | FLAC | Image (Cue&Log) ~ 345 Mb | Mp3 (CBR320) ~ 171 Mb | Scans ~ 73 Mb
Genre: Classical, Choral | Label: BIS Records | # BIS-2091 SACD | Time: 01:14:35
EAC | FLAC | Image (Cue&Log) ~ 345 Mb | Mp3 (CBR320) ~ 171 Mb | Scans ~ 73 Mb
Genre: Classical, Choral | Label: BIS Records | # BIS-2091 SACD | Time: 01:14:35
Mozart's Requiem is one of the truly iconic works in the history of music. A prime reason for this is of course its musical qualities; but even before that, legends had begun to form around the work - that it was written to fulfill an anonymous commission received through 'an unknown, grey stranger' - is the stuff of mystery novels, while the fact that Mozart fell ill and died while composing it has been exploited to great melodramatic effect. One thing that we know for certain is that its first performance took place at a memorial service for Mozart only days after his death. The performers used the composer's incomplete autograph, but very soon attempts to complete the work were set in motion by Mozart's widow. In 1800 the Requiem, in Franz Xaver Süssmayr's completion, appeared in print; it is this version that is still by far the most widely performed. Many have tried to improve on it, however, or make their own versions based on the autograph. For this recording, Masaaki Suzuki and the Bach Collegium Japan commissioned a new performing edition. Masato Suzuki, himself a member of the BCJ and the son of Masaaki, based his completion on Joseph Eybler's first, and Süssmayr's subsequent work, explaining his procedure in the disc's liner notes.
Because Mozart left his Requiem in D minor unfinished at the time of his death in 1791, various completions have been attempted to make it performable, in some way reflecting his intentions and style. The most frequently used version in modern times was completed by Mozart's assistant, Franz Xaver Süssmayr, and despite some compositional errors and clumsy orchestration, its form is widely accepted to accord with Mozart's final instructions. Another completion was started by Mozart's friend, Joseph Eybler, at the request of Constanze Mozart, though he was unable to finish it. Other restorers have typically modified Süssmayr's orchestration, added the fragmentary (and somewhat speculative) Amen fugue to the end of the Sequence, or recomposed parts of the Offertory, Agnus Dei, and Benedictus, which are Süssmayr's handiwork. In this stunning performance by Masaaki Suzuki and the Bach Collegium Japan, the scholarly completion by Masato Suzuki is performed, which closely follows Mozart's autograph and incorporates Süssmayr's better additions with elements by Eybler, as well as some changes to the orchestration that correspond to Mozart's practices. As a result of this careful sifting of material, the Requiem seems to have shed a lot of historical baggage, both in its textures and its sound, and this brilliantly recorded hybrid SACD offers clarity and balance, which enhance the effect of this leaner and tighter Requiem. But much of this newfound transparency is due to the alert performance by Suzuki's choir and original instruments orchestra, which give the Requiem lucid parts and exciting sonorities. This recording also includes the Vesperae Sollennes de confessore, a work Mozart composed ten years before the Requiem. Thanks to the predominance of major keys and the lighter mood of the music, it provides a good balance to the much darker-hued Requiem. On a bonus track, an alternate version of the Tuba mirum is provided. This BIS recording is highly recommended.Review by Blair Sanderson, Allmusic.com
Bach Collegium Japan, Masaaki Suzuki - Wolfgang Amadeus Mozart: Requiem & Vesperae solennes de confessore (2014)
Tracklist:
Wolfgang Amadeus MOZART (1756-91)
Requiem in D Minor, K. 626:
01. I. Introitus (04:25)
02. II. Kyrie (02:19)
03. III. Sequentia: 1. Dies irae (01:57)
04. III. Sequentia: 2. Tuba mirum (02:49)
05. III. Sequentia: 3. Rex tremendae (01:59)
06. III. Sequentia: 4. Recordare (04:06)
07. III. Sequentia: 5. Confutatis (02:19)
08. III. Sequentia: 6. Lacrimosa (03:06)
09. III. Sequentia: 7. Amen (01:05)
10. IV. Offertorium: 1. Domine Jesu (03:12)
11. IV. Offertorium: 2. Hostias (03:21)
12. V. Sanctus (01:24)
13. VI. Benedictus (05:12)
14. VII. Agnus Dei (03:37)
15. VIII. Communio: Lux aeterna (05:20)
Vesperae solennes de confessore K339:
16. I. Dixit Dominus (04:12)
17. II. Confitebor (04:12)
18. III. Beatus vir (04:48)
19. IV. Laudate pueri (03:10)
20. V. Laudate Dominum (04:10)
21. VI. Magnificat (04:24)
Requiem K626:
22. Tuba mirum (alternative version) (03:19)
Exact Audio Copy V1.0 beta 4 from 7. December 2014
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Wolfgang Amadeus Mozart / Requiem & Vesperae solennes
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==== Log checksum 193489784707B5F9421D8BEF0C2A64E11606DF44A03993F926AB2047BC15C4E0 ====
EAC extraction logfile from 1. April 2015, 21:20
Wolfgang Amadeus Mozart / Requiem & Vesperae solennes
Used drive : TSSTcorpDVDWBD TS-LB23A Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
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Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -T "COMMENT=Ripped by GFox" -V -8 %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:25.18 | 0 | 19892
2 | 4:25.18 | 2:19.31 | 19893 | 30348
3 | 6:44.49 | 1:57.64 | 30349 | 39187
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7 | 17:37.34 | 2:19.19 | 79309 | 89752
8 | 19:56.53 | 3:06.27 | 89753 | 103729
9 | 23:03.05 | 1:05.43 | 103730 | 108647
10 | 24:08.48 | 3:12.37 | 108648 | 123084
11 | 27:21.10 | 3:21.44 | 123085 | 138203
12 | 30:42.54 | 1:24.45 | 138204 | 144548
13 | 32:07.24 | 5:12.26 | 144549 | 167974
14 | 37:19.50 | 3:37.09 | 167975 | 184258
15 | 40:56.59 | 5:20.12 | 184259 | 208270
16 | 46:16.71 | 4:12.64 | 208271 | 227234
17 | 50:29.60 | 4:12.54 | 227235 | 246188
18 | 54:42.39 | 4:48.00 | 246189 | 267788
19 | 59:30.39 | 3:10.53 | 267789 | 282091
20 | 62:41.17 | 4:10.04 | 282092 | 300845
21 | 66:51.21 | 4:24.37 | 300846 | 320682
22 | 71:15.58 | 3:19.02 | 320683 | 335609
Range status and errors
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Filename D:\Downloads\Wolfgang Amadeus Mozart - Requiem & Vesperae solennes.wav
Peak level 97.4 %
Extraction speed 1.9 X
Range quality 100.0 %
Test CRC 9D541B7B
Copy CRC 9D541B7B
Copy OK
No errors occurred
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==== Log checksum 193489784707B5F9421D8BEF0C2A64E11606DF44A03993F926AB2047BC15C4E0 ====
foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2015-04-04 18:01:47
––––––––––––––––––––––––––––––––––––––––
Analyzed: Wolfgang Amadeus Mozart / Requiem & Vesperae solennes
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -0.42 dB -20.11 dB 4:25 01-I. Introitus
DR12 -0.31 dB -17.44 dB 2:19 02-II. Kyrie
DR12 -0.22 dB -15.98 dB 1:58 03-III. Sequentia: 1. Dies irae
DR15 -4.34 dB -26.52 dB 2:50 04-III. Sequentia: 2. Tuba mirum
DR14 -1.74 dB -20.26 dB 1:59 05-III. Sequentia: 3. Rex tremendae
DR16 -1.05 dB -22.40 dB 4:06 06-III. Sequentia: 4. Recordare
DR13 -4.16 dB -23.11 dB 2:19 07-III. Sequentia: 5. Confutatis
DR13 -0.26 dB -20.31 dB 3:06 08-III. Sequentia: 6. Lacrimosa
DR10 -2.17 dB -20.11 dB 1:06 09-III. Sequentia: 7. Amen
DR13 -1.25 dB -20.36 dB 3:12 10-IV. Offertorium: 1. Domine Jesu
DR13 -1.72 dB -20.67 dB 3:22 11-IV. Offertorium: 2. Hostias
DR12 -1.69 dB -18.03 dB 1:25 12-V. Sanctus
DR13 -4.02 dB -23.45 dB 5:12 13-VI. Benedictus
DR13 -1.43 dB -21.19 dB 3:37 14-VII. Agnus Dei
DR13 -2.34 dB -20.60 dB 5:20 15-VIII. Communio: Lux aeterna
DR13 -1.46 dB -18.24 dB 4:13 16- I. Dixit Dominus
DR13 -1.11 dB -20.32 dB 4:13 17-II. Confitebor
DR13 -2.59 dB -20.46 dB 4:48 18-III. Beatus vir
DR12 -3.09 dB -19.42 dB 3:11 19-IV. Laudate pueri
DR13 -5.22 dB -24.84 dB 4:10 20-V. Laudate Dominum
DR13 -0.77 dB -18.63 dB 4:24 21-VI. Magnificat
DR17 -3.57 dB -26.56 dB 3:19 22-Tuba mirum (alternative version)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 22
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 647 kbps
Codec: FLAC
================================================================================
log date: 2015-04-04 18:01:47
––––––––––––––––––––––––––––––––––––––––
Analyzed: Wolfgang Amadeus Mozart / Requiem & Vesperae solennes
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -0.42 dB -20.11 dB 4:25 01-I. Introitus
DR12 -0.31 dB -17.44 dB 2:19 02-II. Kyrie
DR12 -0.22 dB -15.98 dB 1:58 03-III. Sequentia: 1. Dies irae
DR15 -4.34 dB -26.52 dB 2:50 04-III. Sequentia: 2. Tuba mirum
DR14 -1.74 dB -20.26 dB 1:59 05-III. Sequentia: 3. Rex tremendae
DR16 -1.05 dB -22.40 dB 4:06 06-III. Sequentia: 4. Recordare
DR13 -4.16 dB -23.11 dB 2:19 07-III. Sequentia: 5. Confutatis
DR13 -0.26 dB -20.31 dB 3:06 08-III. Sequentia: 6. Lacrimosa
DR10 -2.17 dB -20.11 dB 1:06 09-III. Sequentia: 7. Amen
DR13 -1.25 dB -20.36 dB 3:12 10-IV. Offertorium: 1. Domine Jesu
DR13 -1.72 dB -20.67 dB 3:22 11-IV. Offertorium: 2. Hostias
DR12 -1.69 dB -18.03 dB 1:25 12-V. Sanctus
DR13 -4.02 dB -23.45 dB 5:12 13-VI. Benedictus
DR13 -1.43 dB -21.19 dB 3:37 14-VII. Agnus Dei
DR13 -2.34 dB -20.60 dB 5:20 15-VIII. Communio: Lux aeterna
DR13 -1.46 dB -18.24 dB 4:13 16- I. Dixit Dominus
DR13 -1.11 dB -20.32 dB 4:13 17-II. Confitebor
DR13 -2.59 dB -20.46 dB 4:48 18-III. Beatus vir
DR12 -3.09 dB -19.42 dB 3:11 19-IV. Laudate pueri
DR13 -5.22 dB -24.84 dB 4:10 20-V. Laudate Dominum
DR13 -0.77 dB -18.63 dB 4:24 21-VI. Magnificat
DR17 -3.57 dB -26.56 dB 3:19 22-Tuba mirum (alternative version)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 22
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 647 kbps
Codec: FLAC
================================================================================
Bach Collegium Japan, Masaaki Suzuki - Wolfgang Amadeus Mozart: Requiem & Vesperae solennes de confessore (2014)
Bach Collegium Japan, Masaaki Suzuki - Wolfgang Amadeus Mozart: Requiem & Vesperae solennes de confessore (2014)
