Daniel Barenboim, Berliner Philharmoniker - Mozart: Così fan tutte (1990)
Daniel Barenboim, Berliner Philharmoniker - Mozart: Così fan tutte (1990)
EAC (flac, image, cue, log) | TT: 2h 57 | Covers | 670 Mb
Classical | Erato | # 2292-45475-2 | Rec: 1989
EAC (flac, image, cue, log) | TT: 2h 57 | Covers | 670 Mb
Classical | Erato | # 2292-45475-2 | Rec: 1989
In the early 1990s Daniel Barenboim recorded the three Da Ponte operas with the Berlin Philharmonic. The BPO had played "Figaro" and "Don Giovanni" many times, but this was the first time that the group had ever tackled "Cosi fan tutte." Perhaps that is why they sound so fresh and energized under the thoughtful baton of Barenboim. Mozart's operas are usually performed with a small chamber or opera house orchestra, but this time the score of "Cosi" (which has so many beautiful, subtle touches, and is almost a celebration of beauty itself) is given the full treatment of perhaps the greatest orchestra in the world. While the resulting sound is somewhat "bigger" and more "lush" than is usual, Barenboim does manage to keep things appropriately light and "classical," just as he has so successfully done in the piano concertos which he is recording with the BPO. Barenboim apparently spent an entire year preparing the singers for this recording, which, for some people, may seem like too much preparation, but the results are remarkable enough to dispel any doubts about Barenboim's "brainy" approach to a work that is often treated too lightly. Lella Cuberli, in the role of Fiordiligi, has a voice that is as beautiful as that of any soprano who has ever taken on the role (with the possible exception of Schwarzkopf on the Karajan recording) and her technique is more Mozartian than the otherwise stunning Caballe on the Davis version. Cecilia Bartoli must have been very young, and relatively unknown, when this recording was made. While I'm not too crazy about her later stuff (such as her Cherubino with Abbado or Susanna at the Met), there is no denying that Bartoli is one of the great Dorabellas on record, right up there with Christa Ludwig. Her voice has the perfect balance of that deep richness we love so much in a mezzo, and the kind of lightness and humor that is needed in Mozartian roles. Joan Rodgers is neither as funny nor as vocally impressive as Lisa Otto on Karajan or Ileana Cortrubas on Davis, but she can hardly be called a weakness in this set. In fact, it's refreshing to hear a soprano who doesn't try too hard to be funny in the scenes where Despina is disguised as a doctor and, later, as a notary. The men in this set might surpass those of any other, although Nicolai Gedda was a formidable Ferrando and Wladimiro Ganzarolli a near-perfect Guiglelmo on the Davis version. Kurt Streit is a non-flashy tenor who won't overwhelm you with the power of his voice, but who also won't make you nervous when he attempts a long or high note. His tone is merely pleasant, not intoxicating like Simoneau's, but somehow it seems just right at all times. Ferrucio Furlanetto is an exceedingly versatile Mozartian, and his Guiglelmo is both funny and musical–not "slap-stick" like Taddei or grainy like Ganzarolli. John Tomlinson was just beginning his very successful career, and I would say his Don Alfonso is the best on record, even surpassing Walter Berry's account on the Boehm version. In fact, on Barenboim's recording, Don Alfonso really does seem to be running the whole show . . . I don't think the RIAS choir has ever sounded so gorgeous as it does here on "Bella vita militar," which isn't stuck in the distance as the producer Walter Legge did on the Karajan and Boehm versions . . . but the star of the show, as you would expect, is indeed Daniel Barenboim. Only Karl Boehm could match Barenboim's ability to find little beauties in the score, and to give a solid, yet flexible structure to not only the arias, but the recitatives as well. (Amazon.com)
Cast:
Fiordiligi - Lella Cuberli
Dorabella - Cecilia Bartoli
Despina - Joan Rodgers
Ferrando - Kurt Streit
Guglieimo - Ferruccio Furlanetto
Don Alfonso - John Tomlinson
RIAS Kammerchor
Berliner Philharmoniker
Conductor - Daniel Barenboim
Track List:
CD1
01. Ouvertura
02. Atto Primo. Terzetto: La mia Dorabella capace non è (Ferrando, Don Alfonso, Guglielmo)
03. Recitativo: Fuor la spada (Ferrando, Don Alfonso, Guglielmo)
04. Terzetto: E la fede delle femmine (Ferrando, Don Alfonso, Guglielmo)
05. Recitativo: Scioccherie di poeti! (Ferrando, Don Alfonso, Guglielmo)
06. Terzetto: Una bella serenata (Ferrando, Don Alfonso, Guglielmo)
07. Duetto: Ah guarda, sorella (Fiordiligi, Dorabella)
08. Recitativo: Mi par che stamattina volentieri (Fiordiligi, Dorabella, Don Alfonso)
09. Aria: Vorrei dir, e cor non hò (Don Alfonso)
10. Recitativo: Stelle! Per carità, signor Alfonso (Fiordiligi, Dorabella, Don Alfonso)
11. Quintetto: Sento, o Dio, che questo piede (Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo)
12. Recitativo: La commedia è graziosa (Don Alfonso, Ferrando, Fiordiligi, Dorabella)
13. Coro: Bella vita militar
14. Recitativo: Non v'e più tempo, amici (Don Alfonso, Fiordiligi, Dorabella, Guglielmo, Ferrando)
15. Quintetto (e Coro): Di scrivermi ogni giorno (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso)
16. Recitativo: Dove son? (Fiordiligi, Dorabella, Don Alfonso)
17. Terzettino: Soave sia il vento (Fiordiligi, Dorabella, Don Alfonso)
18. Recitativo: Non son cattivo comico (Don Alfonso)
19. Recitative: Che vita maledetta (Despina)… Recitativo: Madame, ecco la vostra colazione (Despina, Fiordiligi, Dorabella)
20. Aria: Smanie implacabili (Dorabella)
21. Recitativo: Signora Dorabella (Despina, Dorabella, Fiordiligi)
22. Aria: In uomini, in soldati (Despina)
23. Recitativo: Che silenzio: che aspetto di tristezza (Don Alfonso, Despina)
24. Sestetto: Alla bella Despinetta (Fiordiligi, Dorabella, Despina, Ferrando, Cuglielmo, Don Alfonso)
25. Recitativo: Che sussurro (Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, Despina)
26. Aria: Come scoglio immoto resta (Fiordiligi)
CD2
01. Recitativo: Ah non partite (Ferrando, Guglielmo, Don Alfonso, Dorabella, Fiordiligi)
02. Aria: Non siate ritrosi (Guglielmo)
03. Terzetto: E voi ridete? (Ferrando, Guglielmo, Don Alfonso)
04. Recitativo: Si può sapere un poco (Don Alfonso, Guglielmo, Ferrando)
05. Aria: Un'aura amorosa (Ferrando)
06. Recitativo: Oh, ia saria da ridere (Don Alfonso, Despina)
07. Finale: Ah che tutta in un momento (Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Despina)
08. Atto Secondo. Recitativo: Andate la, che siete (Despina, Fiordiligi, Dorabella)
09. Aria: Una donna a quindici anni (Despina)
10. Recitativo: Sorella, cosa dici? (Fiordiligi, Dorabella)
11. Duetto: Prenderò quel brunettino (Fiordiligi, Darabella)
12. Recitativo: Ah, correte al giardino (Don Alfonso, Dorabella)
13. Duetto con coro: Secondate aurette amiche (Ferrando, Guglielmo, Coro)
14. Recitativo: Cos'è tal mascherata? (Don Alfonso, Fiordiligi, Darabello, Despina, Ferrando, Guglielmo)
15. Quartetto: La mano a me date (Despina, Ferrando, Guglielmo, Don Alfonso)
16. Recitativo: O che bella giornata (Fiordiligi, Ferrando, Dorabella, Guglielmo)
17. Duetto: Il core vi dono, bell' idolo mio (Dorabella, Guglielmo)
CD3
01. Recitativo: Barbara! Perché fuggi? (Fiordiligi, Ferrando)
02. Recitativo: Ei parte… (Fiordiligi)
03. Rondo: Per pietà, ben mio, perdona (Fiordiligi)
04. Recitativo: Amico, abbiamo vinto! (Ferrando)
05. Aria: Donne mie, la fate a tanti (Guglielmo)
06. Recitativo: In qual fiero contrasto (Ferrando)
07. Cavatina: Tradito, schernito (Ferrando)
08. Recitativo: Bravo, questo è costanza (Don Alfonso, Ferrando, Guglielmo)
09. Recitativo: Ora vedo che siete (Despina, Dorabella, Fiordiligi)
10. Aria: È amore un ladroncello (Dorabella)
11. Recitativo: Comme tutto congiura (Fiordiligi, Guglielmo, Despina, Don Alfonso)… Recitativo: L'abito di Ferrando (Fiordiligi, Despina, Guglielmo)
12. Duetto: Fra gli amplessi in pochi istanti (Fiordiligi, Ferrando)
13. Recitativo: Ah poveretto me (Don Alfonso, Guglielmo, Ferrando)
14. Andante: Tutti accusan le donne (Don Alfonso, Guglielmo)
15. Recitativo: Vittoria, padroncini! (Despina, Ferrando, Don Alfonso, Guglielmo)
16. Finale: Fate presto, o cari amici (Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo, Don Alfonso)
Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 29. August 2020, 10:24
Daniel Barenboim, Berliner Philharmoniker / Mozart - Cosi fan tutte CD1
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Exact Audio Copy V1.5 from 20. February 2020
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==== Log checksum DBC90447C47019FC37EA21EF7732E3953931AEC0CAD366B6C31BD5A5D7D9A12E ====
Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 29. August 2020, 11:46
Daniel Barenboim, Berliner Philharmoniker / Mozart - Cosi fan tutte CD3
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Read mode : Secure
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==== Log checksum 6F0C0186A68506A3E24DA20C52EF8C562349E2010C624A4FC5D35C3F68D96E16 ====