Tags
Language
Tags

Nikolaus Harnoncourt - The Complete Sony Recordings, Part 7 [6CDs] (2016)

Posted By: ArlegZ
Nikolaus Harnoncourt - The Complete Sony Recordings, Part 7 [6CDs] (2016)

Nikolaus Harnoncourt - The Complete Sony Recordings, Part 7 (2016)
EAC | FLAC | Image (Cue & Log) ~ 1,48 Gb | Total time: 05:48:52 | Scans included
Classical | Label: Sony Classical | # 88875173752 | Recorded: 1991-2015

Nikolaus Harnoncourt The Complete Sony Recordings brings together for the first time Harnoncourt s complete recordings from 2002-2015 with his Concentus Musicus Wien, the Wiener Philharmonike, the Chamber Orchestra of Europe and the Symphonieorchester des Bayrischen Rundfunks. The Sony Classical edition features his famous symphony recordings of Mozart, Haydn, Beethoven and Bruckner, alongside his celebrated performances of great choral works such as the Verdi, Brahms and Mozart Requiems and Haydn's Die Schöpfung, as well as Mozart's opera Zaide, Haydn's Orlando paladino and Gershwin's Porgy and Bess. Also included are previously authorized but unreleased recordings of J. S. Bach s Cantatas Nos. 26 & 36, Beethoven's Christus am Ölberge and Dvorák's Stabat Mater.

Arnold Ostman, The Drottningholm Court Theatre Orchestra and Chorus - Mozart: Die Zauberflote (2001)

Posted By: ArlegZ
Arnold Ostman, The Drottningholm Court Theatre Orchestra and Chorus - Mozart: Die Zauberflote (2001)

Arnold Östman, The Drottningholm Court Theatre Orchestra and Chorus - Mozart: Die Zauberflöte (2001)
EAC | FLAC | Image (Cue & Log) ~ 609 Mb | Total time: 78:57+76:59 | Scans included
Classical | Label: DECCA | # 470 056-2 | Recorded: 1992

There's magic in these musical hills, as conductor Arnold Östman leads an exemplary performance of Die Zauberflöte on original instruments.Sumi Jo's breathtaking Queen of the Night is the queen of intonation, while Barbara Bonny's Pamina is a phrasing angel, from her pianissimo B flats to her gentle, yet heartfelt, "Ach ich fühl's." Singing as comfortably as a folk singer, Kurt Streit's lyrical, yet dramatic, Tamino is manly and heroic. Gilles Cachemaille is an appropriately charming Papageno, and all supporting performances are stellar. This crystal-clear interpretation must be as close to perfection as Mozart probably dreamed. A true treasure.

Daniel Barenboim, Berliner Philharmoniker - Mozart: Così fan tutte (1990)

Posted By: Vilboa
Daniel Barenboim, Berliner Philharmoniker - Mozart: Così fan tutte (1990)

Daniel Barenboim, Berliner Philharmoniker - Mozart: Così fan tutte (1990)
EAC (flac, image, cue, log) | TT: 2h 57 | Covers | 670 Mb
Classical | Erato | # 2292-45475-2 | Rec: 1989

In the early 1990s Daniel Barenboim recorded the three Da Ponte operas with the Berlin Philharmonic. The BPO had played "Figaro" and "Don Giovanni" many times, but this was the first time that the group had ever tackled "Cosi fan tutte." Perhaps that is why they sound so fresh and energized under the thoughtful baton of Barenboim. Mozart's operas are usually performed with a small chamber or opera house orchestra, but this time the score of "Cosi" (which has so many beautiful, subtle touches, and is almost a celebration of beauty itself) is given the full treatment of perhaps the greatest orchestra in the world. While the resulting sound is somewhat "bigger" and more "lush" than is usual, Barenboim does manage to keep things appropriately light and "classical," just as he has so successfully done in the piano concertos which he is recording with the BPO.

Nikolaus Harnoncourt, Concentus Musicus Wien, Arnold Schoenberg Chor - Mozart: Requiem [2004] Re-up

Posted By: Vilboa
Nikolaus Harnoncourt, Concentus Musicus Wien, Arnold Schoenberg Chor - Mozart: Requiem  [2004] Re-up

Nikolaus Harnoncourt, Concentus Musicus Wien, Arnold Schoenberg Chor - Mozart: Requiem [2004]
EAC (flac, image, cue, log) | TT: 50.15 | Scans | 216 Mb
Classical | Deutsche Harmonia Mundi | # 82876 58705 2 | Rec: 2003

Beethoven called Mozart's Requiem "wild and terrible," and that's what we get in Harnoncourt's new recording. Ominous dread hangs from every note of the dark opening measures, the Rex tremendae and Confutatis are driven with terrifying strength, and the supplications of the Lacrimosa, with their weeping stabbings of the orchestra, are freighted with emotional power. The Tuba mirum duet of bass soloist and trombone has a beauty almost never achieved in other readings. Nor does Harnoncourt overstep the stylistic boundaries of this classical-era work; rather, the intensity is heightened for being in the idiom of its time. Call it a Romantic reading of a Classical piece that looks forward to a more unbuttoned era.

Christian Curnyn, Early Opera Company - Handel: Partenope (2005)

Posted By: ArlegZ
Christian Curnyn, Early Opera Company - Handel: Partenope (2005)

Christian Curnyn, Early Opera Company - Handel: Partenope (2005)
EAC | FLAC | Image (Cue & Log) ~ 933 Mb | Total time: 77:57+55:49+56:29 | Scans included
Classical | Label: Chaconne ‎| CHAN 0719 | Recorded: 2004

Partenope is mature Handel, and belongs in the top flight of his stage works. A comedy from 1730, which was first rejected as too frivolous by the Royal Academy of Music in London, the text had been set 20 years earlier by Caldara for an opera that had been a major influence on the young Handel. The tone is light and the action - all disguises and cross-dressing, with everyone ending up with the right partner - is swift moving; there are relatively few extended arias but a number of ensembles, as well as the obligatory sinfonia and march for the battle scene at the beginning of the second act. This performance under Christian Curnyn hits the right spot from the very start.