Nicholas McGegan, Capella Savaria, Stadtsingechor Halle - Handel: Brockes Passion (1986)
Nicholas McGegan, Capella Savaria, Stadtsingechor Halle - Handel: Brockes Passion (1986)
EAC | FLAC | Image (Cue & Log) ~ 720 Mb | Total time: 52:34+51:50+45:58 | Scans included
Classical | Label: Hungaroton | # HCD 12734-36-2 | Recorded: 1985
EAC | FLAC | Image (Cue & Log) ~ 720 Mb | Total time: 52:34+51:50+45:58 | Scans included
Classical | Label: Hungaroton | # HCD 12734-36-2 | Recorded: 1985
Handel's 'Brockes Passion' has had rather a bad press, suffering rather in comparison with Bach's passions. In fact, Handel's 'Brockes Passion' was written written at about the same time as 'Esther', some eight years before Bach wrote the St. John Passion. One of the subsidiary impulses which led to the creation of 'Esther' may have been a desire, on Handel's part, to hear some of the music from the passion performed as 'Esther' re-uses some nine numbers and others were re-used in 'Deborah'.
The text had first been set by Keiser in 1712 and was set by Telemann in 1716. During Holy Week, in 1719, Johann Mattheson (who was also a friend of Handel's) arranged performances of four settings of the libretto by Keiser, Telemann, Handel and himself. Bach used elements of Brockes libretto when he came to write the St. John Passion and he knew Handel's setting, one of the earliest manuscripts of Handel's work is in J.S. ach's hand. Handel's own autograph of the work is lacking.
In style it lies somewhere between the liturgical passions of Bach and Telemann and the Italian oratorio. The tenor Evangelist narrates, the chorus takes on the role of the Christian faithful and the Jewish mob, there are arias commenting on the action, but the characters in the narrative also have arias - Jesus sings a duet with his mother. The Evangelist's narrations, though, are not taken directly from the gospels but are a rhymed text which is a free paraphrase of all four Gospels. Much of the commentary is given to the Daughter of Zion, emphasising the sufferings of Christ as proof of his devotion to mankind.
As a result of recent research the performance starts with a very familiar piece of music, as the opening movement of Concerto Grosso Opus 3 no. 2, is used as the introductory sinfonia rather than the short movement which exists in the earliest manuscripts.
Jesus, sung by baritone, Istvan Gati, makes his first appearance on the Mount of Olives, in a recitative followed by a sequence of three arias. The moving 'Mein Vater, mein Vater' recurs, after a short recitative, as 'Ist's möglich', only the words changing, the music is identical. In 'Erwachet doch', Jesus's warning to the sleeping disciples is interrupted by their confused questions, making a striking arioso. In scenes like this, Handel's dramatic training is rarely far away and it become more understandable why the work has been presented dramatically on the stage. After Judas's betrayal of Christ, Peter (sung by one of the tenor soloists) curses him in a wonderfully dramatic aria that is unfortunately marred by the aspirates the singer uses in the runs. Happily, Peter redeems himself in his following two arias, both sung very movingly, especially the aria 'Heul, du Fluch!' with its lovely oboe obbligato.
Evangelist, Martin Klietmann, has an attractive, expressive voice and this can be most moving in his recitatives; unfortunately Handel gives him no arias. Instead, the Daughter of Zion, sung brilliantly by Maria Zadori, gets the lion’s share of the arias. She is one of the principal conduits of Brockes comment and meditation on the action as she constantly interrupts with arias. In a long work, she gets sixteen arias and ariosos in all, as well as a moving duet with Jesus.
Apart from the Evangelist, Jesus and the Daughter of Zion, the booklet fails to name which singer sings which part. Judas, interestingly, is played by a counter-tenor, who sings very stylishly, making you wish that Handel had given the character rather more to do. Caiaphas (presumably baritone Gunther Buzynski) is unfortunately rather blustery.
The third CD opens with the Daughter of Zion and the chorus singing 'Eilt, ihr angefochten Seelen', with its remarkable echoes of Bach's treatment of the same subject. The soprano singing Maria, Christ's mother, is unfortunately a bit squally and has a tendency to sing under the note, which is a shame as she gets a sublime duet with her son. In this final third of the work, the role of the Daughter of Zion is, to a certain extent, taken over by the Faithful Soul, another soprano role. Unfortunately she is a little tentative and has occasional tuning problems.
Christ's death is marked by a striking trio and afterwards, the role of the Faithful Soul passes to a baritone and a tenor soloist. The latter has an accompagnato which leads into the final part of the work where a pair of chorales come either side of a moving aria for the Daughter of Zion. The resulting scene makes a fine end to the work.
The young sounding chorus sings with a fine attack, but sometimes that can sound a little too vehement. Many of the choruses are quite short. The Brockes Passion was written well before Handel had started to develop his sophisticated use of the chorus, integrating it into the action in a way that is typical of the later oratorios.–Robert Hugill
Performer:
Evangelist - Martin Klietmann (tenor)
Jesus - Istvan Gai (baritone)
Tochter Zion - Maria Zadori (soprano)
Katalin Farkas (soprano)
Eva Barfai-Barta (soprano)
Eva Lax (contralto)
Drew Minter (counter tenor)
Peter Bajan (counter tenor)
Guy de Mey (tenor)
Janos Bandi (tenor)
Gunther Burzynski (baritone)
Stadtsingechor Halle
Capella Savaria
Conductor - Nicholas McGegan
Track List:
CD1:
01. No. 1. Sinfonia (Vivace - Allegro - Adagio e staccato)
02. No. 2. Soli (Soprano I, Alto I) e Coro: Mich vom Stricke meiner Sünden
03. No. 3. Recitativo (Evangelist): Als Jesus nun zu Tische saße
04. No. 4. Accompagnato (Jesus): Das ist mein Leib
05. No. 5a. Aria (Tochter Zion): Der Gott, dem alle Himmelskreise
06. No. 6. Recitativo (Evangelist): Und bald hernach
07. No. 7. Accompagnato (Jesus): Das ist mein Blut
08. No. 5b. Aria (Tochter Zion): Gott selbst der Brunnquell
09. No. 8. Coro: Ach, wie hungert mein Gemüte
10. No. 9. Recitativo (Evangelist, Jesus): Drauf sagten sie dem Höchsten Dank
11. No. 10. Coro: Wir wollen alle eh' erblassen
12. No. 11. Recitativo (Jesus): Es ist gewiß
13. No. 12. Aria (Jesus): Weil ich den Hirten schlagen werde
14. No. 13. Recitativo (Petrus, Jesus): Aufs wenigste will ich
15. No. 14. Aria (Jesus): Mein Vater, mein Vater!
16. No. 15. Recitativo (Jesus): Mich drückt der Sünden
17. No. 16. Aria (Jesus): Ist's möglich
18. No. 17. Arioso (Tochter Zion): Sunden, schaut mit Furcht
19. No. 18. Recitativo (Evangelist): Die Pein vermehrte sich
20. No. 19. Aria (Tochter Zion): Brich, mein Herz
21. No. 20. Recitativo (Evangelist): Ein Engel aber kam
22. No. 21. Arioso (Jesus, Petrus, Johannes, Jakobus): Erwachet doch!
23. No. 22. Recitativo (Evangelist): Und eh' die Rede
24. No. 23. Coro: Greift zu, schlagt tot
25. No. 24. Recitativo (Evangelist): Und der Verräter
26. No. 25. Coro: Er soll uns nicht entlaufen
27. No. 26. Recitativo (Judas, Jesus): Nimm, Rabbi, diesen Kuß
28. No. 27. Aria (Petrus): Gift und Glut
29. No. 28. Recitativo (Jesus): Steck nur das Schwert
30. No. 29. Coro: O weh, sie binden ihn
31. No. 30. Recitativo (Petrus): Wo flieht ihr hin?
32. No. 31. Aria (Petrus): Nehmt mich mit, verzagte Scharen
33. No. 32. Recitativo (Evangelist, Caiphas, Jesus, Kriegsknecht): Und Jesus ward
34. No. 33. Aria (Tochter Zion): Was Bärentatzen, Löwenklauen
35. No. 34. Recitativo (Evangelist, 1.Magd, Petrus, 2.Magd, 3.Magd): Dies sahe Petrus an
36. No. 35. Arioso (Petrus): Ich will versinken
37. No. 36. Recitativo (Evangelist, Petrus): Drauf krähete der Hahn
CD2:
01. No. 37. Aria (Petrus): Heul, du Fluch!
02. No. 38. Recitativo (Petrus): Doch wie, will ich
03. No. 39. Aria (Petrus): Schau, ich fall' in strenger Busse
04. No. 40. Coro: Ach, Gott und Herr
05. No. 41. Recitativo (Evangelist, Caiphas, Jesus): Als Jesus nun
06. No. 42. Coro: Er hat den Tod verdient
07. No. 43. Aria (Tenor): Erwäg, erwäg
08. No. 44. Recitativo (Evangelist, Tochter Zion): Die Nacht war kaum vorbei
09. No. 45. Aria (Tochter Zion): Meine Laster sind die Stricke
10. No. 46. Recitativo (Judas): Oh, was hab' ich, verfluchter Mensch
11. No. 47. Aria (Judas): Laßt diese Tat nicht ungerochen!
12. No. 48. Recitativo (Judas): Unsäglich ist mein Schmerz
13. No. 49. Aria (Tochter Zion): Die ihr Gottes Gnad'versäumet
14. No. 50. Recitativo (Evangelist, Jesus): Wie nun Pilatus Jesum fragt
15. No. 51. Coro: Bestrafe diesen Übeltäter
16. No. 52. Recitativo (Pilatus, Evangelist): Hast du denn kein Gehör?
17. No. 53. Duetto (Tochter Zion, Jesus): Sprichst du denn
18. No. 54. Recitativo (Evangelist): Pilatus wunderte sich sehr
19. No. 55. Coro: Nein, diesen nicht
20. No. 56. Recitativo (Pilatus): Was fang' ich denn
21. No. 57. Coro: Weg, weg, weg!
22. No. 58. Recitativo (Pilatus): Was hat er denn getan?
23. No. 59. Coro: Weg, weg, weg!
24. No. 60. Recitativo (Evangelist): Wie er nun sah
25. No. 61. Arioso (Tochter Zion): Besinne dich, Pilatus
26. No. 62. Recitativo (Evangelist): Drauf zerreten die Kriegsknecht'
27. No. 63. Arioso (Gläubige Seele): Ich seh' an einen Stein gebunden
28. No. 64. Recitativo (Gläubige Seele): Drum, Seele, schau
29. No. 65. Aria (Gläubige Seele): Dem Himmel gleicht
30. No. 66. Recitativo (Evangelist): Wie nun das Blut
31. No. 67. Aria (Tochter Zion): Die Rosen krönen
32. No. 68. Recitativo (Tochter Zion): Verwegner Dorn
33. No. 69. Aria (Tochter Zion): Lass doch diese herbe Schmerzen
34. No. 70. Recitativo (Tochter Zion): Der zarten Schläfen
35. No. 71. Aria (Tochter Zion): Jesu! Jesu
36. No. 72. Recitativo (Evangelist): Drauf beugten sie aus Spott'
37. No. 73. Coro: Ein jeder sei ihm untertänig!
38. No. 74. Recitativo (Evangelist): Ja, scheueten sich nicht
39. No. 75. Aria (Tochter Zion): Schäumest du, du Schaum der Welt
40. No. 76. Recitativo (Evangelist): Worauf sie mit dem Rohr
41. No. 77. Aria (Tochter Zion): Bestürzter Sünder
42. No. 78. Aria (Tochter Zion): Heil der Welt
CD3:
01. No. 79. Recitativo (Evangelist): Wie man ihm nun genug
02. No. 80. Solo (Tochter Zion) e Coro: Elit, ihr angefochten Seelen!
03. No. 81. Recitativo (Maria): Ach Gott, ach Gott!
04. No. 82. Duetto (Maria, Jesus): Soll mein Kind
05. No. 83. Recitativo (Evangelist, Tochter Zion): Und er trug selbst sein Kreuz
06. No. 84. Aria (Tenor): Es scheint, da den zerkerbten Rücken
07. No. 85. Recitativo (Evangelist): Wie sie nun an die Stätte
08. No. 86. Aria (Gläubige Seele): Hier erstarrt mein Herz
09. No. 87. Recitativo (Gläubige Seele): O Anblick, o entsetzliches Gesicht!
10. No. 88. Coro: O Menschenkind
11. No. 89. Recitativo (Evangelist): Sobald er nun gekreuzigt war
12. No. 90. Coro: Pfui, pfui, pfui!
13. No. 91. Recitativo (Evangelist): Und eine dicke Finsternis
14. No. 92. Aria (Gläubige Seele): Was Wunder, daß der Sonnen Pracht
15. No. 93. Recitativo (Evangelist): Dies war zur neunten Stund
16. No. 94. Arioso (Gläubige Seele): Mein Heiland
17. No. 95. Recitativo (Evangelist): Drauf lief ein Kriegsknecht hin
18. No. 96. Terzetto (Soprano II, Alto II, Baritone): O Donnerwort!
19. No. 97. Recitativo (Gläubige Seele, Evangelist): O selig, wer dies glaubt
20. No. 98. Aria (Tochter Zion, Gläubige Seele): Sind meiner Seelen tiefe Wunden
21. No. 99. Recitativo (Tochter Zion, Evangelist): O Großmut!
22. No. 100. Aria (Gläubige Seele II): Brich, brüllender Abgrund
23. No. 101. Recitativo (Gläubige Seele II, Hauptmann): Ja, ja, es brüllet schon
24. No. 102. Aria (Gläubige Seele III): Wie kommt's daß da der Himmel weint
25. No. 103. Accompagnato (Gläubige Seele II): Bei Jesus' Tod und Leiden
26. No. 104. Coro: Mein' sünd'mich werden kränken
27. No. 105. Aria (Tochter Zion): Wisch ab der Tränen scharfe Lage
28. No. 106. Coro: Ich bin ein Glied
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EAC extraction logfile from 15. February 2019, 11:50
Martin Klietmann, Istvan Gati, Maria Zadori; Nicholas McGegan / Handel - Brockes Passion (Disc 1)
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Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 15. February 2019, 13:38
Martin Klietmann, Istvan Gati, Maria Zadori; Nicholas McGegan / andel - Brockes Passion (Disc 2)
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Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
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Fill up missing offset samples with silence : Yes
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36 | 44:10.27 | 0:10.08 | 198777 | 199534
37 | 44:20.35 | 0:51.42 | 199535 | 203401
38 | 45:12.02 | 0:09.23 | 203402 | 204099
39 | 45:21.25 | 1:43.52 | 204100 | 211876
40 | 47:05.02 | 0:15.50 | 211877 | 213051
41 | 47:20.52 | 0:45.40 | 213052 | 216466
42 | 48:06.17 | 3:43.25 | 216467 | 233216
Range status and errors
Selected range
Filename C:\EACRip\HANDEL\Handel - Brockes Passion (Nicholas McGegan) (1986)\CD2\Handel - Brockes Passion (Disc 2) - Nicholas McGegan.wav
Peak level 100.0 %
Extraction speed 8.3 X
Range quality 100.0 %
Test CRC CC3E3B59
Copy CRC CC3E3B59
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 6) [A7744072] (AR v2)
Track 2 accurately ripped (confidence 6) [7EB41AEF] (AR v2)
Track 3 accurately ripped (confidence 6) [DF939C9F] (AR v2)
Track 4 accurately ripped (confidence 6) [6120773B] (AR v2)
Track 5 accurately ripped (confidence 6) [B1CC4AA9] (AR v2)
Track 6 accurately ripped (confidence 6) [91AFD91B] (AR v2)
Track 7 accurately ripped (confidence 6) [AF938DB9] (AR v2)
Track 8 accurately ripped (confidence 6) [ACE61048] (AR v2)
Track 9 accurately ripped (confidence 6) [7D9C33F9] (AR v2)
Track 10 accurately ripped (confidence 6) [DF657F41] (AR v2)
Track 11 accurately ripped (confidence 6) [9892F31A] (AR v2)
Track 12 accurately ripped (confidence 6) [A23FB2CA] (AR v2)
Track 13 accurately ripped (confidence 6) [4A52C1B6] (AR v2)
Track 14 accurately ripped (confidence 6) [A7A2A837] (AR v2)
Track 15 accurately ripped (confidence 6) [6062BE9E] (AR v2)
Track 16 accurately ripped (confidence 6) [0E7BBCF6] (AR v2)
Track 17 accurately ripped (confidence 6) [396633CA] (AR v2)
Track 18 accurately ripped (confidence 6) [E23F01CD] (AR v2)
Track 19 accurately ripped (confidence 6) [23D32214] (AR v2)
Track 20 accurately ripped (confidence 6) [F96C3956] (AR v2)
Track 21 accurately ripped (confidence 6) [8EA05B13] (AR v2)
Track 22 accurately ripped (confidence 3) [9C12ED99] (AR v2)
Track 23 cannot be verified as accurate (confidence 13) [9053A8CF], AccurateRip returned [1E027310] (AR v2)
Track 24 accurately ripped (confidence 6) [C2FB2946] (AR v2)
Track 25 accurately ripped (confidence 6) [255DB6FF] (AR v2)
Track 26 accurately ripped (confidence 6) [4E6D3EC9] (AR v2)
Track 27 accurately ripped (confidence 6) [31220135] (AR v2)
Track 28 accurately ripped (confidence 6) [796DB246] (AR v2)
Track 29 accurately ripped (confidence 6) [5AE97D12] (AR v2)
Track 30 accurately ripped (confidence 6) [5A61F54B] (AR v2)
Track 31 accurately ripped (confidence 6) [04BB0B72] (AR v2)
Track 32 accurately ripped (confidence 6) [C2649068] (AR v2)
Track 33 accurately ripped (confidence 6) [93FEB71E] (AR v2)
Track 34 accurately ripped (confidence 6) [E7CBC53F] (AR v2)
Track 35 accurately ripped (confidence 6) [CB68B1CB] (AR v2)
Track 36 accurately ripped (confidence 6) [07761993] (AR v2)
Track 37 accurately ripped (confidence 6) [9BFC96E8] (AR v2)
Track 38 accurately ripped (confidence 6) [7F2D6DD2] (AR v2)
Track 39 accurately ripped (confidence 6) [9AE92735] (AR v2)
Track 40 accurately ripped (confidence 6) [DEC02A69] (AR v2)
Track 41 accurately ripped (confidence 6) [EA1AA836] (AR v2)
Track 42 accurately ripped (confidence 6) [D60339F2] (AR v2)
41 track(s) accurately ripped
1 track(s) could not be verified as accurate
Some tracks could not be verified as accurate
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: PB0w25E8ciHgjhZjEy69nfgq0.c-] found
Submit result: PB0w25E8ciHgjhZjEy69nfgq0.c- has been confirmed
Track | CTDB Status
1 | (63/63) Accurately ripped
2 | (62/63) Accurately ripped
3 | (62/63) Accurately ripped
4 | (62/63) Accurately ripped
5 | (62/63) Accurately ripped
6 | (62/63) Accurately ripped
7 | (62/63) Accurately ripped
8 | (62/63) Accurately ripped
9 | (62/63) Accurately ripped
10 | (62/63) Accurately ripped
11 | (62/63) Accurately ripped
12 | (62/63) Accurately ripped
13 | (62/63) Accurately ripped
14 | (61/63) Accurately ripped
15 | (62/63) Accurately ripped
16 | (62/63) Accurately ripped
17 | (62/63) Accurately ripped
18 | (62/63) Accurately ripped
19 | (62/63) Accurately ripped
20 | (62/63) Accurately ripped
21 | (62/63) Accurately ripped
22 | (62/63) Accurately ripped
23 | (62/63) Accurately ripped
24 | (62/63) Accurately ripped
25 | (62/63) Accurately ripped
26 | (62/63) Accurately ripped
27 | (62/63) Accurately ripped
28 | (62/63) Accurately ripped
29 | (62/63) Accurately ripped
30 | (62/63) Accurately ripped
31 | (61/63) Accurately ripped
32 | (62/63) Accurately ripped
33 | (62/63) Accurately ripped
34 | (62/63) Accurately ripped
35 | (62/63) Accurately ripped
36 | (62/63) Accurately ripped
37 | (62/63) Accurately ripped
38 | (62/63) Accurately ripped
39 | (62/63) Accurately ripped
40 | (62/63) Accurately ripped
41 | (62/63) Accurately ripped
42 | (62/63) Accurately ripped
==== Log checksum 358FE457986B727863204AED0B76782005DB39371AEF7214A4B1A9849A6BED05 ====
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 15. February 2019, 14:19
Martin Klietmann, Istvan Gati, Maria Zadori; Nicholas McGegan / Handel - Brockes Passion (Disc 3)
Used drive : ATAPI iHAS124 F Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 0:45.25 | 0 | 3399
2 | 0:45.25 | 2:32.50 | 3400 | 14849
3 | 3:18.00 | 1:15.52 | 14850 | 20526
4 | 4:33.52 | 2:25.13 | 20527 | 31414
5 | 6:58.65 | 0:58.72 | 31415 | 35836
6 | 7:57.62 | 3:01.73 | 35837 | 49484
7 | 10:59.60 | 0:24.55 | 49485 | 51339
8 | 11:24.40 | 1:05.32 | 51340 | 56246
9 | 12:29.72 | 1:05.05 | 56247 | 61126
10 | 13:35.02 | 0:29.10 | 61127 | 63311
11 | 14:04.12 | 0:34.18 | 63312 | 65879
12 | 14:38.30 | 0:29.17 | 65880 | 68071
13 | 15:07.47 | 0:29.63 | 68072 | 70309
14 | 15:37.35 | 2:15.42 | 70310 | 80476
15 | 17:53.02 | 1:23.68 | 80477 | 86769
16 | 19:16.70 | 2:07.40 | 86770 | 96334
17 | 21:24.35 | 0:39.35 | 96335 | 99294
18 | 22:03.70 | 3:43.57 | 99295 | 116076
19 | 25:47.52 | 0:30.33 | 116077 | 118359
20 | 26:18.10 | 3:23.67 | 118360 | 133651
21 | 29:42.02 | 0:28.35 | 133652 | 135786
22 | 30:10.37 | 2:56.53 | 135787 | 149039
23 | 33:07.15 | 1:03.37 | 149040 | 153801
24 | 34:10.52 | 1:57.33 | 153802 | 162609
25 | 36:08.10 | 1:19.32 | 162610 | 168566
26 | 37:27.42 | 0:48.73 | 168567 | 172239
27 | 38:16.40 | 6:49.25 | 172240 | 202939
28 | 45:05.65 | 0:51.60 | 202940 | 206824
Range status and errors
Selected range
Filename C:\EACRip\HANDEL\Handel - Brockes Passion (Nicholas McGegan) (1986)\CD3\Handel - Brockes Passion (Disc 3) - Nicholas McGegan.wav
Peak level 100.0 %
Extraction speed 8.2 X
Range quality 100.0 %
Test CRC DC7CB7EF
Copy CRC DC7CB7EF
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 6) [40C6C438] (AR v2)
Track 2 accurately ripped (confidence 6) [37157531] (AR v2)
Track 3 accurately ripped (confidence 6) [522EF12A] (AR v2)
Track 4 accurately ripped (confidence 6) [1C2B1089] (AR v2)
Track 5 accurately ripped (confidence 6) [7331CEF1] (AR v2)
Track 6 accurately ripped (confidence 6) [1D6452E8] (AR v2)
Track 7 accurately ripped (confidence 6) [40D8EFA0] (AR v2)
Track 8 accurately ripped (confidence 6) [99323974] (AR v2)
Track 9 accurately ripped (confidence 6) [8CBEFA0D] (AR v2)
Track 10 accurately ripped (confidence 6) [1A1EE09D] (AR v2)
Track 11 accurately ripped (confidence 6) [E7EB8143] (AR v2)
Track 12 accurately ripped (confidence 6) [73C97CE5] (AR v2)
Track 13 accurately ripped (confidence 6) [0B6A8CF7] (AR v2)
Track 14 accurately ripped (confidence 6) [8602B258] (AR v2)
Track 15 accurately ripped (confidence 6) [D9D9ED6E] (AR v2)
Track 16 accurately ripped (confidence 6) [A54A127F] (AR v2)
Track 17 accurately ripped (confidence 6) [ED2199DF] (AR v2)
Track 18 accurately ripped (confidence 6) [25B17D13] (AR v2)
Track 19 accurately ripped (confidence 6) [79304D6E] (AR v2)
Track 20 accurately ripped (confidence 6) [32433AAB] (AR v2)
Track 21 accurately ripped (confidence 6) [A2BAF365] (AR v2)
Track 22 accurately ripped (confidence 6) [8A3C2989] (AR v2)
Track 23 accurately ripped (confidence 6) [6078DB8F] (AR v2)
Track 24 accurately ripped (confidence 6) [BBDE56A1] (AR v2)
Track 25 accurately ripped (confidence 6) [9F16C444] (AR v2)
Track 26 accurately ripped (confidence 6) [BFF0031D] (AR v2)
Track 27 accurately ripped (confidence 6) [6F99140F] (AR v2)
Track 28 accurately ripped (confidence 6) [78706001] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: qfh4l4KjIKaeV656c501HxHUoso-] found
Submit result: qfh4l4KjIKaeV656c501HxHUoso- has been confirmed
Track | CTDB Status
1 | (63/63) Accurately ripped
2 | (62/63) Accurately ripped
3 | (62/63) Accurately ripped
4 | (62/63) Accurately ripped
5 | (62/63) Accurately ripped
6 | (62/63) Accurately ripped
7 | (62/63) Accurately ripped
8 | (62/63) Accurately ripped
9 | (62/63) Accurately ripped
10 | (62/63) Accurately ripped
11 | (62/63) Accurately ripped
12 | (62/63) Accurately ripped
13 | (62/63) Accurately ripped
14 | (62/63) Accurately ripped
15 | (62/63) Accurately ripped
16 | (62/63) Accurately ripped
17 | (62/63) Accurately ripped
18 | (62/63) Accurately ripped
19 | (62/63) Accurately ripped
20 | (62/63) Accurately ripped
21 | (62/63) Accurately ripped
22 | (62/63) Accurately ripped
23 | (62/63) Accurately ripped
24 | (61/63) Accurately ripped
25 | (62/63) Accurately ripped
26 | (62/63) Accurately ripped
27 | (62/63) Accurately ripped
28 | (62/63) Accurately ripped
==== Log checksum E65395D15AF4F1741A69087DE43755E64A33F722709AF2B4C9AF6631CED0A2E7 ====
Nicholas McGegan, Capella Savaria, Stadtsingechor Halle - Handel: Brockes Passion (1986)
Thanks to the original releaser