Riccardo Chailly, Gewandhaus Orchestra, Thomanerchor Leipzig - Johann Sebastian Bach: Matthäus-Passion (2010)
Riccardo Chailly, Gewandhaus Orchestra, Thomanerchor Leipzig - Johann Sebastian Bach: Matthäus-Passion (2010)
EAC | FLAC | Image (Cue & Log) ~ 667 Mb | Total time: 160:10 | Scans included
Classical | Label: Decca | 478 2194 | Recorded: 2009
EAC | FLAC | Image (Cue & Log) ~ 667 Mb | Total time: 160:10 | Scans included
Classical | Label: Decca | 478 2194 | Recorded: 2009
It's incredible that a work considered as securely at the core of the Western musical canon as J.S. Bach's St. Matthew Passion didn't receive a complete recording until after the Second World War, and that prior to that, unabridged performances were exceptionally rare; even Mendelssohn's momentous 1841 Leipzig performance was heavily cut, and Mendelssohn's son reported that even so, much of the audience "fled yawning before it was over." The earliest nearly complete recording was made in 1941 with Leipzig's Gewandhaus Orchestra and Thomanernchor, and those same forces are brought together again, along with the Tölzer Knabenchor, in this 2009 performance led by Riccardo Chailly. The orchestra uses modern rather than period instruments, but Chailly is aware of the conventions of historically informed performance practice and deploys his forces with discretion, so the result is appropriately intimate, with the full forces reserved for moments like the overwhelming outbursts of the Crowd. The work is scored for two choirs and orchestras, and the use of a boy's choir highlights the contrast between the groups, a distinction that can be less distinct on recordings where two adult choirs are employed. Chailly is not particularly known as a Baroque specialist, but he brings understanding and commanding leadership to the passion and his performance is notable for its fleet sense of dramatic urgency. His many soloists are consistently impressive. Johannes Chum has the kind of light tenor stereotypically associated with the role of the Evangelist, but he handles it with exemplary conviction and sensitivity. Bass Hanno Müller-Brachman is powerful and warmly expressive as Jesus. The remaining soloists, soprano Christina Landshamer, alto Marie-Claude Chappuis, tenor Maximilian Schmitt, and basses Thomas Quasthoff (in a spectacular case of luxury casting) and Klaus Häger, are all absolutely first-rate, consistently pure of tone, with thoughtful, moving interpretations. The sound is clean, clear, and warm, with excellent definition and ambience. This recording would make a fine choice for anyone looking for a modern instrument version of this masterpiece.–Stephen Eddins
Performer:
Johannes Chum, tenor (Evangelist)
Hanno Muller-Brachmann, bass (Jesus)
Christina Landshamer, soprano
Marie-Claude Chappuis, alto
Maximilian Schmitt, tenor
Thomas Quasthoff, bass
Klaus Häger, bass (Judas, Petrus, Pilatus)
Thomanerchor Leipzig
Tölzer Knabenchor
Gewandhausorchester
Riccardo Chailly, conductor
Track List:
CD1:
Part I
01. No.1 Chorus I/II: Kommt, ihr Töchter, helft mir klagen
02. No.2 Evangelist, Jesus: Da Jesus diese Rede vollendet hatte
03. No.3 Choral: Herzliebster Jesu, was hast du verbrochen
04. No.4 Evangelist, Chorus I/II, Jesus: Da versammelten sich die Hohenpriester
05. No.5 Recitative (Alto): Du lieber Heiland du
06. No.6 Aria (Alto): Buss und Reu
07. No.7 Evangelist, Judas: Da ging hin der Zwölfen einer
08. No.8 Aria (Soprano): Blute nur, du liebes Herz
09. No.9 Evangelist:Aber am ersten Tage der süssen Brot
10. No.10 Choral: Ich bin's, ich sollte büssen
11. No.11 Evangelist, Jesus, Judas: Er antwortete und sprach
12. No.12 Recitative (Soprano): Wiewohl mein Herz in Tränen schwimmt
13. No.13 Aria (Soprano): Ich will dir mein Herz schenken
14. No.14 Evangelist, Jesus: Und da sie den Lobgesang gesprochen hatten
15. No.15 Choral: Erkenne mich, mein Hüter
16. No.16 Evangelist, Jesus, Petrus: Petrus aber antwortete
17. No.17 Choral: Ich will hier bei dir stehen
18. No.18 Evangelist, Jesus: Da kam Jesus mit ihnen zu einem Hofe
19. No.19 Recitative (Tenor, Chorus II): O Schmerz! hier zittert das gequälte Herz
20. No.20 Aria (Tenor, Chorus II): Ich will bei meinem Jesu wachen
21. No.21 Evangelist, Jesus: Und ging hin ein wenig
22. No.22 Recitative (Bass): Der Heiland fällt vor seinem Vater nieder
23. No.23 Aria (Bass): Gerne will ich mich bequemen
24. No.24 Evangelist, Jesus: Und er kam zu seinen Jüngern
25. No.25 Choral: Was mein Gott will, das g'scheh allzeit
26. No.26 Evangelist, Jesus, Judas: Und er kam und fand sie aber schlafend
27. No.27 Aria (Soprano, Alto, Chorus II): So ist mein Jesus nun gefangen - Chorus I/II: Sind Blitze, sind Donner
28. No.28 Evangelist, Jesus: Und siehe, einer aus denen
29. No.29 Choral: O Mensch, bewein dein Sünde groá
Part II
30. No.30 Aria (Alto, Chorus II): Ach nun ist mein Jesu hin
31. No.31 Evangelist: Die aber Jesum gegriffen hatten
32. No.32 Choral: Mir hat die Welt trüglich gericht
33. No.33 Evangelist, Pontifex, Testis I/II: Und wiewohl viel falsche Zeugen herzutraten
34. No.34 Recitative (Tenor): Mein Jesus schweigt zu falschen Lügen stille
35. No.35 Aria (Tenor): Geduld! Wenn mich falsche Zungen stechen
36. No.36 Evangelist, Pontifex, Jesus, Chorus I/II: Und der Hohepriester antwortete
37. No.37 Choral: Wer hat dich so geschlagen
CD2:
01. No.38 Evangelist, Ancilla I/II, Petrus, Chorus II: Petrus aber sass draussen im Palast
02. No.39 Aria (Alto): Erbarme dich
03. No.40 Choral: Bin ich gleich von dir gewichen
04. No.41 Evangelist, Judas, Chorus I/II, Pontifex I/II: Des Morgens aber hielten alle Hohepriester
05. No.42 Aria (Bass): Gebt mir meinen Jesum wieder
06. No.43 Evangelist, Pilatus, Jesus: Sie hielten aber einen Rat
07. No.44 Choral: Befiehl du deine Wege
08. No.45 Evangelist, Pilatus, Uxor Pilati, Chorus I/II: Auf das Fest aber hatte der Landpfleger Gewohnheit
09. No.46 Choral: Wie wunderbarlich ist doch diese Strafe
10. No.47 Evangelist, Pilatus: Der Landpfleger sagte
11. No.48 Recitative (Soprano): Er hat uns allen wohlgetan
12. No.49 Aria (Soprano): Aus Liebe will mein Heiland sterben
13. No.50 Evangelist, Chorus I/II, Pilatus: Sie schrieen aber noch mehr
14. No.51 Recitative (Alto): Erbarm es Gott
15. No.52 Aria (Alto): Können Tränen meiner Wangen
16. No.53 Evangelist, Chorus I/II: Da nahmen die Kriegsknechte
17. No.54 Choral: O Haupt voll Blut und Wunden
18. No.55 Evangelist: Und da sie ihn verspottet hatten
19. No.56 Recitative (Bass): Ja freilich will in uns das Fleisch und Blut
20. No.57 Aria (Bass): Komm, süsses Kreuz
21. No.58 Evangelist, Chorus I/II: Und da sie an die Stätte kamen
22. No.59 Recitative (Alto): Ach Golgatha
23. No.60 Aria (Alto, Chorus II): Sehet, Jesus hat die Hand
24. No.61 Evangelist, Jesus, Chorus I/II: Und von der sechsten Stunde an
25. No.62 Choral: Wenn ich einmal soll scheiden
26. No.63 Evangelist, Chorus I/II: Und siehe da, der Vorhang im Tempel zerriss
27. No.64 Recitative (Bass): Am Abend, da es kühle war
28. No.65 Aria (Bass): Mache dich, mein Herze, rein
29. No.66 Evangelist, Chorus I/II, Pilatus: Und Joseph nahm den Leib
30. No.67 Recitative (Soprano, Alto, Tenor, Bass, Chorus II): Nun ist der Herr zur Ruh gebracht
31. No.68 Chorus I/II: Wir setzen uns mit Tränen nieder
Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 26. February 2021, 17:15
Johannes Chum, Hanno Muller-Brachmann, Christina Landshamer, Marie-Claude Chappuis, Maximilian Schmitt, Thomas Quasthoff, Klaus / Matthäus-Passion (Disc 1)
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Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 26. February 2021, 18:50
Johannes Chum, Hanno Muller-Brachmann, Christina Landshamer, Marie-Claude Chappuis, Maximilian Schmitt, Thomas Quasthoff, Klaus / Matthäus-Passion (Disc 2)
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Riccardo Chailly, Gewandhaus Orchestra, Thomanerchor Leipzig - Johann Sebastian Bach: Matthäus-Passion (2010)
Thanks to the original releaser