Tamsin Waley-Cohen - Soli: Bartók, Benjamin, Penderecki, Carter, Kurtág (2015)
EAC | FLAC | Image (Cue&Log) ~ 360 Mb | Mp3 (CBR320) ~ 177 Mb | Artwork included
Genre: Classical | Label: Signum Classics | # SIGCD416 | Time: 01:16:31
EAC | FLAC | Image (Cue&Log) ~ 360 Mb | Mp3 (CBR320) ~ 177 Mb | Artwork included
Genre: Classical | Label: Signum Classics | # SIGCD416 | Time: 01:16:31
On Soli, Tamsin Waley-Cohen's 2015 release on Signum Classics, the violinist explores modernist repertoire composed between 1944 and 2005. Because these solo violin pieces by Béla Bartók, George Benjamin, Krzysztof Penderecki, Elliott Carter, and György Kurtág are challenging for both the player and the listener, one should approach this CD with some awareness that they reflect different phases of the avant-garde movement that dominated music in the last half of the 20th century. In quieter selections where the moods are primarily brooding or lyrical, Waley-Cohen produces a vibrant tone and smooth phrasing that make her playing easy to appreciate, even when the music isn't recognizably tonal. However, in louder, dissonant passages, notably in sections of the Bartók Sonata, Benjamin's Canon for Sally, Carter's Remembering Aaron, and Kurtág's Anziksz Kellerannanak, the close microphone placement makes her bowing sound overly resinous and scratchy, which can be hard to enjoy. Even so, few violinists dare approach this bracing material, and Waley-Cohen is to be commended for devoting a whole album to such cutting-edge pieces solely on her terms, without making compromises.Review by Blair Sanderson, Allmusic.com
The opening of the Bartók Sonata is powerful and arresting, and there’s passion and musical imagination throughout, the fiendish multiple stops and alternations between bowed and plucked notes assured in tone and precise in intonation. I’m not so sure about Tamsin Waley-Cohen’s slow tempo in the first movement: what starts out being improvisatory can morph into caution, and there needs to be an even wider range of colour to reflect Bartók’s imaginative writing. Still, there is contrast between the aggressive ‘Fuga’ and the more yielding and intimate ‘Melodia’, while the final Presto restores the microtones which Yehudi Menuhin edited out of the first printed edition. He found more performance energy though.
Apart from Penderecki’s empty, over-long Cadenza, the rest of the CD shows composers at the top of their game in a series of shorter pieces. Benjamin’s include a restless canon and a lullaby; one of Carter’s Lauds remembers Aaron Copland, complete with a brief passage of jazzy syncopation; the other, more rhapsodic, the leader of the Juilliard Quartet. Waley-Cohen is at her most persuasive in Kurtág’s masterful Six Miniatures, which span a wide range of moods, from the angry to the tenuous and tentative.Review by Martin Cotton, BBC Music Magazine
Tracklist:
Béla Bartók (1881-1945)
Sonata for Solo Violin, Sz. 117 (1944)
01. I. Tempo di ciaccona (14:11)
02. II. Fuga (05:00)
03. III. Melodia. Adagio (08:35)
04. IV. Presto (06:09)
George Benjamin (b.1960)
Three Miniatures for Solo Violin (2001)
05. I. A Lullaby for Lalit (03:51)
06. II. A Canon for Sally (02:28)
07. III. Lauer Lied (03:16)
Krzysztof Penderecki (b.1933)
08. Cadenza (1984) (10:04)
Elliott Carter (1908-2012)
From Four Lauds
09. I. Statement - Remembering Aaron (04:08)
10. III. Rhapsodic Musings for Robert Mann (03:36)
György Kurtág (b.1926)
Six Miniatures
11. I. In Nomine all'ungherese (Damjanich emlekko) (05:45)
12. II. Anziksz Kellerannanak (Postcard to Anna Keller) (00:31)
13. III. Hommage a John Cage (01:52)
14. IV. Thomas Blum in memoriam (02:37)
15. V. …feerie d'automne (02:26)
16. VI. Hommage a JSB (01:53)
Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 28. January 2016, 22:39
Tamsin Waley-Cohen / Soli
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Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
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2 | 14:11.62 | 5:00.32 | 63887 | 86418
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9 | 53:38.68 | 4:08.65 | 241418 | 260082
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14 | 69:33.32 | 2:37.69 | 313007 | 324850
15 | 72:11.26 | 2:26.25 | 324851 | 335825
16 | 74:37.51 | 1:53.14 | 335826 | 344314
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Filename C:\temp\Tamsin Waley-Cohen - Soli\Tamsin Waley-Cohen - Soli.wav
Peak level 98.8 %
Extraction speed 2.3 X
Range quality 99.9 %
Test CRC 49E5EB15
Copy CRC 49E5EB15
Copy OK
No errors occurred
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Track 3 not present in database
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==== Log checksum D5461939FF10C54589A9CC218A1B3835B610549E89249F32CAA000A0FAC7B3A4 ====
EAC extraction logfile from 28. January 2016, 22:39
Tamsin Waley-Cohen / Soli
Used drive : HL-DT-STDVDRAM GU70N Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 14:11.62 | 0 | 63886
2 | 14:11.62 | 5:00.32 | 63887 | 86418
3 | 19:12.19 | 8:35.40 | 86419 | 125083
4 | 27:47.59 | 6:09.32 | 125084 | 152790
5 | 33:57.16 | 3:51.41 | 152791 | 170156
6 | 37:48.57 | 2:28.52 | 170157 | 181308
7 | 40:17.34 | 3:16.36 | 181309 | 196044
8 | 43:33.70 | 10:04.73 | 196045 | 241417
9 | 53:38.68 | 4:08.65 | 241418 | 260082
10 | 57:47.58 | 3:36.13 | 260083 | 276295
11 | 61:23.71 | 5:45.35 | 276296 | 302205
12 | 67:09.31 | 0:31.30 | 302206 | 304560
13 | 67:40.61 | 1:52.46 | 304561 | 313006
14 | 69:33.32 | 2:37.69 | 313007 | 324850
15 | 72:11.26 | 2:26.25 | 324851 | 335825
16 | 74:37.51 | 1:53.14 | 335826 | 344314
Range status and errors
Selected range
Filename C:\temp\Tamsin Waley-Cohen - Soli\Tamsin Waley-Cohen - Soli.wav
Peak level 98.8 %
Extraction speed 2.3 X
Range quality 99.9 %
Test CRC 49E5EB15
Copy CRC 49E5EB15
Copy OK
No errors occurred
AccurateRip summary
Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
Track 8 not present in database
Track 9 not present in database
Track 10 not present in database
Track 11 not present in database
Track 12 not present in database
Track 13 not present in database
Track 14 not present in database
Track 15 not present in database
Track 16 not present in database
None of the tracks are present in the AccurateRip database
End of status report
==== Log checksum D5461939FF10C54589A9CC218A1B3835B610549E89249F32CAA000A0FAC7B3A4 ====
foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-01-23 15:56:33
––––––––––––––––––––––––––––––––––––––––
Analyzed: Tamsin Waley-Cohen / Soli
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -1.59 dB -18.53 dB 14:12 01-Bela Bartok: Sonata for Solo Violin - I. Tempo di ciaccona
DR13 -0.41 dB -15.74 dB 5:00 02-Bela Bartok: Sonata for Solo Violin - II. Fuga
DR13 -6.67 dB -25.13 dB 8:36 03-Bela Bartok: Sonata for Solo Violin - III. Melodia. Adagio
DR12 -1.02 dB -18.32 dB 6:09 04-Bela Bartok: Sonata for Solo Violin - IV. Presto
DR12 -4.97 dB -23.22 dB 3:52 05-George Benjamin: Three Miniatures - I. A Lullaby for Lalit
DR11 -0.44 dB -15.56 dB 2:29 06-George Benjamin: Three Miniatures - II. A Canon for Sally
DR18 -4.66 dB -28.43 dB 3:16 07-George Benjamin: Three Miniatures - III. Lauer Lied
DR12 -1.62 dB -18.09 dB 10:05 08-Krzysztof Penderecki: Cadenza
DR13 -0.10 dB -18.33 dB 4:09 09-Elliot Carter: Four Lauds - I. Statement - Remembering Aaron
DR13 -1.72 dB -19.12 dB 3:36 10-Elliot Carter: Four Lauds - III. Rhapsodic Musings for Robert Mann
DR12 -4.24 dB -22.82 dB 5:45 11-György Kurtág: Six Miniatures - I. In Nomine all'ungherese (Damjanich emlekko)
DR11 -1.62 dB -16.05 dB 0:31 12-György Kurtág: Six Miniatures - II. Anziksz Kellerannanak (Postcard to Anna Keller)
DR12 -11.07 dB -29.04 dB 1:53 13-György Kurtág: Six Miniatures - III. Hommage a John Cage
DR12 -3.78 dB -22.13 dB 2:38 14-György Kurtág: Six Miniatures - IV. Thomas Blum in memoriam
DR12 -17.44 dB -37.58 dB 2:26 15-György Kurtág: Six Miniatures - V. …feerie d'automne
DR10 -6.75 dB -22.33 dB 1:53 16-György Kurtág: Six Miniatures - VI. Hommage a JSB
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 16
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 655 kbps
Codec: FLAC
================================================================================
log date: 2017-01-23 15:56:33
––––––––––––––––––––––––––––––––––––––––
Analyzed: Tamsin Waley-Cohen / Soli
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -1.59 dB -18.53 dB 14:12 01-Bela Bartok: Sonata for Solo Violin - I. Tempo di ciaccona
DR13 -0.41 dB -15.74 dB 5:00 02-Bela Bartok: Sonata for Solo Violin - II. Fuga
DR13 -6.67 dB -25.13 dB 8:36 03-Bela Bartok: Sonata for Solo Violin - III. Melodia. Adagio
DR12 -1.02 dB -18.32 dB 6:09 04-Bela Bartok: Sonata for Solo Violin - IV. Presto
DR12 -4.97 dB -23.22 dB 3:52 05-George Benjamin: Three Miniatures - I. A Lullaby for Lalit
DR11 -0.44 dB -15.56 dB 2:29 06-George Benjamin: Three Miniatures - II. A Canon for Sally
DR18 -4.66 dB -28.43 dB 3:16 07-George Benjamin: Three Miniatures - III. Lauer Lied
DR12 -1.62 dB -18.09 dB 10:05 08-Krzysztof Penderecki: Cadenza
DR13 -0.10 dB -18.33 dB 4:09 09-Elliot Carter: Four Lauds - I. Statement - Remembering Aaron
DR13 -1.72 dB -19.12 dB 3:36 10-Elliot Carter: Four Lauds - III. Rhapsodic Musings for Robert Mann
DR12 -4.24 dB -22.82 dB 5:45 11-György Kurtág: Six Miniatures - I. In Nomine all'ungherese (Damjanich emlekko)
DR11 -1.62 dB -16.05 dB 0:31 12-György Kurtág: Six Miniatures - II. Anziksz Kellerannanak (Postcard to Anna Keller)
DR12 -11.07 dB -29.04 dB 1:53 13-György Kurtág: Six Miniatures - III. Hommage a John Cage
DR12 -3.78 dB -22.13 dB 2:38 14-György Kurtág: Six Miniatures - IV. Thomas Blum in memoriam
DR12 -17.44 dB -37.58 dB 2:26 15-György Kurtág: Six Miniatures - V. …feerie d'automne
DR10 -6.75 dB -22.33 dB 1:53 16-György Kurtág: Six Miniatures - VI. Hommage a JSB
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 16
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 655 kbps
Codec: FLAC
================================================================================