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Russian PO, Dmitry Yablonsky - Dmitry Shostakovich: Hamlet - Music for the 1964 Film, Op. 116 (2004)

Posted By: Efgrapha
Russian PO, Dmitry Yablonsky - Dmitry Shostakovich: Hamlet - Music for the 1964 Film, Op. 116 (2004)

Dmitry Shostakovich - Hamlet, Op. 116:
First Complete Recording of the Published 1964 Film Score (2004)
Russian Philharmonic Orchestra, conducted by Dmitry Yablonsky

EAC | FLAC (Tracks) + cue.+log ~ 266 Mb | Mp3, CBR320 kbps ~ 182 Mb | Scans included
Genre: Classical, Score | Label: Naxos | # 8.557446 | Time: 01:02:26

This disc is the first ever to offer the complete Shostakovich score to the 1964 Grigori Kozintsev film Hamlet. Actually, it contains a bit more: track 6 for example, "The Ball," presents music not heard in the film, music the composer wrote apparently because he wanted to reach a logical ending, even if in the film the music just fades away. There are 23 numbers in all, with a total timing of over 62 minutes. Stylistically, the music is related to the Eleventh (1957) and Thirteenth (1962) symphonies, but is of course less developmental and more programmatic, coming across as a sort of tone poem made up of many short movements.

While there is a fair amount of bright, even happy music in the score, the mood is generally dark and intense, appropriately so considering the subject matter: Shakespeare's Hamlet is, after all, hardly a comedy. The music doesn't skim surfaces, either – it haunts, it sasses, it laughs, and it plumbs the depths. The slashing opening chords of the Overture (No.1) immediately alert the listener to the dark, sinister world of Hamlet. Nos. 18 through 21 form a quartet chronicling the madness, death, and burial of Ophelia, and while the music is mostly dark and mournful, the harpsichord seems to search here, then to mock there, then to vacillate. On the brighter side, the energy and thematic grace of No. 4, "The Palace Ball," with its Tchaikovskian middle section, is utterly infectious, as are No. 9, "Palace Music," and No. 10, "Arrival of the Players," the latter for its rhythms, growling brass, and glitzy percussive effects.

The Russian Philharmonic Orchestra, under the incisive Dmitry Yablonsky, perform admirably: strings are eerie and atmospheric, with deliciously sinister pizzicato passages; the brass handle the several fanfares brilliantly, sometimes with a hint of menace, even though some cues last but 14 seconds; winds can chill, like the threatening flute in No. 17, "The Flutes Play"; and percussion resound with venom, as in Nos. 10 and 16 ("Poisoning Scene"). The sound throughout is vivid and state of the art.

Review by Robert Cummings, Allmusic.com

Shostakovich’s film score to Hamlet is one of his finest, possibly because it’s a serious film rather than a socialist-realist potboiler, and the composer’s moody, mostly spare music supports the action with unfailing accuracy and makes compelling listening on its own. The well-known suite leaves out a lot of music, and while there’s inevitably a degree of repetition involved, this complete recording is very welcome for its inclusion of such segments as “Hamlet’s Parting from Ophelia”, “Hamlet’s Monologue”, “Ophelia’s Descent into Madness”, “Hamlet at Ophelia’s Grave”, and “The Cemetery”.

As you may have guessed from the titles, the added music creates a considerably darker overall impression than does the suite, and this in a work that begins with the “whip-crack” motive from the third movement of Shostakovich’s not-exactly-jocose Thirteenth Symphony “Babi Yar”. So it may not be the most emotionally varied score, but it does sound very Russian and very much like late Shostakovich, and conductor Dmitry Yablonsky treats it accordingly. He and his orchestra bring just as much conviction and intensity (try “The Ghost”) as they would to one of the symphonies, and Naxos’ sonics are vivid. Be sure, however, to get the regular stereo CD: the SACD is a failure, with way too much stuff coming from the rear channels. Definitely worth owning.

Review by David Hurwitz, ClassicsToday

Tracklist:

Hamlet, Op. 116 (Suite, Op. 116a; arr. L. Atovmian)

01. Overture (02:04)
02. Military Music (00:47)
03. Fanfares (00:13)
04. The Palace Ball (03:18)
05. Story Of Horatio And The Ghost (02:21)
06. The Ball (01:13)
07. The Ghost (06:42)
08. Hamlet' s Parting From Ophelia (05:38)
09. Palace Music (00:59)
10. Arrival Of The Players (02:05)
11. Monologue (What A Roque and Peasant Slave) (01:33)
12. Hamlet's Monologue (To Be Or Not To Be) (03:35)
13. Royal Fanfare (00:13)
14. In The Garden (02:28)
15. Booth Fanfare (00:21)
16. Poisoning Scene (06:22)
17. The Flutes Play (00:44)
18. Ophelia' s Descent Into Madness (Song Of Ophelia) (03:40)
19. Ophelia' s Insanity (02:34)
20. Death Of Ophelia (03:38)
21. Hamlet At Ophelia s Grave (03:13)
22. The Cemetery (02:03)
23. The Duel-The Death Of Hamlet-Hamlet' s Funeral (06:31)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 22. April 2014, 12:23

Russian Philharmonic/Yablonsky / Hamlet-Music For The 1964 Film

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TOC of the extracted CD

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1 | 0:00.00 | 2:04.68 | 0 | 9367
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6 | 8:45.60 | 1:13.70 | 39435 | 44979
7 | 9:59.55 | 6:42.37 | 44980 | 75166
8 | 16:42.17 | 5:38.15 | 75167 | 100531
9 | 22:20.32 | 0:59.29 | 100532 | 104985
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13 | 30:33.65 | 0:13.52 | 137540 | 138566
14 | 30:47.42 | 2:28.50 | 138567 | 149716
15 | 33:16.17 | 0:21.33 | 149717 | 151324
16 | 33:37.50 | 6:22.06 | 151325 | 179980
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22 | 53:50.65 | 2:03.63 | 242315 | 251602
23 | 55:54.53 | 6:31.22 | 251603 | 280949


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All tracks accurately ripped

No errors occurred

End of status report

==== Log checksum 944573FE9279C36E116F3C724D9FA4AD9AD3EA9F8DE2C0C8B5CBF54B1F02E1A0 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2016-07-29 01:19:16

––––––––––––––––––––––––––––––––––––––––
Analyzed: Russian Philharmonic/Yablonsky / Hamlet-Music For The 1964 Film
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -0.85 dB -21.93 dB 2:05 01-Overture
DR14 -2.43 dB -18.54 dB 0:47 02-Military Music
DR12 -4.33 dB -19.93 dB 0:14 03-Fanfares
DR14 -0.26 dB -22.35 dB 3:18 04-The Palace Ball
DR15 -8.36 dB -29.78 dB 2:22 05-Story Of Horatio And The Ghost
DR13 -1.27 dB -20.66 dB 1:14 06-The Ball
DR15 -1.06 dB -23.25 dB 6:42 07-The Ghost
DR19 -1.42 dB -28.29 dB 5:38 08-Hamlet' s Parting From Ophelia
DR11 -15.39 dB -30.65 dB 0:59 09-Palace Music
DR12 -0.72 dB -18.35 dB 2:05 10-Arrival Of The Players
DR13 -15.56 dB -35.47 dB 1:33 11-Monologue (What A Roque and Peasant Slave)
DR15 -8.96 dB -29.72 dB 3:36 12-Hamlet's Monologue (To Be Or Not To Be)
DR12 -4.69 dB -19.93 dB 0:14 13-Royal Fanfare
DR12 -10.05 dB -26.44 dB 2:29 14-In The Garden
DR10 -10.09 dB -24.21 dB 0:21 15-Booth Fanfare
DR15 -0.82 dB -23.20 dB 6:22 16-Poisoning Scene
DR12 -8.25 dB -24.75 dB 0:45 17-The Flutes Play
DR14 -14.74 dB -35.00 dB 3:40 18-Ophelia' s Descent Into Madness (Song Of Ophelia)
DR12 -11.04 dB -29.65 dB 2:34 19-Ophelia' s Insanity
DR15 -8.10 dB -30.75 dB 3:39 20-Death Of Ophelia
DR14 -7.87 dB -29.22 dB 3:13 21-Hamlet At Ophelia s Grave
DR24 -4.81 dB -32.47 dB 2:04 22-The Cemetery
DR15 -0.88 dB -19.66 dB 6:31 23-The Duel-The Death Of Hamlet-Hamlet' s Funeral
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 23
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 709 kbps
Codec: FLAC
================================================================================

Russian PO, Dmitry Yablonsky - Dmitry Shostakovich: Hamlet - Music for the 1964 Film, Op. 116 (2004)

Russian PO, Dmitry Yablonsky - Dmitry Shostakovich: Hamlet - Music for the 1964 Film, Op. 116 (2004)

All thanks to original uploader - Sarant

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