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Franz Hauk, Simon Mayr Ensemble - Ferdinando Paër: Il Santo Sepolcro (2012)

Posted By: ArlegZ
Franz Hauk, Simon Mayr Ensemble - Ferdinando Paër: Il Santo Sepolcro (2012)

Franz Hauk, Simon Mayr Ensemble - Ferdinando Paër: Il Santo Sepolcro (2012)
EAC | FLAC | Tracks (Cue & Log) ~ 296 Mb | Total time: 70:15 | Scans included
Classical | Label: Naxos | # 8.572492 | Recorded: 2008

Together with Johann Simon Mayr, Ferdinando Paër counts as one of the most important opera composers of his day, and he was unable to resist filling his oratorio on Christ’s Passion, Il Santo Sepolcro with expressive extremes. Pain and grief contrast with joy and hope, and scenes including the terrible hours of the crucifixion, frenzy of the crowd, resurrection and Last Judgment are given potently descriptive music. Originally a prelude to Haydn’s Seven Last Words, Mayr’s Invito is a call to hear Paër’s incomparable narrative.

Ann Hallenberg, Fabio Biondi, Stavanger Symphony Orchestra - Arias for Marietta Marcolini (2012)

Posted By: ArlegZ
Ann Hallenberg, Fabio Biondi, Stavanger Symphony Orchestra - Arias for Marietta Marcolini (2012)

Ann Hallenberg, Fabio Biondi, Stavanger Symphony Orchestra - Arias for Marietta Marcolini (2012)
EAC | FLAC | Image (Cue & Log) ~ 255 Mb | Total time: 70:41 | Scans included
Classical | Label: Naïve | # V 5309 | Recorded: 2011

Marietta Marcolini was an Italian contralto born in Florence in 1780. Rossini’s career would not have taken flight in so meteoric a fashion without a series of providential encounters, and that with Marietta Marcolini was to leave an indelible stamp on his entire output. By creating roles to measure for her, as in 'La pietra del paragone' and 'L’Italiana in Algeri', and exploiting this interpreter’s uncommon resources more fully than had other composers before him, Rossini ushered in the fashion for a new type of comedy, the brilliant, virtuoso comedy of which he was to remain the master until 'Le Comte Ory' (1828).