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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    Craig Armstrong - the Bone Collector OST

    Posted By: SaintStyle
    Craig Armstrong - the Bone Collector OST

    Release Date: October 26, 1999 | Label: Decca U.S. | ASIN: B00002CF4Y
    Soundtrack | 1999 | 192kbps | 100mb


    Until 1999, Craig Armstrong was best known for his production work alongside Massive Attack. But then, seemingly in one year, Armstrong created a name for himself as a soundtrack composer–and a good one at that. Plunkett & Macleane established his unique blend of symphonic and ambient elements in a score that defied categorization. On The Bone Collector, Armstrong has created another strong soundtrack in a similar vein. Don't expect the foreboding chill of Massive Attack's Blue Lines on this instrumental score, nor fast-and-furious breakbeats. Instead, Armstrong simply peppers his vast, slow-moving orchestral movements with the occasional turntable scratch or keyboard synth effects. The London Symphony Orchestra perform the bulk of this work, which sounds at times like Orff or Mahler made for the chill-out room at a rave. Occasionally repetitive, The Bone Collector is still easy to recommend for its creative arrangements and sheer power when played at volume. Great stuff.
    Jason Verlinde


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