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Clarence 'Gatemouth' Brown - Gate Swings (1997)

Posted By: Designol

Date: 7 Jun 2024 12:11:53

Clarence "Gatemouth" Brown's tough-minded approach to the blues, country, Cajun, and jazz insures a minimum of nonsense and a maximum of variety, while his virtuosity on the guitar and fiddle insures the highest standards. Nonetheless, Brown's 1997 album is a landmark for the 73-year-old picker who won a Rhythm & Blues Foundation Pioneer Award. All 13 tunes on Gate Swings find Brown working with his regular road quartet plus a 13-piece horn section, enabling him to prove that Duke Ellington, Count Basie, and Lionel Hampton have been as important to his music as any bluesman or Creole fiddler.

Gate Swings includes tunes by all three of those big-band leaders as well as compositions by Buddy Johnson, Percy Mayfield, Louis Jordan, and Brown himself, and they all swing with the massive force that only a big horn section can muster. Brown has leaned in this direction before, but Gate Swings is special, because it features the horn arrangements of Wardell Quezergue, an alumnus of the Dave Bartholomew band who arranged many of the best New Orleans R&B hits in the '60s and '70s.

Quezergue creates big, brassy riffs and thick, sliding harmonies, but he's sympathetic to singers and knows how to clear out space for Brown's vocals and guitar solos. Brown's voice isn't as strong as it once was, but his playing is sharper than ever. He phrases his guitar solos in long, legato phrases like a trumpeter, with few parenthetical embellishments. His solos have never sounded more at home than they do in the context of Quezergue's New Orleans big band.

Review by Geoffrey Himes

The aptly titled GATE SWINGS finds the Texas roots music legend harking back to the big band blues/jazz hybrids popular in the late 1940s. Clarence "Gatemouth" Brown's own work from the '40s and '50s (see the Rounder reissue THE ORIGINAL PEACOCK RECORDINGS) was heavily influenced by these styles. His deft, inventive guitar work, bluesy vocals, and astonishing ability to harness the goosebump-inducing power of an R&B big band are as evident on this 1997 release as they were some 50 years earlier.

The opener, "Midnight Hour," is a remake of his 1954 original, and gets things cooking with a loping groove powered by the gargantuan sound of his 17-piece ensemble. Songs that have long been part of Brown's live repertoire, including classics like "Take The A Train" and Percy Mayfield's "River's Invitation," are mixed in among brilliant Brown originals like "Bits and Pieces" and the funky "Gate's Blues Waltz," featuring fine tenor and alto sax solos from Tony Dagradi and Eric Demmer, respectively. Even after over half a century in the business, the Gate is still churning out lively, musically astonishing efforts that swing harder than anything around.

Review by Allmusic.com

Clarence 'Gatemouth' Brown at Allmusic
Clarence 'Gatemouth' Brown at Wiki

Guitar, Vocals - Clarence "Gatemouth" Brown
Alto Saxophone - Eric Demmer, Ray Moore, Warren Bell
Baritone Saxophone – Anthony Frigo
Tenor Saxophone - Eric Traub, Tony Dagradi
Trombone - Brian O'Neill, John Touchy, Richard Erb, Rick Trolsen
Trumpet - Bernard Floyd, Bobby Campo, Jamil Sharif
Piano, Organ - Joe Krown
Bass – Harold Floyd
Drums - David Peters
Arranged By [Big Band], Conductor - Wardell Quezergue

Recorded November 18-20, 1996 at Ultrasonic Studios, New Orleans, Louisiana.

Tracklist:

01. Midnight Hour (4:11)
02. Honey Dew (4:03)
03. Toughen Up (4:11)
04. Take The 'A' Train (4:19)
05. Too Late Baby (5:10)
06. Gate's Blues Waltz (4:47)
07. Caldonia (4:34)
08. Bits And Pieces (5:33)
09. River's Invitation (5:11)
10. One O'Clock Jump (4:20)
11. Take Me Back Baby (3:56)
12. Since I Fell For You (3:48)
13. Flying Home (2:41)

EAC log

Exact Audio Copy V1.0 beta 3 from 29. August 2011

Отчёт EAC об извлечении, выполненном 6. ноября 2014, 21:17

Clarence 'Gatemouth' Brown / Gate Swings

Дисковод: SONY CD-RW CRX230ED Adapter: 0 ID: 1

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000

Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео

TOC извлечённого CD

Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:10.65 | 0 | 18814
2 | 4:10.65 | 4:02.70 | 18815 | 37034
3 | 8:13.60 | 4:11.37 | 37035 | 55896
4 | 12:25.22 | 4:18.60 | 55897 | 75306
5 | 16:44.07 | 5:10.35 | 75307 | 98591
6 | 21:54.42 | 4:46.48 | 98592 | 120089
7 | 26:41.15 | 4:34.35 | 120090 | 140674
8 | 31:15.50 | 5:33.25 | 140675 | 165674
9 | 36:49.00 | 5:11.30 | 165675 | 189029
10 | 42:00.30 | 4:20.37 | 189030 | 208566
11 | 46:20.67 | 3:56.28 | 208567 | 226294
12 | 50:17.20 | 3:48.12 | 226295 | 243406
13 | 54:05.32 | 2:40.48 | 243407 | 255454

Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

Имя файла F:\MusicCD\Torrent\Clarence 'Gatemouth' Brown - Gate Swings\Clarence 'Gatemouth' Brown - Gate Swings.wav

Пиковый уровень 89.1 %
Скорость извлечения 8.5 X
Качество диапазона 100.0 %
CRC теста F368677F
CRC копии F368677F
Копирование… OK

Ошибок не произошло

AccurateRip: сводка

Трек 1 : извлечено точно (доверие 2) [E49AFA24] (AR v1)
Трек 2 : извлечено точно (доверие 2) [668A93E5] (AR v1)
Трек 3 : извлечено точно (доверие 2) [74B8FC23] (AR v1)
Трек 4 : извлечено точно (доверие 2) [6222F716] (AR v1)
Трек 5 : извлечено точно (доверие 2) [30BF2BC2] (AR v1)
Трек 6 : извлечено точно (доверие 2) [DBC5565D] (AR v1)
Трек 7 : извлечено точно (доверие 2) [83874EA3] (AR v1)
Трек 8 : извлечено точно (доверие 2) [9C4CF281] (AR v1)
Трек 9 : извлечено точно (доверие 2) [592B6EA3] (AR v1)
Трек 10 : извлечено точно (доверие 2) [A1294491] (AR v1)
Трек 11 : извлечено точно (доверие 2) [1FA65CAF] (AR v1)
Трек 12 : извлечено точно (доверие 2) [3126BCD7] (AR v1)
Трек 13 точность не определена (достоверность 18) [8B9F1CAE], AccurateRip вернул [39AA39E6] (AR v2)

12 трек(и) скопированы точно
1 трек(и) не удалось проверить на точность

Некоторые треки не прошли проверку на точность

Конец отчёта

==== Контрольная сумма отчёта 813A4D5858963E2D9C15F870B2848FB8EA409768C3B01D3E6AB2B3B9F913F10C ====

AR log

[CUETools log; Date: 12.12.2017 1:29:52; Version: 2.1.4]
[CTDB TOCID: uZyaIADSS7juDd0Qy36NROKprJU-] found.
Track | CTDB Status
1 | (37/37) Accurately ripped
2 | (37/37) Accurately ripped
3 | (37/37) Accurately ripped
4 | (37/37) Accurately ripped
5 | (37/37) Accurately ripped
6 | (37/37) Accurately ripped
7 | (37/37) Accurately ripped
8 | (37/37) Accurately ripped
9 | (37/37) Accurately ripped
10 | (37/37) Accurately ripped
11 | (36/37) Accurately ripped
12 | (37/37) Accurately ripped
13 | (37/37) Accurately ripped
[AccurateRip ID: 001bff58-0119586e-a30d4e0d] found.
Track [ CRC | V2 ] Status
01 [e49afa24|6b1b5891] (02+02/43) Accurately ripped
02 [668a93e5|05459b0d] (02+02/43) Accurately ripped
03 [74b8fc23|2e9d6a17] (02+02/43) Accurately ripped
04 [6222f716|fcd89cfe] (02+02/43) Accurately ripped
05 [30bf2bc2|172bbb2c] (02+02/44) Accurately ripped
06 [dbc5565d|7fe50d32] (02+02/43) Accurately ripped
07 [83874ea3|808dbd24] (02+02/43) Accurately ripped
08 [9c4cf281|b5518e62] (02+02/43) Accurately ripped
09 [592b6ea3|bb452e84] (02+02/43) Accurately ripped
10 [a1294491|d35e8d0a] (02+02/42) Accurately ripped
11 [1fa65caf|7b5999a4] (02+02/41) Accurately ripped
12 [3126bcd7|b0a38cd2] (02+02/41) Accurately ripped
13 [4a9fe92e|8b9f1cae] (00+02/40) Accurately ripped
Offsetted by -1887:
01 [6f7e292f] (12/43) Accurately ripped
02 [62b1f55a] (12/43) Accurately ripped
03 [2babd1bc] (12/43) Accurately ripped
04 [3ef74034] (12/43) Accurately ripped
05 [da274c70] (12/44) Accurately ripped
06 [ecc57093] (12/43) Accurately ripped
07 [58605549] (12/43) Accurately ripped
08 [362b7035] (12/43) Accurately ripped
09 [078fbfa4] (12/43) Accurately ripped
10 [d05ae65b] (11/42) Accurately ripped
11 [10f7967b] (11/41) Accurately ripped
12 [8fb6c50b] (12/41) Accurately ripped
13 [62a4a395] (07/40) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 89,1 [F368677F] [E0BB3D00] CRC32
01 89,1 [68BFB6AF] [43D31B2D]
02 89,1 [B2B99C13] [3778551B]
03 89,1 [2BF97238] [B15BC719]
04 89,1 [4D03F21A] [E23797F3]
05 89,1 [1496763F] [FFA9072B]
06 89,1 [9AF46BDA] [14ABBB5B]
07 89,1 [60F0AD41] [BE6C68EA]
08 89,1 [3B8D5876] [405E1F3E]
09 89,1 [DC04D399] [FCF85CF3]
10 89,1 [70FE5A52] [8C822690]
11 89,1 [279783B2] [F3CB78DC]
12 89,1 [F8BAC740] [40C2CA9E]
13 89,1 [F29E172F] [00290C40]

DR log

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-12-12 01:28:34

––––––––––––––––––––––––––––––––––––––––
Analyzed: Clarence 'Gatemouth' Brown / Gate Swings
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -1.00 dB -12.41 dB 4:11 01-Midnight Hour
DR12 -1.00 dB -15.56 dB 4:03 02-Honey Dew
DR11 -1.00 dB -14.31 dB 4:11 03-Toughen Up
DR11 -1.00 dB -14.54 dB 4:19 04-Take The 'A' Train
DR12 -1.00 dB -15.16 dB 5:10 05-Too Late Baby
DR11 -1.00 dB -14.08 dB 4:47 06-Gate's Blues Waltz
DR12 -1.00 dB -15.38 dB 4:34 07-Caldonia
DR11 -1.00 dB -13.98 dB 5:33 08-Bits And Pieces
DR11 -1.00 dB -14.43 dB 5:11 09-River's Invitation
DR11 -1.00 dB -14.10 dB 4:20 10-One O'Clock Jump
DR12 -1.00 dB -15.40 dB 3:56 11-Take Me Back Baby
DR12 -1.00 dB -15.61 dB 3:48 12-Since I Fell For You
DR11 -1.00 dB -14.22 dB 2:41 13-Flying Home
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 13
Official DR value: DR11

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 829 kbps
Codec: FLAC
================================================================================

All thanks to original releaser

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