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Gloria Estefan - Cuts Both Ways (1989) Japanese Edition

Posted By: Designol

Date: 7 Feb 2025 19:47:49

Cuts Both Ways is the debut solo album by American recording artist Gloria Estefan and final album with Miami Sound Machine, as they would become her backup band for her solo career after its release. Although Estefan's name is on the front cover, the album credits Estefan and Miami Sound Machine (as with the previous album, Let It Loose).

Leveraging the runaway success of her previous album, Let It Loose, Gloria Estefan furthered her indulgence in spare, moody love ballads and club-ready dance-pop jams for Cuts Both Ways and scored herself another Top Ten album. The transformation of Gloria Estefan the lead singer of Miami Sound Machine to Gloria Estefan the pop star is complete here. While Let It Loose had been the first Miami Sound Machine album to co-bill Estefan (that is, "Gloria Estefan and Miami Sound Machine"), Cuts Both Ways is billed simply to the star herself. And it plays that way, too, with a heavy reliance on Gloria-spotlighting ballads – roughly half the album, discounting the album-ending Spanish-language versions. Miami Sound Machine's patented Latin dance-lite style is sidelined a bit, for better and for worse. Sure, "Ay, Ay, I," "Say," "Oy Mi Canto," and "Get on Your Feet" are all club-ready with their big late-'80s synth-drum patterns, but only "Get on Your Feet" comes close to matching the majesty of past club hits like "Conga," "Rhythm Is Gonna Get You," and "1-2-3." And more tellingly, there aren't any straight pop songs here like "Bad Boy" or "Betcha Say That." Cuts Both Ways goes only both ways – either ballad or jam – which makes for a very up-and-down listening experience as the tempos alternate drastically from one song to the next. All this over-analysis aside, there are some super songs here, namely "Here We Are," "Say," "Oy Mi Canto," "Don't Wanna Lose You," and "Get on Your Feet." That's a lot of super-ness for one album, even if on the whole Cuts Both Ways seems overly calculated and sadly foreshadows the audience displacement that Estefan would experience in subsequent years as she drifted even further away from the unabashed Miami Sound Machine-style dance-pop of yesteryear. Even so, Cuts Both Ways is one of her best and, without question, was one of her most successful, clear affirmation that Estefan had indeed become one of the biggest pop stars in the whole wide world as the '80s came to a close.

Review by Jason Birchmeier, Allmusic.com

Gloria Estefan at Allmusic
Gloria Estefan Website
Gloria Estefan at Wiki

Tracklist:

01. Ay, Ay, I (3:49)
02. Here We Are (4:51)
03. Say (3:42)
04. Think About You Now (4:20)
05. Nothin' New (3:51)
06. Oye Mi Canto (Hear My Voice) (English Version) (4:53)
07. Don't Wanna Lose You (4:11)
08. Get On Your Feet (3:39)
09. Your Love Is Bad For Me (3:51)
10. Cuts Both Ways (3:16)
11. Oye Mi Canto (Spanish Version) (4:58)
12. Si Voy A Perderte (4:09)

Bonus Track For Japan
13. Ay, Ay, I (Extended Mix) (6:11)

EAC log

Exact Audio Copy V1.3 from 2. September 2016

EAC extraction logfile from 20. January 2017, 1:54

Gloria Estefan / Cuts Both Ways

Used drive : PLEXTOR DVDR PX-810SA Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "Date=%year%" -T "Genre=%genre%" -T "COMMENT=ripped by bvstudio®" %source%

TOC of the extracted CD

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11 | 40:22.60 | 4:57.72 | 181710 | 204056
12 | 45:20.57 | 4:08.55 | 204057 | 222711
13 | 49:29.37 | 6:10.65 | 222712 | 250526

Range status and errors

Selected range

Filename F:\Gloria Estefan And Miami Sound Machine\1989 - Cuts Both Ways (1989 - CBS Records Inc. • Epic • Sony Records - Japan - 25•8P-5299)\Gloria Estefan - Cuts Both Ways.wav

Peak level 100.0 %
Extraction speed 7.0 X
Range quality 100.0 %
Test CRC AAE3BD97
Copy CRC AAE3BD97
Copy OK

No errors occurred

AccurateRip summary

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Track 12 accurately ripped (confidence 16) [245D7B73] (AR v2)
Track 13 accurately ripped (confidence 16) [04778F9E] (AR v2)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.6

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Submit result: X7WDOiCCYUeNB7Tg93dclWLRPXA- has been confirmed
Track | CTDB Status
1 | (30/30) Accurately ripped
2 | (30/30) Accurately ripped
3 | (30/30) Accurately ripped
4 | (30/30) Accurately ripped
5 | (30/30) Accurately ripped
6 | (29/30) Accurately ripped
7 | (30/30) Accurately ripped
8 | (30/30) Accurately ripped
9 | (30/30) Accurately ripped
10 | (30/30) Accurately ripped
11 | (30/30) Accurately ripped
12 | (30/30) Accurately ripped
13 | (30/30) Accurately ripped

==== Log checksum 143BFB44E723C8DF881CCCBDF60E0D830BE18EF23C093DAB957ABD798FB6D871 ====

DR log

foobar2000 1.3.14 / Dynamic Range Meter 1.1.1
log date: 2017-01-21 03:22:50

––––––––––––––––––––––––––––––––––––––––
Analyzed: Gloria Estefan / Cuts Both Ways
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 0.00 dB -16.03 dB 3:49 01-Ay, Ay, I
DR14 -1.13 dB -17.71 dB 4:51 02-Here We Are
DR15 0.00 dB -16.39 dB 3:42 03-Say
DR14 -1.08 dB -18.64 dB 4:20 04-Think About You Now
DR14 0.00 dB -16.05 dB 3:51 05-Nothin' New
DR15 0.00 dB -16.68 dB 4:53 06-Oye Mi Canto (Hear My Voice) (English Version)
DR14 0.00 dB -16.84 dB 4:11 07-Don't Wanna Lose You
DR13 0.00 dB -14.89 dB 3:39 08-Get On Your Feet
DR13 -0.06 dB -16.37 dB 3:51 09-Your Love Is Bad For Me
DR14 -0.20 dB -17.56 dB 3:16 10-Cuts Both Ways
DR14 0.00 dB -15.94 dB 4:58 11-Oye Mi Canto (Spanish Version)
DR13 -0.20 dB -15.95 dB 4:09 12-Si Voy A Perderte
DR14 0.00 dB -16.45 dB 6:11 13-Ay, Ay, I (Extended Mix)
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 13
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 866 kbps
Codec: FLAC
================================================================================

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