Pop Splits is the sixth studio album of dance artist Haddaway, released by German studio Coconut. Alexander Nestor Haddaway, better known by his stage name Haddaway, is a Trinidadian-American singer. He is most famous for his worldwide 1993 hit "What Is Love".

Spanish flamenco artists Mayte Mateus and Maria Mendiolo were already performing together in 1977 for tourists when they were snapped up by RCA exec Leon Deane. Named Baccara, the duo partnered with Rolf Soja, who penned their debut, "Yes Sir I Can Boogie." Released in the middle of 1977, the song rocketed up the U.K. charts, scoring the band a number one in September. On the strength of that song, their self-titled debut album was an instant success, and a further follow-up single, "Sorry I'm a Lady," gave the duo another U.K. hit in early 1978. Touring Europe brought Baccara a larger fan base and even wider audience for their follow-up albums.

Kim Wilde is an English pop singer, DJ and television presenter. She first saw success in 1981 with her debut single "Kids in America", which reached number two in the UK. In 1983, she received the Brit Award for Best British Female solo artist. In 1986, she had a UK number two hit with a reworked version of the Supremes' song "You Keep Me Hangin' On", which also topped the US Billboard Hot 100 in 1987. Between 1981 and 1996, she had 25 singles reach the Top 50 of the UK singles chart. Her other hits include "Chequered Love" (1981), "You Came" (1988) and "Never Trust a Stranger" (1988). In 2003, she collaborated with Nena on the song "Anyplace, Anywhere, Anytime", which topped the Dutch charts. Worldwide, Wilde has sold over 10 million albums and 20 million singles. She holds the record for being the most-charted British female solo act of the 1980s, with seventeen UK Top 40 hit singles.

Is there a name for the opposite of a break-up album? Because that's what Camila Cabello's sophomore effort Romance feels like: a record as bursting with ecstatic emotion and erotic desire as the exuberant delirium of having just fallen in love. It's a palpable vibe she put on display during her blush-inducing performance of the single "Señorita" with her duet partner (and rumored boyfriend) Shawn Mendes at the 2019 American Music Awards. The performance ended with Cabello and Mendes teasing a kiss, a bold move that left the audience excited for what the rest of Romance would hold. What Cabello does reveal on Romance is an artist continuing to refine her distinctive pop persona as she happens to be deep in the sway of love.

Given the cold shoulder Madonna's 2003 album American Life received by critics and audiences alike – it may have gone platinum, but apart from the Bond theme “Die Another Day,” released in advance of the album, it generated no new Top Ten singles (in fact, its title track barely cracked the Top 40) – it's hard not to read its 2005 follow-up, Confessions on a Dance Floor, as a back-to-basics move of sorts: after a stumble, she's returning to her roots, namely the discos and clubs where she launched her career in the early '80s. It's not just that she's returning to dance music – in a way, she's been making hardcore dance albums ever since 1998's Ray of Light, her first full-on flirtation with electronica – but that she's revamping and updating disco on Confessions instead of pursuing a bolder direction.

Most modern-day female pop singers start their careers doing their sexy, stylish dance-oriented material then settle into a career as an adult contemporary crooner. Toni Braxton didn't follow that route. She started the '90s singing elegant, refined quiet storm ballads and ended it singing sleek dance-pop tunes as she slinked around in skimpy outfits. She wasn't the only one of her peers to follow this trajectory – Mariah Carey pretty much did the same thing, only to the extreme – but it's a little odd to listen to Braxton evolve from the sophisticated urban contemporary crooner to oversexed R&B thrush, even if it's not a bad thing at all. One thing that elevated Braxton above her peers is that she was a controlled, powerful singer who rarely oversang, and she had a good selection of material, much of it written or co-written by Babyface. That's why her 18-track hits collection Ultimate Toni Braxton works well even through her shifts in style – she is a confident enough performer to sell both the slow romantic ballads and material that swings harder.

2016 album from the Brit Award-winner and Grammy-nominated singer, songwriter, and producer. Pop legend Rick Astley showcases a more soulful sound and gospel influences on 50, marking his first studio release in almost a decade. Brit Award-winner and Grammy-nominated singer, songwriter, and producer; music legend Rick Astley has left an indelible mark on pop-culture since his emergence into the limelight nearly thirty years ago. He has sold over 40 million records; had the UK's biggest selling single of 1987; is the first male solo artist to see his first eight singles reach the UK Top Ten; and in 2002, saw his "Greatest Hits" compilation album go gold.