James Newton Howard - The Devil's Advocate: Music From The Motion Picture (1997)
James Newton Howard - The Devil's Advocate: Music From The Motion Picture (1997)
EAC | FLAC (Tracks) + cue.+log ~ 249 Mb | Mp3, CBR320 kbps ~ 143 Mb | Scans included
Soundtrack, Score | Label: Snapper Music | # SMACD 803 | Time: 00:49:56
EAC | FLAC (Tracks) + cue.+log ~ 249 Mb | Mp3, CBR320 kbps ~ 143 Mb | Scans included
Soundtrack, Score | Label: Snapper Music | # SMACD 803 | Time: 00:49:56
James Newton Howard makes a rare but welcome foray into the horror genre with The Devil's Advocate, a chilling but majestic work highlighted by its stunning choral passages. While Howard's signature fusion of symphonics and electronics is the score's backbone, his use of the human voice most effectively communicates the evil lurking within lead Al Pacino, and his decision to avoid thematic consistency is another clever tool for keeping the listener off balance, with strange, ominous noises lurking in the background to further underscore the dark forces at work. Spooky, compelling stuff.Review by Jason Ankeny, Allmusic.com
While Al Pacino had portrayed his fair share of sick individuals throughout the years, 1997's Devil's Advocate gave the actor the opportunity to enthusiastically play none other than the fiery Satan. Taylor Hackford's film, based originally on Andrew Niederman's novel, takes a very straight forward approach to Satan's activities on earth, placing him atop a New York law firm and removing any ambiguity about his horrific intentions. A gruesome suicide scene, among some extreme sexuality and extraordinarily offensive dialogue (from a religious point of view), places the film in the competent religious horror category. Although dominated by Pacino's over-the-top performance, the film manages to take itself seriously enough to avoid the ranks of parody. One of the elements of the film that pulls no punches is James Newton Howard's score, which stands as one of the more powerful, religiously thrilling scores of the digital era. Howard's score is so transparent that it is forced to rely on its overwhelming power to avoid becoming a parody of religious horror scores itself, and it overcomes its own inconsistencies to qualify as a guilty pleasure on album. There are so many influences on this score, from Howard's own career and others notable in the genre, that the score is more entertaining in its collection of recognizable sounds than for its own unique structures. Given that Howard obviously intended the score to have an immediate, explosive impact on each and every individual scene in the film, his music for Devil's Advocate is a series of remarkable crescendos and fast hitting rhythmic devices. As such, the score has little identity outside of the simple fact that it continues to slap you in the face with orchestral, choral, and electronic ruckus at some point in each major cue. The result is a surprisingly entertaining score that features all the devious attitude of the topic while supplying the proportionate awe.
When you start looking at reference points in Devil's Advocate, there are almost too many to mention. At the time, the only Howard score that you could compare this one to was Flatliners, which offered the same style of brutality and combination of orchestral, choral, and electronic elements. While Devil's Advocate doesn't have the momentous beauty of the best moments from Flatliners, it does give you several stunning choral crescendos. Howard confidently provides these moments of zeal with just enough harmony to mark the religious overtones while also throwing in random dissonant elements for the horror aspects. The only title theme of sorts is an "allure theme" that is particularly important in the relationship between the married characters played by Keanu Reeves and Charlize Theron. As Satan begins to influence their relationship, from early lovemaking to later suicides, Howard repeats a frightful, slightly erotic theme that is overtaken by a rhythm straight from Jerry Goldsmith's Basic Instinct. But in "Lovemaking," "Time," and "Suicide," this rhythm is given layers of choral treatment much like John Barry's famous The Lion in Winter score. As the harmonic treat in the score, this theme is typically aided by a wealth of bass string and brass power as it reaches its climaxes. It becomes more mutated as Satan's grip is tightened throughout the film, making it more difficult to enjoy apart from the film, though the sense of melodrama associated with its appeal is never truly lost. Other cues of momentous choral beauty are littered through the score, and many of them offer singular motifs that aren't developed much elsewhere. The "Church" cue provides perhaps the only choral crescendo in the score, albeit brief, that is untainted by a blast of dissonance at its conclusion. Such is the case with the score's most memorable cue; as Pacino creates the illusion that every person other than Reeves' character has vanished from the streets of New York, Howard unleashes one of the most ambitious choral crescendos of his career.
In that "57th Street" cue, Howard also highlights the usage of a boy soprano, whose performances grace four major cues in the score. His overtly religious tones are likely a direct nod to the effectiveness of Elliot Goldenthal's similar employment as the highlight of Alien 3, and the usage would become standard by the time John Debney would utilize the same technique in End of Days. Several other influences on Howard's music for Devil's Advocate should be mentioned, especially in the incorporation of electronics. The selection of synthetic rhythms and sound effects seems lifted directly from the library of Craig Armstrong. Howard does this to give Satan his cool, modern edge. In "Montage," that hip stance is established, and it takes a darkly dramatic (and extremely Armstrong-esque) turn in "Geddes." In this cue, the Armstrong rhythms are joined by a distance church organ, pulsating choral accompaniment, and eventually some precise and harsh blasts of medium-range brass that will remind of John Frizzell's later horror work. Some of the straight action rhythms in Devil's Advocate are worth several listens, too, including two later in the film that will recall Jerry Goldsmith's 1990's style. From the strings and chimes late in "Cullen Gets Off" to the brass and percussion opening "Suicide," Howard's action material, though usually brief, is quite strong. Fans of the composer will even be able to draw some lines between the tumultuous choral rumblings of a handful of cues, such as the opening moments of "Main Title," with Howard's remarkable and much-loved Lady in the Water nearly ten years later. On album, the score is an inconsistent listening experience, partially because of Howard's wildly shifting work, and partly because of source music and dialogue thrown onto the product. The inclusion of the rants by Pacino about God and humanity in three dialogue tracks are quite enjoyable for non-religious listeners, but could be extremely disturbing for the pious. Overall, though, Howard's score is likely one of the more underrated of his career, and it plays to the film's attitude with as much enthusiasm as Pacino himself.FilmTracks.com Editorial Review
James Newton Howard - The Devil's Advocate: Music From The Motion Picture (1997)
Tracklist:
01. Vanity (Dialog From Motion Picture) (00:15)
02. Main Title (01:04)
03. New York (00:51)
04. Milton (00:59)
05. Rendevous (Perf. by Michael Lang) (03:40)
06. Lovemaking (03:34)
07. Christabella (01:10)
08. Apartment Building (00:49)
09. Barzoon (02:39)
10. Montage (01:02)
11. Geddes/Weaver (04:06)
12. Baby (01:57)
13. Finish the Story (02:02)
14. Time (02:00)
15. Cullen Gets Off (02:50)
16. Suicide (02:10)
17. Can't Have Children (00:58)
18. Baka (01:22)
19. 57th Street (02:05)
20. Air on the G String (Perf. by Virgil Fox) (04:31)
21. Church (02:36)
22. I Rest My Case (02:22)
23. Fire (01:29)
24. Ring (01:01)
25. Surprise (Dialog From Motion Picture) (00:29)
26. Finale (Dialog From Motion Picture) (01:46)
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 8. June 2012, 14:22
James Newton Howard / The Devil's Advocate
Used drive : PLEXTOR DVDR PX-L890SA Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 0:15.47 | 0 | 1171
2 | 0:15.47 | 1:04.00 | 1172 | 5971
3 | 1:19.47 | 0:51.30 | 5972 | 9826
4 | 2:11.02 | 0:59.15 | 9827 | 14266
5 | 3:10.17 | 3:40.50 | 14267 | 30816
6 | 6:50.67 | 3:34.25 | 30817 | 46891
7 | 10:25.17 | 1:10.25 | 46892 | 52166
8 | 11:35.42 | 0:49.25 | 52167 | 55866
9 | 12:24.67 | 2:39.38 | 55867 | 67829
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11 | 16:06.67 | 4:06.25 | 72517 | 90991
12 | 20:13.17 | 1:57.00 | 90992 | 99766
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14 | 24:12.55 | 2:00.25 | 108955 | 117979
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23 | 45:09.17 | 1:29.13 | 203192 | 209879
24 | 46:38.30 | 1:01.40 | 209880 | 214494
25 | 47:39.70 | 0:29.47 | 214495 | 216716
26 | 48:09.42 | 1:46.38 | 216717 | 224704
Track 1
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Track 2
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Track 3
Filename F:\torrent\Devils Advocate_James Newton Howard\score\03 New York.wav
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Track 4
Filename F:\torrent\Devils Advocate_James Newton Howard\score\04 Milton.wav
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Track 5
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Track 6
Filename F:\torrent\Devils Advocate_James Newton Howard\score\06 Lovemaking.wav
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Track 7
Filename F:\torrent\Devils Advocate_James Newton Howard\score\07 Christabella.wav
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Track 8
Filename F:\torrent\Devils Advocate_James Newton Howard\score\08 Apartment Building.wav
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Track 9
Filename F:\torrent\Devils Advocate_James Newton Howard\score\09 Barzoon.wav
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Track 10
Filename F:\torrent\Devils Advocate_James Newton Howard\score\10 Montage.wav
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Track 11
Filename F:\torrent\Devils Advocate_James Newton Howard\score\11 Geddes,Weaver.wav
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Track 12
Filename F:\torrent\Devils Advocate_James Newton Howard\score\12 Baby.wav
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Track 13
Filename F:\torrent\Devils Advocate_James Newton Howard\score\13 Finish the Story.wav
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Track 14
Filename F:\torrent\Devils Advocate_James Newton Howard\score\14 Time.wav
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Track 15
Filename F:\torrent\Devils Advocate_James Newton Howard\score\15 Cullen Gets Off.wav
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Track 16
Filename F:\torrent\Devils Advocate_James Newton Howard\score\16 Suicide.wav
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Track 17
Filename F:\torrent\Devils Advocate_James Newton Howard\score\17 Can't Have Children.wav
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Track 18
Filename F:\torrent\Devils Advocate_James Newton Howard\score\18 Baka.wav
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Track 19
Filename F:\torrent\Devils Advocate_James Newton Howard\score\19 57th Street.wav
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Track 20
Filename F:\torrent\Devils Advocate_James Newton Howard\score\20 Air on the G String (Perf. by Virgil Fox).wav
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Track 21
Filename F:\torrent\Devils Advocate_James Newton Howard\score\21 Church.wav
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Track 22
Filename F:\torrent\Devils Advocate_James Newton Howard\score\22 I Rest My Case.wav
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Track 23
Filename F:\torrent\Devils Advocate_James Newton Howard\score\23 Fire.wav
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Track 24
Filename F:\torrent\Devils Advocate_James Newton Howard\score\24 Ring.wav
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Track 25
Filename F:\torrent\Devils Advocate_James Newton Howard\score\25 Surprise (Dialog From Motion Picture).wav
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Track 26
Filename F:\torrent\Devils Advocate_James Newton Howard\score\26 Finale (Dialog From Motion Picture).wav
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All tracks accurately ripped
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End of status report
==== Log checksum 55457936E3ABDB06AA987B01A0D6994DC85004568A5A69AABCC2FB353D56C5A6 ====
EAC extraction logfile from 8. June 2012, 14:22
James Newton Howard / The Devil's Advocate
Used drive : PLEXTOR DVDR PX-L890SA Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 0:15.47 | 0 | 1171
2 | 0:15.47 | 1:04.00 | 1172 | 5971
3 | 1:19.47 | 0:51.30 | 5972 | 9826
4 | 2:11.02 | 0:59.15 | 9827 | 14266
5 | 3:10.17 | 3:40.50 | 14267 | 30816
6 | 6:50.67 | 3:34.25 | 30817 | 46891
7 | 10:25.17 | 1:10.25 | 46892 | 52166
8 | 11:35.42 | 0:49.25 | 52167 | 55866
9 | 12:24.67 | 2:39.38 | 55867 | 67829
10 | 15:04.30 | 1:02.37 | 67830 | 72516
11 | 16:06.67 | 4:06.25 | 72517 | 90991
12 | 20:13.17 | 1:57.00 | 90992 | 99766
13 | 22:10.17 | 2:02.38 | 99767 | 108954
14 | 24:12.55 | 2:00.25 | 108955 | 117979
15 | 26:13.05 | 2:50.45 | 117980 | 130774
16 | 29:03.50 | 2:10.00 | 130775 | 140524
17 | 31:13.50 | 0:58.30 | 140525 | 144904
18 | 32:12.05 | 1:22.00 | 144905 | 151054
19 | 33:34.05 | 2:05.25 | 151055 | 160454
20 | 35:39.30 | 4:31.00 | 160455 | 180779
21 | 40:10.30 | 2:36.25 | 180780 | 192504
22 | 42:46.55 | 2:22.37 | 192505 | 203191
23 | 45:09.17 | 1:29.13 | 203192 | 209879
24 | 46:38.30 | 1:01.40 | 209880 | 214494
25 | 47:39.70 | 0:29.47 | 214495 | 216716
26 | 48:09.42 | 1:46.38 | 216717 | 224704
Track 1
Filename F:\torrent\Devils Advocate_James Newton Howard\score\01 Vanity (Dialog From Motion Picture).wav
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Extraction speed 1.5 X
Track quality 100.0 %
Test CRC 49532A79
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Accurately ripped (confidence 5) [6A6C3082] (AR v1)
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Track 2
Filename F:\torrent\Devils Advocate_James Newton Howard\score\02 Main Title.wav
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Accurately ripped (confidence 4) [9735B0DF] (AR v1)
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Track 3
Filename F:\torrent\Devils Advocate_James Newton Howard\score\03 New York.wav
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Track quality 100.0 %
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Accurately ripped (confidence 5) [4C4B548F] (AR v1)
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Track 4
Filename F:\torrent\Devils Advocate_James Newton Howard\score\04 Milton.wav
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Peak level 99.8 %
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Track quality 100.0 %
Test CRC 12932197
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Accurately ripped (confidence 5) [79884395] (AR v1)
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Track 5
Filename F:\torrent\Devils Advocate_James Newton Howard\score\05 Rendevous (Perf. by Michael Lang).wav
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Track quality 100.0 %
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Accurately ripped (confidence 5) [947F5767] (AR v1)
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Track 6
Filename F:\torrent\Devils Advocate_James Newton Howard\score\06 Lovemaking.wav
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Peak level 99.9 %
Extraction speed 5.7 X
Track quality 100.0 %
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Accurately ripped (confidence 5) [D4B2E5AE] (AR v1)
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Track 7
Filename F:\torrent\Devils Advocate_James Newton Howard\score\07 Christabella.wav
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Peak level 49.5 %
Extraction speed 4.5 X
Track quality 100.0 %
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Accurately ripped (confidence 5) [04CE9214] (AR v1)
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Track 8
Filename F:\torrent\Devils Advocate_James Newton Howard\score\08 Apartment Building.wav
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Peak level 43.6 %
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Track quality 100.0 %
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Accurately ripped (confidence 5) [2AE5ACA0] (AR v1)
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Track 9
Filename F:\torrent\Devils Advocate_James Newton Howard\score\09 Barzoon.wav
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Peak level 99.9 %
Extraction speed 6.1 X
Track quality 100.0 %
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Accurately ripped (confidence 5) [668D0218] (AR v1)
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Track 10
Filename F:\torrent\Devils Advocate_James Newton Howard\score\10 Montage.wav
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Track quality 100.0 %
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Accurately ripped (confidence 5) [8855C822] (AR v1)
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Track 11
Filename F:\torrent\Devils Advocate_James Newton Howard\score\11 Geddes,Weaver.wav
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Peak level 99.8 %
Extraction speed 6.1 X
Track quality 99.9 %
Test CRC 297CA193
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Accurately ripped (confidence 5) [962AD91B] (AR v1)
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Track 12
Filename F:\torrent\Devils Advocate_James Newton Howard\score\12 Baby.wav
Pre-gap length 0:00:01.37
Peak level 99.8 %
Extraction speed 6.4 X
Track quality 100.0 %
Test CRC FE55360D
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Accurately ripped (confidence 5) [21FB41D7] (AR v1)
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Track 13
Filename F:\torrent\Devils Advocate_James Newton Howard\score\13 Finish the Story.wav
Pre-gap length 0:00:01.37
Peak level 99.8 %
Extraction speed 5.3 X
Track quality 99.9 %
Test CRC E52E0DBF
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Accurately ripped (confidence 5) [185FDF2D] (AR v1)
Copy OK
Track 14
Filename F:\torrent\Devils Advocate_James Newton Howard\score\14 Time.wav
Pre-gap length 0:00:02.25
Peak level 99.8 %
Extraction speed 6.6 X
Track quality 100.0 %
Test CRC F4C22B8D
Copy CRC F4C22B8D
Accurately ripped (confidence 5) [EFD6D45B] (AR v1)
Copy OK
Track 15
Filename F:\torrent\Devils Advocate_James Newton Howard\score\15 Cullen Gets Off.wav
Pre-gap length 0:00:02.37
Peak level 99.8 %
Extraction speed 7.3 X
Track quality 100.0 %
Test CRC 7DA2F150
Copy CRC 7DA2F150
Accurately ripped (confidence 5) [E554D23A] (AR v1)
Copy OK
Track 16
Filename F:\torrent\Devils Advocate_James Newton Howard\score\16 Suicide.wav
Peak level 99.8 %
Extraction speed 7.2 X
Track quality 100.0 %
Test CRC 9938207F
Copy CRC 9938207F
Accurately ripped (confidence 5) [8669C3B5] (AR v1)
Copy OK
Track 17
Filename F:\torrent\Devils Advocate_James Newton Howard\score\17 Can't Have Children.wav
Pre-gap length 0:00:02.33
Peak level 35.0 %
Extraction speed 4.1 X
Track quality 99.8 %
Test CRC FA8621BF
Copy CRC FA8621BF
Accurately ripped (confidence 5) [46824FBF] (AR v1)
Copy OK
Track 18
Filename F:\torrent\Devils Advocate_James Newton Howard\score\18 Baka.wav
Pre-gap length 0:00:02.13
Peak level 26.5 %
Extraction speed 4.9 X
Track quality 99.8 %
Test CRC C093256C
Copy CRC C093256C
Accurately ripped (confidence 5) [A3F7B42D] (AR v1)
Copy OK
Track 19
Filename F:\torrent\Devils Advocate_James Newton Howard\score\19 57th Street.wav
Pre-gap length 0:00:02.00
Peak level 99.8 %
Extraction speed 7.4 X
Track quality 100.0 %
Test CRC 0B8CD037
Copy CRC 0B8CD037
Accurately ripped (confidence 5) [ACEDC08E] (AR v1)
Copy OK
Track 20
Filename F:\torrent\Devils Advocate_James Newton Howard\score\20 Air on the G String (Perf. by Virgil Fox).wav
Pre-gap length 0:00:02.49
Peak level 47.5 %
Extraction speed 8.6 X
Track quality 100.0 %
Test CRC 1712D37D
Copy CRC 1712D37D
Accurately ripped (confidence 5) [6F321161] (AR v1)
Copy OK
Track 21
Filename F:\torrent\Devils Advocate_James Newton Howard\score\21 Church.wav
Pre-gap length 0:00:02.63
Peak level 99.9 %
Extraction speed 7.0 X
Track quality 99.9 %
Test CRC 1854C735
Copy CRC 1854C735
Accurately ripped (confidence 5) [894D34B2] (AR v1)
Copy OK
Track 22
Filename F:\torrent\Devils Advocate_James Newton Howard\score\22 I Rest My Case.wav
Pre-gap length 0:00:02.00
Peak level 99.8 %
Extraction speed 8.3 X
Track quality 100.0 %
Test CRC E554DCB7
Copy CRC E554DCB7
Accurately ripped (confidence 5) [56D30364] (AR v1)
Copy OK
Track 23
Filename F:\torrent\Devils Advocate_James Newton Howard\score\23 Fire.wav
Pre-gap length 0:00:02.00
Peak level 99.8 %
Extraction speed 7.3 X
Track quality 100.0 %
Test CRC 6BA2815F
Copy CRC 6BA2815F
Accurately ripped (confidence 5) [77997D91] (AR v1)
Copy OK
Track 24
Filename F:\torrent\Devils Advocate_James Newton Howard\score\24 Ring.wav
Pre-gap length 0:00:02.25
Peak level 44.8 %
Extraction speed 6.7 X
Track quality 100.0 %
Test CRC 9E675CB7
Copy CRC 9E675CB7
Accurately ripped (confidence 5) [D9CBB93D] (AR v1)
Copy OK
Track 25
Filename F:\torrent\Devils Advocate_James Newton Howard\score\25 Surprise (Dialog From Motion Picture).wav
Pre-gap length 0:00:04.15
Peak level 41.3 %
Extraction speed 4.7 X
Track quality 100.0 %
Test CRC C0A55B70
Copy CRC C0A55B70
Accurately ripped (confidence 5) [5919F142] (AR v1)
Copy OK
Track 26
Filename F:\torrent\Devils Advocate_James Newton Howard\score\26 Finale (Dialog From Motion Picture).wav
Pre-gap length 0:00:02.37
Peak level 46.6 %
Extraction speed 8.0 X
Track quality 100.0 %
Test CRC E44E6509
Copy CRC E44E6509
Accurately ripped (confidence 5) [6D38B13F] (AR v1)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 55457936E3ABDB06AA987B01A0D6994DC85004568A5A69AABCC2FB353D56C5A6 ====
foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2013-03-21 06:37:15
––––––––––––––––––––––––––––––––––––––––
Analyzed: James Newton Howard / The Devil's Advocate
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -9.54 dB -30.83 dB 0:16 01-Vanity (Dialog From Motion Picture)
DR10 -0.01 dB -19.79 dB 1:04 02-Main Title
DR9 -2.10 dB -19.28 dB 0:51 03-New York
DR10 -0.01 dB -16.19 dB 0:59 04-Milton
DR15 -6.27 dB -24.33 dB 3:41 05-Rendevous (Perf. by Michael Lang)
DR11 -0.01 dB -16.33 dB 3:34 06-Lovemaking
DR10 -6.11 dB -21.87 dB 1:10 07-Christabella
DR9 -7.19 dB -21.89 dB 0:49 08-Apartment Building
DR10 -0.01 dB -15.23 dB 2:40 09-Barzoon
DR14 -3.41 dB -20.84 dB 1:02 10-Montage
DR13 -0.01 dB -17.95 dB 4:06 11-Geddes/Weaver
DR13 -0.01 dB -19.78 dB 1:57 12-Baby
DR13 -0.01 dB -20.93 dB 2:03 13-Finish the Story
DR11 -0.01 dB -16.45 dB 2:00 14-Time
DR14 -0.01 dB -21.23 dB 2:51 15-Cullen Gets Off
DR11 -0.01 dB -15.84 dB 2:10 16-Suicide
DR10 -9.10 dB -24.06 dB 0:58 17-Can't Have Children
DR10 -11.51 dB -28.40 dB 1:22 18-Baka
DR9 -0.01 dB -15.14 dB 2:05 19-57th Street
DR11 -6.45 dB -22.61 dB 4:31 20-Air on the G String (Perf. by Virgil Fox)
DR12 -0.01 dB -18.51 dB 2:36 21-Church
DR11 -0.02 dB -17.42 dB 2:22 22-I Rest My Case
DR11 -0.01 dB -14.45 dB 1:29 23-Fire
DR10 -6.97 dB -24.29 dB 1:02 24-Ring
DR14 -7.67 dB -25.99 dB 0:30 25-Surprise (Dialog From Motion Picture)
DR14 -6.63 dB -23.65 dB 1:47 26-Finale (Dialog From Motion Picture)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 26
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 257 kbps
Codec: FLAC
================================================================================
log date: 2013-03-21 06:37:15
––––––––––––––––––––––––––––––––––––––––
Analyzed: James Newton Howard / The Devil's Advocate
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -9.54 dB -30.83 dB 0:16 01-Vanity (Dialog From Motion Picture)
DR10 -0.01 dB -19.79 dB 1:04 02-Main Title
DR9 -2.10 dB -19.28 dB 0:51 03-New York
DR10 -0.01 dB -16.19 dB 0:59 04-Milton
DR15 -6.27 dB -24.33 dB 3:41 05-Rendevous (Perf. by Michael Lang)
DR11 -0.01 dB -16.33 dB 3:34 06-Lovemaking
DR10 -6.11 dB -21.87 dB 1:10 07-Christabella
DR9 -7.19 dB -21.89 dB 0:49 08-Apartment Building
DR10 -0.01 dB -15.23 dB 2:40 09-Barzoon
DR14 -3.41 dB -20.84 dB 1:02 10-Montage
DR13 -0.01 dB -17.95 dB 4:06 11-Geddes/Weaver
DR13 -0.01 dB -19.78 dB 1:57 12-Baby
DR13 -0.01 dB -20.93 dB 2:03 13-Finish the Story
DR11 -0.01 dB -16.45 dB 2:00 14-Time
DR14 -0.01 dB -21.23 dB 2:51 15-Cullen Gets Off
DR11 -0.01 dB -15.84 dB 2:10 16-Suicide
DR10 -9.10 dB -24.06 dB 0:58 17-Can't Have Children
DR10 -11.51 dB -28.40 dB 1:22 18-Baka
DR9 -0.01 dB -15.14 dB 2:05 19-57th Street
DR11 -6.45 dB -22.61 dB 4:31 20-Air on the G String (Perf. by Virgil Fox)
DR12 -0.01 dB -18.51 dB 2:36 21-Church
DR11 -0.02 dB -17.42 dB 2:22 22-I Rest My Case
DR11 -0.01 dB -14.45 dB 1:29 23-Fire
DR10 -6.97 dB -24.29 dB 1:02 24-Ring
DR14 -7.67 dB -25.99 dB 0:30 25-Surprise (Dialog From Motion Picture)
DR14 -6.63 dB -23.65 dB 1:47 26-Finale (Dialog From Motion Picture)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 26
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 257 kbps
Codec: FLAC
================================================================================
James Newton Howard - The Devil's Advocate: Music From The Motion Picture (1997)
James Newton Howard - The Devil's Advocate: Music From The Motion Picture (1997)
All thanks to original uploader - Sarant
More Movies & Soundtracks in Efgrapha Blog
The Devil's Advocate (1997) [Special Edition] DVD9 NTSC
More Movies & Soundtracks in Efgrapha Blog
The Devil's Advocate (1997) [Special Edition] DVD9 NTSC