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Jordi Savall, Hespèrion XXI - Venezia Millenaria 700-1797 (2018)

Posted By: tirexiss
Jordi Savall, Hespèrion XXI - Venezia Millenaria 700-1797 (2018)

Jordi Savall - Venezia Millenaria 700-1797 (2018)
EAC | FLAC (image+.cue, log) | Covers Included | 02:34:45 | 833 MB
Genre: Classical, Vocal, Choral | Label: AliaVox | Catalog: AVSA9925

Despite its hefty, hardbound, 300-plus-page book and attendant top price, Jordi Savall's Venezia Millenaria has appeared on commercial sales charts. It's easy to see why: this is one of Savall's most ambitious concepts, covering the promised millennium of the history of the city of Venice, Italy, plus a bit more as a bonus, taking you up to the end of Venice's independence. The book contains enough information that it could serve as the basis for a little travelers' course, but there's also a case to be made for just listening and letting a thousand years of music wash over you. Venice was a diverse city where numerous languages could be heard on the street, and Savall represents the various musical cultures that made up Venice's mosaic – not only Turks and Byzantines, but Greeks, Jews, and even Cypriots. All this while unearthing unusual works that depict major events of the time, including the big ones (the fall of Constantinople) as well as those that you may not have read about (sample the marvelous Clément Janequin battle chanson depicting the 1515 Battle of Marignan). Savall brings aboard Eastern musicians to complement his Hesperion XXI and Concert de Nations choir. The whole production would be worth the money even for the texted Beethoven symphony movements at the end, and there is so much more. An impressive achievement even by Savall's standards.

Jordi Savall, Hespèrion XXI - Venezia Millenaria 700-1797 (2018)

Track List:

CD 1:
700-1571
I
VIIIe-Xe siècle
Vers 700 Naissance de Venise : dès la fin du VIe siècle, les Byzantins, alors installés en Italie du
Nord, favorisent la création de cette nouvelle cité lagunaire où se replient les
habitants de la région, repoussés par les Lombards. La future Sérénissime est
administrée par Byzance par l’intermédiaire de Ravenne, jusqu’en 751 où la chute de
l’Exarchat favorise l’émancipation du doge, tout en demeurant une province
byzantine.

1. Fanfare (instr.) – D’après une mélodie du siècle VIII 1’10
Hespèrion XXI

828 Transfert des reliques présumées de saint Marc d’Alexandrie à Venise.
Construction de l’église Saint-Marc qui sera agrandie en 976 et reconstruite en
1063.

2. Αλληλούϊα - Alléluia (Choral byzantin) – Ioannis Damaskinos (VIIIe siècle) 5’27
Ensemble vocal Orthodoxe/Byzantin (Thessalonique)

XIe siècle

1082 L’empereur byzantin Alexis Ier Comnène accorde des privilèges commerciaux à
Venise qui lui ouvrent les portes de l’Orient.
3. Halatzoglou kratema – Anonyme Byzantin (instrumental) 1’45
Jordi Savall rebab, Hespèrion XXI et Musiciens Orient

1096 Première croisade : la flotte vénitienne transporte les Croisés vers l’Orient.

1099 Prise de Jérusalem par les Croisés. Perspectives commerciales pour Venise qui
obtient des « Ondouks » (comptoirs) dans tout le royaume de Jérusalem.
4. Chanson de Croisade : Pax in nomine Domini – Marcabru (1100-1150) 2’56
Furio Zanasi, La Capella Reial de Catalunya, Hespèrion XXI et Musiciens Ori

1438-1439 Tentative d’annulation du Schisme entre Rome et les Églises d’Orient.
Célébration liturgique à Sainte-Sophie, unissant Grecs et Latins dans la même prière.
12. Adoramus te – Chansonnier du XVe siècle 2’58
13. Hirmos Calophonique : Τήν δέησίν μου (Tin Déisin mu) – Anonyme (XVe siècle) 5’27
La Capella Reial de Catalunya et Ensemble vocal orthodoxe/Byzantin (Tessalonique)

1452 Siège de Constantinople par les Ottomans.
14. Marche Ottomane Nikriz peşrev – Ali Ufki Bey 2’07
Hespèrion XXI et Musiciens Orient

1453 Prise de Constantinople par Mehmet II, qui devient la nouvelle capitale ottomane.
Massacre des habitants.
15. Lamentio Sanctae Matris Ecclesiae Constantinopolitanae
Guillaume Dufay (1397-1474) 7’42
Pascal Bertin, La Capella Reial de Catalunya et Hespèrion XXI

IV

XVIe siècle
1515 Bataille de Marignan, victoire franco-vénitienne.
16. La Guerre : La Bataille de Marignan – Clément Janequin (ca. 1485-1558) 7’22
La Capella Reial de Catalunya et Hespèrion XXI

1526 Fondation de la première Synagogue au Ghetto Novo
17. Cantique des Cantiques. (3,1-4) Qamti be-Ishon Layla (Je me suis levé en pleine nuit) 3’20
Lior Elmaleh chant

1527 Sac de Rome par les troupes de Charles Quint.
Nomination d’Adrian Willaert au poste de Maître de chapelle de Saint-Marc.
18. Villanesca alla napolitana : Vecchie letrose – Adrian Willaert (1490-1562) 2’47
La Capella Reial de Catalunya et Hespèrion XXI

1570 Selim II fait saisir les navires vénitiens dans le Bosphore et les Dardanelles.
19. Der makām-ı Uzzäl Sakîl - Anonyme ottoman instr. – Dimitrie Cantemir (n. 324) 4’22
Hespèrion XXI et Musiciens Orient

1571 Traité de la Sainte Ligue, défaite ottomane à la bataille navale de Lépante.
20. Madrigal : Oíd, oíd… […las buenas nuevas de Lepanto] – Joan Brudieu (1520-1591) 6’02
La Capella Reial de Catalunya et Hespèrion XXI

Exact Audio Copy V1.2 from 12. August 2016

EAC extraction logfile from 1. March 2018, 20:36

Jordi Savall / Venezia Millenaria 700-1797 (Disc 1)

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Make use of C2 pointers : No

Read offset correction : 103
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Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
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Quality : High
Add ID3 tag : No
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CD 2:
1571-1791
V
1571-1573 Des savants luthériens correspondent avec le patriarche Jérémie II.
1. Psaumes de David. Ficht wider meine Anfechter (Psaume 35) 2’12
Claude Goudimel (1510-1572) / Ambrosius Lobwasser (1515-1585)
La Capella Reial de Catalunya et Hespèrion XXI

1571 Construction de l’Église/Cathédrale de San Giorgio dei Greci à Venise.
2. Γεύσασθε και ἰδετε (Géfsasthe ke idete) 4’31
Hymne de la Sainte Eucharistie – Ioannis Kladas (XIVe siècle)
Ensemble vocal Orthodoxe/Byzantin (Tessalonique)

1581 La République de Saint-Marc domine Chypre, la Crète, Corfou et une partie
de la côte dalmate.
3. Sousta – Danse de Chypre (instr.) 1’59
Hespèrion XXI et Musiciens d’Orient

1584 Andrea Gabrieli est nommé premier organiste de Saint-Marc.
4. Ricercar VII – Andrea Gabrieli 2’36
Hespèrion XXI (Ensemble de violes)

1589 Le premier patriarche de Russie est élu.
5. Σέ Υμνούμε (Se hymnúme). Hymne de la Sainte Eucharistie (en slave)
Michael Chatziathanasiou 2’24
Ensemble vocal Orthodoxe/Byzantin (Thessalonique)

VI

XVIIe siècle
1603 Les ambassadeurs de Shâh’Abbâs Ier se rendent à Venise pour conclure un accord
afin de lutter contre l’hégémonie ottomane.
6. Laïla Djân – Danse Anonyme Perse (instr.) 2’34
Hespèrion XXI et Musiciens d’Orient

1622 Salomone Rossi publie à Venise « Ha-Shirim Asher li-Shelomoh », et introduit dans
les Synagogues la musique mesurée et polyphonique.
7. Psaume 137, (1-6) ; ’Al nàhärót bavél (Sur les rivières de Babylone) 3’34
Salomone Rossi (1570-1630)
La Capella Reial de Catalunya

1638 Mise en scène du Combattimento di Tancredi e Clorinda.
Claudio Monteverdi Maestro di Capella di San Marco dès 1613.
8. Il combattimento di Tancredi e Clorinda, SV 153 – Claudio Monteverdi (1567-1643) 16’52
F. Zanasi, H. Bayodi-Hirt, L. Vilamajó et Le Concert des Nations

1667 Johann Rosenmüller, qui est engagé à Saint-Marc de Venise comme musicien
depuis 1658, publie ses Sonate da Camera. Des 1678 il deviendra compositeur à la
Piétà, l’ospedale vénitien que plus tard Vivaldi rendra célèbre.
9. Sinfonia Seconda – Johann Rosenmüller 4’13
Hespèrion XX

1669 Les Turcs assiègent Candie (Crète). Reddition des Vénitiens.

1684 La guerre du Péloponnèse (Morée) oppose Vénitiens et Ottomans.
10. Der Makām-i-Rehavi Çember-i-Koca - Marche ottomane 3’05
Tanburi Angeli (?-1690)
Hespèrion XXI et Musiciens d’Orient

VII

XVIIIe siècle
1725 Mariage de Louis XV. Siècle des Lumières.
11. « Di queste selve venite, o Numi » de « La Senna festeggiante » 4’13
composée « à la gloire de Louis XV »
L’Età dell’Oro, La Virtù, La Senna. (1 part. n. 19) – Antonio Vivaldi (1678-1741)
La Capella Reial de Catalunya et Le Concert des Nations

1771 Mozart visite Venise. Dans le Péloponnèse, les Grecs se soulèvent contre les Turcs
appuyés par les Russes.
12. Alla turca (Allegretto) – Wolfgang Amadeus Mozart (1756-1791) 4’09
Version musicale Jordi Savall (D’après la Sonate nº 11, A-Dur KV 331)
Le Concert des Nations, Hespèrion XXI et Musiciens Orient

1774 L’impératrice et Tsarine Catherine II de Russie devient la protectrice des chrétiens
orthodoxes de l’Empire Ottoman.
13. Deo gratias - Hymne Orthodoxe Russe – Anonyme s. XVI 7’26
Αναστάσεως Ημέρα
Ensemble vocal Orthodoxe/Byzantin (Thessalonique)

1789 Révolution en France. Déclaration des droits de l’homme.
14. Chanson Constitutionnelle Nous sommes tous égaux 2’40
(Mélodie anonyme, Arrangement Jordi Savall)
Textes : Anti-Marchant, François Marchant (1761?-1793),
Jean Michel Sedaine (1719-1797)
La Capella Reial de Catalunya et Le Concert des Nations

1796 Déroulement du Carnaval « le plus débridé du siècle ».
Canzonette veneziane da battello. Raccolta di gondoliere.
Johann Adolf Hasse (1699-1783) ed. John Walsh - Arrangement à 4 voix de Jordi Savall
15. Per quel bel viso 3’43
16. Mia cara Anzoletta 2’50
La Capella Reial de Catalunya, Hespèrion XXI et Le Concert des Nations

1797 Les troupes françaises de Bonaparte occupent la Terre Ferme.
Chute de la République de Venise, qui est rattachée au royaume d’Italie par le traité
de Campo-Formio.
17. La Sainte Ligue (La nuit est sombre) de Luigi Bordèse (1815-1886) 9’43
adaptation, pour 4 voix de chœur d’hommes et orgue (ou piano)
du texte d’Adolphe Joly, sur la musique de Ludwig van Beethoven ;
l’Allegretto de la 7e Symphonie et de l’Allegro final de la 5e Symphonie.
La version musicale de Jordi Savall ajoute, à ces 4 parties chantés,
l’essentiel de la texture instrumentale prévue dans l’original de Beethoven.

I. La nuit est sombre (D’après l’Allegretto de la 7e Symphonie de Beethoven)
II. Vengeons la grande ombre de Guise
(D’après l’Allegro final de la 5e Symphonie de Beethoven)
La Capella Reial de Catalunya et Le Concert des Nations

Exact Audio Copy V1.2 from 12. August 2016

EAC extraction logfile from 1. March 2018, 21:35

Jordi Savall / Venezia Millenaria 700-1797 (Disc 2)

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15 75,9 [A8A53FD7] [61FD61DA]
16 76,8 [46FC93A9] [2E51B2E2]
17 93,4 [9B4CB737] [04FC8961]

Performers:
MUSICIENS ORIENTAUX
Driss El Maloumi (Maroc) oud, Dimitri Psonis (Grèce) santur & morisca
Hakan Güngör (Turquie) qanun, Haïg Sarikouyoumdjian (Armenie) duduk & belul

Ensemble vocal Orthodoxe/Byzantin
Cantor soliste & direction : Panagiotis Neochoritis,
Premier Chantre du Patriarcat Œcumènique de Constantinople

CHORUS
Membres du chœur
Society of Ecclesiastical Logia and Secular Music
« Romanos the Melodist », Thessaloniki (Grèce)
Demos Papatzalakis Cantor, Charalambos Neochoritis Cantor
Raphael Zoumis, Isokratis, Chrysostomos Vletsis, Isokratis
Basilios Vletsis, Isokratis, Georgios Kounatides, Isokratis

SOLISTES DE
La Capella Reial de Catalunya
Hanna Bayodi-Hirt - soprano, Viva Biancaluna Biffi - mezzosoprano
David Sagastume - contre-ténor, Lluís Vilamajó - ténor
Furio Zanasi - barytone, Daniele Carnovich - basse

Hespèrion XXI
Pierre Hamon (CD1 : 12, 16, 18, & CD2 : 11, 14, 17) flûtes & cornemuse
Belén Nieto (CD1 : 3 , 4, 5, 7, 9, 11, 14, 19 & CD2 : 1, 3, 6, 10, 12, 15, 16) flûtes & cornemuse
Jean-Pierre Canihac - cornetto & schofar, Béatrice Delpierre - chalemie, flûtes & hautbois
Daniel Lassalle - sacqueboute & añafil
Josep Borràs (CD1 : 11, 14, 19 & CD2 : 1, 12 à 16), Joaquim Guerra - basson & fagot
Jordi Savall - rebec, rebab & viole de gambe soprano
Viva Biancaluna Biffi - vièle & viola de gambe ténor, Philippe Pierlot - viole de gambe basse
Andrew Lawrence-King - psalterium, harpe médiévale & arpa doppia
Xavier Díaz-Latorre - luth, théorbe & guitare

Le Concert des Nations
Alessandro Pique, Béatrice Delpierre – hautbois & flutes
Manfredo Kraemer violon I, Guadalupe del Moral violon II
Balázs Máté - violoncelle, Xavier Puertas - rotta, violone & contrebasse
Michael Behringer (CD2 : 1, 6, 10, 12, 15, 16) clavecin & orgue
Guido Morini (CD1 : 12, 13, 16, 18 & CD2 : 11, 14, 17) clavecin & orgue
David Mayoral - tambour, timpani & cloches
Jordi Savall : direction

Thanks to the Original ripper (unknown)!

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