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Karen Dalton - In My Own Time (1971) Deluxe Edition, Remastered 2006 [Re-Up]

Posted By: Designol
Karen Dalton - In My Own Time (1971) Deluxe Edition, Remastered 2006 [Re-Up]

Karen Dalton - In My Own Time (1971) Deluxe Edition, Remastered 2006
EAC | FLAC | Tracks (Cue&Log) ~ 230 Mb | Mp3 (CBR320) ~ 83 Mb | Scans ~ 134 Mb
Folk-Blues, Country Blues, Folk-Rock | Label: Light In The Attic | # LITA 022 | 00:34:37

Deluxe remastered edition of this album from cult folk artist Karen Dalton. Recorded over a six month period in 1970/71 at Bearsville, In My Own Time was Dalton's only fully planned and realized studio album. The material was carefully selected and crafted for her by producer/musician Harvey Brooks, the Renaissance man of rock-jazz who played bass on Dylan's Highway 61 Revisited and Miles' Bitches Brew. It features ten songs that reflected Dalton's incredible ability to break just about anybody's heart - from her spectral evocation of Joe Tate's One Night of Love, to the dark tragedy of the traditional Katie Cruel. Known as a great interpreter of choice material, Dalton could master both country and soul genres with hauntingly pining covers of George Jones' Take Me and Holland-Dozier Holland's How Sweet It Is.

In My Own Time is the second and last album the mercurial singer Karen Dalton ever cut. Following It's So Hard to Tell Who's Going to Love You the Best, producers Michael Lang and Harvey Brooks (Dalton's longtime friend and the bassist on both her records) did something decidedly different on In My Own Time (titled after the slow process of getting the album done – in Dalton's relaxed and idiosyncratic manner of recording), and the result is a more polished effort than her cozy, somewhat more raw debut. This time out, Dalton had no trouble doing multiple takes, though the one chosen wasn't always the most flawless, but the most honest in terms of the song and its feel. The album was recorded at Bearsville up in Woodstock, and the session players were a decidedly more professional bunch than her Tinker Street Cafe friends who had appeared on her first effort. Amos Garrett is here, as is Bill Keith on steel, pianist John Simon, guitarist John Hall, pianist Richard Bell, and others, including a star horn section that Brooks added later. If Lang was listed as producer, it was Brooks who acted as the session boss, which included a lot of caretaking when it came to Dalton – who began recording in a more frail condition than usual since she was recovering from an illness.

In My Own Time is the better of her two offerings in so many ways, not the least of which is the depth she is willing to go inside a song to draw its meaning out, even if it means her own voice cracks in the process. The material is choice, beginning with Dino Valente's gorgeous "Something on Your Mind." Brooks' rumbling single-note bassline opens it with a throb, joined by a simple timekeeping snare, pedal steel, and electric guitars. When Dalton opens her mouth and sings "Yesterday/Anyway you made it was just fine/Saw you turn your days into nighttime/Didn't you know/You can't make it without ever even trying/And something's on your mind…," a fiddle enters and the world just stops. The Billie Holiday comparisons fall by the wayside and Dalton emerges as a singer as true and impure as Nina Simone (yet sounds nothing like her), an artist who changed the way we hear music. The band begins to close in around her, and Dalton just goes right into the middle and comes out above it all. She turns the song inside herself, which is to say she turns it inside all of us and its meaning is in the sound of her voice, as if revelation were something of an everyday occurrence if we could only grasp its small truth for what it weighs.

When the album moves immediately into Lewis and Wright's "When a Man Loves a Woman," Dalton reveals the other side of Percy Sledge's version. This woman who was so uncaged and outside the world that she died homeless on the streets of New York in the 1990s was already declaring the value of loving someone even if that someone couldn't return the love as profoundly – which doesn't mean it isn't appreciated in the depths of the Beloved's being. Dalton sings the song as if wishing that she herself could accept such a love. Her voice slips off the key register a couple of times, but she slides into her own, which is one of the hidden places in the tune that one didn't even know existed. The layered horns don't begin to affect her vocal; they just move it inside further. And the woman could sing the blues in a way that only Bob Dylan could, from the skeletal framework of the tune toward the truth that a blues song could convey – just check her reading of Paul Butterfield's "In My Own Dream," with some gorgeous steel playing by Keith. Her version of Holland-Dozier-Holland's "How Sweet It Is (To Be Loved by You)" has her singing completely outside the time and beat of the tune; floating through the tune's middle, she glides, slips, and slides like a jazz singer in and around its changes.

Another standout is Richard Manuel's "In a Station." As a piano, rolling tom-toms, and an organ introduce it, Dalton is at her most tender; she feels and communicates the understatement in the original, and lets her voice flow through even as the band plays on top of her. And when her voice cracks, it's as if the entire tune does, just enough to let in the light in its gorgeous lyric. Of course, it wouldn't be a Dalton album if there weren't traditional tunes here, and so there are three, including "Katie Cruel," with Dalton playing her banjo and finding the same voice that Dock Boggs did, the same warped cruelty and search for the brutality of love. "Same Old Man" is another banjo-based tune set in an Eastern modal drone. Only the stark loneliness and outsider presence of Dalton's voice shift and move through the large terrain provided by that drone and create the very substance of song from within it. It's spooky, otherworldly. George Jones' "Take Me" is transformed from a plea to a statement; it's a command to the Beloved to deliver her from her current place outside love to become its very substance. It's still a country song, but there's some strange transgender delivery that crosses the loneliness of Hank Williams with the certainty of Tammy Wynette, and is rawer than both.

If one can only possess one of Karen Dalton's albums, In My Own Time is the one. It creates a sound world that is simply unlike any other; it pushes the singer outside her comfort zone and therefore brings listeners to the place Dalton actually occupied as a singer. Without apology or concern for technique, she could make any song her own, creating a personal narrative that could reach outside the song itself, moving through her person and becoming the truth for the listener. The fine Light in the Attic label reissued this set – originally on Paramount – on compact disc in 2006. It's in a handsome package with remastered sound and a beautiful booklet that includes a slew of photos and essays by Lenny Kaye, Nick Cave, and Devendra Banhart. It's a handsome tribute to a nearly forgotten but oh so necessary talent.

Review by Thom Jurek, Allmusic.com

Karen Dalton - In My Own Time (1971) Deluxe Edition, Remastered 2006 [Re-Up]



Tracklist:

01. Something On Your Mind (03:23)
02. When A Man Loves A Woman (02:59)
03. In My Own Dream (04:18)
04. Katie Cruel (02:22)
05. How Sweet It Is (03:43)
06. In A Station (03:52)
07. Take Me (04:40)
08. Same Old Man (02:45)
09. One Night Of Love (03:19)
10. Are You Leaving For The Country (03:14)


Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 6. January 2009, 15:54

Karen Dalton / Unknown Title

Used drive : MATSHITADVD-RAM UJ-860S Adapter: 0 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -8 -V -T "ARTIST=%a" -T"TITLE=%t" -T"ALBUM=%g" -T"DATE=%y" -T"TRACKNUMBER=%n" -T"GENRE=%m" -T"COMMENT=EAC FLAC -8" %s


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:23.25 | 0 | 15249
2 | 3:23.25 | 2:59.10 | 15250 | 28684
3 | 6:22.35 | 4:18.03 | 28685 | 48037
4 | 10:40.38 | 2:22.31 | 48038 | 58718
5 | 13:02.69 | 3:43.33 | 58719 | 75476
6 | 16:46.27 | 3:52.10 | 75477 | 92886
7 | 20:38.37 | 4:40.61 | 92887 | 113947
8 | 25:19.23 | 2:45.07 | 113948 | 126329
9 | 28:04.30 | 3:19.03 | 126330 | 141257
10 | 31:23.33 | 3:14.42 | 141258 | 155849


Track 1

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Accurately ripped (confidence 2) [EBAA7F06]
Copy OK

Track 2

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Track 3

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Track 4

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Track 5

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Track 6

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Accurately ripped (confidence 2) [86AABA77]
Copy OK

Track 7

Filename C:\Users\123\Desktop\Мои документы\In My Own Time (1971)\07 - 07 - Take Me.wav

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Accurately ripped (confidence 2) [D97EBFAB]
Copy OK

Track 8

Filename C:\Users\123\Desktop\Мои документы\In My Own Time (1971)\08 - 08 - Same Old Man.wav

Pre-gap length 0:00:00.13

Peak level 92.2 %
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Test CRC 03CC9F05
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Accurately ripped (confidence 2) [58CC8BF8]
Copy OK

Track 9

Filename C:\Users\123\Desktop\Мои документы\In My Own Time (1971)\09 - 09 - One Night Of Love.wav

Peak level 96.5 %
Track quality 100.0 %
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Copy CRC 18013069
Accurately ripped (confidence 2) [201F8DF9]
Copy OK

Track 10

Filename C:\Users\123\Desktop\Мои документы\In My Own Time (1971)\10 - 10 - Are You Leaving For The Country.wav

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Track quality 100.0 %
Test CRC 1FA21385
Copy CRC 1FA21385
Accurately ripped (confidence 2) [0B4C2B80]
Copy OK


All tracks accurately ripped

No errors occurred

End of status report

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2013-05-23 21:26:20

––––––––––––––––––––––––––––––––––––––––
Analyzed: Karen Dalton / Unknown Title
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 -0.30 dB -9.02 dB 3:23 01-01 - Something On Your Mind
DR8 -0.30 dB -9.32 dB 2:59 02-02 - When A Man Loves A Woman
DR8 -0.30 dB -9.11 dB 4:18 03-03 - In My Own Dream
DR10 -0.32 dB -13.90 dB 2:22 04-04 - Katie Cruel
DR6 -0.30 dB -8.14 dB 3:43 05-05 - How Sweet It Is
DR7 -0.30 dB -9.13 dB 3:52 06-06 - In A Station
DR8 -0.30 dB -10.46 dB 4:41 07-07 - Take Me
DR8 -0.70 dB -10.63 dB 2:45 08-08 - Same Old Man
DR8 -0.30 dB -10.23 dB 3:19 09-09 - One Night Of Love
DR11 -0.42 dB -13.82 dB 3:15 10-10 - Are You Leaving For The Country
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR8

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 875 kbps
Codec: FLAC
================================================================================

Karen Dalton - In My Own Time (1971) Deluxe Edition, Remastered 2006 [Re-Up]

Karen Dalton - In My Own Time (1971) Deluxe Edition, Remastered 2006 [Re-Up]