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New York Philharmonic - The Historic Broadcasts 1923 to 1987 (1997) {10CDs Box Set NYP 9701}

Posted By: ruskaval
New York Philharmonic - The Historic Broadcasts 1923 to 1987 (1997) {10CDs Box Set NYP 9701}

New York Philharmonic - The Historic Broadcasts 1923 to 1987 (1997) {10CDs Box Set NYP 9701}
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© 1923-87, 1997 New York Philharmonic | NYP 9701
Classical / Orchestral / Concerto / Symphony

Culled from New York Philharmonic broadcasts spanning 75 years, this remarkable 10-disc compilation testifies to the strong-willed yet chameleon-like orchestra's virtuosity and versatility under a diverse assemblage of podium personalities. Stylistically speaking, the earlier items are the most interesting, revealing, for instance, a more vibrant Otto Klemperer and freer Arturo Toscanini than their later commercial efforts sometimes suggest. Other artists are heard in repertoire which they otherwise didn't record: Fritz Reiner's Brahms 2nd, Leonard Bernstein's Berg and Webern, and a wrenching concert version of Bartók's Bluebeard's Castle under Kubelík's direction, to name but a few. From program notes to transfer quality, not one stone is left unturned to ensure first-rate results.
New York Philharmonic - The Historic Broadcasts 1923 to 1987 (1997) {10CDs Box Set NYP 9701}

This humungous compilation is a belated pendant to the sesquicentennial celebrations in 1992-3 by and for the New York Philharmonic (more accurately, Philharmonic-Symphony after the 1928 merger of Manhattan's two most competitively prestigious orchestras, until image-makers shortened it several decades later). Every music director from Willem Mengelberg (1922-29), through Leonard Bernstein (1958-69) is included, yet nothing by Pierre Boulez (1971-77), Zubin Mehta (1977-91) or Kurt Masur, the current lame-duck leader. Plenty of guests include Guido Cantelli, Otto Klemperer, Fritz Reiner, Charles Munch, Pierre Monteux – even Nadia Boulanger, the Paris-based doyenne of so many American composers starting with Piston, Copland and Virgil Thomson.

The podium roster includes three interim caretakers: Bruno Walter, Leopold Stokowski, and George Szell. Igor Stravinsky was in a class by himself, although Francis Poulenc is granted an appearance as piano soloist in his Concert champétre (the original version for harpsichord, however, is far more piquant). Though a majority of the repertory is orchestral, one can hear pianists Artur Schnabel, the Rubinstein formerly known as "Artur," Edward Steuermann, and the Lhevinnes, Josef and Rosina; violinists Jascha Heifetz and David Oistrakh, and clarinetist Stanley Drucker in the concerto that John Corigliano Jr. overwrote for him in 1977. There are some singers too, ranging in caliber from Kirsten Flagstad to Roberta Peters, by way of Marilyn Horne, Tatiana Troyanos, Mack Harrell, Donald Gramm, Siegmund Nimsgern, and Reri Grist.

Although Corigliano is the only living composer on these 10 disks, the 20th century is represented: Aaron Copland (a reflexive kowtow to the only other American), Bartók, Shostakovich, Schoenberg, Berg, Walton, and even a token performance under Bernstein of Anton Webern's nine-minute Symphony, Op. 21. But since much of the music here is standard rep, this shines a klieg light on performances, which are uneven – no surprise, given the NYP's reputation for Dead-End-Kid-napping when it didn't respect a conductor.

New York Philharmonic - The Historic Broadcasts 1923 to 1987 (1997) {10CDs Box Set NYP 9701}


Especially in NYPSO days, they have been the guys and a few dolls who nicknamed Boulez "the French Correction" (after a film released shortly before his appointment). They repeatedly challenged John Barbirolli from 1937 to '43 in the tidal wake of Toscanini (1929-36) to "show us," knowing he usually couldn't. They detested Toscanini, Szell, Reiner and Artur Rodzinski as martinets; the latter was instructed by the trustees to clean house, which he did (and thereafter carried a loaded pistol in his back pocket). They were contemptuous of Cantelli (as a Toscanini protégé) until, at a rehearsal I attended, he stabbed his left palm with the baton but was unaware until the loss of blood made him faint; then the canaille began to play for him, superbly too. They mocked Stoky and Lenny behind their backs (sometimes to their faces). And more, so very much more.

The first CD in Vol. 1 begins with a 1923 "fragment" of Beethoven's Coriolan Overture, conducted hell-for-leather by Willem Van Hoogstratten, associate conductor in Carnegie Hall for the seasons 1923-5. His boss was a far more famous and influential Willem – the storied Mengelberg of Amsterdam, with whom the NYPSO recorded, in 1928, still the benchmark Heldenleben on disks (plurally remastered on other CDs). Included here are two "fragments" lasting some 12 minutes from an earlier tone poem by Richard Strauss, Death and Transfiguration, disfigured by what's missing. A cutoff just before the climactic declaration of Transfiguration amounts to coitus interruptus. Disc 1 concludes with the first American performance, in 1934, of the "original version" of Bruckner's Ninth Symphony, cleansed of Ferdinand Löwe's posthumous graffiti. The conductor is a younger and brisker Klemperer than collectors know from his many EMI recordings, although the NYPSO longtime solo oboist, Bruno Labate, complained legendarily at the time, "Mista Klemps, you talk-a too much!" The problem today is grundgy sound from source discs that suggest unsleeved storage in an attic or garage. Historically it is singular; but even when one has become familiar with the superimposed garbage, this is not pleasant to hear.

If ever the contents of this omnibus are separately issued, the first one to buy would be Disc 2 – 77 minutes of Toscanini recorded in the midwinters of 1935 and '36, after which he was gone from Carnegie Hall (only to resurface in 1938 as radio-conductor of the NBC Symphony Orchestra, recruited for him, but swaddled sonically in a notoriously "dead" studio, the infamous 8-H, at Rockefeller Center). Any who knew Toscanini and the NYPSO only from their few commercial 78s, and grew up listening to his Sunday broadcasts on NBC (as I did), will be staggered by these achievements of his prime with the NYPSO. There's only one ho-hum in the lot: Salome's "Dance of the Seven Veils," ein Kitschwalzer no matter who conducted it where. The disc begins with Sir Henry J. Wood's kitchen-sink orchestration of "the" D-minor Toccata and Fugue of J. S. Bach, a virtuoso performance of as mad a transcription as anyone ever made of old Johann-the-father – doubtless Toscanini's "up-yours" gesture to Stokowski's lily-gilding, even (and often) before Fantasia.

A prize of inestimable value follows, although less for Toscanini than for Heifetz, who was soloist in the Brahms Violin Concerto February 24, 1935. Neither of his commercial recordings – in prewar mono with Koussevitzky in Boston, or in "Living Stereo" with Reiner in Chicago – reproduces the sheer rapture of this performance, played with the same precision that made Mischa Elman sweat when Heifetz made his stateside debut 18 years earlier, also in Carnegie Hall. I write this, furthermore, as a limited admirer at best of many of Heifetz's recordings and most of his recitals from the late '40s until his retirement two decades later. Toscanini accompanies with glove-like oneness, yet is less persuasive, nor has the NYPSO the weighted gloss of Boston or the silken substance of Chicago on disks.

As fine – perhaps finer given the unlikeliness of subject and executant – is the final (1902) version of Sibelius' En Saga, in a dramatic reading of such spacious proportions – 19:50 vs. the excellent Alexander Gibson's 18:08 – that its climax becomes uniquely monumental. During the NBC era, Toscanini tended toward matter-of-factness in his few Sibelius performances – the Fourth Symphony in particular. But En Saga of March 29, 1936 eclipsed one and all, including the NBCSO recording.

Disc 3 (in Vol. 2) begins with three Stravinsky performances – Glinka's Russlan and Ludmilla Overture, his own Fireworks and Tchaikovsky's "Little Russian" Symphony, concert staples whenever he conducted as long as he was able with nose-in-score routine. A bracing performance of Beethoven's Third Piano concerto by Schnabel with Szell is next, from June 1945 – special but not quite extra (I prefer Schnabel's 1933 commercial recording with Malcolm Sargent, and regret along with many others that he didn't live to remake it for EMI with Issay Dobrowen).

Disc 4 (same Vol. 2) begins with as loving a performance as ever there's been of Mozart's Three-Piano Concerto (K. 242) in the composer's own reduction for two players – from 1939, without any stylistic anachronisms. Josef and Rosina Lhevinne play as one, delectably, and their impeccable accompanist is Barbirolli (nary a whiff of portamento in the string playing or phrasing). A 1947 performance under Stokowski of Mendelssohn's "Scottish" Symphony follows, rather bloated for my taste yet something of a rarity in the conductor's vast repertoire – of course voluptuously played, whether or not the composer would have recognized it as his. The final 15 1/2 minutes of this CD belong to Schoenberg's Ode to Napoleon, broadcast November 26, 1944, three days after the world premiere, with Rodzinski conducting the NYPSO strings, Steuermann as piano soloist, and Mack Harrell narrating Lord Byron's poem about the shared fate of all dictators – the most significant historic document in this entire collection, if neither easily grasped nor amiably heard.

In Vol. 3, the first disk (i.e. 5) documents Bruno Walter's long association with the orchestra. Rubinstein is his soloist in a beautiful 1947 performance of the E-minor Chopin Concerto (the second one, published first), most startling for the vigor and subtlety of Walter's accompaniment. Strauss' brobdingnagian Symphonia domestica follows, in a remarkable 1945, pre-Christmas performance that builds an immediate head of steam – OK, aromatic vapor – preserved until Strauss loses it in a triple-fugue finale (Spitzbergen on top of Pelion on top of Ossa? – pure hubris!). By then, conductor and players sound a little tired – no doubt from their efforts all that week to make a third-rate work sound at least second-rate, and sometimes first-rate. Recorded sound on this disc is not a noble specimen of AM-radio engineering, and yet suffices.

Disc 6 opens with still another warm-blooded Walter performance – of Brünnhilde's "Immolation Scene" from Götterdämmerung, sung heroically by 57-year-old Kirsten Flagstad on March 23, 1952. If New York City hadn't forgotten or forgiven her Norwegian husband's collaboration with the Nazis (and, by extension, her putative culpability for being a Hausfrau instead of a Dietrich-type heroine), Flagstad was cheered for her singular vocal art both here and after a few farewell performances in the old Metropolitan before retiring. Poulenc's countryside concerto follows, rowdily conducted by Mitropoulos, co-conductor with Stokowski in mid-November of 1948, and music director later on (1951-7).

But when he led the last work on Disc 6 – the U. S. premiere of Shostakovich's stark Violin Concerto No. 1, with Oistrakh to whom it was dedicated – Mitropoulos was on the way to being replaced by Bernstein. The same parties recorded the work for Columbia Masterworks, but as fine as that commercial recording still sounds, their concert version on January 1, 1956, was performed at white heat. It stands out as a touchstone in this collection.

Disc 7 (in Vol. 4) – all French – begins with Boulanger's bare-bones performance of her teacher Faure's Requiem, and continues unremarkably with Monteux conducting Ravel's Le tombeau de Couperin. It ends spectacularly, though, with La mer that Cantelli conducted in March 1954 – less than two years before his untimely death in an air crash near Paris. This has an intensity not always evident in several of his commercial recordings (though surely forthcoming had there been a kinder, gentler God), a command and control of nuance and dynamics that are astounding coming from an orchestra in the doldrums. Beyond prodigies of execution, decently preserved in CBS broadcast-mono, it is an illumination of Debussy's music few have matched and none, arguably, have bettered.

Disc 8 (still in Vol. 4) is a mixed bag that begins with the aforementioned lurch through Webern's rigidly dodecaphonic Symphony, then Berg's alternately yowling, growling, unleavened and (for me) unloveable Three Pieces, Op. 6, likewise led by Bernstein without much insight into its textures, shape or patterns of speech. Next, however, is a semi-treasure: Brahms' Second Symphony, guest conducted by Reiner on March 12, 1960, in the best transfer I've heard to date. He loved the work from his pre-teens on, attested to by the burnished glow from an orchestra that, after Mitropoulos and currently Lenny-B, could be downright scrappy. Anyone who still clings to the canard that Reiner was all technique (and the best in the world, still!) but cold and unfeeling, should listen and then eat soap. Felicities of orchestration emerge with startling clarity but no disruption of flow or equilibrium. I'm sorry this was never made in stereo with the Chicago Symphony, but George Marek (an RCA Red Seal wheeler-dealer whose machinations deserve full-disclosure) preferred Munch in Boston, and Leinsdorf after Munch. Disc 8 ends trivially with Roberta Peters, ever the soubrette, singing the housemaid's two ditties from Die Fledermaus, with Josef Krips conducting.

The final volume is two more mixed bags from 1977-87, with one throwback to 1967 – Munch leading surely his eighth or tenth recording of Debussy's Prélude á l'après-midi d'un faune, but without flutist Julius Baker's name anywhere to be found, nor anything about him in the overall program book. The Faun precedes, on Disc 10, Bartók's only opera, Duke Bluebeard's Castle, which always seems more effective in the concert hall, this one a 1981 performance conducted by Rafael Kubelik. The noble-voiced mezzo-soprano, Tatiana Troyanos, sings inquisitive Judith with a clarion high-C in the scene that reveals Bluebeard's domain, while Siegmund Nimsgern (on leave from Alberich) is stylistically savvy in the title role. But this is not basically a gripping performance in the way a Hungarian conductor can make it sound – think of Kertesz, or Ferencsik, or Solti, or Dorati. The orchestra's respect for Kubelik is evident in their response, and by then Philharmonic Hall at Lincoln Center (where the orchestra moved in 1962) was being vitalized acoustically as Avery Fisher Hall.

Disc 9 begins with a remarkably suave, elegant playing of Mozart's A-major Symphony, K. 201, from the NYP near the end (January 1987) of Mehta's blatty era, although guest-conductor Leinsdorf remains aloof from its expressive content. Then, for almost half-an-hour, the NYP is put through its paces by Corigliano's Clarinet Concerto, with Bernstein as ringmaster, and Drucker a soloist of truly prodigious virtuosity, not to mention lip &-lung power. The music was composed not just for Drucker but for "the entire orchestra" Corigliano had known since childhood, as the son of John, Sr., its concertmaster from 1944 until 1967, and for a decade before that the assistant principal. To mix metaphors, Jr. didn't just throw in the kitchen sink (like Henry Wood in his Bach transcription on Disc 2) but the stove, microwave, blender, coffee-grinder, percolator, electric can-opener, disposal, and fridge. Some of the brass are spatially dispersed, and everyone seems to be playing something all the time. On the evidence of his score for Altered States, Corigliano is a "natural" film composer (although excerpts from it don't work as a concert suite without visuals). In 1977 he hadn't yet composed his pastiche-opera, The Ghosts of the Versailles, or what has come to be called the "AIDS" Symphony, likewise a pastiche. As for this pastiche-concerto, maybe when Godzilla vs. Jurassic Park gets made…..

Seven Copland settings of Old American Songs (from Books I and II) are sung next with characteristic beauty and strength of voice by Marilyn Horne in 1981, who never made a smarter move, vocally or career-wise, than her switch during the '60s from soprano (spinto-weight) to coloratura mezzo. Bernstein conducts, and their best are the bracketing songs, "Simple Gifts" and "At the River." In between, those with an appetite for concert-hall cuteness can listen to barnyard imitations in "I Bought Me a Cat," and the quasi-whimsical, queasy-making "Ching-a-ring Chaw." Record 9 ends with (by-then Sir) William Walton's bantam-weight Capriccio burlesco, commissioned in 1968 by the NYP and completed the year after, with a dedication to Andre Kostelanetz, the long-time conductor of NYP pop concerts, who revived it in 1978.

Praiseworthily, these 64 years of radio recording have been preserved without filtering devices or suppressors such as vampirized the Chicago Symphony's earlier archival collections – sound so bloodless and waxy that many of the performances were misrepresented. This NYP issue has individual CD volume notes, a tad skimpy due to white-space typography but solid for what they are; and an overall history, running to 142 pages, slipcased with the five two-in-one jewel cases. Front and back is a panoramic, wrap-around photo of the orchestra from 1930, and inside a bonus roster of every player who participated in these performances, and during which seasons. Now that's doing it right!
New York Philharmonic - The Historic Broadcasts 1923 to 1987 (1997) {10CDs Box Set NYP 9701}


nyphil.org INFO

Works on This Recording & Personnel:

CD 1

Ludwig van Beethoven
01 Overture to Coriolanus Op. 62 [fragment: bars 1-242]
New York Philharmonic/Willem van Hoogstraten
Broadcast of 17 December 1923, Carnegie Hall

Richard Strauss
Tod und Verklärung Op. 24 [two fragments]
02 [bars 156-326]
03 [bars 370-464]
New York Philharmonic/Willem Mengelberg
Broadcast of 2 April 1924, Carnegie Hall

Anton Bruckner
Symphony No. 9 in D minor [original version]
04 I. Feierlich, Misterioso
05 II. Scherzo. Bewegt, lebhaft - Trio. Schnell
06 III. Adagio. Langsam, feierlich
New York Philharmonic/Otto Klemperer
Broadcast of 14 October 1934, Carnegie Hall


CD 2

Johann Sebastian Bach
01 Organ Toccata and Fugue in D minor [orchestrated by Sir Henry J. Wood]
New York Philharmonic/Arturo Toscanini
Broadcast of 23 February 1936, Carnegie Hall

Johannes Brahms
Violin Concerto in D major Op. 77
02 I. Allegro non troppo
03 II. Adagio
04 III. Allegro giocoso, ma non troppo vivace
Violin: Jascha Heifetz/New York Philharmonic/Arturo Toscanini
Broadcast of 24 February 1935, Carnegie Hall

Jean Sibelius
05 En Saga Op. 9
New York Philharmonic/Arturo Toscanini
Broadcast of 29 March 1936, Carnegie Hall

Richard Strauss
06 Dance of the Seven Veils from Salome Op. 54
New York Philharmonic/Arturo Toscanini
Broadcast of 27 January 1935, Carnegie Hall


CD 3

Mikhail Glinka
01 Overture to Russlan and Ludmilla
New York Philharmonic/Igor Stravinsky
Broadcast of 4 February 1945, Carnegie Hall

Igor Stravinsky
02 Fireworks Op. 4
New York Philharmonic/Igor Stravinsky
Broadcast of 27 January 1946, Carnegie Hall

Pyotr Ilyich Tchaikovsky
Symphony No. 2 in C minor Op. 17 ("Little Russian")
03 I. Andante sostenuto - Allegro vivo
04 II. Andantino marziale
05 III. Scherzo. Allegro molto vivace
06 IV. Finale. Moderato assai
New York Philharmonic/Igor Stravinsky
Broadcast of 7 January 1940, Carnegie Hall

Ludwig van Beethoven
Piano Concerto No. 3 in C minor Op. 37
07 I. Allegro con brio
08 II. Largo
09 III. Rondo. Allegro
Piano: Artur Schnabel/New York Philharmonic/George Szell
Broadcast of 17 June 1945, Carnegie Hall


CD 4

Wolfgang Amadeus Mozart
Concerto No. 7 in F major for 2 Pianos and Orchestra K. 242
01 I. Allegro
02 II. Adagio
03 III. Rondo. Tempo di Menuetto
Piano: Josef & Rosina Lhevinne/New York Philharmonic/John Barbirolli
Broadcast of 29 October 1939, Carnegie Hall

Felix Mendelssohn
Symphony No. 3 in A minor Op. 56 "Scottish"
04 I. Andante con moto - Allegro un poco agitato
05 II. Vivace non troppo
06 III. Adagio
07 IV. Allegro vivacissimo - Allegro maestoso assai
New York Philharmonic/Leopold Stokowski
Broadcast of 26 October 1947, Carnegie Hall

Arnold Schoenberg
08 Ode to Napoleon, for Recitation, Piano and String Orchestra Op. 41b
Narrator: Mack Harrell/Piano: Eduard Steuermann/New York Philharmonic/Artur Rodzinski
Broadcast of 26 November 1944, Carnegie Hall


CD 5

Frédéric Chopin
Piano Concerto No. 1 in E minor Op. 11
01 I. Allegro maestoso
02 II. Romanza
03 III. Rondo
Piano: Arthur Rubinstein/New York Philharmonic/Bruno Walter
Broadcast of 9 February 1947, Carnegie Hall

Richard Strauss
Symphonia domestica Op. 53
04 Thema I (Bewegt)
05 Thema II (Sehr lebhaft)
06 Thema III (Ruhig)
07 Scherzo (Munter)
08 Mässig langsam (Wiegenlied)
09 Adagio (Langsam)
10 Finale (Sehr lebhaft)
New York Philharmonic/Bruno Walter
Broadcast of 23 December 1945, Carnegie Hall


CD 6

Richard Wagner
01 Immolation Scene from Götterdämmerung, Act III
Soprano: Kirsten Flagstad/New York Philharmonic/Bruno Walter
Broadcast of 23 March 1952, Carnegie Hall

Francis Poulenc
Concert champêtre for Harpsichord (or Piano) and Orchestra
02 I. Adagio - Allegro molto
03 II. Andante (Mouvement de Sicilienne)
04 III. Finale. Presto (Très gai)
Piano: Francis Poulenc/New York Philharmonic/Dimitri Mitropoulos
Broadcast of 14 November 1948, Carnegie Hall

Dmitri Shostakovich
Violin Concerto No. 1 in A minor Op. 99
05 I. Nocturne. Moderato
06 II. Scherzo. Allegro
07 III. Passacaglia. Andante
08 IV. Burlesca. Allegro con brio
Violin: David Oistrakh/New York Philharmonic/Dimitri Mitropoulos
Broadcast of 1 January 1956, Carnegie Hall


CD 7

Gabriel Fauré
Requiem Mass Op. 48
01 I. Introitus and Kyrie
02 II. Offertorium
03 III. Sanctus
04 IV. Pie Jesu
05 V. Agnus Dei
06 VI. Libera Me
07 VII. In Paradisum
Soprano: Reri Grist/Baritone: Donald Gramm/Organ: Vernon deTar/The Choral Art Society/New York Philharmonic/Nadia Boulanger
Broadcast of 17 February 1962, Carnegie Hall

Maurice Ravel
Le Tombeau de Couperin
08 I. Prélude
09 II. Forlane
10 III. Menuet
11 IV. Rigaudon
New York Philharmonic/Pierre Monteux
Broadcast of 7 March 1959, Carnegie Hall

Claude Debussy
La Mer
12 I. De l'aube à midi sur la mer
13 II. Jeux de vagues
14 III. Dialogue du vent et de la mer
New York Philharmonic/Guido Cantelli
Broadcast of 7 March 1954, Carnegie Hall


CD 8

Anton Webern
Symphony Op. 21
01 I. Ruhig schreitend
02 II. Variations
New York Philharmonic/Leonard Bernstein
Broadcast of 4 December 1965, Philharmonic (now Avery Fisher) Hall

Alban Berg
Three Orchestral Pieces Op. 6
03 I. Preludium
04 II. Rounds
05 III. March
New York Philharmonic/Leonard Bernstein
Broadcast of 3 March 1961, Carnegie Hall

Johannes Brahms
Symphony No. 2 in D major Op. 73
06 I. Allegro non troppo
07 II. Adagio non troppo
08 III. Allegretto grazioso, quasi andantino
09 IV. Allegro con spirito
New York Philharmonic/Fritz Reiner
Broadcast of 12 March 1960, Carnegie Hall

Johann Strauss II
Two Arias from Die Fledermaus
10 "Mein Herr Marquis"
11 "Spiel' ich die Unschuld vom Lande"
Soprano: Roberta Peters/New York Philharmonic/Josef Krips
Broadcast of 29 September 1964, Philharmonic (now Avery Fisher) Hall


CD 9

Wolfgang Amadeus Mozart
Symphony No. 29 in A major K. 201
01 I. Allegro moderato
02 II. Andante
03 III. Menuetto
04 IV. Allegro con spirito
New York Philharmonic/Erich Leinsdorf
Broadcast of 16 January 1987, Avery Fisher Hall

John Corigliano
Clarinet Concerto
05 I. Cadenzas
06 II. Elegy
07 III. Antiphonal Toccata
Clarinet: Stanley Drucker/New York Philharmonic/Leonard Bernstein
Broadcast of 9 December 1977, Avery Fisher Hall

Aaron Copland
Old American Songs (selections)
08 "Simple Gifts" (Set I)
09 "Zion's Walls" (Set II)
10 "Long Time Ago" (Set I)
11 "I Bought Me a Cat" (Set I)
12 "The Little Horses" (Set II)
13 "Ching-a-ring Chaw" (Set II)
14 "At the River" (Set II)
Mezzo-Soprano: Marilyn Horne/New York Philharmonic/Leonard Bernstein
Broadcast of 6 February 1981, Avery Fisher Hall

Sir William Walton
15 Capriccio burlesco
New York Philharmonic/André Kostelanetz
Broadcast of 6 November 1978, Avery Fisher Hall


CD 10

Claude Debussy
01 Prélude à l'après-midi d'un faune
New York Philharmonic/Charles Munch
Broadcast of 25 February 1967, Philharmonic (now Avery Fisher) Hall

Béla Bartók
Duke Bluebeard's Castle Op. 11
02 Opening scene
03 Door 1
04 Door 2
05 Door 3
06 Door 4
07 Door 5
08 Door 6
09 Door 7
Bass-Baritone: Siegmund Nimsgern/Mezzo-Soprano: Tatiana Troyanos/New York Philharmonic/Rafael Kubelik
Broadcast of 27 Mach 1981, Avery Fisher Hall

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->Accurately ripped (v1+v2, confidence 3+3/6)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 04
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 1/04 Symphony No. 9 in D minor [original version]: I. Feierlich, Misterioso.flac
Pre-gap length : 00:09:55

Track gain : -4.58 dB
Peak : 0.949768
CRC32 hash (test run) : CC0D3ACF
CRC32 hash : CC0D3ACF
CRC32 hash (skip zero) : 275C7F31
AccurateRip v1 signature : 12F68517
AccurateRip v2 signature : 890B41EE
->Accurately ripped (v1+v2, confidence 3+3/6)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 05
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 1/05 Symphony No. 9 in D minor [original version]: II. Scherzo. Bewegt, lebhaft - Trio. Schnell.flac
Pre-gap length : 00:09:73

Track gain : -5.68 dB
Peak : 0.930786
CRC32 hash (test run) : 740C23A9
CRC32 hash : 740C23A9
CRC32 hash (skip zero) : 93A9FFDB
AccurateRip v1 signature : 0801FF10
AccurateRip v2 signature : 3987AADF
->Accurately ripped (v1+v2, confidence 3+3/6)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 06
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 1/06 Symphony No. 9 in D minor [original version]: III. Adagio. Langsam, feierlich.flac
Pre-gap length : 00:10:20

Track gain : -4.02 dB
Peak : 0.926208
CRC32 hash (test run) : B6AC039E
CRC32 hash : B6AC039E
CRC32 hash (skip zero) : 0702BA9E
AccurateRip v1 signature : 84D8521C
AccurateRip v2 signature : C8D5A67C
->Accurately ripped (v1+v2, confidence 3+3/6)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

No errors occurred

End of status report

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––-END XLD SIGNATURE––-
X Lossless Decoder version 20151214 (149.1)

XLD extraction logfile from 2016-04-17 16:33:17 +0200

New York Philharmonic / New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]

Used drive : TSSTcorp CDDVDW SE-S084D (revision TS01)
Media type : Pressed CD

Ripper mode : XLD Secure Ripper
Disable audio cache : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction : 6
Max retry count : 100
Gap status : Analyzed, Appended (except HTOA)

TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 00:01:00 | 09:04:17 | 75 | 40891
2 | 09:05:17 | 20:39:23 | 40892 | 133839
3 | 29:44:40 | 09:10:62 | 133840 | 175151
4 | 38:55:27 | 07:41:65 | 175152 | 209791
5 | 46:37:17 | 19:58:15 | 209792 | 299656
6 | 66:35:32 | 10:31:30 | 299657 | 347011

AccurateRip Summary (DiscID: 00126894-00629245-6f121106)
Track 01 : OK (v1+v2, confidence 6/6)
Track 02 : OK (v1+v2, confidence 6/6)
Track 03 : OK (v1+v2, confidence 6/6)
Track 04 : OK (v1+v2, confidence 6/6)
Track 05 : OK (v1+v2, confidence 6/6)
Track 06 : OK (v1+v2, confidence 5/5)
->All tracks accurately ripped.

All Tracks
Album gain : -3.27 dB
Peak : 0.997925
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 01
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 2/01 Organ Toccata and Fugue in D minor [orchestra by Sir Henry J. Wood].flac
Pre-gap length : 00:03:00

Track gain : -3.84 dB
Peak : 0.955658
CRC32 hash (test run) : C9AAC4EC
CRC32 hash : C9AAC4EC
CRC32 hash (skip zero) : 5A64DD54
AccurateRip v1 signature : 0FBCDC86
AccurateRip v2 signature : 659D95C2
->Accurately ripped (v1+v2, confidence 3+3/6)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 02
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 2/02 Violin Concerto in D major Op. 77: I. Allegro non troppo.flac
Pre-gap length : 00:07:55

Track gain : -3.58 dB
Peak : 0.997925
CRC32 hash (test run) : 06CC10FE
CRC32 hash : 06CC10FE
CRC32 hash (skip zero) : 732A1481
AccurateRip v1 signature : 126793D6
AccurateRip v2 signature : 4E50C7A1
->Accurately ripped (v1+v2, confidence 3+3/6)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 03
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 2/03 Violin Concerto in D major Op. 77: II. Adagio.flac
Pre-gap length : 00:05:68

Track gain : -0.59 dB
Peak : 0.666718
CRC32 hash (test run) : 39F50239
CRC32 hash : 39F50239
CRC32 hash (skip zero) : 49B1ECCB
AccurateRip v1 signature : F16C579C
AccurateRip v2 signature : 08C42FB0
->Accurately ripped (v1+v2, confidence 3+3/6)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 04
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 2/04 Violin Concerto in D major Op. 77: III. Allegro giocoso, ma non troppo vivace.flac
Pre-gap length : 00:05:05

Track gain : -4.28 dB
Peak : 0.956421
CRC32 hash (test run) : 67461DD4
CRC32 hash : 67461DD4
CRC32 hash (skip zero) : 9A6527D0
AccurateRip v1 signature : 454C4DB3
AccurateRip v2 signature : 8CD11F38
->Accurately ripped (v1+v2, confidence 3+3/6)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 05
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 2/05 En Saga Op. 9.flac
Pre-gap length : 00:09:55

Track gain : -3.07 dB
Peak : 0.850922
CRC32 hash (test run) : A6034A17
CRC32 hash : A6034A17
CRC32 hash (skip zero) : BCF3C8BB
AccurateRip v1 signature : 68060DE3
AccurateRip v2 signature : 1008317E
->Accurately ripped (v1+v2, confidence 3+3/6)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 06
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 2/06 Dance of the Seven Veils from Salome Op. 54.flac
Pre-gap length : 00:07:57

Track gain : -2.21 dB
Peak : 0.871216
CRC32 hash (test run) : EE2F6968
CRC32 hash : EE2F6968
CRC32 hash (skip zero) : 9CF4719A
AccurateRip v1 signature : 3B7DD0BB
AccurateRip v2 signature : 5098575D
->Accurately ripped (v1+v2, confidence 2+3/5)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

No errors occurred

End of status report

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––-END XLD SIGNATURE––-
X Lossless Decoder version 20151214 (149.1)

XLD extraction logfile from 2016-04-19 11:16:05 +0200

New York Philharmonic / New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]

Used drive : TSSTcorp CDDVDW SE-S084D (revision TS01)
Media type : Pressed CD

Ripper mode : XLD Secure Ripper
Disable audio cache : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction : 6
Max retry count : 100
Gap status : Analyzed, Appended (except HTOA)

TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 00:01:00 | 07:39:07 | 75 | 34506
2 | 07:40:07 | 05:42:48 | 34507 | 60204
3 | 13:22:55 | 03:31:00 | 60205 | 76029
4 | 16:53:55 | 05:16:67 | 76030 | 99796
5 | 22:10:47 | 09:12:23 | 99797 | 141219
6 | 31:22:70 | 09:57:32 | 141220 | 186026
7 | 41:20:27 | 09:33:13 | 186027 | 229014
8 | 50:53:40 | 02:05:52 | 229015 | 238441
9 | 52:59:17 | 02:30:70 | 238442 | 249761
10 | 55:30:12 | 03:47:48 | 249762 | 266834
11 | 59:17:60 | 02:13:22 | 266835 | 276831
12 | 61:31:07 | 03:01:38 | 276832 | 290444
13 | 64:32:45 | 01:41:32 | 290445 | 298051
14 | 66:14:02 | 04:04:58 | 298052 | 316409
15 | 70:18:60 | 07:00:02 | 316410 | 347911

AccurateRip Summary (DiscID: 002f7a8e-0209cbec-d7121d0f)
Track 01 : OK (v1+v2, confidence 7/7)
Track 02 : OK (v1+v2, confidence 7/7)
Track 03 : OK (v1+v2, confidence 7/7)
Track 04 : OK (v1+v2, confidence 7/7)
Track 05 : OK (v1+v2, confidence 7/7)
Track 06 : OK (v1+v2, confidence 7/7)
Track 07 : OK (v1+v2, confidence 6/6)
Track 08 : OK (v1+v2, confidence 7/7)
Track 09 : OK (v1+v2, confidence 7/7)
Track 10 : OK (v1+v2, confidence 7/7)
Track 11 : OK (v1+v2, confidence 7/7)
Track 12 : OK (v1+v2, confidence 7/7)
Track 13 : OK (v1+v2, confidence 7/7)
Track 14 : OK (v1+v2, confidence 7/7)
Track 15 : OK (v1+v2, confidence 7/7)
->All tracks accurately ripped.

All Tracks
Album gain : 1.00 dB
Peak : 0.945496
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 01
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 09/01 Symphony No. 29 in A major K. 201: I. Allegro moderato.flac
Pre-gap length : 00:03:00

Track gain : 4.62 dB
Peak : 0.408752
CRC32 hash (test run) : 9D4A947A
CRC32 hash : 9D4A947A
CRC32 hash (skip zero) : CD97081E
AccurateRip v1 signature : 7ECA1209
AccurateRip v2 signature : E6DB204C
->Accurately ripped (v1+v2, confidence 4+3/7)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 02
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 09/02 Symphony No. 29 in A major K. 201: II. Andante.flac
Pre-gap length : 00:08:67

Track gain : 9.27 dB
Peak : 0.285004
CRC32 hash (test run) : 2DE5255F
CRC32 hash : 2DE5255F
CRC32 hash (skip zero) : 4EB35554
AccurateRip v1 signature : 6540B311
AccurateRip v2 signature : B779027E
->Accurately ripped (v1+v2, confidence 4+3/7)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 03
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 09/03 Symphony No. 29 in A major K. 201: III. Menuetto.flac
Pre-gap length : 00:06:58

Track gain : 5.94 dB
Peak : 0.382751
CRC32 hash (test run) : 2614DE44
CRC32 hash : 2614DE44
CRC32 hash (skip zero) : 8630A1E4
AccurateRip v1 signature : 69DECC00
AccurateRip v2 signature : 3FF43F65
->Accurately ripped (v1+v2, confidence 4+3/7)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 04
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 09/04 Symphony No. 29 in A major K. 201: IV. Allegro con spirito.flac
Pre-gap length : 00:06:20

Track gain : 3.53 dB
Peak : 0.616638
CRC32 hash (test run) : 1E5ACD6C
CRC32 hash : 1E5ACD6C
CRC32 hash (skip zero) : 09FFE150
AccurateRip v1 signature : C5F4ED41
AccurateRip v2 signature : 0C7E866A
->Accurately ripped (v1+v2, confidence 4+3/7)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 05
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 09/05 Clarinet Concerto: I. Cadenzas.flac
Pre-gap length : 00:09:47

Track gain : 1.60 dB
Peak : 0.863708
CRC32 hash (test run) : 702DD7BA
CRC32 hash : 702DD7BA
CRC32 hash (skip zero) : 6776189B
AccurateRip v1 signature : 3729155F
AccurateRip v2 signature : 54105DF9
->Accurately ripped (v1+v2, confidence 4+3/7)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 06
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 09/06 Clarinet Concerto: II. Elegy.flac
Pre-gap length : 00:08:63

Track gain : 18.64 dB
Peak : 0.090607
CRC32 hash (test run) : 00D73003
CRC32 hash : 00D73003
CRC32 hash (skip zero) : E51D66BD
AccurateRip v1 signature : 634A7BE5
AccurateRip v2 signature : AE7CD9FB
->Accurately ripped (v1+v2, confidence 4+3/7)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 07
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 09/07 Clarinet Concerto: III. Antiphonal Toccata.flac
Pre-gap length : 00:07:57

Track gain : -0.09 dB
Peak : 0.945496
CRC32 hash (test run) : FB5DFDF2
CRC32 hash : FB5DFDF2
CRC32 hash (skip zero) : 8046D498
AccurateRip v1 signature : 9ABCD484
AccurateRip v2 signature : 669574DA
->Accurately ripped (v1+v2, confidence 3+3/6)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 08
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 09/08 Old American Songs (selections): ''Simple Gifts'' (Set I).flac
Pre-gap length : 00:09:70

Track gain : 5.31 dB
Peak : 0.443054
CRC32 hash (test run) : B37D44CC
CRC32 hash : B37D44CC
CRC32 hash (skip zero) : D690E17B
AccurateRip v1 signature : 31107676
AccurateRip v2 signature : 20AFDEA4
->Accurately ripped (v1+v2, confidence 4+3/7)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 09
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 09/09 Old American Songs (selections): ''Zion's Walls'' (Set II).flac
Pre-gap length : 00:09:05

Track gain : -0.74 dB
Peak : 0.618256
CRC32 hash (test run) : 21E02E55
CRC32 hash : 21E02E55
CRC32 hash (skip zero) : 1EEDABAC
AccurateRip v1 signature : 3F6E5260
AccurateRip v2 signature : 45B6EE00
->Accurately ripped (v1+v2, confidence 4+3/7)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 10
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 09/10 Old American Songs (selections): ''Long Time Ago'' (Set I).flac
Pre-gap length : 00:08:12

Track gain : 6.60 dB
Peak : 0.298492
CRC32 hash (test run) : 065D8A41
CRC32 hash : 065D8A41
CRC32 hash (skip zero) : A5510633
AccurateRip v1 signature : 616BB49F
AccurateRip v2 signature : 59D7E135
->Accurately ripped (v1+v2, confidence 4+3/7)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 11
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 09/11 Old American Songs (selections): ''I Bought Me a Cat'' (Set I).flac
Pre-gap length : 00:08:73

Track gain : -1.51 dB
Peak : 0.695312
CRC32 hash (test run) : 02DB21FF
CRC32 hash : 02DB21FF
CRC32 hash (skip zero) : 603CF576
AccurateRip v1 signature : 96E956BD
AccurateRip v2 signature : CD46150D
->Accurately ripped (v1+v2, confidence 4+3/7)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 12
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 09/12 Old American Songs (selections): ''The Little Horses'' (Set II).flac
Pre-gap length : 00:04:20

Track gain : 4.77 dB
Peak : 0.614655
CRC32 hash (test run) : 077E512C
CRC32 hash : 077E512C
CRC32 hash (skip zero) : 9EBD059D
AccurateRip v1 signature : 60D191C2
AccurateRip v2 signature : 7E412F6B
->Accurately ripped (v1+v2, confidence 4+3/7)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 13
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 09/13 Old American Songs (selections): ''Ching-a-ring Chaw'' (Set II).flac
Pre-gap length : 00:08:65

Track gain : -0.35 dB
Peak : 0.588715
CRC32 hash (test run) : 6F51134C
CRC32 hash : 6F51134C
CRC32 hash (skip zero) : 15B49065
AccurateRip v1 signature : ACA6200E
AccurateRip v2 signature : FB39E03E
->Accurately ripped (v1+v2, confidence 4+3/7)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 14
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 09/14 Old American Songs (selections): ''At the River'' (Set II).flac
Pre-gap length : 00:07:20

Track gain : -0.59 dB
Peak : 0.601105
CRC32 hash (test run) : A7537534
CRC32 hash : A7537534
CRC32 hash (skip zero) : 6FA64775
AccurateRip v1 signature : 819EAE93
AccurateRip v2 signature : 01C5D805
->Accurately ripped (v1+v2, confidence 4+3/7)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 15
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 09/15 Capriccio burlesco.flac
Pre-gap length : 00:09:53

Track gain : -1.74 dB
Peak : 0.891174
CRC32 hash (test run) : DCF5B9AE
CRC32 hash : DCF5B9AE
CRC32 hash (skip zero) : 7679F058
AccurateRip v1 signature : 6CD65736
AccurateRip v2 signature : 965CED0E
->Accurately ripped (v1+v2, confidence 4+3/7)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

No errors occurred

End of status report

––-BEGIN XLD SIGNATURE––-
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––-END XLD SIGNATURE––-
X Lossless Decoder version 20151214 (149.1)

XLD extraction logfile from 2016-04-19 11:46:07 +0200

New York Philharmonic / New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]

Used drive : TSSTcorp CDDVDW SE-S084D (revision TS01)
Media type : Pressed CD

Ripper mode : XLD Secure Ripper
Disable audio cache : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction : 6
Max retry count : 100
Gap status : Analyzed, Appended (except HTOA)

TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 00:01:00 | 10:22:00 | 75 | 46724
2 | 10:23:00 | 15:48:37 | 46725 | 117861
3 | 26:11:37 | 04:29:70 | 117862 | 138106
4 | 30:41:32 | 04:37:25 | 138107 | 158906
5 | 35:18:57 | 02:32:40 | 158907 | 170346
6 | 37:51:22 | 05:03:05 | 170347 | 193076
7 | 42:54:27 | 06:24:48 | 193077 | 221924
8 | 49:19:00 | 13:02:27 | 221925 | 280601
9 | 62:21:27 | 09:43:63 | 280602 | 324389

AccurateRip Summary (DiscID: 00193531-00b2b79d-7a10e409)
Track 01 : OK (v1+v2, confidence 7/7)
Track 02 : OK (v1+v2, confidence 7/7)
Track 03 : OK (v1+v2, confidence 7/7)
Track 04 : OK (v1+v2, confidence 7/7)
Track 05 : OK (v1+v2, confidence 7/7)
Track 06 : OK (v1+v2, confidence 7/7)
Track 07 : OK (v1+v2, confidence 7/7)
Track 08 : OK (v1+v2, confidence 7/7)
Track 09 : OK (v1+v2, confidence 7/7)
->All tracks accurately ripped.

All Tracks
Album gain : -0.81 dB
Peak : 0.944061
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 01
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 10/01 Prélude à l'après-midi d'un faune.flac
Pre-gap length : 00:03:00

Track gain : 3.06 dB
Peak : 0.606720
CRC32 hash (test run) : 8083B09C
CRC32 hash : 8083B09C
CRC32 hash (skip zero) : F42AD015
AccurateRip v1 signature : 07F986DC
AccurateRip v2 signature : 6B7087DE
->Accurately ripped (v1+v2, confidence 4+3/7)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 02
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 10/02 Duke Bluebeard's Castle Op. 11: Opening scene.flac
Pre-gap length : 00:09:55

Track gain : 1.13 dB
Peak : 0.944061
CRC32 hash (test run) : 5DBCB70C
CRC32 hash : 5DBCB70C
CRC32 hash (skip zero) : 937984F7
AccurateRip v1 signature : 07A8891D
AccurateRip v2 signature : 46F14C1B
->Accurately ripped (v1+v2, confidence 4+3/7)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 03
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 10/03 Duke Bluebeard's Castle Op. 11: Door 1.flac

Track gain : 0.10 dB
Peak : 0.784393
CRC32 hash (test run) : FAF3C0A1
CRC32 hash : FAF3C0A1
CRC32 hash (skip zero) : 50D8C954
AccurateRip v1 signature : 6CFEFE26
AccurateRip v2 signature : 0514C9D1
->Accurately ripped (v1+v2, confidence 4+3/7)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 04
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 10/04 Duke Bluebeard's Castle Op. 11: Door 2.flac

Track gain : 0.19 dB
Peak : 0.865692
CRC32 hash (test run) : 133AA591
CRC32 hash : 133AA591
CRC32 hash (skip zero) : F5FC2149
AccurateRip v1 signature : 5CC6991F
AccurateRip v2 signature : 5AADE17B
->Accurately ripped (v1+v2, confidence 4+3/7)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 05
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 10/05 Duke Bluebeard's Castle Op. 11: Door 3.flac

Track gain : 1.10 dB
Peak : 0.606445
CRC32 hash (test run) : AB8570C0
CRC32 hash : AB8570C0
CRC32 hash (skip zero) : 8FF4F184
AccurateRip v1 signature : F02822D8
AccurateRip v2 signature : AD735190
->Accurately ripped (v1+v2, confidence 4+3/7)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 06
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 10/06 Duke Bluebeard's Castle Op. 11: Door 4.flac

Track gain : -2.20 dB
Peak : 0.929901
CRC32 hash (test run) : AA40395E
CRC32 hash : AA40395E
CRC32 hash (skip zero) : E0B93032
AccurateRip v1 signature : 1FCD7092
AccurateRip v2 signature : D68438E1
->Accurately ripped (v1+v2, confidence 4+3/7)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 07
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 10/07 Duke Bluebeard's Castle Op. 11: Door 5.flac

Track gain : -3.99 dB
Peak : 0.944061
CRC32 hash (test run) : 9F066CD4
CRC32 hash : 9F066CD4
CRC32 hash (skip zero) : A7BE3523
AccurateRip v1 signature : 190591E0
AccurateRip v2 signature : F2B39950
->Accurately ripped (v1+v2, confidence 4+3/7)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 08
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 10/08 Duke Bluebeard's Castle Op. 11: Door 6.flac

Track gain : -0.46 dB
Peak : 0.944061
CRC32 hash (test run) : DD780FDA
CRC32 hash : DD780FDA
CRC32 hash (skip zero) : 6630DCB1
AccurateRip v1 signature : E8E2CF1B
AccurateRip v2 signature : 11F9C274
->Accurately ripped (v1+v2, confidence 4+3/7)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 09
Filename : /New York Philharmonic - The Historic Broadcasts 1923 to 1987 [New York Philharmonic]/CD 10/09 Duke Bluebeard's Castle Op. 11: Door 7.flac

Track gain : -0.58 dB
Peak : 0.944061
CRC32 hash (test run) : 1895DBCD
CRC32 hash : 1895DBCD
CRC32 hash (skip zero) : A8545AC9
AccurateRip v1 signature : DD117550
AccurateRip v2 signature : 63A0FF89
->Accurately ripped (v1+v2, confidence 4+3/7)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

No errors occurred

End of status report

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New York Philharmonic - The Historic Broadcasts 1923 to 1987 (1997) {10CDs Box Set NYP 9701}

New York Philharmonic - The Historic Broadcasts 1923 to 1987 (1997) {10CDs Box Set NYP 9701}

New York Philharmonic - The Historic Broadcasts 1923 to 1987 (1997) {10CDs Box Set NYP 9701}



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