Subcategories

Ophelie Gaillard - Johann Sebastian Bach: Cello Suites Nos. 1-6, BWV1007-1012 (2011) 2CDs

Posted By: Designol
Ophelie Gaillard - Johann Sebastian Bach: Cello Suites Nos. 1-6, BWV1007-1012 (2011) 2CDs

Ophélie Gaillard - Johann Sebastian Bach: Cello Suites (2011) 2CDs
EAC | FLAC | Image (Cue&Log) ~ 596 Mb | Mp3 (CBR320) ~ 319 Mb | Artwork included
Genre: Classical | Label: Aparté | # AP017 | Time: 02:16:57

Over the years, the Bach Suites have become a monument of the cello repertoire, to which all cellists return regularly. Some of the greatest did not record these works until they reached their years of maturity (Casals was over 60, Rostropovich was 63), while others have not hesitated to present several versions (Yo-Yo Ma, 1990, 1998; Janos Starker, 1957, 1963, 1983). Ophélie Gaillard’s first recording of the Suites, released on Ambrosie in 2000, was highly acclaimed internationally by the critics and her performance earned her a French Classical Music Award (Victoire) as a "Revelation" in the Solo Instrumentalist category. Ten years later, at the request of Nicolas Bartholomée, artistic director of Aparte and indeed Ambroisie, she agreed to record a new version on a cello made in 1737 by Matteo Goffriller, a contemporary of J. S. Bach. Ophélie Gaillard had already given us a reference performance of these pieces. Now we discover a prodigiously renewed vision of this masterpiece.

The Bach Cello Suites are an iconic monument of the literature with which any serious cellist must grapple. Performances can vary from the metronomically precise just-play-the-notes approach to the other extreme in which a player's idiosyncratic interpretations are so pronounced that they become the center of attention rather than Bach's sublime music. This 2010 version is French cellist Ophélie Gaillard's second recording of the suites, the first made a decade earlier when she was in her mid-twenties. For the most part Gaillard's take on the music (like that of most sensible cellists) lies somewhere in between, but with some movements closer to the eccentric end of the spectrum. Gaillard's technical fluency is unimpeachable. Her intonation, even in the most outrageous multiple-stop chords, is impeccable. She plays with a ripe, absolutely luscious tone that may not suit the taste of the most fervent period performance devotees but that would likely elicit wonder from just about everyone else. Her use of vibrato is circumspect and period-appropriate. She is scrupulous about observing repeats and her use of ornamentation is elegant and understated. The fluidity and unself-conscious physicality of Gaillard's playing keeps the listener aware that except for the preludes, this is sunny, dance-based music. Her handling of the faster movements is especially delightful; the Gigue from the Second Suite and the Bourées from the Fourth (among many others) are just plain fun. It's in some of the preludes where the idiosyncrasies of her interpretation may lose some listeners. The Prelude to the First Suite, consisting entirely of sixteenth note figures, is an interpretive challenge and it's one of the movements to which performers have applied the widest range of rhythmic freedom. Gaillard puts heavy emphasis on the downbeats and frequently sustains them for twice their written length, and she brings a similar approach to the Prelude of the Fourth Suite. Depending on the listener's perspective, her playing of these movements may come across as either expansively elastic or weirdly distended.

A factor that's almost inevitably an issue in recordings of such intimate music for solo string instruments, and sometimes string chamber music, is the clear audibility of strings slapping the soundboard and the player's breathing. In almost any live performing situation, these would not be heard because those sounds don't tend to carry, and an audience member sitting even in the first row would be unlikely to notice them, so a recording is an unfortunately unnatural way to experience this music. The extraneous sounds are only minimally distracting here; Gaillard's breathing, while not annoying or always audible, can sound labored, as if she were working very hard, and that seems to contradict the apparent ease and flexibility of her playing. Otherwise, the acoustic is very fine, with a detailed, spacious, and nicely resonant ambience.


Review by Stephen Eddins, Allmusic.com

The ink was barely dry on the review of Tanya Tomkins’s recording (Avie, 6/11) when Ophélie Gaillard’s set of Bach Suites appeared. This latest recording will attract those wanting a more nuanced interpretation of these iconic works, the guiding inspiration of Tortelier seemingly evident throughout, especially in the preludes. Her playing is consistently elegant and assured, and – in contrast to Tomkins’s – sounds quite modern. We are not so much transported back in time as brought up to date.

Gaillard produces a lovely tone from her 1737 Goffriller and in the Sixth Suite, a five-string Flemish violoncello piccolo. Technically assured, she is nevertheless physically challenged by these works, to judge from the many instances of audible breathing on the discs. Yet the focus and momentum she sustains in the Fifth and Sixth Suites in particular is undeniably impressive.

While sparing with ornamentation, like Tomkins, Gaillard takes considerable liberties with tempo and rhythm (is this really what the composer would have expected?). At issue are the courantes, which – with the exception of the fourth – are on the fast side (more corrente than courante), and less eloquent for it, even if the fifth one swaggers. Gaillard also takes a distinctly rhapsodic approach to the pulse of the allemandes and sarabandes, playing down their dancelike qualities in the supposed pursuit of greater expressiveness. More pervasive still is her reliance on rubato to draw attention to “important” notes, stretching them and even increasing their volume. The Fourth Suite, however, is a sparkling exception, beautifully articulated and paced, the Sarabande caressed and the first Bourrée playful.

That distinctive interpretations of these works continue to emerge is hardly surprising, given the depth and timelessness of the music, and it is entirely appropriate that collectors should, from time to time, consider acquiring the latest recording in order to experience them anew.

Review by Julie Anne Sadie, Gramophone

Ophelie Gaillard - Johann Sebastian Bach: Cello Suites Nos. 1-6, BWV1007-1012 (2011) 2CDs






Tracklist:

CD1:

Suite for Cello solo No. 1 in G major, BWV 1007
01. I. Prélude (2:41)
02. II. Allemande (4:35)
03. III. Courante (2:39)
04. IV. Sarabande (2:41)
05. V. Menuets (3:13)
06. VI. Gigue (1:48)

Suite for Cello solo No. 2 in D minor, BWV 1008
07. I. Prélude (3:57)
08. II. Allemande (3:44)
09. III. Courante (2:06)
10. IV. Sarabande (4:25)
11. V. Menuets (2:50)
12. VI. Gigue (2:47)

Suite for Cello solo No. 3 in C major, BWV 1009
13. I. Prélude (3:54)
14. II. Allemande (3:58)
15. III. Courante (3:06)
16. IV. Sarabande (3:37)
17. V. Bourrees (3:35)
18. VI. Gigue (3:23)


CD2:

Suite for Cello solo No. 4 in E flat major, BWV 1010
01. I. Prélude (4:34)
02. II. Allemande (4:37)
03. III. Courante (3:26)
04. IV. Sarabande (4:01)
05. V. Bourrees I & II (4:56)
06. VI. Gigue (2:51)

Suite for Cello solo No. 5 in C minor, BWV 1011
07. I. Prélude (6:11)
08. II. Allemande (5:40)
09. III. Courante (2:24)
10. IV. Sarabande (2:54)
11. V. Gavottes I & II (4:43)
12. VI. Gigue (2:11)

Suite for Cello solo No. 6 in D major, BWV 1012
13. I. Prélude (4:33)
14. II. Allemande (7:28)
15. III. Courante (3:49)
16. IV. Sarabande (4:38)
17. V. Gavottes I & II (4:29)
18. VI. Gigue (4:30)


Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 22. May 2012, 8:13

Ophelie Gaillard / BACH - Cello Suites

Used drive : HL-DT-STDVDRAM GP08NU6B Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 103
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : Пользовательский кодировщик
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %j–picture="%i"%j %s -o %d


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:40.46 | 0 | 12045
2 | 2:40.46 | 4:35.37 | 12046 | 32707
3 | 7:16.08 | 2:39.03 | 32708 | 44635
4 | 9:55.11 | 2:41.09 | 44636 | 56719
5 | 12:36.20 | 3:13.34 | 56720 | 71228
6 | 15:49.54 | 1:48.30 | 71229 | 79358
7 | 17:38.09 | 3:57.02 | 79359 | 97135
8 | 21:35.11 | 3:43.68 | 97136 | 113928
9 | 25:19.04 | 2:05.60 | 113929 | 123363
10 | 27:24.64 | 4:25.27 | 123364 | 143265
11 | 31:50.16 | 2:49.66 | 143266 | 156006
12 | 34:40.07 | 2:46.65 | 156007 | 168521
13 | 37:26.72 | 3:54.04 | 168522 | 186075
14 | 41:21.01 | 3:58.11 | 186076 | 203936
15 | 45:19.12 | 3:06.19 | 203937 | 217905
16 | 48:25.31 | 3:36.62 | 217906 | 234167
17 | 52:02.18 | 3:34.71 | 234168 | 250288
18 | 55:37.14 | 3:22.46 | 250289 | 265484


Range status and errors

Selected range

Filename D:\Ophelie Gaillard - Bach Cello Suites 2011\CD1\Ophelie Gaillard - BACH - Cello Suites.wav

Peak level 96.4 %
Extraction speed 0.1 X
Range quality 99.9 %
Copy CRC 87257543
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 1) [82DA2296]
Track 2 accurately ripped (confidence 1) [FC520EC8]
Track 3 accurately ripped (confidence 1) [4D0989F4]
Track 4 accurately ripped (confidence 1) [27810178]
Track 5 accurately ripped (confidence 1) [9350013D]
Track 6 accurately ripped (confidence 1) [92BE31DC]
Track 7 accurately ripped (confidence 1) [A0EC3708]
Track 8 accurately ripped (confidence 1) [70646AFF]
Track 9 accurately ripped (confidence 1) [3226E768]
Track 10 accurately ripped (confidence 1) [A46F0256]
Track 11 accurately ripped (confidence 1) [3C226ABC]
Track 12 accurately ripped (confidence 1) [5659CB8C]
Track 13 accurately ripped (confidence 1) [28C3B811]
Track 14 accurately ripped (confidence 1) [2B4F499F]
Track 15 accurately ripped (confidence 1) [EC9A4BD0]
Track 16 accurately ripped (confidence 1) [9639CC19]
Track 17 accurately ripped (confidence 1) [68234663]
Track 18 accurately ripped (confidence 1) [B5202BF6]

All tracks accurately ripped

End of status report

[CUETools log; Date: 01.09.2017 23:06:23; Version: 2.1.4]
[CTDB TOCID: N7aFb_ap1KWVlf1Lj5.fA_4e6Tk-] found.
Track | CTDB Status
1 | (41/41) Accurately ripped
2 | (41/41) Accurately ripped
3 | (41/41) Accurately ripped
4 | (41/41) Accurately ripped
5 | (41/41) Accurately ripped
6 | (41/41) Accurately ripped
7 | (41/41) Accurately ripped
8 | (41/41) Accurately ripped
9 | (41/41) Accurately ripped
10 | (41/41) Accurately ripped
11 | (41/41) Accurately ripped
12 | (41/41) Accurately ripped
13 | (41/41) Accurately ripped
14 | (41/41) Accurately ripped
15 | (41/41) Accurately ripped
16 | (41/41) Accurately ripped
17 | (41/41) Accurately ripped
18 | (41/41) Accurately ripped
[AccurateRip ID: 00257ccf-01f65d8d-fa0dd312] found.
Track [ CRC | V2 ] Status
01 [82da2296|3ad56f2a] (04+28/34) Accurately ripped
02 [fc520ec8|77341e74] (04+28/34) Accurately ripped
03 [4d0989f4|7ee18b99] (04+28/34) Accurately ripped
04 [27810178|44493477] (04+28/34) Accurately ripped
05 [9350013d|cef649b0] (04+28/34) Accurately ripped
06 [92be31dc|1013711d] (04+28/34) Accurately ripped
07 [a0ec3708|031949fd] (04+28/34) Accurately ripped
08 [70646aff|e5fddfb2] (04+28/34) Accurately ripped
09 [3226e768|9efea973] (04+28/34) Accurately ripped
10 [a46f0256|20e6f78f] (04+28/34) Accurately ripped
11 [3c226abc|2faf5bc5] (04+28/34) Accurately ripped
12 [5659cb8c|1ed57785] (04+28/34) Accurately ripped
13 [28c3b811|7a9edd4b] (04+28/34) Accurately ripped
14 [2b4f499f|163d1ead] (04+28/34) Accurately ripped
15 [ec9a4bd0|acd6c212] (04+28/34) Accurately ripped
16 [9639cc19|9c4d7d37] (04+27/33) Accurately ripped
17 [68234663|71002194] (04+28/34) Accurately ripped
18 [b5202bf6|38aba5fd] (04+28/34) Accurately ripped
Offsetted by 6:
01 [12c14137] (00/34) No match (V2 was not tested)
02 [53d7bedd] (00/34) No match (V2 was not tested)
03 [06c2e838] (00/34) No match (V2 was not tested)
04 [64f7ae1a] (00/34) No match (V2 was not tested)
05 [9dbc8b31] (00/34) No match (V2 was not tested)
06 [7baf4516] (00/34) No match (V2 was not tested)
07 [da25303f] (00/34) No match (V2 was not tested)
08 [cf3174d2] (00/34) No match (V2 was not tested)
09 [d775fcbd] (00/34) No match (V2 was not tested)
10 [4947696d] (00/34) No match (V2 was not tested)
11 [b1a6413e] (00/34) No match (V2 was not tested)
12 [626ed6ea] (00/34) No match (V2 was not tested)
13 [a0b349d4] (00/34) No match (V2 was not tested)
14 [428fec85] (00/34) No match (V2 was not tested)
15 [598972fa] (00/34) No match (V2 was not tested)
16 [5edbb483] (00/33) No match (V2 was not tested)
17 [a6590177] (00/34) No match (V2 was not tested)
18 [0b6ace42] (00/34) No match (V2 was not tested)

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 96,4 [87257543] [0078EE82] CRC32
01 94,1 [1047DF13] [A6BD21EF]
02 80,2 [92DB0F0F] [1EBC6189]
03 75,2 [C2A3B609] [697C687C]
04 84,2 [8BB45DEA] [DF3829DF]
05 43,8 [707EA53E] [4229AE33]
06 67,0 [E15FD712] [B946365F]
07 96,4 [F06BD494] [1096A30D]
08 54,9 [F1C4AA4D] [B11DBE26]
09 73,1 [6F71E1AD] [1CEF7386]
10 93,8 [1D7D444B] [808D28A6]
11 57,6 [7E74CAFF] [010105E0]
12 93,5 [599FD399] [618D6C79]
13 79,5 [83E810F1] [990C10FE]
14 62,2 [2263734C] [69B1423D]
15 68,7 [EFD4F289] [63DEC956]
16 54,8 [7029FB75] [03567478]
17 51,4 [795C2D00] [B0EFDF43]
18 71,4 [A84BBA2F] [7A65B88E]



Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 22. May 2012, 9:01

Ophélie Gaillard / Bach - Cello Suites

Used drive : HL-DT-STDVDRAM GP08NU6B Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 103
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : Пользовательский кодировщик
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %j–picture="%i"%j %s -o %d


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:34.07 | 0 | 20556
2 | 4:34.07 | 4:36.58 | 20557 | 41314
3 | 9:10.65 | 3:26.29 | 41315 | 56793
4 | 12:37.19 | 4:01.33 | 56794 | 74901
5 | 16:38.52 | 4:56.15 | 74902 | 97116
6 | 21:34.67 | 2:51.01 | 97117 | 109942
7 | 24:25.68 | 6:10.72 | 109943 | 137764
8 | 30:36.65 | 5:40.08 | 137765 | 163272
9 | 36:16.73 | 2:24.00 | 163273 | 174072
10 | 38:40.73 | 2:54.19 | 174073 | 187141
11 | 41:35.17 | 4:43.11 | 187142 | 208377
12 | 46:18.28 | 2:11.10 | 208378 | 218212
13 | 48:29.38 | 4:33.34 | 218213 | 238721
14 | 53:02.72 | 7:28.34 | 238722 | 272355
15 | 60:31.31 | 3:48.49 | 272356 | 289504
16 | 64:20.05 | 4:37.69 | 289505 | 310348
17 | 68:57.74 | 4:28.53 | 310349 | 330501
18 | 73:26.52 | 4:30.33 | 330502 | 350784


Range status and errors

Selected range

Filename D:\Ophelie Gaillard - Bach Cello Suites 2011\CD2\Ophélie Gaillard - Bach - Cello Suites.wav

Peak level 95.2 %
Extraction speed 0.1 X
Range quality 99.9 %
Copy CRC B7545AB2
Copy OK

No errors occurred


AccurateRip summary

Track 1 cannot be verified as accurate (confidence 1) [8C1EB972], AccurateRip returned [C3331D4D]
Track 2 accurately ripped (confidence 1) [5DC9809F]
Track 3 accurately ripped (confidence 1) [055575FB]
Track 4 accurately ripped (confidence 1) [D7D18418]
Track 5 accurately ripped (confidence 1) [A43AB301]
Track 6 accurately ripped (confidence 1) [54631B7C]
Track 7 accurately ripped (confidence 1) [429556BA]
Track 8 accurately ripped (confidence 1) [921F2AA7]
Track 9 accurately ripped (confidence 1) [CC2AB1E0]
Track 10 accurately ripped (confidence 1) [908FDF2D]
Track 11 accurately ripped (confidence 1) [2666152D]
Track 12 accurately ripped (confidence 1) [37FE0135]
Track 13 accurately ripped (confidence 1) [13023710]
Track 14 accurately ripped (confidence 1) [086CE656]
Track 15 accurately ripped (confidence 1) [AFC8BA8A]
Track 16 accurately ripped (confidence 1) [65EBE7EF]
Track 17 accurately ripped (confidence 1) [8C349FB6]
Track 18 accurately ripped (confidence 1) [60A971AF]

17 трек(и) скопированы точно
1 трек(и) не удалось проверить на точность

Some tracks could not be verified as accurate

End of status report

[CUETools log; Date: 01.09.2017 23:06:43; Version: 2.1.4]
[CTDB TOCID: DnuhZKktjJlNttVsD5hzXBHsnSA-] found.
Track | CTDB Status
1 | (37/37) Accurately ripped
2 | (37/37) Accurately ripped
3 | (37/37) Accurately ripped
4 | (37/37) Accurately ripped
5 | (37/37) Accurately ripped
6 | (37/37) Accurately ripped
7 | (37/37) Accurately ripped
8 | (37/37) Accurately ripped
9 | (37/37) Accurately ripped
10 | (37/37) Accurately ripped
11 | (37/37) Accurately ripped
12 | (37/37) Accurately ripped
13 | (37/37) Accurately ripped
14 | (37/37) Accurately ripped
15 | (37/37) Accurately ripped
16 | (37/37) Accurately ripped
17 | (37/37) Accurately ripped
18 | (36/37) Accurately ripped
[AccurateRip ID: 0032131b-029bfa7b-0e124512] found.
Track [ CRC | V2 ] Status
01 [8c1eb972|efbac2c4] (02+27/31) Accurately ripped
02 [5dc9809f|e277a3df] (03+27/32) Accurately ripped
03 [055575fb|cc092cec] (03+27/32) Accurately ripped
04 [d7d18418|25ab157d] (03+27/32) Accurately ripped
05 [a43ab301|b83c9ba7] (03+27/32) Accurately ripped
06 [54631b7c|67e04054] (03+27/32) Accurately ripped
07 [429556ba|0243a5e4] (03+27/32) Accurately ripped
08 [921f2aa7|c693bd76] (03+27/32) Accurately ripped
09 [cc2ab1e0|f758154d] (03+27/32) Accurately ripped
10 [908fdf2d|62c9f21e] (03+27/32) Accurately ripped
11 [2666152d|8fd821b3] (03+27/32) Accurately ripped
12 [37fe0135|2463b6c1] (03+27/32) Accurately ripped
13 [13023710|39b27109] (03+27/32) Accurately ripped
14 [086ce656|311355dd] (03+27/32) Accurately ripped
15 [afc8ba8a|547822c6] (03+27/32) Accurately ripped
16 [65ebe7ef|6d5f25e0] (03+27/32) Accurately ripped
17 [8c349fb6|7a08845e] (03+27/32) Accurately ripped
18 [60a971af|f26d152c] (03+27/32) Accurately ripped
Offsetted by 6:
01 [cc5b2bac] (00/31) No match (V2 was not tested)
02 [45c31ffd] (00/32) No match (V2 was not tested)
03 [ca96b52d] (00/32) No match (V2 was not tested)
04 [c206e19b] (00/32) No match (V2 was not tested)
05 [4e73dce2] (00/32) No match (V2 was not tested)
06 [cf8fec49] (00/32) No match (V2 was not tested)
07 [cf939f33] (00/32) No match (V2 was not tested)
08 [6d30adb0] (00/32) No match (V2 was not tested)
09 [efc85c30] (00/32) No match (V2 was not tested)
10 [c6c91164] (00/32) No match (V2 was not tested)
11 [71401b90] (00/32) No match (V2 was not tested)
12 [065925ff] (00/32) No match (V2 was not tested)
13 [d43f7d9b] (00/32) No match (V2 was not tested)
14 [a250f63f] (00/32) No match (V2 was not tested)
15 [b15aa7e3] (00/32) No match (V2 was not tested)
16 [5ed936bd] (00/32) No match (V2 was not tested)
17 [89651be1] (00/32) No match (V2 was not tested)
18 [32e57e56] (00/32) No match (V2 was not tested)

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 95,2 [B7545AB2] [419D28B5] CRC32
01 79,6 [7ED1675A] [1F0EDB4B]
02 71,1 [93B3756C] [BC6E28C4]
03 87,2 [F45965FD] [C1CFF372]
04 58,9 [E872792E] [B643A513]
05 70,4 [14B943F7] [669E0BF9]
06 65,2 [5250C279] [CE29DDF2]
07 94,3 [3D13787C] [BCFC3BBD]
08 76,5 [CA6290EC] [28179054]
09 86,2 [BC355CE0] [0366CE18]
10 83,3 [05EA3876] [7CDA3CD4]
11 65,7 [969836A5] [A195CF90]
12 71,9 [35EB04EC] [21EF7E9C]
13 95,2 [C6528C72] [43BE4B89]
14 62,1 [E983B844] [CBB9DC49]
15 68,6 [59FE7B1C] [CFC277B3]
16 90,8 [DE71669A] [DB1ADC6A]
17 90,3 [5F8BE11C] [B7C3618C]
18 92,7 [9216656A] [42B0CD75]

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-09-01 23:08:34

––––––––––––––––––––––––––––––––––––––––
Analyzed: Ophelie Gaillard / JS Bach - Cello Suites (Disc 2)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -1.97 dB -19.00 dB 4:34 01-Suite for Cello solo No. 4 in E flat major, BWV 1010 - I. Prelude
DR12 -2.96 dB -19.12 dB 4:37 02-Suite for Cello solo No. 4 in E flat major, BWV 1010 - II. Allemande
DR13 -1.18 dB -18.74 dB 3:26 03-Suite for Cello solo No. 4 in E flat major, BWV 1010 - III. Courante
DR13 -4.59 dB -21.04 dB 4:01 04-Suite for Cello solo No. 4 in E flat major, BWV 1010 - IV. Sarabande
DR13 -3.05 dB -19.76 dB 4:56 05-Suite for Cello solo No. 4 in E flat major, BWV 1010 - V. Bourrees I & II
DR12 -3.71 dB -19.57 dB 2:51 06-Suite for Cello solo No. 4 in E flat major, BWV 1010 - VI. Gigue
DR13 -0.50 dB -17.70 dB 6:11 07-Suite for Cello solo No. 5 in C minor, BWV 1011 - I. Prelude
DR13 -2.32 dB -18.90 dB 5:40 08-Suite for Cello solo No. 5 in C minor, BWV 1011 - II. Allemande
DR12 -1.28 dB -17.77 dB 2:24 09-Suite for Cello solo No. 5 in C minor, BWV 1011 - III. Courante
DR13 -1.58 dB -19.51 dB 2:54 10-Suite for Cello solo No. 5 in C minor, BWV 1011 - IV. Sarabande
DR13 -3.64 dB -20.48 dB 4:43 11-Suite for Cello solo No. 5 in C minor, BWV 1011 - V. Gavottes I & II
DR12 -2.87 dB -19.19 dB 2:11 12-Suite for Cello solo No. 5 in C minor, BWV 1011 - VI. Gigue
DR11 -0.43 dB -18.71 dB 4:33 13-Suite for Cello solo No. 6 in D major, BWV 1012 - I. Prelude
DR12 -4.13 dB -21.61 dB 7:28 14-Suite for Cello solo No. 6 in D major, BWV 1012 - II. Allemande
DR12 -3.26 dB -20.59 dB 3:49 15-Suite for Cello solo No. 6 in D major, BWV 1012 - III. Courante
DR13 -0.83 dB -19.47 dB 4:38 16-Suite for Cello solo No. 6 in D major, BWV 1012 - IV. Sarabande
DR15 -0.89 dB -19.73 dB 4:29 17-Suite for Cello solo No. 6 in D major, BWV 1012 - V. Gavottes I & II
DR13 -0.66 dB -18.72 dB 4:30 18-Suite for Cello solo No. 6 in D major, BWV 1012 - VI. Gigue
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 18
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 610 kbps
Codec: FLAC
================================================================================

Ophelie Gaillard - Johann Sebastian Bach: Cello Suites Nos. 1-6, BWV1007-1012 (2011) 2CDs