Rosanne Philippens & Julien Quentin - Dedications (2016)
Works by Fritz Kreisler, Gabriel Fauré, Eugène Ysaÿe, Ernest Chausson, Camille Saint-Saëns
EAC | FLAC | Image (Cue&Log) ~ 264 Mb | Mp3 (CBR320) ~ 172 Mb | Artwork included
Genre: Classical | Label: Channel Classics | # CCS38516 | Time: 01:12:59
Works by Fritz Kreisler, Gabriel Fauré, Eugène Ysaÿe, Ernest Chausson, Camille Saint-Saëns
EAC | FLAC | Image (Cue&Log) ~ 264 Mb | Mp3 (CBR320) ~ 172 Mb | Artwork included
Genre: Classical | Label: Channel Classics | # CCS38516 | Time: 01:12:59
Rosanne Philippens is considered one of the greatest violinists in the Netherlands. Her open and communicative style of performance won her first prizes at competitions including the Dutch National Violin Competition (Amsterdam Concertgebouw 2009) and the Freiburg International Violin Competition (2014). Rosanne has the honour to play on the Barrere Stradivarius (1727) from the Elise Mathilde Foundation, the violin that Janine Jansen used to play for the past fifteen years. "Rosanne Philippens’s brilliantly focused, expressive sound is coupled with an inspired programme of music by and for virtuoso violinists of the Romantic period. An absolute joy from start to finish." (BBC Music Magazine, 5 stars)
The dedicatory web that enmeshes this excellently-programmed Franco-Belgian repertoire needs only the briefest of explanations. Ysaÿe’s Poème Elégiaque was dedicated to Fauré, whose Romance in B flat is also performed in the recital. Ysaÿe also dedicated his Fourth solo sonata to Kreisler, whilst Kreisler dedicated the Recitativo and Scherzo-Caprice to Ysaÿe. Meanwhile the great Belgian titan also famously inspired Chausson’s Poème. There’s also homage in the form of Ysaÿe’s Caprice after Saint-Saëns’s Waltz, Op.52.
Rosanne Philippens and Julien Quentin open their programme with the baroque-romanticism of Kreisler’s Pugnani ‘forgery’, the Praeludium and Allegro. Rhythms appear strict at first but there’s also a sensuous element to Philippens’ phrasing, and slides that are noteworthy, not least when the piece is so often performed as a masculine crowd-pleaser. There’s no over-striving for a contrastingly fast tempo in the B section and there are dapper exchanges as the piece develops. I like the amplitude of Quentin’s playing in support and the characterful interplay they both find. For once this is no coach-and-horses performances; the piano has independent life. The delicious chanson that is Fauré’s Romance, with its play of dappled lyricism and more urgent central panel, is played here with just the right level of affection so that it’s not smothered in sentiment.
Sterner interpretative tests are provided by the Poème Elégiaque, one of Ysaÿe’s most interesting medium-scaled pieces. This is played with stylistic acumen and at a good forward-moving tempo, with the music’s moments of passionate intensity well defined by both musicians – again Quentin proves no submissive colleague, and takes full advantage of the opportunities accorded in giving as good as he gets. The atmospheric moments when Philippens plays on mere tendrils of tone are especially beguiling too. Perhaps what one misses, in the end, is the kind of thing displayed by one of Ysaÿe’s greatest pupils, Aldo Ferraresi, whose 1965 performance, at a more leisurely pace, shows how spun legato lyricism can embody myriad inflexions to imbue the lyricism with tension. In comparison, she can sound a touch flatly one-dimensional.
Ysaÿe’s Fourth Sonata sounds a little becalmed in this reading. Its relative slowness might not be a concern – though players such as Shumsky, Ushioda, Schmid, Stobbe, Kraggerud, Graffin and Papavrami (in fact almost everyone) are all significantly faster – so much as there’s a lack of graphic purpose from time to time. Certainly, she has her own ideas as to what Quasi Lento means – in effect she omits the ‘Quasi’ – but her approach renders the sonata less uplifting than usual and tinged with greater melancholy. The other large-scale piece is Chausson’s Poème, which is always good to encounter in the version for violin and piano, which tends to clarify the accompanying figures. I sense a more involved, knowing approach to this piece as it’s deftly done with fine balances. Saint-Saëns’ affecting little Elégie is followed by the concluding Ysaÿe work based on his Waltz. This is a technically demanding affair, constantly on the look-out to disrupt and destabilize the violinist. Fortunately, Philippens isn’t falling into any such trap.
It ends a most enjoyable recital, played with individuality and flair. I’d seek further afield for the Ysaÿe Sonata but it needs to be heard in the context of her recital as a whole. She and Quentin have been splendidly served by their engineers and by a good booklet. Thoughtful programming bears its own reward.Review by Jonathan Woolf, MusicWeb-International.com
Rosanne Philippens (violin)
Julien Quentin (piano)
rec. January 2016, MCO Studio, Hilversum
Tracklist:
Fritz KREISLER (1875-1962)
01. Praeludium and Allegro (in the style of Pugnani) (5:35)
Gabriel FAURÉ (1845-1924)
02. Romance in B flat, Op.28 (5:41)
Eugène YSAŸE (1858-1931)
03. Poème Elégiaque in D Minor, Op.12 (14:17)
Fritz KREISLER
Recitativo and Scherzo-Caprice for violin solo, Op.6
04. Recitativo (3:13)
05. Scherzo-Caprice (1:55)
Eugène YSAŸE
Sonata for violin solo No.4 in E minor Op.27/4 (1923)
06. I. Allemanda (6:21)
07. II. Sarabande (3:55)
08. III. Finale (3:32)
Ernest CHAUSSON (1855-1899)
09. Poème, Op.25 (14:59)
Camille SAINT-SAËNS (1835-1921)
10. Elégie, Op.143 (4:39)
Eugène YSAŸE
11. Caprice d’après l’Etude en forme de Valse de C. Saint-Saëns, Op.52 (8:52)
Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 1. June 2017, 22:15
Rosanne Philippens, Julien Quentin / Dedications
Used drive : PLDS DVD-RW DU8A6SH Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:35.16 | 0 | 25140
2 | 5:35.16 | 5:40.53 | 25141 | 50693
3 | 11:15.69 | 14:16.40 | 50694 | 114933
4 | 25:32.34 | 3:13.07 | 114934 | 129415
5 | 28:45.41 | 1:55.32 | 129416 | 138072
6 | 30:40.73 | 6:21.03 | 138073 | 166650
7 | 37:02.01 | 3:54.43 | 166651 | 184243
8 | 40:56.44 | 3:31.72 | 184244 | 200140
9 | 44:28.41 | 14:59.20 | 200141 | 267585
10 | 59:27.61 | 4:39.03 | 267586 | 288513
11 | 64:06.64 | 8:52.37 | 288514 | 328450
Range status and errors
Selected range
Filename C:\temp\CCS 38516 Dedications - Rosanne Philippens, Julien Quentin\Dedications.wav
Peak level 100.0 %
Extraction speed 4.0 X
Range quality 100.0 %
Test CRC 8AF415DB
Copy CRC 8AF415DB
Copy OK
No errors occurred
AccurateRip summary
Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
Track 8 not present in database
Track 9 not present in database
Track 10 not present in database
Track 11 not present in database
None of the tracks are present in the AccurateRip database
End of status report
==== Log checksum 92208E1D288C439BC2B50E954D0F193BF60F9CA1F73E5A42A630E8CB1B70A99D ====
EAC extraction logfile from 1. June 2017, 22:15
Rosanne Philippens, Julien Quentin / Dedications
Used drive : PLDS DVD-RW DU8A6SH Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:35.16 | 0 | 25140
2 | 5:35.16 | 5:40.53 | 25141 | 50693
3 | 11:15.69 | 14:16.40 | 50694 | 114933
4 | 25:32.34 | 3:13.07 | 114934 | 129415
5 | 28:45.41 | 1:55.32 | 129416 | 138072
6 | 30:40.73 | 6:21.03 | 138073 | 166650
7 | 37:02.01 | 3:54.43 | 166651 | 184243
8 | 40:56.44 | 3:31.72 | 184244 | 200140
9 | 44:28.41 | 14:59.20 | 200141 | 267585
10 | 59:27.61 | 4:39.03 | 267586 | 288513
11 | 64:06.64 | 8:52.37 | 288514 | 328450
Range status and errors
Selected range
Filename C:\temp\CCS 38516 Dedications - Rosanne Philippens, Julien Quentin\Dedications.wav
Peak level 100.0 %
Extraction speed 4.0 X
Range quality 100.0 %
Test CRC 8AF415DB
Copy CRC 8AF415DB
Copy OK
No errors occurred
AccurateRip summary
Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
Track 8 not present in database
Track 9 not present in database
Track 10 not present in database
Track 11 not present in database
None of the tracks are present in the AccurateRip database
End of status report
==== Log checksum 92208E1D288C439BC2B50E954D0F193BF60F9CA1F73E5A42A630E8CB1B70A99D ====
[CUETools log; Date: 05.03.2018 6:39:26; Version: 2.1.4]
[CTDB TOCID: y4lGDR2zMfo.nL3vu_Bo5GEmyI0-] found.
Track | CTDB Status
1 | (2/2) Accurately ripped
2 | (2/2) Accurately ripped
3 | (2/2) Accurately ripped
4 | (2/2) Accurately ripped
5 | (2/2) Accurately ripped
6 | (2/2) Accurately ripped
7 | (2/2) Accurately ripped
8 | (2/2) Accurately ripped
9 | (2/2) Accurately ripped
10 | (2/2) Accurately ripped
11 | (2/2) Accurately ripped
[AccurateRip ID: 001ce5d5-00f9ca93-aa111b0b] found.
Track [ CRC | V2 ] Status
01 [f45a5b34|2c7b45c3] (0+3/3) Accurately ripped
02 [5a13e5bc|a07dcff1] (0+3/3) Accurately ripped
03 [e4d2c425|d4e23320] (0+3/3) Accurately ripped
04 [749ed5c5|02ebe848] (0+3/3) Accurately ripped
05 [c106e85e|88af45e1] (0+3/3) Accurately ripped
06 [f1371317|6c85ffb3] (0+3/3) Accurately ripped
07 [adf34adf|0a855885] (0+3/3) Accurately ripped
08 [ba4fe63d|7afcec78] (0+3/3) Accurately ripped
09 [35d44e1a|596b25aa] (0+3/3) Accurately ripped
10 [6815b81d|36a380d3] (0+3/3) Accurately ripped
11 [c0607b0d|ea47ef9d] (0+3/3) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 100,0 [8AF415DB] [6AB195D7] CRC32
01 73,2 [53242BD0] [391DAA43]
02 47,2 [D32C1AAF] [B64D06F4]
03 98,9 [D97CC96F] [A191D5DC]
04 17,7 [C91EF3C6] [45F9486D]
05 26,9 [0C179E6A] [D76022BA]
06 24,7 [147CF35F] [50BDCCA6]
07 14,8 [78553184] [6063E3C4]
08 31,3 [8BF710DF] [FE086AD2]
09 78,6 [818343D9] [052A2BA1]
10 70,6 [FFED6381] [3A81F369]
11 100,0 [F4342F03] [61E236A6]
[CTDB TOCID: y4lGDR2zMfo.nL3vu_Bo5GEmyI0-] found.
Track | CTDB Status
1 | (2/2) Accurately ripped
2 | (2/2) Accurately ripped
3 | (2/2) Accurately ripped
4 | (2/2) Accurately ripped
5 | (2/2) Accurately ripped
6 | (2/2) Accurately ripped
7 | (2/2) Accurately ripped
8 | (2/2) Accurately ripped
9 | (2/2) Accurately ripped
10 | (2/2) Accurately ripped
11 | (2/2) Accurately ripped
[AccurateRip ID: 001ce5d5-00f9ca93-aa111b0b] found.
Track [ CRC | V2 ] Status
01 [f45a5b34|2c7b45c3] (0+3/3) Accurately ripped
02 [5a13e5bc|a07dcff1] (0+3/3) Accurately ripped
03 [e4d2c425|d4e23320] (0+3/3) Accurately ripped
04 [749ed5c5|02ebe848] (0+3/3) Accurately ripped
05 [c106e85e|88af45e1] (0+3/3) Accurately ripped
06 [f1371317|6c85ffb3] (0+3/3) Accurately ripped
07 [adf34adf|0a855885] (0+3/3) Accurately ripped
08 [ba4fe63d|7afcec78] (0+3/3) Accurately ripped
09 [35d44e1a|596b25aa] (0+3/3) Accurately ripped
10 [6815b81d|36a380d3] (0+3/3) Accurately ripped
11 [c0607b0d|ea47ef9d] (0+3/3) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 100,0 [8AF415DB] [6AB195D7] CRC32
01 73,2 [53242BD0] [391DAA43]
02 47,2 [D32C1AAF] [B64D06F4]
03 98,9 [D97CC96F] [A191D5DC]
04 17,7 [C91EF3C6] [45F9486D]
05 26,9 [0C179E6A] [D76022BA]
06 24,7 [147CF35F] [50BDCCA6]
07 14,8 [78553184] [6063E3C4]
08 31,3 [8BF710DF] [FE086AD2]
09 78,6 [818343D9] [052A2BA1]
10 70,6 [FFED6381] [3A81F369]
11 100,0 [F4342F03] [61E236A6]
foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-03-05 06:08:19
––––––––––––––––––––––––––––––––––––––––
Analyzed: Rosanne Philippens, Julien Quentin / Dedications
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -2.70 dB -22.76 dB 5:35 01-Fritz Kreisler: Praeludium and Allegro (in the style of Pugnani)
DR14 -6.51 dB -27.57 dB 5:41 02-Gabriel Fauré: Romance in B flat, Op.28
DR16 -0.10 dB -23.46 dB 14:17 03-Eugène Ysaÿe: Poème Elégiaque in D Minor, Op.12
DR14 -15.02 dB -35.24 dB 3:13 04-Fritz Kreisler: Recitativo and Scherzo-Caprice for violin solo, Op.6 - Recitativo
DR15 -11.39 dB -31.39 dB 1:55 05-Fritz Kreisler: Recitativo and Scherzo-Caprice for violin solo, Op.6 - Scherzo-Caprice
DR16 -2.09 dB -24.44 dB 14:59 09-Ernest Chausson: Poème, Op.25
DR16 -3.02 dB -25.23 dB 4:39 10-Camille Saint-Saëns: Elégie, Op.143
DR16 0.00 dB -21.40 dB 8:52 11-Eugène Ysaÿe: Caprice d’après l’Etude en forme de Valse de C. Saint-Saëns, Op.52
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 8
Official DR value: DR15
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 499 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Rosanne Philippens / Dedications
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR16 -12.14 dB -32.94 dB 6:21 06-Eugène Ysaÿe: Sonata for violin solo No.4 in E minor Op.27/4 - I. Allemanda
DR15 -16.54 dB -37.49 dB 3:55 07-Eugène Ysaÿe: Sonata for violin solo No.4 in E minor Op.27/4 - II. Sarabande
DR14 -10.06 dB -31.25 dB 3:32 08-Eugène Ysaÿe: Sonata for violin solo No.4 in E minor Op.27/4 - III. Finale
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 3
Official DR value: DR15
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 499 kbps
Codec: FLAC
================================================================================
log date: 2018-03-05 06:08:19
––––––––––––––––––––––––––––––––––––––––
Analyzed: Rosanne Philippens, Julien Quentin / Dedications
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -2.70 dB -22.76 dB 5:35 01-Fritz Kreisler: Praeludium and Allegro (in the style of Pugnani)
DR14 -6.51 dB -27.57 dB 5:41 02-Gabriel Fauré: Romance in B flat, Op.28
DR16 -0.10 dB -23.46 dB 14:17 03-Eugène Ysaÿe: Poème Elégiaque in D Minor, Op.12
DR14 -15.02 dB -35.24 dB 3:13 04-Fritz Kreisler: Recitativo and Scherzo-Caprice for violin solo, Op.6 - Recitativo
DR15 -11.39 dB -31.39 dB 1:55 05-Fritz Kreisler: Recitativo and Scherzo-Caprice for violin solo, Op.6 - Scherzo-Caprice
DR16 -2.09 dB -24.44 dB 14:59 09-Ernest Chausson: Poème, Op.25
DR16 -3.02 dB -25.23 dB 4:39 10-Camille Saint-Saëns: Elégie, Op.143
DR16 0.00 dB -21.40 dB 8:52 11-Eugène Ysaÿe: Caprice d’après l’Etude en forme de Valse de C. Saint-Saëns, Op.52
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 8
Official DR value: DR15
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 499 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Rosanne Philippens / Dedications
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR16 -12.14 dB -32.94 dB 6:21 06-Eugène Ysaÿe: Sonata for violin solo No.4 in E minor Op.27/4 - I. Allemanda
DR15 -16.54 dB -37.49 dB 3:55 07-Eugène Ysaÿe: Sonata for violin solo No.4 in E minor Op.27/4 - II. Sarabande
DR14 -10.06 dB -31.25 dB 3:32 08-Eugène Ysaÿe: Sonata for violin solo No.4 in E minor Op.27/4 - III. Finale
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 3
Official DR value: DR15
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 499 kbps
Codec: FLAC
================================================================================