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Shomyo vs Jazz - Buddha (1977) [Vinyl Rip 24/48, 16/44 & mp3-320] Re-up

Posted By: v3122
Date: 25 Jan 2021 12:43:43
Shomyo vs Jazz - Buddha (1977) [Vinyl Rip 24/48, 16/44 & mp3-320] Re-up

Shomyo vs Jazz - Buddha (1977)
Vinyl Rip 24/48 or 16/44 | Flac(Image + Cue) > 528 or 251 Mb
MP3 CBR 320Kbps > 109 Mb | Artwork(jpg) > 48 Mb
CBS/Sony, 25AG 234 | Bop, Modal Music, Japanese, Religious

Shomyo, a liturgical Buddhist chant, was introduced from China to Japan in 736 AD. It was influential in the development of Japanese music styles. Shomyo became popular in those days due to the fact that Buddhism, chanting and music worked well together in temples. Shomyo was used in Buddhist ceremonies and services, as a ritual of comfort for the souls of the deceased and as a way to create an atmosphere of reference and mystery. It was also performed in praise of Amida Buddha…
Shomyo vs Jazz - Buddha (1977):

Shomyo vs Jazz - Buddha (1977) [Vinyl Rip 24/48, 16/44 & mp3-320] Re-up

Tracklist:

01. Hannya Shingyo (5:14)
02. Hannya Rishukyo (19:03)
03. Four (9:15)
04. Cute (10:57)
05. Tengu (1:39)

Tetsuo Fushimi - trumpet
Konosuke Saijo - tenor saxophone
Norio Maeda - piano
Yasuo Arakawa - bass
Takeshi Inomata - drums

foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2018-11-22 19:02:22

––––––––––––––––––––––––––––––––––––––––
Analyzed: Shomyo vs Jazz / Buddha
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -2.79 dB -19.23 dB 5:14 01-Hannya Shingyo
DR18 -0.08 dB -22.88 dB 19:03 02-Hannya Rishukyo
DR14 -0.78 dB -18.98 dB 9:15 03-Four
DR15 -0.15 dB -19.03 dB 10:57 04-Cute
DR11 -2.90 dB -25.73 dB 1:39 05-Tengu
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 5
Official DR value: DR14

Samplerate: 48000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1555 kbps
Codec: FLAC
================================================================================




Original ripper: mvns
Vinyl records:
CARTRIDGE: Audio-Technica AT-OC9ML/II (April 2017-present) or AT-150MLX (rips prior to April 2017), Nagaoka MP-500 (rips prior to July 2016)
TURNTABLE: Technics SL-1200mk5
PHONO STAGE: Lehmann Audio Black Cube Statement
RECORD CLEANING MACHINE: Record Doctor V (vacuum RCM)
RECORD CLEANING LIQUID: Audio Intelligent Enzymatic Formula (3 min soak) then Super Cleaner (1.5 min soak) or Premium One-Step Formula no. 6 (6 min soak)
STYLUS CLEANING: Onzow Zerodust

Computer:
SOUND CARD: Apogee Duet 2 for Mac
SOUND MONITORING: InEar StageDiver SD-4 (Small)
RECORDING SOFTWARE: Adobe Audition CC
OS: Mac OS X 10.9 "Mavericks"
POST-PROCESSING SOFTWARE: iZotope RX 6 Declicker, Denoiser

Vinyl: iZotope DeClicker and Audition's built-in declicker plugin were used to eliminate clicks and pops. Manual declicking is used. iZotope DeNoiser was used to eliminate any low-frequency rumble (below 40 Hz)

Everything is normalized to -0.1 dB, as is without any compression applied.

Downsampled to 16/44


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