Igor Stravinsky conducts Stravinsky: The Rite of Spring; Firebird Suite; Petrushka Suite (2012)
Igor Stravinsky: The Rite of Spring; Firebird Suite; Petrushka Suite (2012)
Philharmonic-Symphony Orchestra of New York, coducted by Igor Stravinsky
EAC | FLAC | Image (Cue&Log) ~ 297 Mb | Mp3 (CBR320) ~ 179 Mb | Scans included
Genre: Classical | Label: Naxos | # 8.112070 | Time: 01:13:38
Philharmonic-Symphony Orchestra of New York, coducted by Igor Stravinsky
EAC | FLAC | Image (Cue&Log) ~ 297 Mb | Mp3 (CBR320) ~ 179 Mb | Scans included
Genre: Classical | Label: Naxos | # 8.112070 | Time: 01:13:38
This programme brings together the three great ballets which Stravinsky composed for Russian impresario Serge Diaghilev. These vibrantly atmospheric scores were all revised after their Parisian premières, and the 1945 version of the Firebird Suite was still brand new at the time of this recording. In what are widely considered to be the best of his commercial recordings of these works, Stravinsky the conductor brings out the expressive and vividly incisive rhythmic strengths of the Philharmonic-Symphony Orchestra of New York.
Invaluable new transfers of Stravinsky on top form as a conductor. This electrifying performance is the finest of his Rite of Spring recordings, and the 1945 Firebird Suite is gripping.Review by BBC Music Magazine, August 2012, *****
Stravinsky made three recordings of these scores. The first were made in Europe in the 1920s and, as Mark Obert-Thorn correctly observes in his booklet note, betray both the composer’s lack of conducting experience and “rather ragged-sounding” orchestras. The last were those made for the Stravinsky Edition, recorded in the 1960s when the conductor was advanced in years and required some assistance from Robert Craft. Despite his physical disabilities he was still able to inspire an orchestra, as a film made at that time of him conducting the Rite in London proves. These recordings feature a pseudonymous orchestra, which is in reality the New York Philharmonic - at that time under contract elsewhere - and they are very good. And Stravinsky is in his prime.
This CD includes the very first recording of the 1945 version of the Firebird suite. This Stravinsky had prepared in order to safeguard his copyright in the score which had become a matter of dispute following the Russian Revolution. Stravinsky himself had a soft spot for this version, not surprisingly since he earned royalties from it. It was this edition which he recorded later. It really isn’t a patch on the original score. Stravinsky reduced the orchestration - largely on practical grounds - and took the opportunity to tidy up some of the articulation. Much of his revision was an attempt to turn the score into a more neo-classical work in accordance with his style at the time. He made more prominent use of the piano instead of harp and celesta, for example. Oddly enough this was a style which he was shortly to abandon in his metamorphosis into a twelve-tone composer. However this version of the Suite is longer than the more usually performed 1919 suite. It includes two extra movements: the Adagio which accompanies the Firebird’s plea for liberty to her captor the Prince, and the scherzo for the play of the Princesses with their golden apples. So it’s a matter of swings and roundabouts. Do you prefer the shorter suite with the original scoring, or the longer one as revised? Maybe it’s just best to settle for the full original score.
Mark Obert-Thorn does wonders with the sound here apart from the lack of weight in the slashing chords which open the Infernal dance. The result is fairly comparable with Stravinsky’s stereo remake of fifteen years later. The composer is quite brisk with his own atmospheric invention at the beginning. The recording brings out many details that can be lost and Stravinsky gets a scintillating performance of the Firebird’s dance. The chords at the very end lack the ideal breadth and grandiosity, but the fault for this can be laid at Stravinsky’s revision which substantially alters the articulation given to the players.
The re-mastering has much less opportunity for success when it comes to the recording of the oddly dismembered suite from Petrushka. The balances are frequently awry. The blaring tuba dominates the high wailing clarinet in the episode of the dancing bear, and the muted trumpets at the end of the second scene screaming out the puppet’s frustration are largely obscured by the accompaniment. The sound is much too close in places, and the strings lack any sense of resonance. It is hard to believe that only six years lie between these two recordings.
The performance of The rite of spring is very similar in style to Stravinsky’s remake of twenty years later. Again it suffers from an over-close and somewhat wayward recording which does the music no favours. The horn attack on the famous sforzando chords near the beginning lacks bite. The chugging strings almost succeed in smoothing out the rhythmic impetus of the music but Stravinsky adopts a very similar manner in his later recording, so that is presumably what he wanted. One can only admire the stamina of the orchestral players in undertaking recordings of two such demanding - and at that time relatively unfamiliar - scores in one day. There is a sense of strain apparent and the balances are poorly judged in a number of places where modern performances naturally adjust themselves. The strings master their fast-running passages with proper élan, but the woodwind are sometimes too far back and the tuba blurts out its lines in the same way as in Petrushka without the justification of characterisation. At times, when the orchestra is building to a climax, there is evidence of some rapid and panic-stricken lowering of the recording level by the engineers. In short, although the performance has all the required energy, the recording does not have sufficient clarity to do justice to this complex and sometimes magical score. The contemporary performance by Stokowski in Walt Disney’s Fantasia, despite its mauling of the score, has much better sound and balance.
If you want to hear Stravinsky’s interpretations of his own music while the composer was in his prime, this obviously will be the recording you want. If you need the ailing Stravinsky’s still vigorous interpretations in better sound, you will want the version from the Stravinsky Edition on Sony. If you want to hear the music in its preferable original scoring, there are plenty of more modern performances to choose from. These are nevertheless valuable performances, and Mark Orbert-Thorn’s re-mastering has done the best possible with the sound – and, in the case of the 1946 recording of the Firebird suite, a great deal more than that.Review by Paul Corfield Godfrey, MusicWeb-International.com
Igor Stravinsky conducts Stravinsky: The Rite of Spring; Firebird Suite; Petrushka Suite (2012)
Philharmonic Symphony Orchestra of New York
Igor Stravinsky, conductor
rec. Liederkranz Hall, New York, 4 April 1950 (Petrushka, Rite of Spring)
Carnegie Hall, New York, 28 January 1946 (Firebird)
Tracklist:
Igor STRAVINSKY (1882-1971)
The Firebird: Suite (1910; rev. 1945)
01. Introduction (3:01)
02. Dance of the Firebird (1:15)
03. Adagio (4:15)
04. Scherzo (2:28)
05. Rondo (4:00)
06. Infernal Dance (4:13)
07. Lullaby (3:46)
08. Final Hymn (3:17)
Petrushka: Suite (1911)
09. The Magic Trick (1:37)
10. Russian Dance (2:20)
11. Petrushka's Room (3:59)
12. Wet-Nurses Dance (2:17)
13. Peasant with Bear (1:07)
14. Gypsies (0:51)
15. Dance of the Coachmen (2:05)
16. Masqueraders (1:54)
The Rite of Spring (1913)
Part 1
17. Introduction (2:53)
18. Dance of the Young Boys & Girls (3:14)
19. Mock Abduction (1:18)
20. Spring Rounds (3:05)
21. Games of the Rival Towns (1:49)
22. Procession of the Wise Elder (0:36)
23. Adoration of the Earth (0:21)
24. Dance of the Earth (1:16)
Part 2
25. Introduction (3:55)
26. Mystic Circles of the Young Girls (2:53)
27. Glorification of the Chosen One (1:39)
28. Summoning of the Ancients (0:45)
29. Ritual of the Ancients (3:01)
30. Sacrificial Dance (4:32)
Exact Audio Copy V1.3 from 2. September 2016
Отчёт EAC об извлечении, выполненном 28. февраля 2018, 22:52
Philharmonic-Symphony Orchestra of New York (conducted by Igor Stravinsky) / Stravinsky conducts Stravinsky: The Rite of Spring, Firebird Suite, Petrushka Suite
Дисковод: PIONEER DVD-RW DVR-215D Adapter: 1 ID: 3
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Коррекция смещения при чтении : 48
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Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000
Выходной формат : Пользовательский кодировщик
Выбранный битрейт : 128 kBit/s
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Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
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Отчёт EAC об извлечении, выполненном 28. февраля 2018, 22:52
Philharmonic-Symphony Orchestra of New York (conducted by Igor Stravinsky) / Stravinsky conducts Stravinsky: The Rite of Spring, Firebird Suite, Petrushka Suite
Дисковод: PIONEER DVD-RW DVR-215D Adapter: 1 ID: 3
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 48
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000
Выходной формат : Пользовательский кодировщик
Выбранный битрейт : 128 kBit/s
Качество : Высокий
Добавление ID3-тега : Нет
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Дополнительные параметры : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
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1 | 0:00.00 | 3:00.58 | 0 | 13557
2 | 3:00.58 | 1:14.38 | 13558 | 19145
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4 | 8:29.69 | 2:28.04 | 38244 | 49347
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Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла C:\Stravinsky conducts Stravinsky - The Rite of Spring, Firebird Suite, Petrushka Suite.wav
Пиковый уровень 99.8 %
Скорость извлечения 2.0 X
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CRC теста 7FC35778
CRC копии 7FC35778
Копирование… OK
Ошибок не произошло
AccurateRip: сводка
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[CUETools log; Date: 02.03.2018 16:42:55; Version: 2.1.4]
[CTDB TOCID: ckb5uVh4AMq_p9s8CN4exf9hz_E-] found.
Track | CTDB Status
1 | (4/4) Accurately ripped
2 | (4/4) Accurately ripped
3 | (4/4) Accurately ripped
4 | (4/4) Accurately ripped
5 | (4/4) Accurately ripped
6 | (4/4) Accurately ripped
7 | (4/4) Accurately ripped
8 | (4/4) Accurately ripped
9 | (4/4) Accurately ripped
10 | (4/4) Accurately ripped
11 | (4/4) Accurately ripped
12 | (4/4) Accurately ripped
13 | (4/4) Accurately ripped
14 | (4/4) Accurately ripped
15 | (4/4) Accurately ripped
16 | (4/4) Accurately ripped
17 | (4/4) Accurately ripped
18 | (3/4) Accurately ripped, or (1/4) differs in 2 samples @01:20:31
19 | (4/4) Accurately ripped
20 | (4/4) Accurately ripped
21 | (4/4) Accurately ripped
22 | (4/4) Accurately ripped
23 | (4/4) Accurately ripped
24 | (4/4) Accurately ripped
25 | (3/4) Accurately ripped, or (1/4) differs in 2 samples @01:31:20
26 | (4/4) Accurately ripped
27 | (4/4) Accurately ripped
28 | (4/4) Accurately ripped
29 | (4/4) Accurately ripped
30 | (4/4) Accurately ripped
[AccurateRip ID: 00536f91-06c1e34c-b011421e] found.
Track [ CRC | V2 ] Status
01 [4dcef61d|ce8613e1] (0+4/4) Accurately ripped
02 [c5e178f9|2b8ca6e9] (0+4/4) Accurately ripped
03 [fb52520a|95547515] (0+4/4) Accurately ripped
04 [c11b9995|4fdb86ec] (0+4/4) Accurately ripped
05 [76e256e3|e41cbf49] (0+4/4) Accurately ripped
06 [8ea61d42|61106bf4] (0+4/4) Accurately ripped
07 [384719df|540968a6] (0+4/4) Accurately ripped
08 [38295ddb|db118da2] (0+4/4) Accurately ripped
09 [1fd78e68|a1c0ae85] (0+4/4) Accurately ripped
10 [94d6e5f3|2d9d26c3] (0+4/4) Accurately ripped
11 [98014f79|b711104c] (0+4/4) Accurately ripped
12 [e69e904b|8f8fefe6] (0+4/4) Accurately ripped
13 [34ff987b|074d4e39] (0+4/4) Accurately ripped
14 [b302fd42|36c6947d] (0+4/4) Accurately ripped
15 [d669b9c7|c0b8a2ed] (0+4/4) Accurately ripped
16 [8a59a54a|bb61649a] (0+4/4) Accurately ripped
17 [33dd5e01|42e47773] (0+4/4) Accurately ripped
18 [a5b51e88|2a9180c5] (0+4/4) Accurately ripped
19 [0d610aa1|af326925] (0+4/4) Accurately ripped
20 [d9bbf1a5|d810c32d] (0+4/4) Accurately ripped
21 [38b920c7|56730be3] (0+4/4) Accurately ripped
22 [69fddddf|6b5094ee] (0+4/4) Accurately ripped
23 [74c45a39|14b46240] (0+4/4) Accurately ripped
24 [6f348907|33dabd14] (0+4/4) Accurately ripped
25 [6eda0675|98432f7b] (0+4/4) Accurately ripped
26 [f14b9c76|d0792f08] (0+4/4) Accurately ripped
27 [43ea35d6|6c4e7ebe] (0+4/4) Accurately ripped
28 [c894e6c1|f9fb1ba1] (0+4/4) Accurately ripped
29 [d886f6e6|02cd2184] (0+4/4) Accurately ripped
30 [514508a0|0943220a] (0+4/4) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 99,8 [7FC35778] [C6AEDCD7] CRC32
01 53,2 [A301236F] [177316CB]
02 72,7 [AAE7D31F] [7104D6FF]
03 69,0 [B4C268ED] [A79C12A4]
04 53,8 [FED668E6] [6678805A]
05 56,7 [40C458DD] [6096A328]
06 99,8 [430CF949] [15D71806]
07 62,4 [D888D676] [EAAD8992]
08 86,2 [7AD0384E] [52E92A02]
09 38,4 [D62A7414] [A8645F0C]
10 77,8 [4987150A] [6A631DD3]
11 96,7 [FAD280D4] [6DCB0344]
12 83,5 [527B66BF] [5F64845D]
13 83,9 [4A105866] [3CA6EBA2]
14 72,8 [8DB420EB] [EAB11741]
15 96,7 [B85B6346] [383DBC91]
16 92,9 [E59FEF41] [B58C926E]
17 44,3 [503C806B] [5F3EA83B]
18 86,8 [D76338E1] [FB8E1138]
19 96,8 [1DA16696] [50011C36]
20 93,8 [B1BDDB05] [ADEB3525]
21 98,6 [2D2D0DD3] [27A5B1D1]
22 97,1 [BC8B118A] [01DE1E15]
23 17,8 [01AEDF6A] [32B988A8]
24 96,7 [B0BD48B2] [3B6101D5]
25 43,4 [29BE3F74] [FCF44742]
26 82,7 [42E1BB00] [32977093]
27 90,3 [52310329] [2524B8F4]
28 96,7 [1040D373] [F8103C05]
29 84,8 [8EFC35E1] [2C22E9E2]
30 94,2 [6E22CB89] [12FB7854]
[CTDB TOCID: ckb5uVh4AMq_p9s8CN4exf9hz_E-] found.
Track | CTDB Status
1 | (4/4) Accurately ripped
2 | (4/4) Accurately ripped
3 | (4/4) Accurately ripped
4 | (4/4) Accurately ripped
5 | (4/4) Accurately ripped
6 | (4/4) Accurately ripped
7 | (4/4) Accurately ripped
8 | (4/4) Accurately ripped
9 | (4/4) Accurately ripped
10 | (4/4) Accurately ripped
11 | (4/4) Accurately ripped
12 | (4/4) Accurately ripped
13 | (4/4) Accurately ripped
14 | (4/4) Accurately ripped
15 | (4/4) Accurately ripped
16 | (4/4) Accurately ripped
17 | (4/4) Accurately ripped
18 | (3/4) Accurately ripped, or (1/4) differs in 2 samples @01:20:31
19 | (4/4) Accurately ripped
20 | (4/4) Accurately ripped
21 | (4/4) Accurately ripped
22 | (4/4) Accurately ripped
23 | (4/4) Accurately ripped
24 | (4/4) Accurately ripped
25 | (3/4) Accurately ripped, or (1/4) differs in 2 samples @01:31:20
26 | (4/4) Accurately ripped
27 | (4/4) Accurately ripped
28 | (4/4) Accurately ripped
29 | (4/4) Accurately ripped
30 | (4/4) Accurately ripped
[AccurateRip ID: 00536f91-06c1e34c-b011421e] found.
Track [ CRC | V2 ] Status
01 [4dcef61d|ce8613e1] (0+4/4) Accurately ripped
02 [c5e178f9|2b8ca6e9] (0+4/4) Accurately ripped
03 [fb52520a|95547515] (0+4/4) Accurately ripped
04 [c11b9995|4fdb86ec] (0+4/4) Accurately ripped
05 [76e256e3|e41cbf49] (0+4/4) Accurately ripped
06 [8ea61d42|61106bf4] (0+4/4) Accurately ripped
07 [384719df|540968a6] (0+4/4) Accurately ripped
08 [38295ddb|db118da2] (0+4/4) Accurately ripped
09 [1fd78e68|a1c0ae85] (0+4/4) Accurately ripped
10 [94d6e5f3|2d9d26c3] (0+4/4) Accurately ripped
11 [98014f79|b711104c] (0+4/4) Accurately ripped
12 [e69e904b|8f8fefe6] (0+4/4) Accurately ripped
13 [34ff987b|074d4e39] (0+4/4) Accurately ripped
14 [b302fd42|36c6947d] (0+4/4) Accurately ripped
15 [d669b9c7|c0b8a2ed] (0+4/4) Accurately ripped
16 [8a59a54a|bb61649a] (0+4/4) Accurately ripped
17 [33dd5e01|42e47773] (0+4/4) Accurately ripped
18 [a5b51e88|2a9180c5] (0+4/4) Accurately ripped
19 [0d610aa1|af326925] (0+4/4) Accurately ripped
20 [d9bbf1a5|d810c32d] (0+4/4) Accurately ripped
21 [38b920c7|56730be3] (0+4/4) Accurately ripped
22 [69fddddf|6b5094ee] (0+4/4) Accurately ripped
23 [74c45a39|14b46240] (0+4/4) Accurately ripped
24 [6f348907|33dabd14] (0+4/4) Accurately ripped
25 [6eda0675|98432f7b] (0+4/4) Accurately ripped
26 [f14b9c76|d0792f08] (0+4/4) Accurately ripped
27 [43ea35d6|6c4e7ebe] (0+4/4) Accurately ripped
28 [c894e6c1|f9fb1ba1] (0+4/4) Accurately ripped
29 [d886f6e6|02cd2184] (0+4/4) Accurately ripped
30 [514508a0|0943220a] (0+4/4) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 99,8 [7FC35778] [C6AEDCD7] CRC32
01 53,2 [A301236F] [177316CB]
02 72,7 [AAE7D31F] [7104D6FF]
03 69,0 [B4C268ED] [A79C12A4]
04 53,8 [FED668E6] [6678805A]
05 56,7 [40C458DD] [6096A328]
06 99,8 [430CF949] [15D71806]
07 62,4 [D888D676] [EAAD8992]
08 86,2 [7AD0384E] [52E92A02]
09 38,4 [D62A7414] [A8645F0C]
10 77,8 [4987150A] [6A631DD3]
11 96,7 [FAD280D4] [6DCB0344]
12 83,5 [527B66BF] [5F64845D]
13 83,9 [4A105866] [3CA6EBA2]
14 72,8 [8DB420EB] [EAB11741]
15 96,7 [B85B6346] [383DBC91]
16 92,9 [E59FEF41] [B58C926E]
17 44,3 [503C806B] [5F3EA83B]
18 86,8 [D76338E1] [FB8E1138]
19 96,8 [1DA16696] [50011C36]
20 93,8 [B1BDDB05] [ADEB3525]
21 98,6 [2D2D0DD3] [27A5B1D1]
22 97,1 [BC8B118A] [01DE1E15]
23 17,8 [01AEDF6A] [32B988A8]
24 96,7 [B0BD48B2] [3B6101D5]
25 43,4 [29BE3F74] [FCF44742]
26 82,7 [42E1BB00] [32977093]
27 90,3 [52310329] [2524B8F4]
28 96,7 [1040D373] [F8103C05]
29 84,8 [8EFC35E1] [2C22E9E2]
30 94,2 [6E22CB89] [12FB7854]
foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-03-02 16:23:50
––––––––––––––––––––––––––––––––––––––––
Analyzed: Philharmonic-Symphony Orchestra of New York (conducted by Igor Stravinsky) / Stravinsky conducts Stravinsky: The Rite of Spring, Firebird Suite, Petrushka…
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -5.47 dB -26.41 dB 3:01 01-Firebird Suite: Introduction
DR14 -2.76 dB -19.02 dB 1:15 02-Firebird Suite: Dance of the Firebird
DR11 -3.22 dB -22.25 dB 4:15 03-Firebird Suite: Adagio
DR12 -5.38 dB -21.78 dB 2:28 04-Firebird Suite: Scherzo
DR14 -4.93 dB -24.10 dB 4:00 05-Firebird Suite: Rondo
DR13 -0.01 dB -16.92 dB 4:13 06-Firebird Suite: Infernal Dance
DR16 -4.08 dB -25.51 dB 3:46 07-Firebird Suite: Lullaby
DR11 -1.28 dB -16.80 dB 3:17 08-Firebird Suite: Final Hymn
DR13 -8.31 dB -27.24 dB 1:37 09-Petrushka Suite: The Magic Trick
DR12 -2.17 dB -18.64 dB 2:20 10-Petrushka Suite: Russian Dance
DR13 -0.29 dB -19.84 dB 3:59 11-Petrushka Suite: Petrushka's Room
DR11 -1.56 dB -16.72 dB 2:17 12-Petrushka Suite: Wet-Nurses Dance
DR12 -1.52 dB -17.71 dB 1:07 13-Petrushka Suite: Peasant with Bear
DR12 -2.75 dB -19.03 dB 0:51 14-Petrushka Suite: Gypsies
DR12 -0.29 dB -15.51 dB 2:05 15-Petrushka Suite: Dance of the Coachmen
DR12 -0.64 dB -16.76 dB 1:54 16-Petrushka Suite: Masqueraders
DR12 -7.06 dB -23.16 dB 2:53 17-Rite of Spring: Pt.1. Introduction
DR13 -1.23 dB -18.57 dB 3:14 18-Rite of Spring: Pt.1. Dance of the Young Boys & Girls
DR13 -0.28 dB -17.02 dB 1:18 19-Rite of Spring: Pt.1. Mock Abduction
DR13 -0.55 dB -19.60 dB 3:05 20-Rite of Spring: Pt.1. Spring Rounds
DR12 -0.12 dB -15.44 dB 1:49 21-Rite of Spring: Pt.1. Games of the Rival Towns
DR10 -0.25 dB -15.07 dB 0:36 22-Rite of Spring: Pt.1. Procession of the Wise Elder
DR11 -14.95 dB -30.51 dB 0:21 23-Rite of Spring: Pt.1. Adoration of the Earth
DR11 -0.28 dB -15.02 dB 1:16 24-Rite of Spring: Pt.1. Dance of the Earth
DR13 -7.25 dB -26.56 dB 3:55 25-Rite of Spring: Pt.2. Introduction
DR15 -1.64 dB -23.11 dB 2:53 26-Rite of Spring: Pt.2. Mystic Circles of the Young Girls
DR11 -0.88 dB -14.80 dB 1:39 27-Rite of Spring: Pt.2. Glorification of the Chosen One
DR13 -0.28 dB -18.30 dB 0:45 28-Rite of Spring: Pt.2. Summoning of the Ancients
DR12 -1.43 dB -20.77 dB 3:01 29-Rite of Spring: Pt.2. Ritual of the Ancients
DR12 -0.51 dB -15.93 dB 4:32 30-Rite of Spring: Pt.2. Sacrificial Dance
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 30
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 545 kbps
Codec: FLAC
================================================================================
log date: 2018-03-02 16:23:50
––––––––––––––––––––––––––––––––––––––––
Analyzed: Philharmonic-Symphony Orchestra of New York (conducted by Igor Stravinsky) / Stravinsky conducts Stravinsky: The Rite of Spring, Firebird Suite, Petrushka…
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -5.47 dB -26.41 dB 3:01 01-Firebird Suite: Introduction
DR14 -2.76 dB -19.02 dB 1:15 02-Firebird Suite: Dance of the Firebird
DR11 -3.22 dB -22.25 dB 4:15 03-Firebird Suite: Adagio
DR12 -5.38 dB -21.78 dB 2:28 04-Firebird Suite: Scherzo
DR14 -4.93 dB -24.10 dB 4:00 05-Firebird Suite: Rondo
DR13 -0.01 dB -16.92 dB 4:13 06-Firebird Suite: Infernal Dance
DR16 -4.08 dB -25.51 dB 3:46 07-Firebird Suite: Lullaby
DR11 -1.28 dB -16.80 dB 3:17 08-Firebird Suite: Final Hymn
DR13 -8.31 dB -27.24 dB 1:37 09-Petrushka Suite: The Magic Trick
DR12 -2.17 dB -18.64 dB 2:20 10-Petrushka Suite: Russian Dance
DR13 -0.29 dB -19.84 dB 3:59 11-Petrushka Suite: Petrushka's Room
DR11 -1.56 dB -16.72 dB 2:17 12-Petrushka Suite: Wet-Nurses Dance
DR12 -1.52 dB -17.71 dB 1:07 13-Petrushka Suite: Peasant with Bear
DR12 -2.75 dB -19.03 dB 0:51 14-Petrushka Suite: Gypsies
DR12 -0.29 dB -15.51 dB 2:05 15-Petrushka Suite: Dance of the Coachmen
DR12 -0.64 dB -16.76 dB 1:54 16-Petrushka Suite: Masqueraders
DR12 -7.06 dB -23.16 dB 2:53 17-Rite of Spring: Pt.1. Introduction
DR13 -1.23 dB -18.57 dB 3:14 18-Rite of Spring: Pt.1. Dance of the Young Boys & Girls
DR13 -0.28 dB -17.02 dB 1:18 19-Rite of Spring: Pt.1. Mock Abduction
DR13 -0.55 dB -19.60 dB 3:05 20-Rite of Spring: Pt.1. Spring Rounds
DR12 -0.12 dB -15.44 dB 1:49 21-Rite of Spring: Pt.1. Games of the Rival Towns
DR10 -0.25 dB -15.07 dB 0:36 22-Rite of Spring: Pt.1. Procession of the Wise Elder
DR11 -14.95 dB -30.51 dB 0:21 23-Rite of Spring: Pt.1. Adoration of the Earth
DR11 -0.28 dB -15.02 dB 1:16 24-Rite of Spring: Pt.1. Dance of the Earth
DR13 -7.25 dB -26.56 dB 3:55 25-Rite of Spring: Pt.2. Introduction
DR15 -1.64 dB -23.11 dB 2:53 26-Rite of Spring: Pt.2. Mystic Circles of the Young Girls
DR11 -0.88 dB -14.80 dB 1:39 27-Rite of Spring: Pt.2. Glorification of the Chosen One
DR13 -0.28 dB -18.30 dB 0:45 28-Rite of Spring: Pt.2. Summoning of the Ancients
DR12 -1.43 dB -20.77 dB 3:01 29-Rite of Spring: Pt.2. Ritual of the Ancients
DR12 -0.51 dB -15.93 dB 4:32 30-Rite of Spring: Pt.2. Sacrificial Dance
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 30
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 545 kbps
Codec: FLAC
================================================================================
Igor Stravinsky conducts Stravinsky: The Rite of Spring; Firebird Suite; Petrushka Suite (2012)
