Viktor Lazlo - Viktor Lazlo (1987) {Japan 1st Press}
Viktor Lazlo - Viktor Lazlo (1987) {Japan 1st Press}
EAC Rip | FLAC (Img) + Cue + Log ~ 288 Mb | MP3 CBR320 ~ 119 Mb
Full Scans ~ 130 Mb | 00:49:23 | RAR 5% Recovery
Pop, Jazz, Easy Listening | Polydor K.K. #P33P 20106
EAC Rip | FLAC (Img) + Cue + Log ~ 288 Mb | MP3 CBR320 ~ 119 Mb
Full Scans ~ 130 Mb | 00:49:23 | RAR 5% Recovery
Pop, Jazz, Easy Listening | Polydor K.K. #P33P 20106
Viktor Lazlo is the self-titled second studio album by French-Belgian singer Viktor Lazlo. Belgium was responsible to host the Eurovision Song Contest after Sandra Kim had won in 1986 with her song J'aime la vie. Lazlo was asked to host the event as she is fluent in several languages and thus her self-titled album became very successful all over Europe, entering the Top 20 album charts in Holland, Germany, Austria and Switzerland. It spent 19 weeks on the German album charts.
The first single off the album was Breathless, which was co-written by Lazlo herself and features backing vocals by James Ingram and Bunny DeBarge. An official video was shot for the song and she also performed it at the beginning of the Eurovision Song Contest in 1987. The song reached No. 7 on the Belgian single charts. The songs Take Me and You Are My Man were also released as singles.
Viktor Lazlo - Viktor Lazlo (1987) {Japan 1st Press}
Belgian very stylish and haute-couture laid-back singer. Most of the time dressed in splendid robes by the famous French designers, this female singer brings out a lot of records filled with easy-listening music. Her music reminds of nightclubs and prewar American films, and is mostly a mix of jazz and more mainstream pop influences.
Victor Lazlo was born on October 7, 1960 as Sonia Dronier in Lorient, France (from a father from Martinique and a mother from Grenada) came to study in Belgium (Mol) and model in Brussels. There she was "discovered" by Belgian producer Francis Depryck (the man who also made Plastic Bertrand & had success himself as Two Man Sound & Lou & The Hollywood Bananas). He retells that story in "Wit-lof from Belgium". "One day I met the beautiful and exotic girl Sonja in the nightclub "Le Mirano" in Brussels. She wore a mini-skirt and had really long legs and a beautiful ass. I asked her if the quality of her legs corresponded with that of her vocal abilities. She said fuck off. In the end she finally did do backing vocals for Lou & the Hollywood Bananas. In one take! I was stunned and immediately knew we had to do something together." With Lou Depryck she records a duet "Casanova", and then Alain Chamfort asked her to perform the song "Backdoor man" for the soundtrack of the film "A Mort L'Arbitre".
Depryck rebaptised her to Viktor Lazlo, asked some songwriters to produce glamorous and jazzy songs and portrayed her in a "Casablanca"-atmosphere - hence the name - for the album "She". The album became an overnight success, and fell just short of platinum in Belgium. It went on to sell over 100,000 copies in Germany and 60,000 in Japan. "Pleurer des rivières" (a cover "Cry me a river" of Julie London) and "Canoë Rose" become stylish hits in France. She is a polyglot (knows a lot of languages) and has recorded in English (e.g. Backdoor man, loser, Last call for an angel, Breathless), French (Pleurer des rivières) and Spanish (Ansiedad).
About her mysterious artist name (Her name and her sometimes slightly androgen looks even arose a suspicion of having to deal with a transvestite. Obviously, this was never proven), she later told Bettie Mellaerts in De Morgen : "I've been wondering for 15 years already why I chose Viktor Lazlo as a pseudonym: it took me years to figure it out: My parents had a daughter, but wanted a son. My mother cried when I was born, not another girl … That's the sort of thing you carry with you in your life, and I did that with my name. I wanted to confirm the male part of me, to cover my female side: Sonia stayed at home, was introverted, shy, loved to cook, sat in front of the fireplace; While Viktor stood on stage, was brave, vindictive, played the role everybody wanted her to".
After Sandra Kim had won the Eurovision songfestival in the year 1986, with the dreaded "J'aime j'aime la vie", it was Viktor Lazlo who presented the television show from Brussels the year after. She did it - of course - in style, very "haute-couture".
"Breathless" is a cooperation with James Ingram, the American singer who got his five minutes of fame with another duet, with Michael McDonald "Yah mo b there". "Breathless" is a composition by Viktor Lazlo and Philippe Allaert, who later went on to join the international renowned group Vaya Con Dios. In 1986 and 1987, she can go on tour in Japan no less than four times.
In 1989 - she swapped Brussels for Paris - as she later said "I left Belgium at the height of my career, out of an instinct for survival, a necessity to put myself at risk, not to profit from things already accomplished. Reaching the top didn't mean I was satisfied: I had wanted a child since I was 23 and had promised myself I would devote myself to it as soon as it was financially viable". Consequently, she slipped out of the picture in Belgium a bit, but instead slowly but surely gained a more prominent place in the French showbizz.
In 1990 she recorded with Boris Bergman, who writes her the album "Club Désert" with Serge Gainsbourg and Bernard Lavilliers. Most remarkeable tracks on that album are "Amour puissance six" (the song of Gainsbourg), "Baisers" and a cover of "Le grisbi".
En 1991 she staged a new collaboration with the same Bernard Lavilliers (with whom she shares a birthday), who produced the album "Mes poisons délicieux" (my delicious poisons) for which other authors are Françoise Hardy, Chris Réa and André Manoukian. Best known songs from this album are "La ballade de Lisa" and the delicious "Teach me to dance".
In between, she also was asked to sing on numerous duets with other singers: e.g. Amedeo Minghi (Vattene Amore in 1991), Juliane Werding & Maggie Reilly ("Engel wie du" in 1994), with Stefan Waggershausen ("Das erste mal tat's noch weh" in 1990), Xavier Deluc ("Baiser Sacré" in 1991), or albums of befriended artists (e.g. David Linx, Khadja Nin …).
It takes until 1996 for a next album to appear "Verso", with "Babe" as the single. The album cover features a nude backside of Viktor Lazlo (a much searched item on the internet, according the search results on her name), with jewels of Christian Lacroix in her hair. This album was recorded for Warner France, on a budget that allowed her to go and record abroad: the studio she chose was the Compass Point, on a beautiful beach in the Bahamas. Among the guest musicians were notably Sly Dunbar and Robbie Shakespear (Sly & Robbie) on bass and rhythms. This resulted in a CD with lots more funk and dub than previoiusly, which led her to say in an interview with Het Nieuwsblad "I'm thrilled. An entire day of interviews, and no one has asked a thing about my clothes. For the first time in my career, they aren't taling about beauty or fashion, but about music. For the first time they are really interested in my music.
Gradually, she then started to devote more of her time to acting (in movies - e.g. Sandra Princesse rebelle, Boom Boom, Signe de Feu, Joe et Marie, Les Faussaires - for television - e.g. Navarro, Le goût des fraises, Le secret d'Iris - and in the theater - e.g. Black Lulu, "Hotel des deux mondes"), with an occasional appearance on a new duet in between (e.g. with Raul Paz on "Amores" in 1998, or with Biagio Antonacci on "Le message est pour toi" in 1999, single that got gold again in Belgium).
Victor Lazlo was born on October 7, 1960 as Sonia Dronier in Lorient, France (from a father from Martinique and a mother from Grenada) came to study in Belgium (Mol) and model in Brussels. There she was "discovered" by Belgian producer Francis Depryck (the man who also made Plastic Bertrand & had success himself as Two Man Sound & Lou & The Hollywood Bananas). He retells that story in "Wit-lof from Belgium". "One day I met the beautiful and exotic girl Sonja in the nightclub "Le Mirano" in Brussels. She wore a mini-skirt and had really long legs and a beautiful ass. I asked her if the quality of her legs corresponded with that of her vocal abilities. She said fuck off. In the end she finally did do backing vocals for Lou & the Hollywood Bananas. In one take! I was stunned and immediately knew we had to do something together." With Lou Depryck she records a duet "Casanova", and then Alain Chamfort asked her to perform the song "Backdoor man" for the soundtrack of the film "A Mort L'Arbitre".
Depryck rebaptised her to Viktor Lazlo, asked some songwriters to produce glamorous and jazzy songs and portrayed her in a "Casablanca"-atmosphere - hence the name - for the album "She". The album became an overnight success, and fell just short of platinum in Belgium. It went on to sell over 100,000 copies in Germany and 60,000 in Japan. "Pleurer des rivières" (a cover "Cry me a river" of Julie London) and "Canoë Rose" become stylish hits in France. She is a polyglot (knows a lot of languages) and has recorded in English (e.g. Backdoor man, loser, Last call for an angel, Breathless), French (Pleurer des rivières) and Spanish (Ansiedad).
About her mysterious artist name (Her name and her sometimes slightly androgen looks even arose a suspicion of having to deal with a transvestite. Obviously, this was never proven), she later told Bettie Mellaerts in De Morgen : "I've been wondering for 15 years already why I chose Viktor Lazlo as a pseudonym: it took me years to figure it out: My parents had a daughter, but wanted a son. My mother cried when I was born, not another girl … That's the sort of thing you carry with you in your life, and I did that with my name. I wanted to confirm the male part of me, to cover my female side: Sonia stayed at home, was introverted, shy, loved to cook, sat in front of the fireplace; While Viktor stood on stage, was brave, vindictive, played the role everybody wanted her to".
After Sandra Kim had won the Eurovision songfestival in the year 1986, with the dreaded "J'aime j'aime la vie", it was Viktor Lazlo who presented the television show from Brussels the year after. She did it - of course - in style, very "haute-couture".
"Breathless" is a cooperation with James Ingram, the American singer who got his five minutes of fame with another duet, with Michael McDonald "Yah mo b there". "Breathless" is a composition by Viktor Lazlo and Philippe Allaert, who later went on to join the international renowned group Vaya Con Dios. In 1986 and 1987, she can go on tour in Japan no less than four times.
In 1989 - she swapped Brussels for Paris - as she later said "I left Belgium at the height of my career, out of an instinct for survival, a necessity to put myself at risk, not to profit from things already accomplished. Reaching the top didn't mean I was satisfied: I had wanted a child since I was 23 and had promised myself I would devote myself to it as soon as it was financially viable". Consequently, she slipped out of the picture in Belgium a bit, but instead slowly but surely gained a more prominent place in the French showbizz.
In 1990 she recorded with Boris Bergman, who writes her the album "Club Désert" with Serge Gainsbourg and Bernard Lavilliers. Most remarkeable tracks on that album are "Amour puissance six" (the song of Gainsbourg), "Baisers" and a cover of "Le grisbi".
En 1991 she staged a new collaboration with the same Bernard Lavilliers (with whom she shares a birthday), who produced the album "Mes poisons délicieux" (my delicious poisons) for which other authors are Françoise Hardy, Chris Réa and André Manoukian. Best known songs from this album are "La ballade de Lisa" and the delicious "Teach me to dance".
In between, she also was asked to sing on numerous duets with other singers: e.g. Amedeo Minghi (Vattene Amore in 1991), Juliane Werding & Maggie Reilly ("Engel wie du" in 1994), with Stefan Waggershausen ("Das erste mal tat's noch weh" in 1990), Xavier Deluc ("Baiser Sacré" in 1991), or albums of befriended artists (e.g. David Linx, Khadja Nin …).
It takes until 1996 for a next album to appear "Verso", with "Babe" as the single. The album cover features a nude backside of Viktor Lazlo (a much searched item on the internet, according the search results on her name), with jewels of Christian Lacroix in her hair. This album was recorded for Warner France, on a budget that allowed her to go and record abroad: the studio she chose was the Compass Point, on a beautiful beach in the Bahamas. Among the guest musicians were notably Sly Dunbar and Robbie Shakespear (Sly & Robbie) on bass and rhythms. This resulted in a CD with lots more funk and dub than previoiusly, which led her to say in an interview with Het Nieuwsblad "I'm thrilled. An entire day of interviews, and no one has asked a thing about my clothes. For the first time in my career, they aren't taling about beauty or fashion, but about music. For the first time they are really interested in my music.
Gradually, she then started to devote more of her time to acting (in movies - e.g. Sandra Princesse rebelle, Boom Boom, Signe de Feu, Joe et Marie, Les Faussaires - for television - e.g. Navarro, Le goût des fraises, Le secret d'Iris - and in the theater - e.g. Black Lulu, "Hotel des deux mondes"), with an occasional appearance on a new duet in between (e.g. with Raul Paz on "Amores" in 1998, or with Biagio Antonacci on "Le message est pour toi" in 1999, single that got gold again in Belgium).
~ The Belgian Pop & Rock Archives
***************
Viktor Lazlo - Viktor Lazlo (1987) {Japan 1st Press}
Viktor Lazlo - Viktor Lazlo (1987) {Japan 1st Press}
Track List:
01. Breathless [0:03:43.50]
02. You are my man [0:03:30.46]
03. Take me [0:05:24.40]
04. Moonlight parade [0:04:22.36]
05. Hey baby, cool! [0:03:35.24]
06. Miracles [0:04:21.20]
07. The wizard's call [0:04:22.89]
08. Rendez-vous [0:04:25.84]
09. In your arms [0:04:11.66]
10. Peter [0:04:38.49]
11. Champagne and wine [0:02:45.24]
12. Don't say no [0:04:01.46]
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 31. March 2012, 0:06
Viktor Lazlo / Viktor Lazlo
Used drive : PLEXTOR DVDR PX-716A Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 30
Overread into Lead-In and Lead-Out : Yes
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\FLAC\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=EAC FLAC -8" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.37 | 3:43.38 | 37 | 16799
2 | 3:44.00 | 3:30.35 | 16800 | 32584
3 | 7:14.35 | 5:24.30 | 32585 | 56914
4 | 12:38.65 | 4:22.27 | 56915 | 76591
5 | 17:01.17 | 3:35.18 | 76592 | 92734
6 | 20:36.35 | 4:21.15 | 92735 | 112324
7 | 24:57.50 | 4:22.67 | 112325 | 132041
8 | 29:20.42 | 4:25.63 | 132042 | 151979
9 | 33:46.30 | 4:11.50 | 151980 | 170854
10 | 37:58.05 | 4:38.37 | 170855 | 191741
11 | 42:36.42 | 2:45.18 | 191742 | 204134
12 | 45:21.60 | 4:01.35 | 204135 | 222244
Range status and errors
Selected range
Filename E:\mtorrent_flac\Victor Lazlo - Victor Lazlo (Japan)\Viktor Lazlo - Viktor Lazlo.wav
Peak level 78.9 %
Extraction speed 1.5 X
Range quality 100.0 %
Test CRC AF116BCF
Copy CRC AF116BCF
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 1) [B1BB9A6F] (AR v1)
Track 2 accurately ripped (confidence 1) [3A643FA9] (AR v1)
Track 3 accurately ripped (confidence 1) [B7B820DE] (AR v1)
Track 4 accurately ripped (confidence 1) [A7941605] (AR v1)
Track 5 accurately ripped (confidence 1) [204A7EB5] (AR v1)
Track 6 accurately ripped (confidence 1) [2F05D124] (AR v1)
Track 7 accurately ripped (confidence 1) [C0EEF530] (AR v1)
Track 8 accurately ripped (confidence 1) [E0068DE6] (AR v1)
Track 9 accurately ripped (confidence 1) [25858AD2] (AR v1)
Track 10 accurately ripped (confidence 1) [44BF4F9F] (AR v1)
Track 11 accurately ripped (confidence 1) [44CD6822] (AR v1)
Track 12 accurately ripped (confidence 1) [5C07DFEE] (AR v1)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.3
[CTDB TOCID: 7J3Hqqvh9nb82qOt9PmsTyP_EU4-] disk not present in database, Submit result: discs with pregaps not supported in this protocol version
==== Log checksum 3B6F30DDAB94D34BC83EC2476B0CF748FF7051A6230045F5A03696988EFA86AA ====
EAC extraction logfile from 31. March 2012, 0:06
Viktor Lazlo / Viktor Lazlo
Used drive : PLEXTOR DVDR PX-716A Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 30
Overread into Lead-In and Lead-Out : Yes
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\FLAC\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=EAC FLAC -8" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.37 | 3:43.38 | 37 | 16799
2 | 3:44.00 | 3:30.35 | 16800 | 32584
3 | 7:14.35 | 5:24.30 | 32585 | 56914
4 | 12:38.65 | 4:22.27 | 56915 | 76591
5 | 17:01.17 | 3:35.18 | 76592 | 92734
6 | 20:36.35 | 4:21.15 | 92735 | 112324
7 | 24:57.50 | 4:22.67 | 112325 | 132041
8 | 29:20.42 | 4:25.63 | 132042 | 151979
9 | 33:46.30 | 4:11.50 | 151980 | 170854
10 | 37:58.05 | 4:38.37 | 170855 | 191741
11 | 42:36.42 | 2:45.18 | 191742 | 204134
12 | 45:21.60 | 4:01.35 | 204135 | 222244
Range status and errors
Selected range
Filename E:\mtorrent_flac\Victor Lazlo - Victor Lazlo (Japan)\Viktor Lazlo - Viktor Lazlo.wav
Peak level 78.9 %
Extraction speed 1.5 X
Range quality 100.0 %
Test CRC AF116BCF
Copy CRC AF116BCF
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 1) [B1BB9A6F] (AR v1)
Track 2 accurately ripped (confidence 1) [3A643FA9] (AR v1)
Track 3 accurately ripped (confidence 1) [B7B820DE] (AR v1)
Track 4 accurately ripped (confidence 1) [A7941605] (AR v1)
Track 5 accurately ripped (confidence 1) [204A7EB5] (AR v1)
Track 6 accurately ripped (confidence 1) [2F05D124] (AR v1)
Track 7 accurately ripped (confidence 1) [C0EEF530] (AR v1)
Track 8 accurately ripped (confidence 1) [E0068DE6] (AR v1)
Track 9 accurately ripped (confidence 1) [25858AD2] (AR v1)
Track 10 accurately ripped (confidence 1) [44BF4F9F] (AR v1)
Track 11 accurately ripped (confidence 1) [44CD6822] (AR v1)
Track 12 accurately ripped (confidence 1) [5C07DFEE] (AR v1)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.3
[CTDB TOCID: 7J3Hqqvh9nb82qOt9PmsTyP_EU4-] disk not present in database, Submit result: discs with pregaps not supported in this protocol version
==== Log checksum 3B6F30DDAB94D34BC83EC2476B0CF748FF7051A6230045F5A03696988EFA86AA ====
Viktor Lazlo - Viktor Lazlo (1987) {Japan 1st Press}
