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Dmitri Jurowski, Orchestra of the Teatro Comunale di Bologna - Rossini: Adelaide di Borgogna (2013) [Blu-Ray]

Posted By: Vilboa
Dmitri Jurowski, Orchestra of the Teatro Comunale di Bologna - Rossini: Adelaide di Borgogna (2013) [Blu-Ray]

Dmitri Jurowski, Orchestra of the Teatro Comunale di Bologna - Rossini: Adelaide di Borgogna (2013) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 11980 kbps / 1080i / 29,970 fps | 137 min | 20,9 Gb
Audio1: Italiano / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 3492 kbps / 24-bit
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BluRay-rip | AVC | MKV 1280x720 / 2735 kbps / 29,97 fps | 137 min | 6,28 Gb
Audio: Italiano / PCM / 2ch / 48.0 KHz / 24 bits | DTS / 6ch / 48.0 KHz / 24 bits
Classical | ArtHaus Musik | Sub: Italian, English, German, French, Spanish, Japanese, Korean

„It can be truly said of Adelaide di Borgogna that, like a rose, it bloomed but a day - l’espace d’un matin.” First performed in Rome on the 27th December 1817, it enjoyed very few revivals. In 2011 the Rossini Festival in Pesaro presented the second staged performance of Adelaide di Borgogna since 1825.

Dimitri Jurowski, Orchestra Internazionale d'Italia - Cherubini: Lo sposo di tre e marito di nessuna (2006)

Posted By: ArlegZ
Dimitri Jurowski, Orchestra Internazionale d'Italia - Cherubini: Lo sposo di tre e marito di nessuna (2006)

Dimitri Jurowski, Orchestra Internazionale d'Italia - Cherubini: Lo sposo di tre e marito di nessuna (2006)
EAC | FLAC | Image (Cue & Log) ~ 644 Mb | Total time: 76:52+74:03 | Scans included
Classical | Label: Dynamic | # CDS 503/1-2 | Recorded: 2006

Composed in 1783, Thrice Betrothed, Never Wed was the young Cherubini’s fifth opera and his first opera buffa. While it echoes its era—Paisiello, Cimarosa, Haydn, and early Mozart—it displays an almost Rossinian rhythmic bite and a few harmonic touches that look forward to the dramatic masterpieces of Cherubini’s Paris years (Lodoiska, Medée, Les deux journées, Anacréon, the C-Minor Requiem). Despite decades-long exploration of Cherubini, I have never encountered the opera before; this claims to be its first recording. The plot is filled with the expected inanities: disguises, mistaken identities, and Commedia dell’arte shenanigans.