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Marillion - Smoke (Live) (2018)

Posted By: El Misha
Marillion - Smoke (Live) (2018)

Marillion - Smoke (Live) (2018)
Progressive Rock | FLAC (tracks) | Cover | 1:13:26 | 485 MB + 5% Recovery
Label: earMUSIC | Tracks: 12 | Rls.date: 2018

Marillion emerged from the brief progressive rock revival of the early '80s to become an international recording and touring phenomenon who have sold more than 15 million albums and host fan clubs in ten nations. The band helped pioneer the development of fan-funded music and touring support, beginning in 1997. Marillion's music, while remaining on the progressive, artful side of rock, has evolved to embrace post-punk pop, indie and experimental rock, and even funk and electronica. Each album is different than its predecessor.

The group formed in Aylesbury, England in 1979 and adopted its original name, Silmarillion, from the title of a J.R.R. Tolkien novel. Initially, Marillion were comprised of guitarist Steve Rothery, bassist Doug Irvine, keyboardist Brian Jelliman, and drummer Mick Pointer, but after recording "The Web," an instrumental demo, they recruited vocalist Fish (born Derek Dick) and bassist Diz Minnitt. Prior to recording their debut single, "Market Square Heroes," keyboardist Mark Kelly and bassist Pete Trewavas replaced Jelliman and Minnitt.

Marillion issued their debut album, Script for a Jester's Tear, in 1983, and on the strength of a relentless touring schedule they won a loyal following. With new drummer Ian Mosley (formerly of Curved Air) firmly in place, they returned to the studio for 1984's Fugazi, which streamlined the intricacies of the group's prog rock leanings in favor of a more straight-ahead hard rock identity; the refinements paid off, and both "Assassin" and "Punch and Judy" became British hits. With 1985's Misplaced Childhood, an elaborate conceptual album reflecting Fish's formative experiences, Marillion earned their greatest success to date: the lush ballad "Kayleigh" reached the number two position on the U.K. charts, and became a hit in the U.S. as well. The follow-up, "Lavender," was also a smash, but the group began crumbling: Fish developed alcohol and drug problems, and egos ran rampant. After 1987's Clutching at Straws (and the 1988 live effort The Thieving Magpie), Fish left the band for a solo career.

The initial release of post-Fish Marillion did not substantially alter the sound the band had displayed on Misplaced Childhood and Clutching at Straws. The addition of lyricist John Helmer and lyricist/vocalist Steve Hogarth came after the band had developed much of the musical material for Season's End, and few alterations in style were made. The follow-up, Holidays in Eden, was intended as a more mainstream rock album but failed to attract a wider audience. Marillion's record label, EMI, gave the band a higher budget for the next album and the result of 15 months of labor was Brave, a concept album that mixed classic symphonic progressive rock with standard rock. The following release, Afraid of Sunlight, considerably altered the band's approach with great success – it is the most consistent Marillion release to date.

Following Afraid of Sunlight, the bandmembers split up briefly to record side projects. Hogarth released Ice Cream Genius under the name H, Rothery formed the Wishing Tree (which produced Carnival of Souls), and Mosley and Trewavas joined Iris for Crossing the Desert. The Rothery and Hogarth projects were both very acoustic in nature, and when the band re-formed for This Strange Engine in 1997, Marillion's style changed again to a softer sound.

After the release of This Strange Engine, Marillion scheduled a European tour, but keyboardist Kelly posted an online message stating that the band would not tour the United States due to a lack of record company support. Fans of the band worldwide joined forces to raise over $60,000 to underwrite the tour, and the band undertook its largest North American tour since Holidays in Eden. In 1998, the band returned to the studio to record its tenth album, Radiation. Again changing styles, the effort showed the influences of the Beatles and Radiohead, specifically OK Computer. Marillion.com followed in 1999, and the early part of the new century saw the release of two additional studio albums, 2001's Anoraknophobia and 2004's Marbles, the latter displaying the influences of both U2 and Pink Floyd. While both of these albums were closely followed by themed live releases, the second of these – 2005’s Marbles Live – featured on-stage renditions that were arguably stronger than their comparative studio takes.

Breaking away from the meticulous approach to production offered by longtime collaborator Dave Meegan, Marillion employed Michael Hunter in 2007 to oversee the recording of their 14th studio album, Somewhere Else. In terms of sales, it was their most successful release in almost a decade and featured the U.K. hit single "Thank You Whoever You Are."

In 2008, Hunter also produced their ambitious two-volume work, Happiness Is the Road, before a back-to-basics, self-recorded acoustic album – Less Is More – was issued the following year, featuring pared-down versions of post-1994 Marillion material. Their next full-blown studio album was 2012's politically motivated Sounds That Can’t Be Made, which included the sprawling 17-minute "Gaza." The following year a live performance from their 2013 biannual weekend festival in Port Zelande, Netherlands, was recorded. Titled A Sunday Night Above the Rain, the album was expected to be released in 2014. The band's provocatively titled 18th studio album FEAR (Fuck Everyone and Run) would arrive in 2016, coinciding with a world tour throughout the second half of the year to promote its release. Early in 2017, Marillion delivered the live Marbles in the Park, a double-disc performance of the complete album during the 2015 Marillion Weekend at Center Parcs, Port Zelande, Netherlands. Later that year they put out the four-track live EP Living in FEAR ahead of their first-ever performance at the Royal Albert Hall. ~ Jason Ankeny & Dale Jensen



Tracklist:

1.Separated Out
2.Under The Sun
3.An Accidental Man
4.Holidays In Eden
5.If My Heart Were A Ball It Would Roll Uphill
6.Deserve
7.Answering Machine
8.Rich
9.Between You And Me
10.Memory Of Water
11.Slainte Mhath
12.Garden Part

CUE Corrector v. 8.3.2 / b. 825 (Oct. 27, 2017)
————————————————————————————————————————————————————————————————————————
Marillion / Smoke

Folder: Marillion - Smoke (2018)
Audio files:
01. Separated Out.flac [06:05.613; FLAC • 930 kbps • 16 bit \ 44100 Hz • stereo; 40.55 MB (42 515 822 B)]
02. Under The Sun.flac [05:07.653; FLAC • 895 kbps • 16 bit \ 44100 Hz • stereo; 32.83 MB (34 427 780 B)]
03. An Accidental Man.flac [06:06.920; FLAC • 877 kbps • 16 bit \ 44100 Hz • stereo; 38.40 MB (40 266 872 B)]
04. Holidays In Eden.flac [05:15.547; FLAC • 897 kbps • 16 bit \ 44100 Hz • stereo; 33.75 MB (35 393 375 B)]
05. If My Heart Were A Ball It Would Roll Uphill.flac [09:17.667; FLAC • 827 kbps • 16 bit \ 44100 Hz • stereo; 55.00 MB (57 674 083 B)]
06. Deserve.flac [04:39.573; FLAC • 962 kbps • 16 bit \ 44100 Hz • stereo; 32.08 MB (33 635 426 B)]
07. Answering Machine.flac [02:56.880; FLAC • 974 kbps • 16 bit \ 44100 Hz • stereo; 20.54 MB (21 538 812 B)]
08. Rich.flac [04:56.413; FLAC • 953 kbps • 16 bit \ 44100 Hz • stereo; 33.68 MB (35 319 443 B)]
09. Between You And Me.flac [08:57.787; FLAC • 980 kbps • 16 bit \ 44100 Hz • stereo; 62.85 MB (65 898 308 B)]
10. Memory Of Water (Live).flac [06:34.840; FLAC • 953 kbps • 16 bit \ 44100 Hz • stereo; 44.87 MB (47 053 489 B)]
11. Slainte Mhath.flac [05:43.387; FLAC • 895 kbps • 16 bit \ 44100 Hz • stereo; 36.64 MB (38 422 134 B)]
12. Garden Part.flac [07:51.440; FLAC • 967 kbps • 16 bit \ 44100 Hz • stereo; 54.37 MB (57 009 443 B)]

Accuracy: -m12

File 01. Separated Out - 100% CDDA [06:05:46]
File 02. Under The Sun - 100% CDDA [05:07:49]
File 03. An Accidental Man - 100% CDDA [06:06:69]
File 04. Holidays In Eden - 100% CDDA [05:15:41]
File 05. If My Heart Were A Ball It Would Roll Uphill - 100% CDDA [09:17:50]
File 06. Deserve - 100% CDDA [04:39:43]
File 07. Answering Machine - 100% CDDA [02:56:66]
File 08. Rich - 99% CDDA [04:56:31]
File 09. Between You And Me - 100% CDDA [08:57:59]
File 10. Memory Of Water (Live) - 99% MPEG [06:34:63]
File 11. Slainte Mhath - 100% CDDA [05:43:29]
File 12. Garden Part - 100% CDDA [07:51:33]
————— Summary: —————
Could not qualify the source of these tracks.
————————————————————————————————————————————————————————————————————————

ANALYZER:
auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.

Time elapsed: 9.9 s
Log created at May 26, 2018 14:57:12

=== A06D15AB52BF318D09235E72D0584141BA0819103C8C0EF7C7B68E819F5498D6 ===


Line-up / Musicians
- Steve Hogarth / vocals
- Mark Kelly / keyboards
- Ian Mosley / drums
- Steve Rothery / guitars
- Pete Trewavas / bass

Thanks to the Original customer!