VA - Classic Savoy Be-Bop Sessions 1945-49 (10 CD) (2016)

During the two decades that followed the end of World War II in 1945, independent record labels flourished. Many of these micro labels succeeded by specializing in specific types of music that the more bland-minded giants—RCA, Columbia and Decca—largely ignored. In the process, these small labels wound up establishing beachheads for new music genres and cornering the market for the genres' best musicians and singers.

Tiny specialty labels in the late 1940s, '50s and early '60s included Four Star (country), Sun (rockabilly), King (R&B), Atlantic (gospel-R&B), Vanguard (folk), Motown (soul-pop), Stax (Southern horn-based soul) and Philles (pop-rock). Perhaps the very first of these themed indie labels was Savoy, which gave bebop credibility and momentum at a critical time starting in 1945.

Savoy was founded by Herman Lubinsky (above) in late 1942, just after the start of the first of two American Federation of Musicians' recording bans. The bans prohibited union musicians from working for record companies, which in 1942 meant the Big Three—RCA, Columbia and Decca. But in 1943, a nearly bankrupt Decca agreed to pay royalties into a union fund earmarked for the hiring of unemployed musicians at union events, dozens of small labels emerged to take the same deal. To survive, they carved out unexploited niches in the recording market.

At first, Savoy's mission was rather aimless, recording forgettable sides in 1943 by no-name combos such as the Original Kings of Harmony and Teddy Tucker's Band. The following year, Savoy took a bolder step by recording Swing-era and blues stars such as "Hot Lips" Page, Don Byas, Teddy Wilson and Tiny Grimes. But this was a rather staid business move.
Savoy's bold shift arrived in early 1945 with the hiring of Teddy Reig (above, in 1948), who had a sterling eye and ear for a new form of jazz emerging in New York clubs. This music scrapped swing-band dance tempos for the inventiveness of individual musicians in small combos.

The new music was called "bebop" in 1946 by the jazz press. Its tempo was too fast for dancing, and only those musicians familiar with bebop's complex music theory could improvise with authority and flare. Making up fresh and flawless melody and harmony lines at breakneck tempos was akin to French chefs plating meals perfectly on the backs of pickup trucks barreling down a dirt road. Bebop's art rested on the articulation of gutsy ideas, blues sensibility, limber dexterity and a burning desire to stand out with passion and velocity. Audiences needed to be thunderstruck.

Much of the bebop recorded by Savoy starting in 1945 relied on the impeccable taste of Reig, who early on identified and appreciated the circus-like excitement and aggression of the new music and artists. Bebop wasn't just familiar melodies played fast. It was a deft interpretation and expression, a new language for fitting in and competing based on one's abilities and poetry, not one's race.
Bebop began in the early 1940s in the hands of Dizzy Gillespie and Charlie Parker, who arrived at the same musical conclusions separately. By May 1945, bop had congealed when Gillespie and Parker recorded together for Savoy. Though other labels had recorded bop by then, including Guild, Musicraft and Continental, Savoy, through Reig, brought something special to the mix. With the Savoy sides, there was sophisticated wit and an intellectual hipness that transcended musical wheel-spinning and flamboyance. You could hear the soloist's burning drive and daring simmering within the grooves of recordings.

Now, Mosaic Records has assembled all of Savoy's bebop sessions (sans Parker) in a new box—Classic Savoy Be-Bop Sessions 1945-49, a 10-CD set with a 32-page booklet with photos, liner notes by Bob Porter and Neil Tesser, and detailed discographical information. For too long, Parker has loomed large as bebop's godfather. Easily the form's most lyrical and breathtaking practitioner, Parker's work for Savoy has been endlessly documented. But as the new Savoy box shows, he wasn't the only bebop saint, not by a mile.

The new Savoy box features 216 tracks that have been warmly remastered, providing the listener with several marvelous narratives. There's the reveal of bebop's B-story thriving in Parker's shadow between 1945 and '49. There's the story of the label's and Reig's shrewd choices in musicians to record. But best of all is the chronological evidence of bebop's evolution from its birth at Harlem's after-hours clubs in the early 1940s to the style's saturation and waning with the arrival of cool jazz in 1949.

Under the auspices of Reig, Savoy's bop run (excluding the Parker recordings) began with Dexter Gordon in October 1945 and Kai Winding in December. But if Reig had hopes of turning Savoy into a Parker palace, those dreams were quickly dashed. Parker left for Los Angeles at the tail end of 1945 and didn't return until mid-1947, recording mostly for Dial. Reig was forced to amp up his search for bop's brightest lights. He found them in Allen Eager, J.J. Johnson, Stan Getz, Sonny Stitt, Kenny Dorham, Fans Navarro, Gil Fuller, Ray Brown, Eddie Davis, Serge Chaloff, Kenny Hagood, John Lewis, Leo Parker, Tadd Dameron, Howard McGhee, Brew Moore and Kenny Clarke, along with the dozens of accomplished bop sidemen who accompanied these session leaders.

What you learn by listening to the Savoy bop recordings in chronological order is how loose and inventive the music became over time. At first, ensembles often played bop lines rigidly in unison before soloists took flight. But this attack became much more loose and peppery by 1946. You can hear this transition and freer approach in Eddie Davis's Just a Mystery in '46 and Fats Navarro's Eb Pob in '47. The Serge Chaloff Sextette upped the frantic ante while Dameron's sides and Navarro's Nostalgia introduced a cosmopolitan sheen. By 1949, J.J. Johnson's Goof Square and Brew Moore's Mud Bug had the smoothness of an automatic transmission.

The box ends in mid-1949 with Fuller's dense orchestral bop session, which as remarkable as it sounded now seems like a rhinoceros ice-skating. To be sure, his arrangements were a miracle to play and hear. But by then, a new jazz revolution was underway, a drier, airier approach that critics would come to call cool jazz. The first of these recordings by Lennie Tristano, Lee Konitz and Warne Marsh in March were captured in March '49.

Between 1945 and '49, jazz transitioned from the swing of collective bands to the daredevil skills of the soloist. Mosaic's new box and booklet document these critical four years brilliantly through the catalog of a single label. Remarkably, the music remains Jell-O bouncy and highly electrifying. It's also important to note that bebop in the mid-1940s threw open the doors to post-war modernity, blazing a trail for the action painting, abstract sculpture and non-hierarchical cubist architecture that would follow in the late 1940s and early '50s. Bebop taught artists who could hear the message that the individual mattered and would be rewarded for thinking highly of themselves, tapping into their feelings and taking creative chances. The recipe is all here in this box. ~ Review by Marc Myers



CD01 {01:01:01}
01. Dexter Gordon - Blow Mr. Dexter (alternate take) (2:40)
02. Dexter Gordon - Blow Mr. Dexter 02:58)
03. Dexter Gordon - Dexter's Deck (2:56)
04. Dexter Gordon - Dexter's Cuttin' Out (3:11)
05. Dexter Gordon - Dexter's Minor Mad (2:43)
06. Kai Winding - Sweet Miss (alternate take) (3:01)
07. Kai Winding - Sweet Miss (3:02)
08. Kai Winding - Loaded (alternate take) (3:04)
09. Kai Winding - Loaded (3:04)
10. Kai Winding - Grab Your Axe Max (alternate take) (3:26)
11. Kai Winding - Grab Your Axe Max (3:27)
12. Kai Winding - Always (3:25)
13. Dexter Gordon - Long Tall Dexter (alternate take) (2:46)
14. Dexter Gordon - Long Tall Dexter (3:01)
15. Dexter Gordon - Dexter Rides Again (3:14)
16. Dexter Gordon - I Can't Escape from You (alternate take) (3:10)
17. Dexter Gordon - I Can't Escape from You (3:15)
18. Dexter Gordon - Dexter Digs In (alternate take) (2:52)
19. Dexter Gordon - Dexter Digs In (2:57)
20. Dexter Gordon - Dexter Digs In (alternate take 2) (2:49)

CD02 {00:51:33}
01. Allen Eager - Rampage (3:05)
02. Allen Eager - Vot's Dot (3:00)
03. Allen Eager - Booby Hatch (3:08)
04. Allen Eager - Symphony Sid's Idea (2:49)
05. J.J. Johnson - Jay Bird (alternate take) (3:01)
06. J.J. Johnson - Jay Bird (alternate take 2) (2:35)
07. J.J. Johnson - Jay Bird (2:59)
08. J.J. Johnson - Coppin' the Bop (3:00)
09. J.J. Johnson - Jay Jay (alternate take) (3:05)
10. J.J. Johnson - Jay Jay (3:06)
11. J.J. Johnson - Jay Jay (alternate take 2) (3:07)
12. J.J. Johnson - Mad Be Bop (2:41)
13. Stan Getz - Opus de Bop (alternate take) (2:41)
14. Stan Getz - Opus de Bop (2:32)
15. Stan Getz - Opus de Bop (alternate take 2) (2:37)
16. Stan Getz - And the Angels Swing (2:44)
17. Stan Getz - Running Water (2:45)
18. Stan Getz - Don't Worry 'Bout Me (2:38)

CD03 {01:09:38}
01. Sonny Stitt & Kenny Dorham - Bebop in Pastel (alternate take 1) (2:52)
02. Sonny Stitt & Kenny Dorham - Bebop in Pastel (take 3 EP master) (2:51)
03. Sonny Stitt & Kenny Dorham - Bebop in Pastel (alternate take 2) (2:52)
04. Sonny Stitt & Kenny Dorham - Bebop in Pastel (LP master) (2:57)
05. Sonny Stitt & Kenny Dorham - Fool's Fancy (2:34)
06. Sonny Stitt & Kenny Dorham - Bombay (2:53)
07. Sonny Stitt & Kenny Dorham - Ray's Idea (2:45)
08. Sonny Stitt & Kenny Dorham - Serenade to a Square (2:35)
09. Sonny Stitt & Kenny Dorham - Good Kick (2:38)
10. Sonny Stitt & Kenny Dorham - Seven Up (alternate take) (2:14)
11. Sonny Stitt & Kenny Dorham - Seven Up (2:29)
12. Sonny Stitt & Kenny Dorham - Blues in Bebop (alternate take) (3:02)
13. Sonny Stitt & Kenny Dorham - Blues in Bebop (2:43)
14. Fats Navarro & Gil Fuller - Boppin' a Riff (5:34)
15. Fats Navarro & Gil Fuller - Fat Boy (5:41)
16. Fats Navarro & Gil Fuller - Everything's Cool (5:51)
17. Fats Navarro & Gil Fuller - Webb City (5:36)
18. Ray Brown - For Hecklers Only (2:55)
19. Ray Brown - Smoky Hollow Jump (3:00)
20. Ray Brown - Boppin' the Blues (3:05)
21. Ray Brown - Moody Speaks (2:31)

CD04 {01:02:50}
01. Eddie Davis - Calling Dr. Jazz (2:49)
02. Eddie Davis - Fracture (2:52)
03. Eddie Davis - Hollerin' and Screamin' (2:40)
04. Eddie Davis - Stealin' Trash (2:48)
05. Eddie Davis - Just a Mystery (2:15)
06. Eddie Davis - Red Pepper (3:04)
07. Eddie Davis - Spinal (2:30)
08. Eddie Davis - Maternity (3:02)
09. Teddy Reig - O-Go-Mo (2:30)
10. Teddy Reig - Mr. Dues (2:41)
11. Teddy Reig - Oh Kai (Kai's Day) (2:33)
12. Teddy Reig - Saxon (2:45)
13. Fats Navarro - Fat Girl (2:19)
14. Fats Navarro - Ice Freezes Red (2:39)
15. Fats Navarro - Eb Pob (2:23)
16. Fats Navarro - Goin' to Minton's (2:50)
17. Serge Chaloff - Pumpernickel (alternate take) (2:33)
18. Serge Chaloff - Pumpernickel (2:31)
19. Serge Chaloff - Gabardine and Serge (alternate take) (2:24)
20. Serge Chaloff - Gabardine and Serge (2:32)
21. Serge Chaloff - Serge's Urge (alternate take) (2:35)
22. Serge Chaloff - Serge's Urge (2:34)
23. Serge Chaloff - A Bar a Second (alternate take) (2:23)
24. Serge Chaloff - A Bar a Second (2:38)

CD05 {01:08:27}
01. Allen Eager - All Night, All Frantic (2:37)
02. Allen Eager - Donald Jay (2:32)
03. Allen Eager - Meeskite (2:57)
04. Allen Eager - And That's for Sure (2:51)
05. Kenny Hagood & John Lewis - Goodbye to Love (2:48)
06. Kenny Hagood & John Lewis - Baby I'm Coming Home (2:45)
07. Kenny Hagood & John Lewis - The Way You Look Tonight (2:57)
08. Leo Parker - El Sino (3:10)
09. Leo Parker - Ineta (2:51)
10. Leo Parker - Wild Leo (2:54)
11. Leo Parker - Leapin' Leo (3:00)
12. Tadd Dameron - A Bebop Carol (alternate take) (2:36)
13. Tadd Dameron - A Bebop Carol (2:59)
14. Tadd Dameron - The Tadd Walk (2:51)
15. Tadd Dameron - Gone with the Wind (3:09)
16. Tadd Dameron - That Someone Must Be You (3:01)
17. Allen Eager - Nightmare Allen (alternate take) (2:30)
18. Allen Eager - Nightmare Allen (2:28)
19. Allen Eager - Church Mouse (alternate take) (2:48)
20. Allen Eager - Church Mouse (2:46)
21. Allen Eager - Jane's Bounce (alternate take) (3:27)
22. Allen Eager - Jane's Bounce (2:49)
23. Allen Eager - Unmeditated (alternate take) (2:34)
24. Allen Eager - Unmeditated (3:07)

CD06 {01:02:48}
01. Fats Navarro - Nostalgia (alternate take) (2:42)
02. Fats Navarro - Nostalgia (2:43)
03. Fats Navarro - Barry's Bop (alternate take) (2:37)
04. Fats Navarro - Barry's Bop (2:38)
05. Fats Navarro - Bebop Romp (alternate take) (2:34)
06. Fats Navarro - Bebop Romp (2:36)
07. Fats Navarro - Fats Blows (2:50)
08. Dexter Gordon - Settin' the Pace (5:51)
09. Dexter Gordon - So Easy (alternate take) (2:38)
10. Dexter Gordon - So Easy (2:41)
11. Dexter Gordon - Dexter's Riff (alternate take) (2:58)
12. Dexter Gordon - Dexter's Riff (2:43)
13. Leo Parker - Wee Dot (alternate take) (2:40)
14. Leo Parker - Wee Dot (alternate take 2 incomplete) (2:33)
15. Leo Parker - Wee Dot (2:40)
16. Leo Parker - Wee Dot (alternate take 3) (2:27)
17. Leo Parker - Solitude (2:53)
18. Leo Parker - The Lion's Roar (alternate take) (2:54)
19. Leo Parker - The Lion's Roar (alternate take 2 incomplete) (2:38)
20. Leo Parker - The Lion's Roar (2:50)
21. Leo Parker - The Lion's Roar (alternate take 3) (2:58)
22. Leo Parker - Mad Lad Boogie (2:44)

CD07 {01:07:54}
01. Dexter Gordon - Dexter's Mood (alternate take) (3:05)
02. Dexter Gordon - Dexter's Mood (2:50)
03. Dexter Gordon - Dextrose (alternate take) (3:40)
04. Dexter Gordon - Dextrose (2:47)
05. Dexter Gordon - Index (alternate take) (3:26)
06. Dexter Gordon - Index (3:03)
07. Dexter Gordon - Dextivity (alternate take) (3:46)
08. Dexter Gordon - Dextivity (2:59)
09. J.J. Johnson - Boneology (alternate take) (3:13)
10. J.J. Johnson - Boneology (2:59)
11. J.J. Johnson - Down Vernon's Alley (alternate take) (2:20)
12. J.J. Johnson - Down Vernon's Alley (2:34)
13. J.J. Johnson - Yesterdays (2:57)
14. J.J. Johnson - Riffette (alternate take) (2:26)
15. J.J. Johnson - Riffette (2:27)
16. Howard McGhee & Milt Jackson - Merry Lee (2:06)
17. Howard McGhee & Milt Jackson - Short Life (1:56)
18. Howard McGhee & Milt Jackson - It's the Talk of the Town (2:51)
19. Howard McGhee & Milt Jackson - Bass C Jam (Byas a Drink) (alternate take) (2:37)
20. Howard McGhee & Milt Jackson - Bass C Jam (Byas a Drink) (2:58)
21. Howard McGhee & Milt Jackson - Down Home (2:49)
22. Howard McGhee & Milt Jackson - Sweet and Lovely (2:59)
23. Howard McGhee & Milt Jackson - Fiesta (Short Life) (2:11)
24. Howard McGhee & Milt Jackson - I'm in the Mood for Love (2:55)

CD08 {00:56:05}
01. Howard McGhee - Flip Lip (2:32)
02. Howard McGhee - Belle from Bunnycock (alternate take) (2:45)
03. Howard McGhee - Belle from Bunnycock (2:45)
04. Howard McGhee - The Last Word (2:23)
05. Howard McGhee - The Man I Love (2:47)
06. Leo Parker - On the House (3:00)
07. Leo Parker - Dinky (2:26)
08. Leo Parker - Senor Leo (2:38)
09. Leo Parker - Chase 'n' Lion (2:48)
10. Leo Parker - Leo's Bells (2:25)
11. Leo Parker - Sweet Talkin' Leo (2:24)
12. Leo Parker - Swinging for Love (2:31)
13. Leo Parker - The New Look (2:26)
14. Brew Moore - Brew Blew (alternate take) (2:49)
15. Brew Moore - Brew Blew (2:55)
16. Brew Moore - Blue Brew (alternate take) (2:52)
17. Brew Moore - Blue Brew (alternate take 2) (2:34)
18. Brew Moore - Blue Brew (2:34)
19. Brew Moore - No More Brew (2:51)
20. Brew Moore - More Brew (alternate take) (2:38)
21. Brew Moore - More Brew (3:02)

CD09 {01:01:40}
01. Kenny Clarke - Conglomeration (2:56)
02. Kenny Clarke - Bruz (2:53)
03. Kenny Clarke - You Go to My Head (2:57)
04. Kenny Clarke - Roll 'Em Bags (2:40)
05. Kenny Clarke - Faultless (2:37)
06. Kenny Clarke - Hey Frenchy (2:37)
07. Milt Jackson - Hearing Bells (alternate take) (2:52)
08. Milt Jackson - Hearing Bells (2:52)
09. Milt Jackson - Junior (alternate take) (2:34)
10. Milt Jackson - Junior (2:33)
11. Milt Jackson - Bluesology (alternate take) (2:46)
12. Milt Jackson - Bluesology (2:47)
13. Milt Jackson - Bubu (2:33)
14. Stan Getz - Stan Getz Along (alternate take) (2:56)
15. Stan Getz - Stan Getz Along (2:55)
16. Stan Getz - Stan's Mood (alternate take) (2:40)
17. Stan Getz - Stan's Mood (2:42)
18. Stan Getz - Slow (alternate take) (2:54)
19. Stan Getz - Slow (alternate take 2) (2:52)
20. Stan Getz - Slow (2:51)
21. Stan Getz - Fast (alternate take) (3:06)
22. Stan Getz - Fast (3:07)

CD10 {00:54:00}
01. J.J. Johnson - Audobahn (alternate take) (2:49)
02. J.J. Johnson - Audobahn (2:46)
03. J.J. Johnson - Don't Blame Me (2:46)
04. J.J. Johnson - Goof Square (alternate take) (1:56)
05. J.J. Johnson - Goof Square (alternate take 2) (2:29)
06. J.J. Johnson - Goof Square (2:25)
07. J.J. Johnson - Bee Jay (alternate take) (2:33)
08. J.J. Johnson - Bee Jay (2:28)
09. Brew Moore - Mud Bug (alternate take) (2:36)
10. Brew Moore - Mud Bug (2:42)
11. Brew Moore - Gold Rush (alternate take) (2:54)
12. Brew Moore - Gold Rush (3:08)
13. Brew Moore - Lestorian Mode (alternate take) (2:32)
14. Brew Moore - Lestorian Mode (2:32)
15. Brew Moore - Kai's Kid (2:55)
16. Brew Moore - Kai's Kid (alternate take) (2:49)
17. Gil Fuller - Mean to Me (3:14)
18. Gil Fuller - Blues to a Debutante (2:45)
19. Gil Fuller - The Scene Changes (2:47)
20. Gil Fuller - Tropicana (2:54)

Alto Saxophone – Cecil Payne (tracks: 2-5 to 2-12), Ernie Henry (tracks: 5-5 to 5-7, 5-12 to 5-16), Howard Johnson (6) (tracks: 5-5 to 5-7), Jimmy Heath (tracks: 10-17 to 10-20), John Brown (3) (tracks: 3-18 to 3-21), Sahib Shihab (tracks: 10-17 to 10-20), Sonny Stitt (tracks: 3-1 to 3-17)
Alto Saxophone, Baritone Saxophone – Jimmy Heath (tracks: 7-16 to 7-24, 10-17 to 10-20)
Arranged By – Al Cohn (tracks: 9-14 to 9-22), Gil Fuller (tracks: 3-14 to 3-21, 10-17 to 10-20)
Baritone Saxophone – Cecil Payne (tracks: 5-5 to 5-7, 10-17 to 10-20), Eddie de Verteuil (tracks: 3-14 to 3-17), Gerry Mulligan (tracks: 10-9 to 10-16), Leo Parker (tracks: 4-13 to 4-16, 5-8 to 5-11, 6-8 to 6-22, 7-9 to 7-15, 8-6 to 8-13), Serge Chaloff (tracks: 4-17 to 4-24)
Bass – Al Hall (tracks: 3-1 to 3-17), Al Lucas (tracks: 7-9 to 7-15, 8-6 to 8-13), Bob Carter (2) (tracks: 2-1 to 2-4), Curly Russell (tracks: 1-13 to 1-20, 2-13 to 2-18, 4-17 to 4-24, 5-1 to 5-4, 5-12 to 5-16, 6-8 to 6-22, 9-1 to 9-6, 10-9 to 10-16), Eddie Safranski (tracks: 4-9 to 4-12), Eugene Wright (tracks: 5-8 to 5-11), Gene Ramey (tracks: 1-1 to 1-5, 4-1 to 4-4, 4-13 to 4-16, 10-1 to 10-8), Iggy Shevak (tracks: 1-6 to 1-12), Jimmy Johnson (7) (tracks: 8-14 to 8-21), Leonard Gaskin (tracks: 2-5 to 2-12, 5-17 to 5-24), Mert Oliver (tracks: 9-14 to 9-22), Nelson Boyd (tracks: 5-5 to 5-7, 6-1 to 6-7, 7-9 to 7-15, 9-6 to 9-13), Percy Heath (tracks: 7-16 to 7-24), Ray Brown (tracks: 3-18 to 3-21, 6-1 to 6-128-1 to 8-5)
Drums – Art Blakey (tracks: 6-1 to 6-12, 10-17 to 10-20), Art Mardigan (tracks: 7-1 to 7-8), Charles Williams (7) (tracks: 5-8 to 5-11), Charlie Perry (tracks: 9-14 to 9-22), Denzil Best (tracks: 4-1 to 4-8, 4-13 to 4-16), Eddie Nicholson (tracks: 1-1 to A1-5), J.C. Heard (tracks: 8-1 to 8-5), Jack Parker (tracks: 8-6 to 8-13), Joe Harris (3) (tracks: 3-18 to 3-21, 7-16 to 7-24), Kenny Clarke (tracks: 3-8 to 3-17, 5-5 to 5-16, 9-1 to 9-6), Max Roach (tracks: 1-13 to 2-12, 5-1 to 5-4), Roy Haynes (tracks: 9-7 to 9-13, 10-9 to 10-16), Shadow Wilson (tracks: 6-13 to 6-22, 7-9 to 7-15, 10-1 to 10-8), Shelly Manne (tracks: 1-6 to 1-12, 4-9 to 4-12), Stan Levey (tracks: 5-17 to 5-24, 8-14 to 8-21), Tiny Kahn (tracks: 4-17 to 4-24), Wallace Bishop (tracks: 3-1 to 3-17)
French Horn – Julius Watkins (tracks: 9-1 to 9-13)
Guitar – Huey Long (tracks: 4-1 to 4-8), Jimmy Raney (tracks: 9-14 to 9-22)
Photography By – Francis Wolff
Piano – Al Haig (tracks: 4-1 to 4-8), Argonne Thornton (tracks: 1-1 to 1-5), Bud Powell (tracks: 1-13 to 1-20, 2-5 to 2-12, 3-1 to 3-17), Duke Jordan (tracks: 5-1 to 5-4, 9-14 to 9-22), Edwin Finckel (tracks: 2-1 to 2-4), Gene DiNovi (tracks: 8-14 to 8-21), George Wallington (tracks: 4-17 to 4-24, 5-17 to 5-24, 10-9 to 10-16), Hank Jones (tracks: 2-13 to 2-18, 3-18 to 3-21, 6-8 to 6-22, 7-9 to 7-15, 8-1 to 8-5), John Lewis (2) (tracks: 5-5 to 5-7, 10-1 to 10-8), Junior Mance (tracks: 5-8 to 5-11), Kenny Dorham (tracks: 9-3), Marty Napoleon (tracks: 4-9 to 4-12), Milt Jackson (tracks: 9,1, 9,2, 9-4 to 9-6), Shorty Allen (tracks: 1-6 to 1-12), Sir Charles Thompson (tracks: 8-6 to 8-13), Tadd Dameron (tracks: 4-13 to 4-16, 5-12 to 5-16, 6-1 to 6-7), Walter Bishop, Jr. (tracks: 9-7 to 9-13), Will Davis (2) (tracks: 7-16 to 7-24)
Producer – Michael Cuscuna
Tenor Saxophone – Al Cohn (tracks: 9-14 to 9-22), Allen Eager (tracks: 2-1 to 2-4, 4-10 to 4-12, 5-1 to 5-4, 5-17 to 5-24), Billy Mitchell (tracks: 9-1 to 9-13, 10-17 to 10-20), Brew Moore (tracks: 8-14 to 8-21, 10-9 to 10-16), Charlie Rouse (tracks: 6-1 to 6-7, 8-10 to 8-13), Dexter Gordon (tracks: 1-1 to 1-5, 1-13 to 1-20, 6-8 to 7-8), Eddie "Lockjaw" Davis (tracks: 4-1 to 4-8), Gene Ammons (tracks: 5-8 to 5-11), James Moody (tracks: 3-18 to 3-21), Kenny Mann (2) (tracks: 8-1 to 8-5), Morris Lane (tracks: 3-14 to 3-17), Pritchard Chessman (tracks: 10-17 to 10-20), Sonny Rollins (tracks: 10-1 to 10-8), Stan Getz (tracks: 1-6 to 1-12, 2-13 to 2-18, 9-14 to 9-22), Zoot Sims (tracks: 9-14 to 9-22)
Timbales, Congas – Joe Harris (3) (tracks: 9-1 to 9-6)
Transferred By – Jack Towers, Paul Reid III, Rudy Van Gelder, Steven Lasker
Trombone – Charlie Johnson (4) (tracks: 10-17 to 10-20), Clarence Ross (tracks: 10-17 to 10-20), Earl Swope (tracks: 4-17 to 4-24, 9-14 to 9-22), J.J. Johnson (tracks: 2-5 to 2-12, 6-13 to 6-22, 7-9 to 7-15, 10-1 to 10-8), Jesse "Rip" Tarrant (tracks: 10-17 to 10-20), Kai Winding (tracks: 1-6 to 1-12, 10-9 to 10-16), Saleen Rasheed (tracks: 10-17 to 10-20)
Trumpet – Abdul Salaam (tracks: 10-17 to 10-20), Bill Massey (tracks: 9-7 to 9-13), Dave Burns (tracks: 3-18 to 3-21, 10-17 to 10-20), Dizzy Gillespie (tracks: 3-18 to 3-21), Doug Mettome (tracks: 5-17 to 5-24), Elmon Wright (tracks: 5-5 to 5-7), Fats Navarro (tracks: 3-14 to 3-17, 4-1 to 4-8, 4-13 to 4-16, 5-12 to 5-16, 6-1 to 6-7, 7-1 to 7-8), Howard McGhee (tracks: 5-8 to 5-11, 7-16 to 8-5), Jerry Lloyd (2) (tracks: 10-9 to 10-16), Joe Newman (tracks: 6-13 to 6-22, 8-6 to 8-13), Kenny Dorham (tracks: 3-1 to 3-17, 9-1, 9-2, 9-4 to 9-6), Leonard Hawkins (tracks: 1-13 to 1-20), Mustapha Daleel (tracks: 10-17 to 10-20), Red Rodney (tracks: 4-17 to 4-24), Shorty Rogers (tracks: 1-16 to 1-12)
Valve Trombone – Billy Eckstine (tracks: 8-1 to 8-5), Kai Winding (tracks: 4-9 to 4-12)
Vibraphone – Milt Jackson (tracks: 3-18 to 3-21, 7-16 to 7-24, 9,3, 9-6 to 9-13, 10-17 to 10-20), Terry Gibbs (tracks: 5-1 to 5-4)
Vocals – Kay Penton (tracks: 5-12 to 5-16), Kenny Hagood (tracks: 5-5 to 5-7), Marcelle Daniels (tracks: 8-1 to 8-5)
Vocals, Conductor – Gil Fuller (tracks: 10-17 to 10-20)











All thanks go to the orghast

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