With six Grammy Awards and 40 chart-topping singles over a career that s spanned more than four decades, Ronnie Milsap has established himself as one of country music s undisputed legends. To celebrate his induction into the Country Music Hall of Fame in 2014, RCA Records/Legacy Recordings will release The RCA Albums Collection, a comprehensive box set featuring all of Milsap s original albums for RCA Records, many appearing on CD for the first time. In spite of Milsap s incredible success, virtually none of these albums have seen a CD release, and the ability to appreciate his catalog at large has been overlooked as a result. The RCA Albums Collection fixes this, bringing all of Milsap s albums for the label together in one attractive box set, featuring CD-sized recreations of the original album artwork and a booklet featuring photos from Milsap s career, detailed discographical information and new remarks from Milsap himself on each album.

A feisty 4CD clamshell box set exploring the melting pot of British indie dance music that shook the lager drenched dancefloors in the second half of the 1990s. A supersonic soundclash of iconic electronic outfits like The Prodigy, Fatboy Slim, Basement Jaxx, Leftfield, Death In Vegas, Moloko, Orbital and Bentley Rhythm Ace, alongside floor-fillers from indie titans like Blur, Shed Seven, Charlatans, Super Furry Animals, Supergrass, Tricky, Sleeper, Gomez, Radiohead and Cornershop. Over four hours of party tunes and afters grooves, packed with punchy remixes from Chemical Brothers, Arthur Baker, Norman Cook, Midfield General, Mint Royale and Lynch Mob. As Britpop exploded across UK culture, Cool Britannia ruled the airwaves and was plastered across the pages of magazines and newspapers. Music festivals were making their great comeback and DJs and dance acts were sharing stages and headline slots with the biggest guitar bands around. This compilation takes a slippery trip through the hedonistic tunes that were filling the dancefloors, fields, front rooms and bedrooms across Great Britain as the country drank, danced and partied towards a new millennium. Featuring over 50 cuts across 4CDs bouncing from Britpop to Trip Hop and bopping from Big Beat to Techno with a superb selection of relentless remixes, chart-topers and chilled beats thrown in for good measure.

Five CD box set containing a quintet of original albums in card LP replica sleeves! Features "Pretenders" (1980); "Pretenders II" (1981); "Learning To Crawl" (1984); "Get Close" (1986) and "Last Of The Independents" (1994).

To celebrate the 150th anniversary of Janáček’s birth, this Decca Collector Edition brings together most of the composer’s chamber works and solo pieces plus his most popular orchestral works and the magnificent Glagolitic Mass in a superb digital recording with Riccardo Chailly and Wiener Philharmoniker. The recordings of the solo works and chamber pieces feature one of the world’s most distinguished ensembles: the London Sinfonietta and David Atherton. Their recordings were originally released as a 5-LP set in 1981 and many of these performances have not been available for several years; many also make their first international appearance on CD. This set provides the listener with all the essential non-operatic Janáček in one convenient collection.

Six CD set. Five albums from the early days of Magnum - four studio recordings and the live 'Marauder' album. Covering releases from 1978-1983 plundering their archives with plenty of rarities and B-sides, demos and live tracks. Magnum originally formed in Birmingham in 1972 around guitarist and songwriter Tony Clarkin and singer Bob Catley.

All six albums Joan Baez recorded for A&M during the '70s with non-LP singles-a long-overdue look at a key phase in her career! This box has every note from this fertile period, including the albums Come from the Shadows, Gracias La Vida (Here's to Life), Diamonds and Rust , the live album From Every Stage and the never-before-on-CD Where Are You Now My Son? and Gulf Winds releases.

Reissued version with the correct tracks on the 'Spin Drive' disc. Revised cat# EDSL0077X on the hype sticker and packaging box. Previous cat# EDSL0077 remains on the release artwork. Revised barcode sticker on the shrink wrap over the original.Track 4-2 Rebel Rebel = The Hole Mix. Renamed here as 12" Club Remix. Track 4-12 Rebel Rebel = 12" Extended Mix. Renamed here as 12" NRG Extended Mix. This was the mix originally featured on the promo 12" of International Chrysis - Rebel Rebel. The Medley is allegedly in mono. Box set with individual releases housed in gatefold digisleeves together with a 28-page hardback book. Disc 4 title stylised as 'Unbreakable (The Fragile Remixes)' on the box artwork and as 'Unbreakable_The Fragile Remixes' on the disc artwork.

75 chansons francophones, issues de moments inédits et marquants, captés par les micros de Radio-Canada, que ce soit à la télé ou à la radio, de 1936 à aujourd'hui. Des premières prestations télévisuelles de nos grands d'aujourd'hui (comme "La dame en bleu" de Michel Louvain, "Le ciel se marie avec la mer" de Lucille Dumont, etc.), de chansons devenues des grands classiques chantés par plusieurs générations ("Les gens de mon pays" de Gilles Vigneault, "Les ailes d'un ange" de Robert Charlebois, "L'amour existe encore" de Céline Dion, et une version originale de "Quand les hommes vivront d'amour" de Raymond Lévesque et plus encore), de collaborations uniques (Kevin Parent et Zachary Richard, Pierre Lapointe et le Quatuor Molinari, Mara Tremblay et Karkwa), de spectacles mythiques (Claude Léveillée et sa dernière prestation de Frédéric aux Francofolies).

Steve was the first member of Genesis to release a solo album (Voyage of the Acolyte in 1975) before leaving the band in 1977. This new box collects his six Charisma studio albums with Please Don’t Touch and Spectral Mornings utilising the recent Steven Wilson stereo remixes (via the original multi-track tapes). The remaining albums have been newly remastered from the original master tapes. As well as this studio work, The Charisma Years 1975-1983 contains Live at The New Theatre, Oxford 1979, a newly mixed concert recorded on the Spectral Mornings tour and Live at Reading 1981 an LP of Steve’s appearance at the Reading Festival in August, 1981. Finally, a 12-inch live EP is included called I Know What I Like. This features Steve’s band performing the Genesis’ I Know What I Like (in Your Wardrobe) recorded in 1979 at Oxford New Theatre plus several tracks recorded live at the Theatre Royal, Drury Lane in November 1979.

It's understandable to label '90s Bruce Springsteen as a lost era. The Boss disbanded the E Street Band in 1989 and his only long-players during that time—Lucky Town, Human Touch and The Ghost of Tom Joad—marked an "experimental" turn away from arena rock. (Releasing three albums in ten years seemed especially like a slowdown since two came out on the same day in 1992.) Of course, that overlooks his soundtrack work—which earned him an Oscar and multiple Grammys—his steady touring throughout the decade (culminating in the E Street Band's return in 1999), and the fact that he and his wife were raising young children. Still, from 1993-2002, when The Rising debuted, there was precious little Springsteen to pore over.

NOW Music is very proud to present the second of our ‘Now That’s What I Call An Era’ releases. ‘The Albums 1980 > 1984’ celebrates 72 iconic albums that were released between 1980 and 1984, featuring a magnificent track from each - and none of them UK hit singles! Most of the albums being highlighted produced huge hit singles that have become both synonymous with the decade and enduringly popular – but these albums are of such a high quality – forever part of the artist’s legacy - that other tracks could have equally become hits – and some have become as well-loved by fans as the singles, and have for many artists always been an established part of their live shows.

This fabulous five disc set is replete with some of those old Stokowski warhorses all recorded in absolutely mind boggling Phase 4 sound, overblown perhaps but astounding for its time. Decca's remastering is absolutely magnificent and the discs are jam packed with almost six hours of music. This is another fine memorial to a great conductor who remained astonishingly vital until the very end of his life.

Limited four CD set exploring the evolution of the 'new pop' movement, 1979-1983. Featuring The Human League, Fun Boy Three, Soft Cell, Scritti Politti, The Style Council, Heaven 17, The Cure, Eurythmics, Tears For Fears, Altered Images, Art Of Noise and countless other big names and lesser-known gems. A term forever associated with tastemaker NME scribe turned Svengali Paul Morley, 'New Pop' came to describe any forward-thinking British music of the early 1980s which wasn't 'rockist' (macho men with guitars, etc.) or overtly punky and anti-establishment in outlook. New Pop was an aspiration. Punk had shaken up the UK music industry - and more importantly, had inspired a generation of art students, budding musicians and others with a sense of what was possible.

It's understandable to label '90s Bruce Springsteen as a lost era. The Boss disbanded the E Street Band in 1989 and his only long-players during that time—Lucky Town, Human Touch and The Ghost of Tom Joad—marked an "experimental" turn away from arena rock. (Releasing three albums in ten years seemed especially like a slowdown since two came out on the same day in 1992.) Of course, that overlooks his soundtrack work—which earned him an Oscar and multiple Grammys—his steady touring throughout the decade (culminating in the E Street Band's return in 1999), and the fact that he and his wife were raising young children. Still, from 1993-2002, when The Rising debuted, there was precious little Springsteen to pore over.

Three classic albums: The World Starts Tonight (1977), Natural Force (1978) and Goodbye to the Island (1981).
Recognized for her distinctly raspy voice and soulful pop repertoire, Welsh singer Bonnie Tyler had her first worldwide hit in 1978 with "It's a Heartache" from her second album, Natural Force. Characteristic of her work in the '70s, it blended elements of country, rock, and pop.