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Although not on par with his best albums (1977's Over, 1978's The Future Now, etc.), this solo debut, Fool's Mate, shows Van der Graaf Generator's Peter Hammill taking his first steps toward later prog rock perfection…
When Patrice Rushen was being lambasted by jazz snobs for making the switch from jazz instrumentalist to R&B/pop singer, she was also winning over quite a few people…
Stand! is the pinnacle of Sly & the Family Stone's early work, a record that represents a culmination of the group's musical vision and accomplishment. Life hinted at this record's boundless enthusiasm and blurred stylistic boundaries, yet everything simply gels here, resulting in no separation between the astounding funk, effervescent irresistible melodies, psychedelicized guitars, and deep rhythms…
Norwegian band formed in Oslo in 1982. The band split in 2010 after a worldwide tour of 73 shows…
Blow by Blow typifies Jeff Beck's wonderfully unpredictable career. Released in 1975, Beck's fifth effort as a leader and first instrumental album was a marked departure from its more rock-based predecessors…
Norah Jones' debut on Blue Note is a mellow, acoustic pop affair with soul and country overtones, immaculately produced by the great Arif Mardin. Jones is not quite a jazz singer, but she is joined by some highly regarded jazz talent: guitarists Adam Levy, Adam Rogers, Tony Scherr, Bill Frisell, and Kevin Breit; drummers Brian Blade, Dan Rieser, and Kenny Wollesen; organist Sam Yahel; accordionist Rob Burger; and violinist Jenny Scheinman…
The title of Even in the Quietest Moments… isn't much of an exaggeration – this 1977 album finds Supertramp indulging in some of their quietest moments, spending almost the album in a subdued mood…
Finale is the second live double album (and eighth overall release) by singer/songwriter duo Loggins and Messina, released in early 1977. Tracks on the album are from performances while touring in 1975 and 1976…
This live set finds flutist Hubert Laws both looking backwards toward his best CTI recordings and ahead to his generally abysmal output for Columbia. With Bob James doing the arrangements, the music is more overtly commercial than Don Sebesky's earlier work…
