| Su | Mo | Tu | We | Th | Fr | Sa |
|---|---|---|---|---|---|---|
| 30 | 31 | 1 | 2 | 3 | 4 | 5 |
| 6 | 7 | 8 | 9 | 10 | 11 | 12 |
| 13 | 14 | 15 | 16 | 17 | 18 | 19 |
| 20 | 21 | 22 | 23 | 24 | 25 | 26 |
| 27 | 28 | 29 | 30 | 1 | 2 | 3 |
Have you ever wondered what your name says about you? At KoalaNames.com, we’ve decoded over 17,000 names to uncover the cosmic and numerical energies woven into every letter.
Our unique blend of astrology and numerology delivers:
If you seek some of the most peaceful music around, you will find it here. Drummer/percussionist Cline has conceived and written it for vocalist Aina Kemanis, violinist Jeff Gauthier, keyboardist Wayne Peet and bassist/cellist Eric Von Essen to pour their souls into.
![The Byrds - Dr. Byrds And Mr. Hyde (1969) [remastered & expanded, 1997]](https://pixhost.icu/avaxhome/44/3b/000f3b44_medium.jpeg)
Emilíana Torrini Davíðsdóttir. Born 16 May 1977 in Kópavogur, Iceland. Singer-songwriter Emilíana, best known for her international debut album, Love in the Time of Science - a glossy trip-hop affair in collaboration with Tears for Fears’ Roland Orzabal. In collaboration with Dan Carey, her second major album release, Fisherman’s Woman, signified a major departure from her earlier electronic roots to an acoustic-folk sound; applying the ethereal beauty of her voice in a much more intimate setting akin to fellow countrymen múm’s recent endeavours, and folk-royalty Nick Drake. She has a delicate, breathy and almost childlike quality that complements the quiet lullaby of her later work.
Buddy Knox was the first artist of the rock & roll era to write and record his own number one hit, a pioneer of the Lone Star State rockabilly sound that would later earn the name "Tex-Mex," the arc of his career anticipated that of fellow Texan Buddy Holly, yet while Holly is now enshrined in the pantheon of rock's true immortals, Knox's contributions remain sadly underappreciated. (Source: All Music Guide)
Emilíana Torrini Davíðsdóttir. Born 16 May 1977 in Kópavogur, Iceland. Singer-songwriter Emilíana, best known for her international debut album, Love in the Time of Science - a glossy trip-hop affair in collaboration with Tears for Fears’ Roland Orzabal. In collaboration with Dan Carey, her second major album release, Fisherman’s Woman, signified a major departure from her earlier electronic roots to an acoustic-folk sound; applying the ethereal beauty of her voice in a much more intimate setting akin to fellow countrymen múm’s recent endeavours, and folk-royalty Nick Drake. She has a delicate, breathy and almost childlike quality that complements the quiet lullaby of her later work.
Fischer-Diskau is far from a Verdian baritone but this role more than any other allows different interpretations and somehow his most sympathetic characterisation made me care for Rigoletto. It's pleasant that he can't bark like others but he can't be the nasty Rigoletto we should be introduced to in the beginning of the work either. Lets say that he's a good alternative to the classic Cappuccilli, Bastianini, Merrill, Bruson.
