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Andris Nelsons - Strauss (2022)

Posted By: Fizzpop
Andris Nelsons - Strauss (2022)

Andris Nelsons - Strauss (2022)
WEB FLAC (Tracks) 2,11 GB | Cover | 08:32:40 | MP3 CBR 320 kbps | 1,15 GB
Classical | Label: Deutsche Grammophon (DG)

"The partnership between the Boston Symphony Orchestra and the Gewandhaus Orchestra is a matter close to my heart. I am extremely grateful that both orchestras, each with its own unique tradition and sound culture, are so committed to a mutual exchange. This connection, which can now be called a friendship, is singular in the world of music. With the complementary recording and performance of the orchestral works of Richard Strauss, a dream comes true for me." (Andris Nelsons)

In fact, the alliance initiated by Andris Nelsons, which has closely linked his orchestras in Boston and Leipzig since 2018, is without precedent in the international orchestral landscape. It ranges from regular exchanges of musicians over several months to joint commissions and coordinated programming - such as an annual Leipzig Week in Boston and a Boston Week in Leipzig - to mutual or jointly planned guest concerts and touring projects. The basis for the transatlantic exchange is an astonishingly rich history of relationships, which shaped above all the first decades of the Boston Symphony Orchestra (BSO), founded in 1881. The Second Gewandhaus, destroyed in World War II, was the inspiration for the construction of Boston Symphony Hall with its phenomenal acoustics. Many of the BSO's music directors studied at the Leipzig Conservatory, were members of the Gewandhaus Orchestra or - like Arthur Nikisch and today Andris Nelsons - presided over both orchestras. The partnership brings these lines of connection together again in the 21st century: as an innovative revival of a shared past A milestone for the alliance is the preparation and recording of the orchestral works of Richard Strauss - a collaboratively conceived showcase of works that includes concertante works and orchestral opera excerpts in addition to tone poems. "Strauss's music offers a wealth of moods and timbres, is full of emotionality, orchestral brilliance and often humorous," says Andris Nelsons. "Both orchestras can bring their own unique qualities to bear here, as they each have a unique tradition and fantastic sound culture. Their special qualities are rooted in the different trajectories of their long and rich histories. The Gewandhaus Orchestra's transparency, for example, can be traced back to Bach and Mendelssohn, while for the BSO it stems strongly from French influences." This universal Strauss undertaking, which illuminates the composer from two historically evolved perspectives, kicked off with a guest performance of the Gewandhaus Orchestra in Boston in November 2019, when the two orchestras performed the Festliche Präludium in a unified sound apparatus. This only joint recording of the cycle (with organist Olivier Latry) forms the centerpiece of the extraordinary project Richard Strauss, not only a leading composer but also a conductor of his era, maintained personal contacts with both orchestras. Although his music was not central to the historical development of the orchestras, the orchestras in Boston and Leipzig have repeatedly set standards with Strauss performances and recordings in the past Strauss stood at the podium of the Boston Orchestra, which took on a French-Russian flavor in the 20th century and enriched the orchestral repertoire with numerous world premieres of modern classical music, only once: in a Pension Fund Concert on April 19, 1904, as part of his first extended tour of North America. In addition to works by Beethoven and Wagner, he conducted his own compositions in Boston: Don Juan, Don Quixote, and the orchestral "Love Scene" from the opera Feuersnot. He reported enthusiastically back home: "The Boston orchestra is wonderful, sound, technique of a perfection such as I have hardly ever encountered." As early as 1888, Wilhelm Gericke, the BSO's second music director, had presented a Strauss work in Boston for the first time, Aus Italien. Later, it was Pierre Monteux and finally Erich Leinsdorf and Seiji Ozawa who gave special importance to the Strauss oeuvre in their Boston programs, also including the operas - in excerpts or in their entirety. During the long tenure of Seiji Ozawa (1973-2002), famous recordings of individual tone poems (Also sprach Zarathustra, Ein Heldenleben) as well as a complete recording of the opera Elektra (all for Philips Classics) were made in this way Strauss' path to the podium of the Gewandhaus Orchestra, founded in 1781, proved somewhat more difficult. With its house gods Mendelssohn, Schumann, Brahms and Bruckner, the Gewandhaus Orchestra already possessed a singular concert tradition. Thus Strauss initially worked primarily with rival orchestras in Leipzig before the doors of the Gewandhaus opened to him. Nevertheless, the Strauss history of the Gewandhaus Orchestra is also remarkable: in 1887, the 23-year-old made his debut on the Gewandhaus podium with his F minor symphony; a short time later, he found an ardent advocate in Gewandhauskapellmeister Arthur Nikisch, who regularly put his works on the program, appointed Strauss as the orchestra's first regular guest conductor in 1907, and in his penultimate season, 1920 / 21, performed all nine of Strauss's tone poems in a cycle. At Leipzig's New Theater, the Gewandhaus Orchestra frequently performed many of Strauss's opera scores immediately after the Dresden premieres, and from 1915 Strauss personally conducted performances here of Salome, Elektra, or - on his last visit to Leipzig in 1934 - Arabella. There is also a Strauss premiere in the annals of Gewandhaus history: in 1932, Gewandhauskapellmeister Bruno Walter launched the orchestral suite from the ballet Schlagobers in the Second Gewandhaus. A year later he was forced to leave Leipzig because of his Jewish origins, and in the same year Strauss became president of the Nazi Reichsmusikkammer - a step that remains a stain on his biography to this day In total, Strauss stood at the podium of the Gewandhaus Orchestra for five concerts and eight opera performances. The cyclical performance of Strauss' orchestral works by Arthur Nikisch (who performed surprisingly few of the composer's works in Boston) was later followed up by Gewandhauskapellmeister Kurt Masur and Riccardo Chailly with comparable shows of works. Masur, in particular, made several Strauss reference recordings during his distinguished and politically turbulent tenure (1970-1996), most notably the Four Last Songs and a complete recording of Ariadne auf Naxos, both with Jessye Norman (Philips Classics) These historical references also played a role in the distribution of the repertoire between the two orchestras. Andris Nelsons: "The recording of Don Quixote with the Boston musicians and the incomparable Yo-Yo Ma is a reverence to Strauss's own performance of the work in Boston, as is the 'Love Scene' from the opera Feuersnot. In turn, Strauss premiered Symphonia Domestica in New York in 1904 as part of his U.S. tour. In the Leipzig recordings, 'Salome's Dance' and the Rosenkavalier Suite refer to the operatic tradition of the Gewandhaus Orchestra, the Burleske, for which Yuja Wang is an ideal cast, to the youthful exuberance of the young Strauss, who had yet to find his feet in Leipzig, and the Schlagoberswalzer to the Leipzig premiere of the orchestral suite." The late Metamorphosen was also recorded with the strings of the Gewandhaus Orchestra - the mourning expressed in it for the demise of an entire cultural epoch, which for Strauss was revealed at the end of World War II in the destruction of many important cultural sites, also included the second Gewandhaus building. An early recording of the Gewandhaus Orchestra had still taken place here in 1940, that of the Festliches Prelude under the direction of Gewandhauskapellmeister Hermann Abendroth - and thus of that work with which, some eighty years later and after the fall of the Iron Curtain, which in the meantime separated Boston and Leipzig beyond reach, the starting signal was given for this unique alliance project.

TRACKLIST

1. Orchestre du Gewandhaus de Leipzig - Dance of the Seven Veils
2. Boston Symphony Orchestra - I. Reisefieber und Walzerszene
3. Boston Symphony Orchestra - II. Träumerei am Kamin
4. Boston Symphony Orchestra - III. Am Spieltisch
5. Boston Symphony Orchestra - IV. Fröhlicher Beschluß
6. Orchestre du Gewandhaus de Leipzig - I. Con moto agitato
7. Orchestre du Gewandhaus de Leipzig - II. Allegro molto
8. Orchestre du Gewandhaus de Leipzig - III. Tempo di Valse, assai comodo da primo
9. Orchestre du Gewandhaus de Leipzig - IV. Moderato molto sostenuto
10. Orchestre du Gewandhaus de Leipzig - V. Quick Waltz. Molto con moto
11. Boston Symphony Orchestra - Love Scene
12. Orchestre du Gewandhaus de Leipzig - IV. Schlagoberswalzer
13. Boston Symphony Orchestra - I. Es war einmal ein Schalksnarr
14. Boston Symphony Orchestra - II. Tills Streiche
15. Boston Symphony Orchestra - III. Das Gericht
16. Boston Symphony Orchestra - IV. Urteil und Hinrichtung
17. Boston Symphony Orchestra - V. Epilog
18. Orchestre du Gewandhaus de Leipzig - R. Strauss: Don Juan, Op. 20, TrV 156
19. Yuja Wang - R. Strauss: Burleske, TrV 145
20. Boston Symphony Orchestra - I. Introduktion. Mäßiges Zeitmaß
21. Yo-Yo Ma - II. Thema. Mäßig. “Don Quixote, der Ritter von der trauigen Gestalt”
22. Steven Ansell - III. “Sancho Panza”. Maggiore
23. Yo-Yo Ma - IV. Var. 1. Gemächlich
24. Boston Symphony Orchestra - V. Var. 2. Kriegerisch
25. Yo-Yo Ma - VI. Var. 3. Mäßiges Zeitmaß
26. Yo-Yo Ma - VII. Var. 4. Etwas breiter
27. Yo-Yo Ma - VIII. Var. 5. Sehr langsam
28. Yo-Yo Ma - IX. Var. 6. Schnell
29. Boston Symphony Orchestra - X. Var. 7. Ein wenig ruhiger als vorher
30. Yo-Yo Ma - XI. Var. 8. Gemächlich
31. Boston Symphony Orchestra - XII. Var. 9. Schnell und stürmisch
32. Yo-Yo Ma - XIII. Var. 10. Viel breiter
33. Yo-Yo Ma - XIV. Finale. Sehr ruhig
34. Orchestre du Gewandhaus de Leipzig - I. Prelude (Sonnenaufgang)
35. Orchestre du Gewandhaus de Leipzig - II. Von den Hinterweltlern
36. Orchestre du Gewandhaus de Leipzig - III. Von der großen Sehnsucht
37. Orchestre du Gewandhaus de Leipzig - IV. Von den Freuden und Leidenschaften
38. Orchestre du Gewandhaus de Leipzig - V. Das Grablied
39. Orchestre du Gewandhaus de Leipzig - VI. Von der Wissenschaft
40. Orchestre du Gewandhaus de Leipzig - VII. Der Genesende
41. Orchestre du Gewandhaus de Leipzig - VIII. Das Tanzlied
42. Orchestre du Gewandhaus de Leipzig - IX. Das Nachtwandlerlied
43. Boston Symphony Orchestra - No. 1, Nacht
44. Boston Symphony Orchestra - No. 2, Sonnenaufgang
45. Boston Symphony Orchestra - No. 3, Der Anstieg
46. Boston Symphony Orchestra - No. 4, Eintritt in den Wald
47. Boston Symphony Orchestra - No. 5, Wanderung neben dem Bache
48. Boston Symphony Orchestra - No. 6, Am Wasserfall
49. Boston Symphony Orchestra - No. 7, Erscheinung
50. Boston Symphony Orchestra - No. 8, Auf blumige Wiesen
51. Boston Symphony Orchestra - No. 9, Auf der Alm
52. Boston Symphony Orchestra - No. 10, Durch Dickicht und Gestrüpp auf Irrwegen
53. Boston Symphony Orchestra - No. 11, Auf dem Gletscher
54. Boston Symphony Orchestra - No. 12, Gefahrvolle Augenblicke
55. Boston Symphony Orchestra - No. 13, Auf dem Gipfel
56. Boston Symphony Orchestra - No. 14, Vision
57. Boston Symphony Orchestra - No. 15, Nebel steigen auf
58. Boston Symphony Orchestra - No. 16, Die Sonne verdüstert sich allmählich
59. Boston Symphony Orchestra - No. 17, Elegie
60. Boston Symphony Orchestra - No. 18, Stille vor dem Sturm
61. Boston Symphony Orchestra - No. 19, Gewitter und Sturm, Abstieg
62. Boston Symphony Orchestra - No. 20, Sonnenuntergang
63. Boston Symphony Orchestra - No. 21, Ausklang
64. Boston Symphony Orchestra - No. 22, Nacht
65. Orchestre du Gewandhaus de Leipzig - I. Allegro, un poco maestoso – Presto
66. Orchestre du Gewandhaus de Leipzig - II. Moderato maestoso
67. Orchestre du Gewandhaus de Leipzig - III. Allegro, un poco maestoso
68. Boston Symphony Orchestra - I. Largo
69. Boston Symphony Orchestra - II. Allegro molto agitato
70. Boston Symphony Orchestra - III. Meno mosso
71. Boston Symphony Orchestra - IV. Moderato
72. Orchestre du Gewandhaus de Leipzig - I. Der Held
73. Orchestre du Gewandhaus de Leipzig - II. Des Helden Widersacher
74. Frank-Michael Erben - III. Des Helden Gefährtin
75. Orchestre du Gewandhaus de Leipzig - IV. Des Helden Walstatt
76. Frank-Michael Erben - V. Des Helden Friedenswerke
77. Frank-Michael Erben - VI. Des Helden Weltflucht und Vollendung
78. Orchestre du Gewandhaus de Leipzig - I. Adagio ma non troppo
79. Orchestre du Gewandhaus de Leipzig - II. Agitato
80. Orchestre du Gewandhaus de Leipzig - III. Adagio, tempo primo
81. Boston Symphony Orchestra - Ia. Thema. Bewegt
82. Boston Symphony Orchestra - Ib. Thema. Sehr lebhaft
83. Boston Symphony Orchestra - Ic. Thema. Ruhig
84. Boston Symphony Orchestra - IIa. Scherzo. Munter
85. Boston Symphony Orchestra - IIb. Wiegenlied. Mässig langsam
86. Boston Symphony Orchestra - III. Adagio. Langsam
87. Boston Symphony Orchestra - IV. Finale. Sehr lebhaft
88. Boston Symphony Orchestra - R. Strauss: Symphonische Fantasie aus Die Frau ohne Schatten, TrV 234a
89. Orchestre du Gewandhaus de Leipzig - I. Auf der Campagna
90. Orchestre du Gewandhaus de Leipzig - II. In Roms Ruinen
91. Orchestre du Gewandhaus de Leipzig - III. Am Strande von Sorrent
92. Orchestre du Gewandhaus de Leipzig - IV. Neapolitanisches Volksleben
93. Olivier Latry - R. Strauss: Festliches Präludium, Op. 61, TrV 229

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Signature: 89A306F4E52B446F9A06A5D1AB315380FD6505FC
FILE: 45 - No. 3, Der Anstieg.flac
Size: 12151380 Hash: B3B72E3F5EB4E6D7A4AB243BBC995193 Accuracy: -m40
Conclusion: CDDA 100%
Signature: FC0A69BF6C3CBFD4851B31A5F752A12958881EEF
FILE: 44 - No. 2, Sonnenaufgang.flac
Size: 9343645 Hash: 95011731B1350F0CB647665946575B27 Accuracy: -m40
Conclusion: CDDA 100%
Signature: E90096CFD06AB49E18F23DF930603F550F7CF0E2
FILE: 43 - No. 1, Nacht.flac
Size: 10528045 Hash: B21BDAD45C71816A4FE77F88FD297C01 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 3A8690CE075A35AC662F2E84034171480F6A258D
FILE: 42 - IX. Das Nachtwandlerlied.flac
Size: 16985773 Hash: 5B652F6D3338585B52EE37EBD2628311 Accuracy: -m40
Conclusion: CDDA 86%
Signature: 902D05B35BDF7D4E4849D1DBB49D77D148DF93D3
FILE: 41 - VIII. Das Tanzlied.flac
Size: 36526824 Hash: 5F9CAC2CDCCA8C1B4BDDEC04E7E1C535 Accuracy: -m40
Conclusion: CDDA 99%
Signature: 5016BDB04FAE0A43C2B019EFEB3C370C9F1E27DE
FILE: 40 - VII. Der Genesende.flac
Size: 25006338 Hash: F6C775AD28EAC1E28BAE20D2D4BA4285 Accuracy: -m40
Conclusion: CDDA 100%
Signature: BADAEED5C2995BD2259FF49F8B12DA49DE52D484
FILE: 39 - VI. Von der Wissenschaft.flac
Size: 15379689 Hash: AF2A4D43B61124DC1A5F77EB45B9ED73 Accuracy: -m40
Conclusion: CDDA 99%
Signature: 848DFAB32819130899A91F2312C9C8E6BB082DEA
FILE: 38 - V. Das Grablied.flac
Size: 10113062 Hash: 973F2C0C3824EF7F24446861CCA2A499 Accuracy: -m40
Conclusion: CDDA 100%
Signature: BAC092B1F9F8A725E489BADF05F8EAEED20BE9F1
FILE: 37 - IV. Von den Freuden und Leidens.flac
Size: 11331437 Hash: 2490C6B85717DDC36CC808B83150661F Accuracy: -m40
Conclusion: CDDA 100%
Signature: ABBE512E59BBECC06D3E138B7375AEA3737FAE61
FILE: 36 - III. Von der großen Sehnsucht.flac
Size: 8098906 Hash: 9361BA29384150EB21F76633163593FE Accuracy: -m40
Conclusion: CDDA 100%
Signature: BEF3420FDD6DBDCB21B8D1C10044F979FFFD0BD5
FILE: 35 - II. Von den Hinterweltlern.flac
Size: 15386382 Hash: 3D24F86638E75232B3FEEC494B8C3207 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 914D04A99933324C5C982508EB161B1D51F43B16
FILE: 34 - I. Prelude (Sonnenaufgang).flac
Size: 8242370 Hash: 0022F8A43C37D9A73E675252D36674A4 Accuracy: -m40
Conclusion: CDDA 94%
Signature: 6A03A2AD1E24B3B976CA6C6B6DF832B25804930F
FILE: 33 - XIV. Finale. Sehr ruhig.flac
Size: 24827983 Hash: 8547FE7DD310FEDB8359D5311B614AAC Accuracy: -m40
Conclusion: CDDA 99%
Signature: 3DEE3EA76428E67ADF29BAD517322218019AE42D
FILE: 32 - XIII. Var. 10. Viel breiter.flac
Size: 24108311 Hash: 5FE6EE96D8347C51C8E6223FEE1FA773 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 081D55E39700B34C93B795F71C951F3CA97DAEB1
FILE: 31 - XII. Var. 9. Schnell und stürmi.flac
Size: 4384667 Hash: 12D29FB317BD8A0D2B9F7B61B0998D50 Accuracy: -m40
Conclusion: CDDA 99%
Signature: BF1DED8AE07BA22C348C123123E619253311F6FD
FILE: 30 - XI. Var. 8. Gemächlich.flac
Size: 7072578 Hash: D0863E894E923507AC0E8BB7A259A31A Accuracy: -m40
Conclusion: CDDA 100%
Signature: FCABCD8F15F6EBB24DCB54DE8F0A84378A87562D
FILE: 29 - X. Var. 7. Ein wenig ruhiger al.flac
Size: 7417311 Hash: 08CD285D880E1BDBA59FD2C4F38B2A29 Accuracy: -m40
Conclusion: CDDA 100%
Signature: B73B842A3A5E75600132A5B3FE22A2C087062E7D
FILE: 28 - IX. Var. 6. Schnell.flac
Size: 5906042 Hash: C0F92575584F81223EE1572B666DDCB0 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 121EB9CBDC0C7A059AD5A2FB411020AF674EADB0
FILE: 27 - VIII. Var. 5. Sehr langsam.flac
Size: 16524982 Hash: 2357B2BD5537FFE4CE28386DBBF744EF Accuracy: -m40
Conclusion: CDDA 100%
Signature: 3579AF4B8277AB270A47A3BE535BE1EC083BB76A
FILE: 26 - VII. Var. 4. Etwas breiter.flac
Size: 7946849 Hash: 3AD8B58E381F8A0C2A5FFC048B43274B Accuracy: -m40
Conclusion: CDDA 87%
Signature: C86C7658E0BA5ECF555E7A58F9C82056721FCB6F
FILE: 25 - VI. Var. 3. Mäßiges Zeitmaß.flac
Size: 41657910 Hash: 0B6B4B074C438C847A08F61DB0F728B9 Accuracy: -m40
Conclusion: CDDA 100%
Signature: CFAB3F428ABAA71432520A2A93E65C4FB7489E88
FILE: 24 - V. Var. 2. Kriegerisch.flac
Size: 8531842 Hash: F51D7815878C1B1BE0FB64D1211C8DAB Accuracy: -m40
Conclusion: CDDA 100%
Signature: 633954EF22D54B3D933D4917BA104E90C18CDDFB
FILE: 23 - IV. Var. 1. Gemächlich.flac
Size: 10932234 Hash: 11A512E0D6291F0DB2CE7B0AA92B9E58 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 193416FE6B701B445C9387335E86E2E6B6F3DCBD
FILE: 22 - III. “Sancho Panza”. Maggiore.flac
Size: 4461515 Hash: 23E43C4118EBB7C212CF68FA27E84BC3 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 016B3C8BC4CBBFA4F3D9366E1560A663B726AE48
FILE: 21 - II. Thema. Mäßig. “Don Quixote,.flac
Size: 4829991 Hash: 502A90A8CF4C990704E528B84129C231 Accuracy: -m40
Conclusion: CDDA 99%
Signature: 5FD4342D5930E240C8A4E1909E988843274DB3F2
FILE: 20 - I. Introduktion. Mäßiges Zeitma.flac
Size: 27499665 Hash: FFE1537D3C4961F8FFD64957F5167C81 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 90AB6091FF872811188A8891C0F38D12875B41F0
FILE: 19 - R. Strauss_ Burleske, TrV 145.flac
Size: 76336065 Hash: 48D7923879E19AA355C045A3499C72FF Accuracy: -m40
Conclusion: CDDA 42%
Signature: D91863AAFD0FAE5D915B3A8B492EF1761AB8E9DC
FILE: 18 - R. Strauss_ Don Juan, Op. 20, T.flac
Size: 91093119 Hash: A12A5CE54EE5DE81AFC0DBC91BB934EB Accuracy: -m40
Conclusion: CDDA 100%
Signature: 96DCD7FCCF28CD3BE1946C497957325EB1800F45
FILE: 17 - V. Epilog.flac
Size: 5447945 Hash: 7D6928A2BD197FA4F69D3E32183FA23E Accuracy: -m40
Conclusion: CDDA 100%
Signature: BA008ABE4897F93EC964A5DE7753C07DFA64297F
FILE: 16 - IV. Urteil und Hinrichtung.flac
Size: 8059951 Hash: AE796652E6A90439EC7EEBE84CA17BE9 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 42D262BE7CBCD157DB9E1B1B3282D164D00A26E9
FILE: 15 - III. Das Gericht.flac
Size: 7337282 Hash: 46ECCA9B8053451B710DA2AC8EC3D117 Accuracy: -m40
Conclusion: CDDA 99%
Signature: ED95370147B2973CF916CF5DCDCF36E70F709E3B
FILE: 14 - II. Tills Streiche.flac
Size: 45202823 Hash: CA509AA83000558847EA00A0E7AF6E49 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 320F4844ED53FE2C98026E8416ADA1606E2C5A7A
FILE: 13 - I. Es war einmal ein Schalksnar.flac
Size: 4521667 Hash: C5D623024D5B53B38DACFE0DA99EE171 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 123E2B538A5332BED792073B50713C984B4E68D4
FILE: 12 - IV. Schlagoberswalzer.flac
Size: 33034373 Hash: 235E91AD7E68BE7BF3247C9F688E4A20 Accuracy: -m40
Conclusion: CDDA 99%
Signature: 34B7BD3CDBDA1137B2992A1CDC54B07086CB50C2
FILE: 11 - Love Scene.flac
Size: 33155610 Hash: 673BD22B4C8ACCC5FBD118B426E7A6AF Accuracy: -m40
Conclusion: CDDA 100%
Signature: 634D78713F3F4208296C43DC5C50701C5CB5736E
FILE: 10 - V. Quick Waltz. Molto con moto.flac
Size: 14549097 Hash: 2F4746C8699CD010204EC55A81D3B13A Accuracy: -m40
Conclusion: CDDA 100%
Signature: E9D84F5150BA23EE95D6E2443C13F632B35DB33B
FILE: 09 - IV. Moderato molto sostenuto.flac
Size: 26881479 Hash: 30058D7074A30453EF7B12A1FE44C3F3 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 1D8F30971563B51D25DC0E846C96FE7E8AD3B674
FILE: 08 - III. Tempo di Valse, assai como.flac
Size: 23007188 Hash: 55E8CAA4F4DD0771DB03BB85F66E9126 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 80B996F028B8EC7FB9C6EEDD9B7C3948D97874F5
FILE: 07 - II. Allegro molto.flac
Size: 3816050 Hash: 71AB80162BBB2F4E230BB008F2E2F042 Accuracy: -m40
Conclusion: CDDA 99%
Signature: 769144C5E7F69E54AC024E43D78EBEE3A30A3E86
FILE: 06 - I. Con moto agitato.flac
Size: 38627617 Hash: 8C9D072B9E77BEA2FA499A9607D3BCF9 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 44FF1B1E7D0227B8AA3047E8087B33D556835FD6
FILE: 05 - IV. Fröhlicher Beschluß.flac
Size: 14802960 Hash: 2EF726E92C137B953358752B67D5E4A4 Accuracy: -m40
Conclusion: CDDA 100%
Signature: BCCA5960BAC403FBB5E2EEB58E09F23DEB458ADF
FILE: 04 - III. Am Spieltisch.flac
Size: 16630765 Hash: 0BE1A17F2012D2BD09A01FA1464D7D26 Accuracy: -m40
Conclusion: CDDA 100%
Signature: D3110AD5D8F867C437247E4AFB6171D87CDB57C0
FILE: 03 - II. Träumerei am Kamin.flac
Size: 38609703 Hash: B4DB5DE042786790531D83E48BBA9BC0 Accuracy: -m40
Conclusion: CDDA 100%
Signature: C4B235EFD1598C22ED8FB8FCE3D04F19036C6FB6
FILE: 02 - I. Reisefieber und Walzerszene.flac
Size: 50838302 Hash: F932548CD59DC549BD28696F02047CE5 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 9C8CFFCFA652CBA6EDE69E9955D62AA28EC87773
FILE: 01 - Dance of the Seven Veils.flac
Size: 44622011 Hash: 097958382BE3F9A727D33804ED112F47 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 3BD89B4940191CAADCD238D44C96A28D044D38B8