Anne Sofie von Otter - The Art Of Anne Sofie Von Otter (2013)
Anne Sofie von Otter - The Art Of Anne Sofie Von Otter (2013)
WEB | FLAC (tracks) - 487 MB | MP3 (CBR 320 kbps) - 301 MB | 01:55:57
Genre: Classical, Vocal | Label: Deutsche Grammophon
WEB | FLAC (tracks) - 487 MB | MP3 (CBR 320 kbps) - 301 MB | 01:55:57
Genre: Classical, Vocal | Label: Deutsche Grammophon
Anne Sofie von Otter is a leading mezzo-soprano known for her versatility in operatic roles, her interesting recital choices, and her willingness to take vocal risks. Her father was a Swedish diplomat whose career took the family to Bonn, London, and back to Stockholm while Anne Sofie was growing up. As a result, she gained fluency in languages. She studied music at the Guildhall School of Music and Drama in London. Her main voice teacher was Vera Rozsa, while Erik Werba and Geoffrey Parsons coached her in lieder interpretation.
She gained a contract with the Basle Opera in 1983 and remained with that company until 1985, debuting as Alcina in Franz Joseph Haydn's Orlando Paladino. She also took several male roles written for female mezzo-sopranos (which are known in operatic circles as "trousers" parts), including Cherubino in Mozart's Marriage of Figaro, Hänsel in Humperdinck's Hänsel und Gretel, and Orpheus in Gluck's Orfée et Eurydice.
In 1984 she debuted at the Aix-en-Provence Festival as Ramiro in Mozart's La Finta Giardiniera. Others of her trouser parts include Octavian in Strauss' Rosenkavalier, the Composer in Strauss' Ariadne auf Naxos, and the title role of Rossini's Tancredi, among others. A tall, statuesque woman, she is at home in numerous opera serie of the eighteenth century, in which alto voices routinely played the heroes. She has sung at Covent Garden, La Scala, Berlin, Munich, Rome, and other major opera houses.
Another reason for the high proportion of Baroque- and Classical-era operas in her repertory is an important working relationship with conductor John Eliot Gardiner, a British conductor who began as a Baroque specialist. She first auditioned for him in 1985, but failed to make an impression then. It was only with a subsequent chance for him to hear her that he began working with her. She has joined him in recordings of Beethoven's Ninth Symphony; Mozart's Clemenza di Tito, Idomeneo and Requiem; Monteverdi's Favola d'Orfeo and L'Incoronazione di Poppea; Handel's Agrippina and Jephtha; Gluck's Orfée et Eurydice; and Bach's Christmas Oratorio and St. Matthew Passion. He also conducted von Otter's recording of Weill's Seven Deadly Sins and selected theater songs. Significant recordings since 2000 include Terezin/Theresienstadt, music from the concentration camp, and Boldemann, Gefors, Hillborg, contemporary Swedish orchestral songs.
Her other major artistic partner is the Swedish pianist Bengt Forsberg, her recital partner. Forsberg is a leading scholar in the field of song literature, so von Otter relies on him to suggest songs and organize the programs of her recitals. With him, she has tended to specialize in lieder from the periods around the beginning and end of the romantic period, including well received recordings of songs by Schubert, Schumann, Brahms, Zemlinsky, Korngold, and Mahler as well as the late Romantic Nordic composers Alfvén, Rangstrom, Stenhammer, and Sibelius.
She is a believer in singing songs in the keys the composers' originally specified. When she came to record Kurt Weill's Seven Deadly Sins she used the original version for high soprano, a range she possesses, rather than the once-traditional mezzo-soprano version made for Lotte Lenya late in that singer's career. Von Otter also recorded Alban Berg's Seven Early Songs, also music that is a strain for many high sopranos. In addition, she is not averse to stretching her voice for dramatic effect. "I believe in shock effects," she once said in an interview. However, past the age of 40 she had some particularly bad experiences as a result of these two tendencies and, she admits, hurt her voice. As a result, she has decided to be "sensible" and transpose down.
She and her husband stage designer Benny Frederiksson and live in Stockholm with him and their two children.
Track List:
Jacques Offenbach (1819 - 1880)
Les Contes d'Hoffmann
Act 4
1. Entr'acte (Barcarolle)
Anne Sofie von Otter, Stéphanie d' Oustrac, Les Musiciens du Louvre, Marc Minkowski, Chorus Of Les Musiciens Du Louvre
Franz Schubert (1797 - 1828)
2. "Ellens Gesang III", D839
4:51
Anne Sofie von Otter, Bengt Forsberg
Gioacchino Rossini (1792 - 1868)
La Cenerentola
Act 2
3. "Nacqui all'affanno e al pianto"
Anne Sofie von Otter, Orchestra Of The Frankfurt Opera, James Levine
Edvard Grieg (1843 - 1907)
Haugtussa - Song Cycle, Op.67
4. Killingdans
Franz Schubert (1797 - 1828)
5. Im Abendrot, D.799
Anne Sofie von Otter, Bengt Forsberg
Kurt Weill (1900 - 1950)
One Touch of Venus
6. I'm A Stranger Here Myself
Anne Sofie von Otter, NDR-Sinfonieorchester, John Eliot Gardiner
Johann Sebastian Bach (1685 - 1750)
St. Matthew Passion, BWV 244
Part Two
7. No.47 Aria (Alto): "Erbarme dich, mein Gott"
Anne Sofie von Otter, Fredrik From, Baroque Concerto Copenhagen, Lars Ulrik Mortensen
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Eugene Onegin, Op.24, TH.5
Act 1
8. Scene and Aria. "Kak ya lyublyu pod zvuki pesen etikh" - "Uzh kak po mostu, mostochku"
3:35
Mirella Freni, Anne Sofie von Otter, Staatskapelle Dresden, James Levine
Wolfgang Amadeus Mozart (1756 - 1791)
Requiem in D Minor, K. 626
compl. by Franz Xaver Süssmayer
9. 6. Benedictus
Anne Sofie von Otter, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner
Edvard Grieg (1843 - 1907)
Haugtussa - Song Cycle, Op.67
10. Ved gjaetle - bekken
Anne Sofie von Otter, Bengt Forsberg
Wolfgang Amadeus Mozart (1756 - 1791)
La clemenza di Tito, K. 621
Act 1
11. "Parto, ma tu ben mio"
12. "Oh Dei, che smania è questa"
Anne Sofie von Otter, English Baroque Soloists, John Eliot Gardiner
Kurt Weill (1900 - 1950)
One Touch of Venus
13. Speak Low
Anne Sofie von Otter, NDR-Sinfonieorchester, John Eliot Gardiner
George Frideric Handel (1685 - 1759)
Il pianto di Maria: "Giunta l'ora fatal" HWV 234
14. Cavatina: "Se d'un Dio fui fatta Madre"
Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel
Gustav Mahler (1860 - 1911)
Rückert-Lieder, Op. 44
15. 2. Liebst du um Schönheit
Anne Sofie von Otter, NDR-Sinfonieorchester, John Eliot Gardiner
16. Serenade (from: "Don Juan")
Anne Sofie von Otter, Ralf Gothoni
George Frideric Handel (1685 - 1759)
Ariodante, HWV 33
Act 2
17. "Tu preparati a morire"
Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski
Wolfgang Amadeus Mozart (1756 - 1791)
Idomeneo, re di Creta, K.366
Act 1
18. "Il padre adorato"
Anne Sofie von Otter, English Baroque Soloists, John Eliot Gardiner
Johann Sebastian Bach (1685 - 1750)
Mass in B Minor, BWV 232
Kyrie: No.1 Kyrie eleison
19. Agnus Dei
Widerstehe doch der Sünde, Cantata BWV 54
20. 1. "Widerstehe doch der Sünde"
Anne Sofie von Otter, Baroque Concerto Copenhagen, Lars Ulrik Mortensen
Edvard Grieg (1843 - 1907)
Haugtussa - Song Cycle, Op.67
21. Elsk
Kurt Weill (1900 - 1950)
22. Berlin im Licht - Song
Franz Schubert (1797 - 1828)
23. Der Wanderer an den Mond, D.870, op.80, no.1
Anne Sofie von Otter, Bengt Forsberg
Christoph Willibald von Gluck (1714 - 1787)
Paride ed Elena, Wq 39
Act 1
24. "O del mio dolce ardor"
Anne Sofie von Otter, Paul Goodwin, The English Concert, Trevor Pinnock
George Frideric Handel (1685 - 1759)
Hercules, HWV 60
Act 2
25. Aria: "When beauty sorrow's liv'ry wears"
Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski
Edvard Grieg (1843 - 1907)
Haugtussa - Song Cycle, Op.67
26. Det syng
27. Med en Vandilje, Op.25, No.4
Anne Sofie von Otter, Bengt Forsberg
Claudio Monteverdi (1567 - 1643)
L'incoronazione di Poppea, SV 308
Act 2
28. Adagiati, Poppea - Oblivion soave (Arnalta)
Anne Sofie von Otter, Jakob Lindberg, Jory Vinikour
Johannes Brahms (1833 - 1897)
Fünf Lieder, Op.47
29. 3. Sonntag "So hab ich doch"
Franz Schubert (1797 - 1828)
30. Im Walde D 708
Anne Sofie von Otter, Bengt Forsberg
PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1
Copyright © 2008-2010 y-soft. All rights reserved
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ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
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Copyright © 2008-2010 y-soft. All rights reserved
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ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.
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Conclusion: CDDA 100%
Signature: FEE0EB9D95446333F38C6B06F3462E4AC0FD38C6
FILE: 18 Mozart- Idomeneo, re di Creta, K.366 - Act 1 - -Il padre adorato- (Live) (feat. English Baroque Soloists & John Eliot Gardiner).flac
Size: 11338608 Hash: 8A6D49A4B5489A15A40EE4ED6F86DACE Accuracy: -m0
Conclusion: CDDA 99%
Signature: 374D9A1C3308BDE2C77E16AC643666D839AD98E5
FILE: 19 J.S. Bach- Mass in B minor, BWV 232 - Agnus Dei (feat. Baroque Concerto Copenhagen & Lars Ulrik Mortensen).flac
Size: 21938183 Hash: 76232B159922CA1D20D5D5215B2365D2 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 6372A9078F4686F232FD64AACEF5FFE3535FE8A6
FILE: 20 J.S. Bach- Cantata No.54- -Widerstehe doch der Sünde-, BWV54 - Widerstehe doch der Sünde (feat. Baroque Concerto Copenhagen & Lars Ulrik Mortensen).flac
Size: 32310097 Hash: 550635F4E8D31FC29FF8D90D43B2438D Accuracy: -m0
Conclusion: CDDA 99%
Signature: A7464132863147F643E1FA292932D30DCFA30972
FILE: 21 Grieg- Haugtussa - Song Cycle, Op.67 - Elsk (feat. Bengt Forsberg).flac
Size: 8120864 Hash: E42E49664D270907A57DD08CF705DFD3 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 71B381B8D10FD0A2ED0E0B6EBF1188FA1AD24255
FILE: 22 Weill- Berlin im Licht - Song (feat. Bengt Forsberg).flac
Size: 8048039 Hash: BADB540C9C87D0402F1BDA6F73FA07DB Accuracy: -m0
Conclusion: CDDA 100%
Signature: 4BCE19B7BAD280288057BBC7890D00E13573EE8F
FILE: 23 Schubert- Der Wanderer an den Mond, D.870, op.80, no.1 (feat. Bengt Forsberg).flac
Size: 8568438 Hash: F214DF4C52B829CB0281ADB16D17CC13 Accuracy: -m0
Conclusion: CDDA 99%
Signature: E010A1A879304F812AF3F4DB5E53F154DCA5A371
FILE: 24 Gluck- Paride ed Elena - Act 1 - -O del mio dolce ardor- (feat. Paul Goodwin, The English Concert & Trevor Pinnock).flac
Size: 14212596 Hash: E9ED5FE8236A9FB72303FF73C770A8F5 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 097C6000C40DDBF177E276A036DD0D282EC03B84
FILE: 25 Hercules - Act 2 - Handel- Hercules, HWV 60 - Act 2 - Aria- -When beauty sorrow's liv'ry wears- (feat. Les Musiciens du Louvre & Marc Minkowski).flac
Size: 12297622 Hash: 866642D0665A04217AFB4C0F9B798A41 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 231B89EFB0A41EE877A1FF788A4628731138D230
FILE: 26 Grieg- Haugtussa - Song Cycle, Op.67 - Det syng (feat. Bengt Forsberg).flac
Size: 11921474 Hash: 2992D92450ED8EDF603CAD320688F494 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 0714EC820E993329DE51D5C2A6C0AFAE9DECCB4A
FILE: 27 Grieg- Med en Vandilje (With a waterlily), Op.25, No.4 (feat. Bengt Forsberg).flac
Size: 7466226 Hash: 432F67A63C07149FABDD6737BB42F02F Accuracy: -m0
Conclusion: CDDA 100%
Signature: 8B2BF4DB72EFD1740629BD197B4C3A139DBC7FD0
FILE: 28 Monteverdi- L'incoronazione di Poppea - Act 2 - Adagiati, Poppea - Oblivion soave (Arnalta) (feat. Jakob Lindberg & Jory Vinikour).flac
Size: 11093742 Hash: 270C62283CBD38877F9701298B1519D9 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 699D1F2B34F018694DDB1E8D18E7600F2943486C
FILE: 29 Brahms- Fünf Lieder, Op.47 - 3. Sonntag -So hab ich doch- (feat. Bengt Forsberg).flac
Size: 6517889 Hash: 1ACDEA6FEE87B7D3356F2CA4BA673765 Accuracy: -m0
Conclusion: CDDA 87%
Signature: 44D052C555981DF2CA9533A562497FDBDABA1A29
FILE: 30 Schubert- Im Walde D 708 (feat. Bengt Forsberg).flac
Size: 25726786 Hash: 5BA26A4EFC75E8DE60756E02D273E4E3 Accuracy: -m0
Conclusion: CDDA 99%
Signature: A5031F0F289E2FE67ABE56BF97537EFC01AD3482
FILE: 8 Eugene Onegin, Op.24 Act 1.flac
Size: 15776697 Hash: 33C23DBB5659EC40BF94EE9FC031B749 Accuracy: -m0
Conclusion: CDDA 100%
Signature: E6CB9BF42D5DD9A5505F12461AAB4206A21D21E4
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