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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
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    Anne Sofie von Otter - The Art of Anne Sofie von Otter (2025)

    Posted By: ciklon5
    Anne Sofie von Otter - The Art of Anne Sofie von Otter (2025)

    Anne Sofie von Otter - The Art of Anne Sofie von Otter (2025)
    FLAC (tracks), Lossless | 2:23:32 | 559 Mb
    Genre: Classical

    The Swedish mezzo soprano Anne Sofie von Otter is among the most versatile singers on today's scene, recording and performing opera of various eras and in various languages, art song, oratorio, rock, pop, and jazz. As a song recitalist, collaborating with pianist Bengt Forsberg, she has specialized in unusual and original programming. Von Otter was born in Stockholm on May 9, 1955. Her father was a Swedish diplomat, and her childhood was divided among stints in several countries; she mastered multiple languages as a child.

    Paavo Järvi - The Complete Erato Recordings [31CDs] (2024)

    Posted By: ArlegZ
    Paavo Järvi - The Complete Erato Recordings [31CDs] (2024)

    Paavo Järvi - The Complete Erato Recordings [31CDs] (2024)
    XLD | FLAC | Image (Cue & Log) ~ 8,85 Gb | Total time: 36:07:46 | Scans included
    Classical | Label: Erato | # 5054197955037 | Recorded: 1996-2023

    Born in Tallinn in 1962, Paavo Järvi is renowned for his dynamic interpretations and innovative programming. He has held prominent positions with leading orchestras, including the Cincinnati Symphony Orchestra, Orchestre de Paris, NHK Symphony Orchestra, Deutsche Kammerphilharmonie Bremen, or the Tonhalle-Orchester Zürich more recently. Paavo Järvi's approach combines technical precision with expressive depth, making him a favourite among musicians and audiences alike.

    John Eliot Gardiner, Orchestre de l'Opéra de Lyon, Monteverdi Choir - Christoph Willibald Gluck: Orphée et Eurydice (1989)

    Posted By: ArlegZ
    John Eliot Gardiner, Orchestre de l'Opéra de Lyon, Monteverdi Choir - Christoph Willibald Gluck: Orphée et Eurydice (1989)

    John Eliot Gardiner, Orchestre de l'Opéra de Lyon, Monteverdi Choir - Christoph Willibald Gluck: Orphée et Eurydice (1989)
    EAC | FLAC | Image (Cue & Log) ~ 508 Mb | Total time: 41:45+46:51 | Scans included
    Classical | Label: EMI | # 7 49834 2 | Recorded: 1989

    In spite of the French title, and the conductor known for his interest in period performance, this is not the French Orphee et Eurydice of 1774; it is a different 'period version', the period in question being not Gluck's but that of Berlioz (or, as we shall see, nearly so). In 1859, Berlioz, always a passionate admirer of Gluck, prepared a version of the opera for the contralto Pauline Viardot. The alto version of the opera was of course the original Italian one, of 1762, for a castrato, but Berlioz wanted to incorporate some of the changes Gluck had made in 1774 and to use a French text. His compromise version has served as the basis for most revivals of the opera, in whatever language, from then until relatively recent times, though its four-act structure has rarely been followed.

    Anne Sofie von Otter, Reinhard Goebel, Musica Antiqua Köln - George Frideric Handel: Marian Cantatas & Arias (1994)

    Posted By: ArlegZ
    Anne Sofie von Otter, Reinhard Goebel, Musica Antiqua Köln - George Frideric Handel: Marian Cantatas & Arias (1994)

    Anne Sofie von Otter, Reinhard Goebel, Musica Antiqua Köln - George Frideric Handel: Marian Cantatas & Arias (1994)
    EAC | FLAC | Image (Cue & Log) ~ 359 Mb | Total time: 76:20 | Scans included
    Classical | Label: Archiv Produktion | # E4398662 | Recorded: 1993

    Donna, che in ciel di tanta luce splendi is a full-length cantata and the masterpiece in this recital. The introductory Sinfonia captures attention imperatively with its grandeur and turbulence. Then the succession of recitatives and arias, unfailingly alive with dramatic imagination, provides superb opportunities for the singer, all of which are taken here with well-grounded eagerness.

    Anne Sofie von Otter, John Eliot Gardiner, NDR-Sinfonieorchester - Speak Low: Songs by Kurt Weill (1994)

    Posted By: ArlegZ
    Anne Sofie von Otter, John Eliot Gardiner, NDR-Sinfonieorchester - Speak Low: Songs by Kurt Weill (1994)

    Anne Sofie von Otter, John Eliot Gardiner, NDR-Sinfonieorchester - Speak Low: Songs by Kurt Weill (1994)
    EAC | FLAC | Image (Cue & Log) ~ 362 Mb | Total time: 78:09 | Scans included
    Classical | Label: Deutsche Grammophon | 439 894-2 | Recorded: 1993

    There are now many exponents and interpreters of Weill’s extraordinary output, from his German roots, through his French exile to his American and Broadway successes. The repertoire chosen for this disc reveals the variety and flavour of Weill’s writing. Von Otter’s honeyed tone and her ability to stamp sharply observed characterisations on the songs make this recording highly individual compared to that of Weill’s wife Lotte Lenya or, more recently, Ute Lemper. This is vocalised, rather than angst-ridden cabaret-style Weill, though Von Otter certainly delivers the dramatic intensity.

    John Eliot Gardiner, Orchestre Révolutionnaire et Romantique - Giuseppe Verdi: Messa da Requiem, Quattro pezzi sacri (1995)

    Posted By: ArlegZ
    John Eliot Gardiner, Orchestre Révolutionnaire et Romantique - Giuseppe Verdi: Messa da Requiem, Quattro pezzi sacri (1995)

    John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Monteverdi Choir - Giuseppe Verdi: Messa da Requiem, Quattro pezzi sacri (1995)
    EAC | FLAC | Image (Cue & Log) ~ 505 Mb | Total time: 119:52 | Scans included
    Classical | Label: Philips ‎| 442 142-2 | Recorded: 1992

    This religious masterpiece, composed in memory of the great Italian novelist Alessandro Manzoni (1785-1873), has themes even more cosmic than any in Verdi's other operas: life and death, heaven and hell, the Christian vision of humanity's redemption, the end of the world, and the last judgment. Verdi's music rises to the tremendous demands of this subject matter; it is music of grandeur, guilt, terror, and consolation, with a breadth of vision and an intensity of feeling unique in the composer's work and in religious music. John Eliot Gardiner's is the first recording made with period instruments, a kind of performance that some musiclovers still dismiss as dilettantism, more concerned with musicological correctness than feeling and communication.

    Sergei Rachmaninov: The Complete Works [32CDs] (2014)

    Posted By: ArlegZ
    Sergei Rachmaninov: The Complete Works [32CDs] (2014)

    Sergei Rachmaninov: The Complete Works [32CDs] (2014)
    XLD | FLAC | Image (Cue & Log) ~ 7,58 Gb | Total time: 35:25:07 | Scans included
    Classical | Label: Decca | # 4786765 | Recorded: 1919-2010

    All of Rachmaninov’s music - from his earliest student compositions to his final masterpieces – has been collected together for the first time on 32 CDs, in what is definitively the most complete and comprehensive edition of Rachmaninov’s works ever released.

    Hector Berlioz: The Complete Works [27CDs] (2019)

    Posted By: ArlegZ
    Hector Berlioz: The Complete Works [27CDs] (2019)

    Hector Berlioz: The Complete Works [27CDs] (2019)
    XLD | FLAC | Image (Cue & Log) ~ 7,86 Gb | Total time: 31:24:03 | Scans included
    Classical | Label: Warner Classics | # 9029561444 | Recorded: 1901-2018

    Hector Berlioz, France’s greatest Romantic composer, exemplifies the spirit of his age – yet his genius was also ahead of its time. Reflecting his colourful life, his music is astonishing for its originality and ambition, and for orchestration of groundbreaking brilliance. This, the first-ever complete Berlioz edition, comprises carefully selected recordings and even includes works completely new to the catalogue. The accompanying booklet, lavishly illustrated, contains a fascinating commentary from Berlioz biographer David Cairns, whose words bring the composer’s music still more vividly to life.

    Anne-Sofie von Otter, Lars Ulrik Mortensen, Concerto Copenhagen - Bach (2009)

    Posted By: ArlegZ
    Anne-Sofie von Otter, Lars Ulrik Mortensen, Concerto Copenhagen - Bach (2009)

    Anne-Sofie von Otter, Lars Ulrik Mortensen, Concerto Copenhagen - Bach (2009)
    EAC | FLAC | Image (Cue & Log) ~ 283 Mb | Total time: 57:04 | Scans included
    Classical | Label: Archiv Produktion | # 4777467 | Recorded: 2008

    Born to sing J. S. Bach, Anne Sofie von Otter brings elegant style, richness of voice, and career-long commitment to Baroque music to this glorious recording of alto and soprano arias she herself selected. Featuring beloved staples like the moving “Erbarme Dich” from the St. Matthew Passion and the “Agnus Dei” from the B minor Mass, this follow-up to her successful release of Music for a While includes lesser-known repertoire to entice the most jaded lover of voice, Baroque or Bach. Lars Ulrik Mortensen leads Concerto Copenhagen, the acclaimed Scandinavian Baroque ensemble, in instrumentations of fascinating variety unusual in Bach solo vocal albums

    Georg Solti, Chamber Orchestra of Europe - Wolfgang Amadeus Mozart: Così fan tutte (1996)

    Posted By: ArlegZ
    Georg Solti, Chamber Orchestra of Europe - Wolfgang Amadeus Mozart: Così fan tutte (1996)

    Georg Solti, Chamber Orchestra of Europe - Wolfgang Amadeus Mozart: Così fan tutte (1996)
    EAC | FLAC | Image (Cue & Log) ~ 820 Mb | Total time: 178:39 | Scans included
    Classical | Label: Decca | # 444 174-2 | Recorded: 1994

    It is more than twenty years since Solti last recorded Così for Decca, and if that earlier version was far from ideally cast, this new one more than makes amends. Above all, it has a commanding Fiordiligi in Renée Fleming, who conveys all the tragic vulnerability of this central character. Her performance of the great second-act rondo ‘Per pietà’ would be enough to melt the hardest of hearts. Anne Sofie von Otter and Olaf Bär are in fine form, too; and while Adelina Scarabelli is not exactly a mistress of disguises (she scarcely alters her voice at all for Despina’s part as the mesmeric doctor), her vitality is irresistible.

    Anne Sofie von Otter - The Art Of Anne Sofie Von Otter (2013)

    Posted By: tirexiss
    Anne Sofie von Otter - The Art Of Anne Sofie Von Otter (2013)

    Anne Sofie von Otter - The Art Of Anne Sofie Von Otter (2013)
    WEB | FLAC (tracks) - 487 MB | MP3 (CBR 320 kbps) - 301 MB | 01:55:57
    Genre: Classical, Vocal | Label: Deutsche Grammophon

    Anne Sofie von Otter is a leading mezzo-soprano known for her versatility in operatic roles, her interesting recital choices, and her willingness to take vocal risks. Her father was a Swedish diplomat whose career took the family to Bonn, London, and back to Stockholm while Anne Sofie was growing up. As a result, she gained fluency in languages. She studied music at the Guildhall School of Music and Drama in London. Her main voice teacher was Vera Rozsa, while Erik Werba and Geoffrey Parsons coached her in lieder interpretation.

    Anne Sofie von Otter, Bengt Forsberg - Schubert: Lieder (1997)

    Posted By: tirexiss
    Anne Sofie von Otter, Bengt Forsberg  - Schubert: Lieder (1997)

    Anne Sofie von Otter, Bengt Forsberg - Schubert: Lieder (1997)
    WEB | FLAC (tracks) - 282 MB | MP3 (CBR 320 kbps) - 178 MB | 01:08:43
    Genre: Classical, Vocal | Label: Deutsche Grammophon

    She's not shy, this Anne-Sofie von Otter. Her performances are, to say the least, incredibly expressive. Her Suleika I (D. 720) is Brigitte Bardot in Contempt. Her Im Abendrot (D. 799) is Kim Novak in Vertigo. Her Totengräbers Heimweh is Eli Walach in The Good, the Bad and the Ugly. Nor is von Otter dumb. Her interpretations are sly, subtle, and very, very sensitive. Her Der Wanderer an den Mond (D. 870) is hearty and lightly but profoundly philosophical.

    Marc Minkowski, Les Musiciens du Louvre - George Frideric Handel: Hercules (2002)

    Posted By: ArlegZ
    Marc Minkowski, Les Musiciens du Louvre - George Frideric Handel: Hercules (2002)

    Marc Minkowski, Les Musiciens du Louvre - George Frideric Handel: Hercules (2002)
    EAC | FLAC | Image (Cue & Log) ~ 847 Mb | Total time: 64:10+65:19+46:40 | Scans included
    Classical | Label: Archiv Production | # 469 532-2 | Recorded: 2000

    This is an untouchably great performance of one of Handel's most interesting oratorios: its examination of jealousy is on a par with what can be found in Otello and Pelléas. There's drama galore–in fact, during its first run it was referred to as a "musical drama" (rather than an oratorio), and Handel and his librettist, Thomas Broughton, always referred to its "acts" rather than "parts", as sections of oratorios were commonly known.

    Laurence Cummings, Anders Ohrwall - George Frideric Handel: Gloria, Dixit Dominus (2001)

    Posted By: ArlegZ
    Laurence Cummings, Anders Ohrwall - George Frideric Handel: Gloria, Dixit Dominus (2001)

    Laurence Cummings, Royal Academy of Music Baroque Orchestra, Anders Öhrwall, Drottningholm Baroque Ensemble - George Frideric Handel: Gloria, Dixit Dominus (2001)
    EAC | FLAC | Image (Cue & Log) ~ 250 Mb | Total time: 49:12 | Scans included
    Classical | Label: BIS | # BIS-CD-1235 | Recorded: 1986, 2001

    The new Messiah! Or so ran the breathless March, 2001 headlines trumpeting the rediscovery of Handel’s Gloria. Well, not quite. The 16-minute, seven-movement work, written when the composer was a callow 22, certainly doesn’t rank among his great works–it’s no Messiah–nor was it exactly altogether lost. It was first mentioned in print in 1983, though the three extant copies’ attribution was then dismissed as inauthentic. (The liner notes offer a short chronicle of the scholastic fury surrounding the piece.)

    Ulf Schirmer, Orchestre de l'Opera national de Paris, Renee Fleming - Richard Strauss: Capriccio (2004)

    Posted By: Vilboa
    Ulf Schirmer, Orchestre de l'Opera national de Paris, Renee Fleming - Richard Strauss: Capriccio (2004)

    Ulf Schirmer, Orchestre de l'Opéra national de Paris, Renée Fleming - Richard Strauss: Capriccio (2004)
    NTSC 16:9 (720x480) | Deutsch | LinearPCM, 2 ch | DTS, 5 ch | Dolby AC3, 5 ch | 6.31+4.29 Gb (DVD9+DVD5) | 148 min
    Classical | TDK | Sub: English, Deutsch, Francais, Espanol, Italiano

    When the curtain fell at the Paris Opera premiere of Capriccio, the audiences rose to long and frenetic ovations. They unanimously applauded each singer in a cast of stars, but Renée Fleming was undoubtedly the leading light of this remarkable production. Every one of the performers in this production is outstanding and can be regarded as the best possible singer for the role - Opera fans from all over the world came to Paris to see this production. This Capriccio also served as a role debut for American star soprano Renée Fleming who took on the role of the Gräfin. The critics celebrated her performance as “ideal” in all aspects: musically, dramatically and above all vocally and she was cheered frenetically by the audience at the Palais Garnier of the Opéra National de Paris.