Crispian St. Peters - The Anthology (1996)
Crispian St. Peters - The Anthology (1996)
EAC Rip | WavPack (Img) + Cue + Log ~ 418 Mb | MP3 CBR320 ~ 211 Mb
Full Scans | 01:18:35 | RAR 5% Recovery
Pop Rock / Folk Rock / Psychedelic Rock / Garage Rock / Psychedelic Pop / AM Pop
Repertoire Records #REP 4608-WY
EAC Rip | WavPack (Img) + Cue + Log ~ 418 Mb | MP3 CBR320 ~ 211 Mb
Full Scans | 01:18:35 | RAR 5% Recovery
Pop Rock / Folk Rock / Psychedelic Rock / Garage Rock / Psychedelic Pop / AM Pop
Repertoire Records #REP 4608-WY
Crispian St. Peters was one mid-'60s act, like We Five (from whom he appropriated a song), who seemed to capture a moment with his best songs, but never moved past that moment. In his particular case, a mix of psychological problems, bad timing, and an inconsistent style seemed to make it impossible to get past his two big hits.
Born Robin Peter Smith on April 5, 1939 in Swanley, Kent, England, he'd been a member of a trio called the Beat Formula Three in the early '60s when manager Dave Nicolson pegged him for stardom, with a new name, Crispian St. Peters, and a new folk-rock sound. His first two singles, an uptempo, harmonium-driven ballad called "At This Moment," and the loud, retro-sounding love song "No No No," failed to attract any attention from the public or the press. Then he covered the Sylvia Fricker-authored "You Were on My Mind," which the quintet We Five had picked up from Ian & Sylvia and turned into a hit in America – his version, slightly more subdued and brooding (his phrasing of the song's opening line was almost Elvis-like), was issued very hurriedly late in 1965 and languished for a time. Gradually, however, it took hold in England and eventually made the British Top Ten in mid-1966.
By then, as with most pop phenomena, Crispian St. Peters became the object of massive press attention, and that was where the first of his outlandish self-promoting statements achieved notice – he claimed that he'd written 80 songs that were better than anything John Lennon or Paul McCartney had ever authored, and subsequently described himself as a singer better than Elvis Presley, sexier than Dave Berry ("The Crying Game"), and more exciting than Tom Jones.
Later in 1966, St. Peters' "The Pied Piper" soared into the Top Ten on both sides of the Atlantic, and, with its infectious chorus and beat and flute ornamentation, seemed to captured the glow of the pre-psychedelic era. It proved to be the last of his successes, however, a fact that can only be explained, in part, by the controversy surrounding his statements. There was something bizarre and off-putting seeing his name attributed to statements announcing that the Beatles "are past it." His sound was also strangely inconsistent, crossing between upbeat folk-rock and brooding ballads – he could sound like an aspiring rival to Tom Jones, but on a number like "Your Love Has Come," reached for a high register that made him seem more like an aspiring Tiny Tim. His folk-rock inclinations were also undone by numbers like the pre-Beatles British beat-style "Jilly Honey," complete with ornamentation that sounds like a honking sax (or is it a fuzz bass?). In fairness, he did have the wisdom to record a rocked-up version of Phil Ochs' "Changes," but it was still difficult to tell whether St. Peters was trying to be Tom Jones, half of Peter & Gordon, a pop version of Donovan, or a mid-'60s version of Marty Wilde.
By 1968, he'd moved on to country music, but found little success with that repertory. A 1970 release, Simply…Crispian St. Peters, compiled many of his early sides, and he periodically reappeared on the '60s revival circuit in England. In 1995 he suffered a major stroke, but continued to write songs thereafter and performed live up to 1999, announcing his final retirement two years later. Crispian St. Peters died at 71 years of age at his home in Swanley on June 8, 2010.
By then, as with most pop phenomena, Crispian St. Peters became the object of massive press attention, and that was where the first of his outlandish self-promoting statements achieved notice – he claimed that he'd written 80 songs that were better than anything John Lennon or Paul McCartney had ever authored, and subsequently described himself as a singer better than Elvis Presley, sexier than Dave Berry ("The Crying Game"), and more exciting than Tom Jones.
Later in 1966, St. Peters' "The Pied Piper" soared into the Top Ten on both sides of the Atlantic, and, with its infectious chorus and beat and flute ornamentation, seemed to captured the glow of the pre-psychedelic era. It proved to be the last of his successes, however, a fact that can only be explained, in part, by the controversy surrounding his statements. There was something bizarre and off-putting seeing his name attributed to statements announcing that the Beatles "are past it." His sound was also strangely inconsistent, crossing between upbeat folk-rock and brooding ballads – he could sound like an aspiring rival to Tom Jones, but on a number like "Your Love Has Come," reached for a high register that made him seem more like an aspiring Tiny Tim. His folk-rock inclinations were also undone by numbers like the pre-Beatles British beat-style "Jilly Honey," complete with ornamentation that sounds like a honking sax (or is it a fuzz bass?). In fairness, he did have the wisdom to record a rocked-up version of Phil Ochs' "Changes," but it was still difficult to tell whether St. Peters was trying to be Tom Jones, half of Peter & Gordon, a pop version of Donovan, or a mid-'60s version of Marty Wilde.
By 1968, he'd moved on to country music, but found little success with that repertory. A 1970 release, Simply…Crispian St. Peters, compiled many of his early sides, and he periodically reappeared on the '60s revival circuit in England. In 1995 he suffered a major stroke, but continued to write songs thereafter and performed live up to 1999, announcing his final retirement two years later. Crispian St. Peters died at 71 years of age at his home in Swanley on June 8, 2010.
~ Bruce Eder, All Music
***************
Crispian St. Peters - The Anthology (1996)
Crispian St. Peters - The Anthology (1996)
Track List:
01. You Were On My Mind [0:02:44.25]
02. The Pied Piper [0:02:31.50]
03. Free Spirit [0:02:17.22]
04. But She's Untrue [0:03:09.45]
05. Changes [0:02:43.63]
06. Carolina [0:02:25.65]
07. At This Moment [0:02:11.30]
08. No No No [0:02:41.45]
09. Your Ever Changing Mind [0:02:24.40]
10. You'll Forget Me, Goodbye [0:02:29.40]
11. You Have Gone [0:02:16.07]
12. Wandering Hobo [0:02:09.25]
13. Monumental Queen [0:02:37.33]
14. Do Daddy Do [0:03:03.07]
15. Oh Caroline [0:03:24.23]
16. It Ain't The Same [0:02:48.40]
17. Every Time You Sinned [0:02:39.05]
18. Laura [0:02:27.10]
19. Sweet Lies [0:02:38.47]
20. Please Take Me Back [0:03:06.25]
21. Love Love Love [0:02:45.18]
22. Three Goodbyes [0:02:16.27]
23. The Silent Times [0:02:45.03]
24. That's Why We Are Through [0:02:27.65]
25. I Fall To Pieces [0:02:51.27]
26. I've Cried A Mile [0:02:25.70]
27. Country Roads [0:03:24.53]
28. Sailing Deep Water [0:04:09.00]
29. The Pied Piper [0:02:39.65]
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 6. April 2019, 12:31
Crispian St. Peters / The Anthology
Used drive : PLEXTOR DVDR PX-L890SA Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\wavpack.exe
Additional command line options : -lm %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:44.25 | 0 | 12324
2 | 2:44.25 | 2:31.50 | 12325 | 23699
3 | 5:16.00 | 2:17.22 | 23700 | 33996
4 | 7:33.22 | 3:09.45 | 33997 | 48216
5 | 10:42.67 | 2:43.63 | 48217 | 60504
6 | 13:26.55 | 2:25.65 | 60505 | 71444
7 | 15:52.45 | 2:11.30 | 71445 | 81299
8 | 18:04.00 | 2:41.45 | 81300 | 93419
9 | 20:45.45 | 2:24.40 | 93420 | 104259
10 | 23:10.10 | 2:29.40 | 104260 | 115474
11 | 25:39.50 | 2:16.07 | 115475 | 125681
12 | 27:55.57 | 2:09.25 | 125682 | 135381
13 | 30:05.07 | 2:37.33 | 135382 | 147189
14 | 32:42.40 | 3:03.07 | 147190 | 160921
15 | 35:45.47 | 3:24.23 | 160922 | 176244
16 | 39:09.70 | 2:48.40 | 176245 | 188884
17 | 41:58.35 | 2:39.05 | 188885 | 200814
18 | 44:37.40 | 2:27.10 | 200815 | 211849
19 | 47:04.50 | 2:38.47 | 211850 | 223746
20 | 49:43.22 | 3:06.25 | 223747 | 237721
21 | 52:49.47 | 2:45.18 | 237722 | 250114
22 | 55:34.65 | 2:16.27 | 250115 | 260341
23 | 57:51.17 | 2:45.03 | 260342 | 272719
24 | 60:36.20 | 2:27.65 | 272720 | 283809
25 | 63:04.10 | 2:51.27 | 283810 | 296661
26 | 65:55.37 | 2:25.70 | 296662 | 307606
27 | 68:21.32 | 3:24.53 | 307607 | 322959
28 | 71:46.10 | 4:09.00 | 322960 | 341634
29 | 75:55.10 | 2:39.65 | 341635 | 353624
Range status and errors
Selected range
Filename D:\wwphil\Crispian St. Peters - The Anthology\Crispian St. Peters - The Anthology.wav
Peak level 98.4 %
Extraction speed 10.2 X
Range quality 100.0 %
Test CRC 2DEE2ED5
Copy CRC 2DEE2ED5
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 7) [5AD53697] (AR v2)
Track 2 accurately ripped (confidence 7) [6E1C4EB7] (AR v2)
Track 3 accurately ripped (confidence 7) [B0F35010] (AR v2)
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Track 29 accurately ripped (confidence 7) [06D9E23A] (AR v2)
All tracks accurately ripped
End of status report
==== Log checksum 6302B49F4B5C7924359EAB5CAADE9A5C0944F3F56CCCFB837E29A36615E36102 ====
EAC extraction logfile from 6. April 2019, 12:31
Crispian St. Peters / The Anthology
Used drive : PLEXTOR DVDR PX-L890SA Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\wavpack.exe
Additional command line options : -lm %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:44.25 | 0 | 12324
2 | 2:44.25 | 2:31.50 | 12325 | 23699
3 | 5:16.00 | 2:17.22 | 23700 | 33996
4 | 7:33.22 | 3:09.45 | 33997 | 48216
5 | 10:42.67 | 2:43.63 | 48217 | 60504
6 | 13:26.55 | 2:25.65 | 60505 | 71444
7 | 15:52.45 | 2:11.30 | 71445 | 81299
8 | 18:04.00 | 2:41.45 | 81300 | 93419
9 | 20:45.45 | 2:24.40 | 93420 | 104259
10 | 23:10.10 | 2:29.40 | 104260 | 115474
11 | 25:39.50 | 2:16.07 | 115475 | 125681
12 | 27:55.57 | 2:09.25 | 125682 | 135381
13 | 30:05.07 | 2:37.33 | 135382 | 147189
14 | 32:42.40 | 3:03.07 | 147190 | 160921
15 | 35:45.47 | 3:24.23 | 160922 | 176244
16 | 39:09.70 | 2:48.40 | 176245 | 188884
17 | 41:58.35 | 2:39.05 | 188885 | 200814
18 | 44:37.40 | 2:27.10 | 200815 | 211849
19 | 47:04.50 | 2:38.47 | 211850 | 223746
20 | 49:43.22 | 3:06.25 | 223747 | 237721
21 | 52:49.47 | 2:45.18 | 237722 | 250114
22 | 55:34.65 | 2:16.27 | 250115 | 260341
23 | 57:51.17 | 2:45.03 | 260342 | 272719
24 | 60:36.20 | 2:27.65 | 272720 | 283809
25 | 63:04.10 | 2:51.27 | 283810 | 296661
26 | 65:55.37 | 2:25.70 | 296662 | 307606
27 | 68:21.32 | 3:24.53 | 307607 | 322959
28 | 71:46.10 | 4:09.00 | 322960 | 341634
29 | 75:55.10 | 2:39.65 | 341635 | 353624
Range status and errors
Selected range
Filename D:\wwphil\Crispian St. Peters - The Anthology\Crispian St. Peters - The Anthology.wav
Peak level 98.4 %
Extraction speed 10.2 X
Range quality 100.0 %
Test CRC 2DEE2ED5
Copy CRC 2DEE2ED5
Copy OK
No errors occurred
AccurateRip summary
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Track 2 accurately ripped (confidence 7) [6E1C4EB7] (AR v2)
Track 3 accurately ripped (confidence 7) [B0F35010] (AR v2)
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All tracks accurately ripped
End of status report
==== Log checksum 6302B49F4B5C7924359EAB5CAADE9A5C0944F3F56CCCFB837E29A36615E36102 ====
[CUETools log; Date: 08.04.2019 2:34:16; Version: 2.1.6]
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2 | (26/26) Accurately ripped
3 | (26/26) Accurately ripped
4 | (26/26) Accurately ripped
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[CTDB TOCID: HJ2hU7sXkWOatU.He8OegT2nB6M-] found.
Track | CTDB Status
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2 | (26/26) Accurately ripped
3 | (26/26) Accurately ripped
4 | (26/26) Accurately ripped
5 | (26/26) Accurately ripped
6 | (26/26) Accurately ripped
7 | (26/26) Accurately ripped
8 | (26/26) Accurately ripped
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10 | (26/26) Accurately ripped
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12 | (26/26) Accurately ripped
13 | (26/26) Accurately ripped
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17 | (26/26) Accurately ripped
18 | (26/26) Accurately ripped
19 | (26/26) Accurately ripped
20 | (26/26) Accurately ripped
21 | (26/26) Accurately ripped
22 | (26/26) Accurately ripped
23 | (26/26) Accurately ripped
24 | (26/26) Accurately ripped
25 | (26/26) Accurately ripped
26 | (26/26) Accurately ripped
27 | (26/26) Accurately ripped
28 | (26/26) Accurately ripped
29 | (24/26) Accurately ripped
[AccurateRip ID: 004e7820-065c8e71-ca126b1d] found.
Track [ CRC | V2 ] Status
01 [e4c23432|5ad53697] (00+07/17) Accurately ripped
02 [967016d8|6e1c4eb7] (00+07/17) Accurately ripped
03 [a2d90fcd|b0f35010] (00+07/17) Accurately ripped
04 [4faec3b3|8d0f934f] (00+07/17) Accurately ripped
05 [fdf6896f|0a1de5fc] (00+07/17) Accurately ripped
06 [0c5a8f79|825ffc5e] (00+07/17) Accurately ripped
07 [e986c778|4ae5c7ff] (00+07/17) Accurately ripped
08 [14506765|ae3ac05c] (00+07/17) Accurately ripped
09 [d5c60818|1ad27871] (00+07/17) Accurately ripped
10 [282cac20|6aa6f1a6] (00+07/17) Accurately ripped
11 [3921376b|e815cac2] (00+07/17) Accurately ripped
12 [7eec4b78|b77a565d] (00+07/17) Accurately ripped
13 [78c9d5a3|8d106abc] (00+07/17) Accurately ripped
14 [e92c3076|9718a4b4] (00+07/17) Accurately ripped
15 [4c8542fa|44099787] (00+07/17) Accurately ripped
16 [3ef0942e|a4676c74] (00+07/17) Accurately ripped
17 [024ada13|7c6b0df9] (00+07/17) Accurately ripped
18 [7274d5a6|af0fb495] (00+07/17) Accurately ripped
19 [1bd2a64f|806f0496] (00+07/17) Accurately ripped
20 [7a54355e|24e90706] (00+07/17) Accurately ripped
21 [9cf6c507|7d6cb09c] (00+07/17) Accurately ripped
22 [c8cfc1a0|d5651fd0] (00+07/16) Accurately ripped
23 [a2223bd1|e0b4af45] (00+07/17) Accurately ripped
24 [e65134ef|3750483e] (00+07/17) Accurately ripped
25 [f603cdf0|68bee33a] (00+07/17) Accurately ripped
26 [d1f78724|f30ce865] (00+07/17) Accurately ripped
27 [1119df41|113c329d] (00+07/16) Accurately ripped
28 [08096322|d3bbc22a] (00+07/17) Accurately ripped
29 [fe270a04|06d9e23a] (00+07/17) Accurately ripped
Offsetted by 18:
01 [ff966078] (03/17) Accurately ripped
02 [91be7398] (03/17) Accurately ripped
03 [4cd084bf] (03/17) Accurately ripped
04 [773088d3] (03/17) Accurately ripped
05 [1b87c0b1] (03/17) Accurately ripped
06 [6ad06cd1] (03/17) Accurately ripped
07 [6822f8c8] (03/17) Accurately ripped
08 [9338238f] (03/17) Accurately ripped
09 [04e9dce6] (03/17) Accurately ripped
10 [1c3d11b6] (03/17) Accurately ripped
11 [df855129] (03/17) Accurately ripped
12 [ec6350a4] (03/17) Accurately ripped
13 [b39e8e65] (03/17) Accurately ripped
14 [5a2246ea] (03/17) Accurately ripped
15 [881d020e] (03/17) Accurately ripped
16 [672f9eaa] (03/17) Accurately ripped
17 [0b6817e9] (03/17) Accurately ripped
18 [a8337a5a] (03/17) Accurately ripped
19 [e0b6b575] (03/17) Accurately ripped
20 [e268d9f6] (03/17) Accurately ripped
21 [73c3431d] (03/17) Accurately ripped
22 [667ebe92] (03/16) Accurately ripped
23 [8a13ba1f] (03/17) Accurately ripped
24 [8e1045c3] (03/17) Accurately ripped
25 [50973f28] (03/17) Accurately ripped
26 [7410e6b6] (03/17) Accurately ripped
27 [a6c5d75f] (03/16) Accurately ripped
28 [8f7ede00] (03/17) Accurately ripped
29 [3f0bdf7a] (03/17) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 98,4 [2DEE2ED5] [FE21C71D] CRC32
01 98,4 [1C939028] [13ED7D2A]
02 98,4 [7CAB7B51] [3EBB04A9]
03 98,4 [F89BD375] [C36206C3]
04 98,4 [B7982F34] [8CDD08AA]
05 98,4 [0DF5275C] [D2B6145E]
06 98,4 [A23F8B41] [611A0D8F]
07 98,4 [2D392154] [1DD7C295]
08 97,5 [5D066FC3] [3FE37E2E]
09 98,4 [F456F4AE] [A5DA67BC]
10 98,4 [1384F9D0] [C2E27C69]
11 94,8 [1CA4BE54] [48D1E513]
12 98,4 [C03156C5] [61BD49C0]
13 98,4 [51BC80FA] [35A22A66]
14 98,4 [D37973A2] [11F40102]
15 98,4 [7065E0B2] [0911EECD]
16 98,4 [9530009F] [2983D014]
17 98,4 [A2A9AE87] [4EA0269C]
18 98,4 [9AC436BD] [6EF30964]
19 98,4 [23208171] [614BE4B6]
20 98,4 [761969AC] [04762C91]
21 92,5 [2E853021] [E04B1AFF]
22 80,6 [47A697B0] [590FC8A4]
23 82,1 [E6D43081] [38F715F1]
24 89,1 [094D9DAF] [58B7C0B6]
25 98,4 [60CA02CE] [AEA084E1]
26 98,4 [124DADFA] [626E0842]
27 98,4 [A9F5D503] [311A6BCF]
28 98,4 [4DA5375D] [5BD094C9]
29 98,4 [C5FF9CF8] [46DD3CCF]
Crispian St. Peters - The Anthology (1996)
