Helen Shapiro is remembered today by younger pop culture buffs as the slightly awkward actress/singer in Richard Lester's 1962 debut feature film, It's Trad, Dad. From 1961 until 1963, however, Shapiro was England's teenage pop music queen, at one point selling 40,000 copies daily of her biggest single, "Walking Back to Happiness," during a 19-week chart run. A deceptively young 14 when she was discovered, Shapiro had a rich, expressive voice properly sounding like the property of someone twice as old, and she matured into a seasoned professional very quickly.

All six albums Joan Baez recorded for A&M during the '70s with non-LP singles-a long-overdue look at a key phase in her career! This box has every note from this fertile period, including the albums Come from the Shadows, Gracias La Vida (Here's to Life), Diamonds and Rust , the live album From Every Stage and the never-before-on-CD Where Are You Now My Son? and Gulf Winds releases.

Since the bulk of Jim Croce's discography consists of compilations that shuffle "You Don't Mess Around with Jim," "Bad, Bad Leroy Brown," "Operator," "Time in a Bottle," and "I Got a Name" in a seemingly endless series of permutations, it's easy to be suspicious of another collection, particularly one bearing the nondescript title Classic Hits. But Classic Hits is from Rhino Records, not a budget label like Disky, and they have put together the first serious Croce hits compilation since 1992's double-disc The 50th Anniversary Collection. That collection, while comprehensive, had limited appeal since only hardcore fans need 49 Croce songs in one compilation, so this is the first noteworthy single-disc compilation since the first Croce hits album, the 1974 LP Photographs & Memories. Every one of the 14 songs on that album is here, but the "Classic Hits" billing doesn't mean all of his charting singles are here – posthumous minor hit "Chain Gang Medley" is absent.

Cardboard sleeve (mini LP) reissue from Diana Ross & The Supremes featuring the high-fidelity SHM-CD format. Part of a ten-album Diana Ross & The Supremes SHM-CD cardboard sleeve reissue series featuring albums "Where Did Our Love Go", "More Hits By The Supremes", "I Hear A Symphony", "The Supremes A Go Go", "Sing Holland Dozier Holland", "Reflections", "Join The Temptaions", "Love Child", "Let The Sunshine In", and "Cream Of The Crop".

The Beach Boys' third and fifth albums make a good pairing on one CD, different as they are in content and origins. Surfer Girl was the album on which the group's and Brian Wilson's sound blossomed, and it did so on several levels. The title track was the first song that Brian ever wrote, and it's lucky that he saved it for this stage in their history, for it features surprising elegant and lush harmonies. The usual assumption is that, because of Wilson's hearing loss in one ear, the group's records work best in mono, but on this, their second album in stereo, the mixing makes inventive use of the two-channel separation, even on "Surfer Girl" (which, as a single in those days, would have been conceived in mono from the get-go).

This is one of nearly a dozen anthologies of Manfred Mann's music that cover their EMI period, and the 25 songs here make it the biggest of them. Additionally, there is an 11-minute interview with the band here, dating from December of 1964, that has never before appeared on record in the United States. The hits are all here, sometimes in more than one version, along with a cross-section of album tracks and B-sides, and it all sounds very good, though EMI's recent 24-bit remasterings of the band's original British LPs are much more impressive. But this CD misses being "definitive" because it leaves out some key B-sides to their early singles and overlooks the contents of several top-selling British EPs.

American Pie is the second studio album by the American singer-songwriter Don McLean, released by United Artists Records on 24 October 1971. The folk/rock album reached number one on the Billboard 200, containing the chart-topping singles "American Pie" and "Vincent." Recorded in May and June 1971 at The Record Plant in New York City, the LP is dedicated to Buddy Holly, and was reissued in 1980 minus the track "Sister Fatima". The album was released to much acclaim, later being included in the book 1001 Albums You Must Hear Before You Die.

There are almost more Petula Clark collections than there were actual songs (that's saying something), and Sanctuary's three-disc Songs of My Life: The Essential Petula Clark is one of the better ones. Split into three themes, "Swinging Times," "Mellow Moods," and "Beautiful Sounds," Songs of My Life relies heavily on the English pop sensation's peak '60s and '70s output. All of the key radio hits are here ("Downtown," "I Know a Place," "My Love," "This Is My Song"), as well as countless ballads, uptempo pop gems, and choice covers. Fans looking for a decent career overview (sadly, none of Clark's vast arsenal of French hits are here) may find the 78 tracks that populate Songs of My Life a bit overwhelming, but they're well worth spending some quality time alone with.

There may be too many Carpenters compilations on the market – there are certainly enough to confuse the average neophyte – but Love Songs is a welcome addition to the clutter, since it offers 20 of the duo's very best love songs, including "We've Only Just Begun" and "Top of the World." Anyone looking for a collection of the duo's romantic songs should definitely consider this fine collection, even it does leave off some of their poppier, rock-inflected material.

First-ever collection of Lulu’s complete recordings for Decca from 1964 to 1967. Includes the Top 10 hits ‘Shout!’ (here in its rarer mono single variation) and ‘Leave A Little Love’, plus other hits ‘Here Comes The Night’ and ‘Try To Understand’. Sleeve-notes include new quotes from Lulu. Includes two rare German language tracks. Great value with 42 tracks taken from two albums, a scarce EP and a raft of singles. Several tracks include session work from the legendary Jimmy Page. ‘Surprise, Surprise’ was an exclusive Jagger/Richards composition.

It's no understatement to call Elvis Presley the chief catalyst of the rock 'n' roll era. Presley earned his nickname ''The King'' by releasing dozens of course-altering singles over the course of his influential career. During the 1950s, Presley's records spent a collective 53 weeks in the No.1 chart position. On 24 Karat Hits, two dozen of the King's greatest recordings have been painstakingly compiled using the original 1, 2 and 3-track tapes. All the hits are here from Heartbreak Hotel to Suspicious Minds. Elvis as weve never heard him before.

Donald McLean is an American singer-songwriter, best known for his 1971 hit song "American Pie", an 8-and-a-half-minute folk rock "cultural touchstone" about the loss of innocence of the early rock and roll generation. His other hit singles include "Vincent", "Dreidel", a rendition of Roy Orbison's "Crying", a rendition of the Skyliners' "Since I Don't Have You", and "Wonderful Baby". McLean's composition "And I Love You So" has been recorded by Elvis Presley, Perry Como, Helen Reddy, Glen Campbell, and others, and in 2000, Madonna had a hit with a rendition of "American Pie". In 2004, McLean was inducted into the Songwriters Hall of Fame. In January 2018, BMI certified that "American Pie" and "Vincent" had reached five million and three million airplays respectively.

For most intents and purposes, Sugarloaf was finished after their 1973 album I Got a Song failed to generate any attention, but the band continued to push ahead, channeling their frustrations into the bubblegum sarcasm of “Don’t Call Us, We’ll Call You.” The song became a fluke hit in 1975, prompting a re-release of I Got a Song under a new title borrowed from the hit, which also was prominently featured on the new release. Of course, the fizzy pop of “Don’t Call Us” sounded very little like the rest of the earlier record, which itself wasn’t all that reminiscent of their percolating 1970 hit “Green Eyed Lady,” either. It was a curious mix of pompous neo-prog – best heard on the charging instrumental “Myra, Myra” – light hippie funk, and coolly trippy soft rock, all sounds redolent of the early ‘70s, but certainly not the epitome of it. Which isn’t to say that lead singer/songwriter Jerry Corbetta couldn’t write – in addition to the hits, he knocked off Billy Joel/Elton John’s Western fantasia quite well on “Colorado Jones” – but this album tends to drift in and out of focus, making it a period piece but not much more. [Fuel 2000’s 2010 reissue added a host of worthwhile bonus tracks, including a live version of “Green Eyed Lady.”]

Season of Lights is the first live album by New York singer, songwriter, and pianist Laura Nyro. Columbia Records issued the album in the summer of 1977, taking the songs from various locations on Nyro's 1976 tour in support of her most recent studio album, Smile.

Cardboard sleeve (mini LP) reissue from Peter, Paul and Mary featuring 2012 remastering, using the original master tape. Includes a description and lyrics. Part of a eleven-album Peter, Paul and Mary cardboard sleeve reissue series featuring albums "Peter, Paul And Mary I", "Moving", "In The Wind", "Peter, Paul And Mary in Concert", "A Song Will Rise", "See What Tomorrow Brings", "The Peter, Paul And Mary Album", "Album 1700", "In Japan", "Late Again", and "Peter, Paul And Mommy". The most popular folk group of the 1960s, Peter, Paul and Mary in later decades have also proved themselves to be among the most durable music acts in history. Their longevity dwarfs that of the Weavers, while the fact that the trio continues to be associated with a major record label (Warner Bros.) after decades in the business sets them apart from rivals like the Kingston Trio and the Brothers Four. Then again, perhaps it isn't so surprising – Peter, Paul and Mary's roots run deeper than almost any other folk act one might care to name, while their appeal crosses audience lines that other acts couldn't (and can't) even approach.