When creators f<ck with how we experience time and space, great fictions emerge: Clive Barker's Imajica, Andrei Tarkovsky's sci-fi classic Solaris, and Godard's Alphaville. But what happens to artists when the flow of time gets f^cked up IRL? When an hour stretches into eternity, and the voices in your head begin to echo through empty rooms?

Flower Powered Trippers From The British Psychedelic Subculture Brand New and Sealed Deluxe 3CD Box Set, with over 70 tracks! Full-colour 36 page, booklet with detailed liner notes and rare images One of the more elusive and illuminating compilation series to have emerged in the early 1990s. Originally released over 3 separate, extremely limited vinyl pressings, Justafixation s brief appearance served up a sublime collection of rare lysergic pleasures from the 1960s British landscape. Particles has unearthed this ultra-rare series and lovingly restored it to its former glory. Replete with additional and informative liners, rare memorabilia and professionally re-mastered original sound recordings, Justafixation takes you on a journey to the colourful underbelly of the British Empire s 3rd nipple.

Definitive 2 CD best-of collection from cult Anglo-Australian folk-pop group best known for their international smash hit 'I'd Like To Teach The World To Sing'. In their heyday between 1970-74 they were one of the biggest bands in the world, selling over 25 million records, and this release revisits that period. It includes the aforementioned classic and has been hailed by fans for finally bringing together all their top tunes, including some never before available on CD. 52-tracks in all.

"Voyage", to Pierre Vassiliu, was not only the title of an album of his, but also a philosophy of life. Travels were not for vacation or rest. They were synonyms of meetings, new music and sometimes, simply, life. These experiences around the world nourished his work, and his career allowed him to set foot on every continent. But his most beautiful travels took place in recording studios.

Omar Souleyman's 5th studio album Erbil pays homage to Erbil, Iraq - the city that offered solace and embraced Souleyman and his band during recent uneasy times. The move to Erbilcame rich with new experiences and friendships b e s tcelebrated as Omar Souleyman knows best; in joyous song dedicatedto this new chapter of life. Erbil's 8tracks see the Syrian wedding singer turned global electronic music icon again teaming up with his longtime keyboard player Hasan Jamo alo for an ever ambitious and forward thinking techno-meets-Dabke sound."

Digitally remastered two CD set from the Scottish Prog band, which encompasses all Clouds' known recorded works and includes their two UK albums (Scrapbook and Watercolour Days) plus singles and unreleased demos. Also included are the tracks from their US-only album, Up Above Our Heads. Clouds have maintained credibility over the years and this compilation will help enhance their reputation.
In their earlier incarnation as 1-2-3, they had a now-legendary residency at the Marquee club in early 1967, directly influencing many important bands such as Yes, The Nice, and King Crimson. They were managed by Brian Epstein and Nems, but this association ended shortly after Epstein’s death, and the band was signed by Terry Ellis to the fledgling Chrysalis empire…

The post-garage-punk and psychedelic power pop anomaly Chemtrails return with their upcoming third album – their boldest yet with a more danceable and rhythm-driven style, armed with their trademark fuzzy guitars and playfully sinister melodies. Working with producer Margo Broom (Fat White Family, Goat Girl) this time around, the group has traded in their DIY approach for a more hi-fi studio sound, remaining just as raw and wild as ever, but with a whole new level of focus and intensity.

Anyone who thinks of the Equals as nothing but a prelude to Eddy Grant's solo career will find revelations throughout this 50-song double-CD set – the diversity of sounds here is quite staggering, and all the more so as the quintet was so good at all of it: British Invasion-style rock & roll, psychedelic pop, freakbeat, bubblegum, they could do it all, and with an edge that always told you there was more to this band than what their records were letting you in on. The 140 minutes of music here is as much of the Equals as most of us might ever need to hear, starting from their October 1966 single "I Won't Be There" b/w "Fire," and going up through "Diversion," Grant's last authored single for the band, in 1973. In between are all of the singles and B-sides of any significance, plus the most important tracks off of their LPs Unequaled Equals, Equals Explosion, Sensational Equals, Equals Supreme, Equals Strike Again, and The Equals Rock Around the Clock, and the various EPs interspersed between these. Completists might only be satisfied with all of the latter, represented on CDs with a brace of bonus tracks, but this 50-song compilation is impressive in its own right, and as solid a selection of their best work across seven years as one is ever likely to hear. All of it is present in exceptionally good sound and fully annotated by the always reliable and fascinating Roger Dopson.

In the 1960s, The Hep Stars were Sweden’s biggest band - inspiring screams and Beatles-like devotion. For the first time outside Sweden, Like We Used To: The Anthology 1965-1967 collects them at their peak, from being one of the era’s wildest bands - emphasised on the live tracks - to performers of affecting songs with a yearning atmosphere.
The band’s songwriter Benny Andersson later achieved global fame with ABBA and Like We Used To features classic early compositions, including the first-ever song he wrote. Also collected is a rare early collaboration with his future ABBA companion Björn Ulvaeus - the first song they wrote together…

Strawberry Alarm Clock occupies a peculiar niche in the history of '60s rock. Their name is as well known to anyone who lived through the late-'60s psychedelic era as that of almost any group one would care to mention, mostly out of its sheer, silly trippiness as a name and their one major hit, "Incense and Peppermints," which today is virtually the tonal equivalent of a Summer of Love flashback. But there was a real group there, with members who had played for a long time on the Southern California band scene, who were proficient on their instruments and who sang well and generated four whole LPs of which at least three were worth hearing more than once.

Starting life in Edinburgh, Scotland, as The Premiers, then, following a few personnel changes, enjoying some critical acclaim as innovative organ-led rock trio 1-2-3, The Clouds were at the epicenter of the thriving progressive rock scene from its inception in the mid-late 1960s. They remained there until 1971 but never really hit the big time and remain one of Prog's great unsung.
According to some sources, 1-2-3 were instrumental in influencing Keith Emerson's band The Nice to stop being P.P. Arnold's backing band and become a classically influenced organ-driven rock group themselves, although Emerson has never confirmed this…

EMI Records presents 40 classic tracks from the 60s including songs from The Beach Boys, The Mamas & The Papas, Gary Lewis & the Playboys, Manfred Mann, Gerry & The Pacemakers and many more.

Aside from the Beatles and perhaps the Beach Boys, no mid-'60s rock group wrote melodies as gorgeous as those of the Zombies. Dominated by Colin Blunstone's breathy vocals, choral backup harmonies, and Rod Argent's shining jazz- and classical-influenced organ and piano, the band sounded utterly unique for its era. Indeed, the Zombies' material – penned by either Argent or guitarist Chris White, with unexpected shifts from major to minor keys – was perhaps too adventurous for the singles market.

Four-hour, 3-CD overview of the American music scene in 1967. A dazzling cornucopia of psychedelia, garage punk, folk-rock and sunshine pop that acted as the soundtrack to the Summer of Love (US division).

Bay Area singer-songwriter, multi-instrumentalist and producer Lindsay Olsen is the mind behind the warped and magical project Salami Rose Joe Louis. Drawing from her studies in planetary sciences, she creates a unique experience: exploring ideas of multiverses and climate change through the lens of a fictional post-apocalyptic keyboard-toting earthling with a flashlight, a can of cashews and a hopeful optimism. Melding influences from jazz, rock and hip-hop – Shuggie Otis, Captain Beefheart, Stereolab, and R. Stevie Moore – she creates a unique blend of experimental galaxy sounds with jazz influenced vocals and keys.