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    Ensemble Belcanto, Dietburg Spohr - Hildegard von Bingen: Ordo Virtutum (2013)

    Posted By: Designol
    Ensemble Belcanto, Dietburg Spohr - Hildegard von Bingen: Ordo Virtutum (2013)

    Ensemble Belcanto, Dietburg Spohr - Hildegard von Bingen: Ordo Virtutum (2013)
    EAC | FLAC | Tracks (Cue&Log) ~ 283 Mb | Mp3 (CBR320) ~ 189 Mb | Scans included | 01:18:52
    Classical, Medieval, Contemporary, Choral | Label: ECM | # ECM New Series 2219, 476 4633

    This is the second New Series album to feature the Stuttgart-based Ensemble Belcanto. Where its 2001 predecessor focused on contemporary composition by Wolfgang Rihm and others (Come un'ombra di luna), this disc looks at Hildegard of Bingen's Ordo Virtutum, written around 1150 and generally considered the first large-scale musical work beyond the prescribed form of the Mass liturgy. This is sacred music reflecting Medieval thought, as music and morality play are intertwined.

    In her creative interpretation, Belcanto leader Dietburg Spohr waives claims to 'objective' historical literalness. Instead, she and her fellow singers encounter the work as if it were written specifically for the Ensemble Belcanto: "We sought to free Hildegard from mystical-esoteric associations and to emphasize the work of an emancipated woman and composer." They have been performing the music of Hildegard von Bingen since the early 1990s, and view her compositions as a joyously experimental bridge between the Middle Ages and contemporary music.

    Ensemble Belcanto was formed in 1986 by mezzo-soprano Dietburg Spohr, then a member of Clytus Gottwald's Schola Cantorum in Stuttgart, drawing on her experiences in improvisation as well as choral music, classical singing and new music performance. The group has been committed to adventurous programming from the outset, and many composers have written music for the ensemble.

    On this account of Hildegard von Bingen's Ordo Virtutum, the Ensemble Belcanto avoids what founder Dietburg Spohr describes as the "emotive sonic incense" that the medieval composer is often subjected to.

    Instead, Spohr's group view her work as a bridge to contemporary music, reflecting the song cycle's questioning attitude in arrangements of different techniques that represent the "virtues" and "characters" counselling the soul on its spiritual journey.

    In some verses, dissonant harmonies represent the struggle; in others, a childlike register evokes innocence. Elsewhere, a series of innovations – breathing, whistling – lend an astringent feel arguably truer to the original intentions.

    Review by Andy Gill, Independent.co.uk

    The other item is a new composition created from the music of Hildegard’s Ordo virtutum, her theatrical piece with distinctive dramatic verve. Dietburg Spohr has arranged it for the five female voices of her Ensemble Belcanto (with just an added girl’s voice and two speaking voices); and she has done it mainly in the language to which they are accustomed, namely of contemporary vocal music. The variety of sounds they can produce is truly impressive, as is the virtuosity of the singers. And what is perhaps most important is the way Spohr resists the temptation to highlight or exaggerate the dramatic details of the Ordo. There is no text provided; but the booklet gives a most useful and original summary of the story (in German only).

    Review by David Fallows, Gramophone


    Whichever way you slice it, this an odd CD. To start with, fans of Hildegard von Bingen, or fans of what they think they might expect to hear from Hildegard von Bingen based on past experience, need to be warned - this is more than likely not what you would expect to hear from an album dedicated to the music of Hildegard von Bingen.

    Dietburg Spohr’s Ensemble Belcanto has already appeared on the ECM label, performing works by Wolfgang Rihm, Konrad Boehmer, Fabrizio Casti and Haim Alexander on ECM New Series 1739. With Belcanto’s reputation in new music you might not expect them to appear in a work from around 1150, but Dietburg Spohr is sensitive to the very real affinities between early music and some of today’s avant-garde. The original Ordo Virtutum is a morality play or liturgical drama, considered the earliest known to have a name author for both the music and the text.

    The approach in this case is not a search for historical authenticity. In order to gain some kind of reference I had a listen online to the recording of Ordo Virtutum by Sequentia on the BMG label, and if you know this or perhaps the Vox Animæ recording on Et’Cetera KTC1203 then you will be wondering what on earth is going on with Ensemble Belcanto.

    Ensemble Belcanto have embarked on a ‘creative interpretation’, one which Gerhard R. Koch’s booklet notes describe as being “based on respect and the faithful handling of the auratic composer and her presumed intentions. Precisely because her world is so distant and foreign, one must refrain from enfolding it in emotive sonic incense or from making it ironical. Experience with new vocal music is applied in this version, as is the endeavour to impart the Middle Ages - a kind of balancing act between the modern and the archaic which, in any event, does more justice to the work than a beautified halo. Dietburg Spohr activates the potential for contrast in Ordo in her arrangement, as if an imaginary Medieval composer had composed for a ‘bel canto’ ensemble.”

    In other words, we get strange dissonances, atonal wandering accompanying lines which have a kind of plainchant texture but as if performed by singers looking for their notes rather than in possession of clarity of intent, bluesy parallel close-harmony, gasping and pain-ridden vocalisations, laughing and whistling, staccato jabbing features or repeating vowel sounds like flights of seagulls or a choir in search of a new production of Einstein on the Beach. Don’t expect any sublime revelation towards the end either, it just keeps on going. It’s all very strange and not without its own fascination, but pretty far removed from general expectations of medieval music. I wonder at the comment “one must refrain … from making it ironical”. To my ears there is plenty of irony to be found in the many incongruities in this performance, though with its deadly serious intent these little parcels of capriciousness may well be accidental. It’s hard to tell, which is perhaps part of the charm of the piece: perhaps Koch has been taken for a ride as well.

    As with all such things, we have to ditch preconceptions and take these sounds at face value - as music for our times inspired by a rich and mysterious past. Like it or loathe it, this is an artefact which gazes upon the mists of time and refracts what little light emerges from that other country into something new and unique. It confounds our comfortable idea of what Von Bingen’s music might have sounded like or sought to express, or indeed the expressive means of those recreating her work in her own times and beyond.

    I would be the last to want to put you off, but take care - if Mother likes a bit of Hildegard, this might not be the gift you want her putting on for a quiet evening around the tree next Christmas … and what would Sibyl of the Rhine make of it all? I suspect that, with an amused twinkle in her eye, she would say “you are all just crazy”, before turning back to her reading and making us all feel a bit silly.

    Review by Dominy Clements, MusicWeb-International.com


    Ensemble Belcanto, Dietburg Spohr - Hildegard von Bingen: Ordo Virtutum (2013)



    Ensemble Belcanto:
    Dietburg Spohr (mezzo-soprano, conductor)
    Andrea Baader, Martina Scharstein, Selina Drews (soprano)
    Edith Murasov (mezzo-soprano)
    Benjamin Cromme, Lilith Reid (spoken voice)

    rec. October 2010, Festeburgkirche, Frankfurt am Main

    Tracklist:

    Hildegard von Bingen (1098-1179)

    Ordo Virtutum, liturgical drama

    01. Patriarchae Et Prophetae (1:30)
    02. Patriarchae Et Prophetae (2:06)
    03. Querela Animarum In Carne Positarum (1:16)
    04. Felix Anima (0:38)
    05. Felix Anima (0:42)
    06. Virtutes (1:09)
    07. Anima Illa (0:20)
    08. Scientia Dei Ad Animam Illam (1:05)
    09. Infelix Anima (0:53)
    10. Scientia Dei (0:49)
    11. Anima Illa (0:42)
    12. Strepitus Diaboli Ad Animam Illam (1:17)
    13. Diabolus (1:05)
    14. Humilitas (3:05)
    15. Humilitas (0:49)
    16. Humilitas (0:25)
    17. Caritas (1:43)
    18. Timor Dei (2:10)
    19. Diabolus (0:33)
    20. Obedientia (0:46)
    21. Fides (2:10)
    22. Spes (3:28)
    23. Castitas (1:33)
    24. Innocentia (1:44)
    25. Contemptus Mundi (2:41)
    26. Amor Caelestis (2:54)
    27. Disciplina (0:52)
    28. Verecundia (1:09)
    29. Misericordia (2:23)
    30. Victoria (1:03)
    31. Discretio (1:02)
    32. Patientia (2:03)
    33. Track33 (1:39)
    34. Querela Animae Paenitentis (0:43)
    35. Anima Illa (1:01)
    36. Anima Illa (1:16)
    37. Paenitens Anima Ad Virtutes (3:57)
    38. Anima Illa (3:01)
    39. Humilitas (0:56)
    40. Humilitas (1:40)
    41. Diabolus (1:39)
    42. Paenitens Anima (0:28)
    43. Anima Illa (1:04)
    44. Humilitas Ad Victoriam (1:54)
    45. Victoria Ad Virtutes (1:13)
    46. Virtutes (0:58)
    47. Victoria (0:43)
    48. Castitas (1:42)
    49. Diabolus (0:37)
    50. Castitas (3:03)
    51. Epilog (5:14)


    Exact Audio Copy V1.0 beta 1 from 15. November 2010

    EAC extraction logfile from 21. November 2013, 16:19

    Ensemble Belcanto / Ordo Virtutum

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    Track 3

    Filename C:\MY RIPS\03 - Querela Animarum In Carne Positarum.wav

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    Track 4

    Filename C:\MY RIPS\04 - Felix Anima.wav

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    Track 5

    Filename C:\MY RIPS\05 - Felix Anima.wav

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    Track 6

    Filename C:\MY RIPS\06 - Virtutes.wav

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    Track 7

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    Track 8

    Filename C:\MY RIPS\08 - Scientia Dei Ad Animam Illam.wav

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    Track 9

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    Track 13

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    Track 14

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    Track 37

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    Copy OK

    Track 40

    Filename C:\MY RIPS\40 - Humilitas.wav

    Peak level 34.0 %
    Extraction speed 0.9 X
    Track quality 99.8 %
    Test CRC AC3BF8ED
    Copy CRC AC3BF8ED
    Accurately ripped (confidence 1) [EAA2053C]
    Copy OK

    Track 41

    Filename C:\MY RIPS\41 - Diabolus.wav

    Peak level 8.5 %
    Extraction speed 1.8 X
    Track quality 100.0 %
    Test CRC 3988A4BD
    Copy CRC 3988A4BD
    Accurately ripped (confidence 1) [3FC8001E]
    Copy OK

    Track 42

    Filename C:\MY RIPS\42 - Paenitens Anima.wav

    Peak level 15.4 %
    Extraction speed 1.0 X
    Track quality 100.0 %
    Test CRC CDE34F64
    Copy CRC CDE34F64
    Accurately ripped (confidence 1) [0F4471A9]
    Copy OK

    Track 43

    Filename C:\MY RIPS\43 - Anima Illa.wav

    Peak level 12.5 %
    Extraction speed 1.6 X
    Track quality 100.0 %
    Test CRC EDF3D344
    Copy CRC EDF3D344
    Accurately ripped (confidence 1) [7B655DAE]
    Copy OK

    Track 44

    Filename C:\MY RIPS\44 - Humilitas Ad Victoriam.wav

    Peak level 98.8 %
    Extraction speed 2.0 X
    Track quality 100.0 %
    Test CRC B92EBC98
    Copy CRC B92EBC98
    Accurately ripped (confidence 1) [EFB26923]
    Copy OK

    Track 45

    Filename C:\MY RIPS\45 - Victoria Ad Virtutes.wav

    Peak level 98.8 %
    Extraction speed 1.6 X
    Track quality 100.0 %
    Test CRC 204AD517
    Copy CRC 204AD517
    Accurately ripped (confidence 1) [A4C92DC2]
    Copy OK

    Track 46

    Filename C:\MY RIPS\46 - Virtutes.wav

    Peak level 68.3 %
    Extraction speed 1.5 X
    Track quality 100.0 %
    Test CRC F84BE9C8
    Copy CRC F84BE9C8
    Accurately ripped (confidence 1) [E3FA88EF]
    Copy OK

    Track 47

    Filename C:\MY RIPS\47 - Victoria.wav

    Peak level 16.3 %
    Extraction speed 1.3 X
    Track quality 100.0 %
    Test CRC 1CCB311A
    Copy CRC 1CCB311A
    Accurately ripped (confidence 1) [7957C683]
    Copy OK

    Track 48

    Filename C:\MY RIPS\48 - Castitas.wav

    Peak level 65.0 %
    Extraction speed 0.9 X
    Track quality 99.8 %
    Test CRC 30FED3D5
    Copy CRC 30FED3D5
    Accurately ripped (confidence 1) [09BAE514]
    Copy OK

    Track 49

    Filename C:\MY RIPS\49 - Diabolus.wav

    Peak level 33.9 %
    Extraction speed 0.4 X
    Track quality 99.7 %
    Test CRC 8256EAFB
    Copy CRC 8256EAFB
    Accurately ripped (confidence 1) [0F9707B8]
    Copy OK

    Track 50

    Filename C:\MY RIPS\50 - Castitas.wav

    Peak level 29.2 %
    Extraction speed 2.2 X
    Track quality 100.0 %
    Test CRC 297CCAB7
    Copy CRC 297CCAB7
    Accurately ripped (confidence 1) [2D576008]
    Copy OK

    Track 51

    Filename C:\MY RIPS\51 - Epilog.wav

    Peak level 27.2 %
    Extraction speed 2.5 X
    Track quality 100.0 %
    Test CRC F835B758
    Copy CRC F835B758
    Accurately ripped (confidence 1) [A7FDF56A]
    Copy OK


    All tracks accurately ripped

    No errors occurred

    End of status report

    ==== Log checksum 0DB92656C3470C3B04BA5C5C7302D11788E8C60EED7852BC2286EBA210AC094F ====

    [CUETools log; Date: 02.11.2017 19:28:54; Version: 2.1.4]
    [CTDB TOCID: _qwkuNCCRmQxy_X3ad7xM5lZyaE-] found.
    Track | CTDB Status
    1 | (6/6) Accurately ripped
    2 | (6/6) Accurately ripped
    3 | (6/6) Accurately ripped
    4 | (6/6) Accurately ripped
    5 | (6/6) Accurately ripped
    6 | (6/6) Accurately ripped
    7 | (6/6) Accurately ripped
    8 | (6/6) Accurately ripped
    9 | (6/6) Accurately ripped
    10 | (6/6) Accurately ripped
    11 | (6/6) Accurately ripped
    12 | (6/6) Accurately ripped
    13 | (6/6) Accurately ripped
    14 | (6/6) Accurately ripped
    15 | (6/6) Accurately ripped
    16 | (6/6) Accurately ripped
    17 | (6/6) Accurately ripped
    18 | (6/6) Accurately ripped
    19 | (6/6) Accurately ripped
    20 | (6/6) Accurately ripped
    21 | (6/6) Accurately ripped
    22 | (6/6) Accurately ripped
    23 | (6/6) Accurately ripped
    24 | (6/6) Accurately ripped
    25 | (6/6) Accurately ripped
    26 | (6/6) Accurately ripped
    27 | (6/6) Accurately ripped
    28 | (6/6) Accurately ripped
    29 | (6/6) Accurately ripped
    30 | (6/6) Accurately ripped
    31 | (6/6) Accurately ripped
    32 | (6/6) Accurately ripped
    33 | (6/6) Accurately ripped
    34 | (6/6) Accurately ripped
    35 | (6/6) Accurately ripped
    36 | (6/6) Accurately ripped
    37 | (6/6) Accurately ripped
    38 | (6/6) Accurately ripped
    39 | (6/6) Accurately ripped
    40 | (6/6) Accurately ripped
    41 | (6/6) Accurately ripped
    42 | (6/6) Accurately ripped
    43 | (6/6) Accurately ripped
    44 | (6/6) Accurately ripped
    45 | (6/6) Accurately ripped
    46 | (6/6) Accurately ripped
    47 | (6/6) Accurately ripped
    48 | (6/6) Accurately ripped
    49 | (6/6) Accurately ripped
    50 | (6/6) Accurately ripped
    51 | (6/6) Accurately ripped
    [AccurateRip ID: 007fa505-12133969-ec127c33] found.
    Track [ CRC | V2 ] Status
    01 [a8d5dfa9|144b0731] (0+5/5) Accurately ripped
    02 [77120e4c|279bf5e1] (0+5/5) Accurately ripped
    03 [ac1c3001|6f4d91c2] (0+5/5) Accurately ripped
    04 [658d6565|e1b2d78c] (0+5/5) Accurately ripped
    05 [75ccc3dd|5f8f2933] (0+5/5) Accurately ripped
    06 [1cba3ef9|846aed4d] (0+5/5) Accurately ripped
    07 [a29e2927|3ae00eb0] (0+5/5) Accurately ripped
    08 [bd07a8a6|5e9f52ed] (0+5/5) Accurately ripped
    09 [ff5b6317|ac8eccac] (0+5/5) Accurately ripped
    10 [ebacf11b|a2b35f74] (0+5/5) Accurately ripped
    11 [e55547b2|48f7f10d] (0+5/5) Accurately ripped
    12 [a74c207f|7c8dd27d] (0+5/5) Accurately ripped
    13 [d597f9b4|8e964b55] (0+5/5) Accurately ripped
    14 [4aa10fda|8c4cb598] (0+5/5) Accurately ripped
    15 [97fb68bb|d03f3af5] (0+5/5) Accurately ripped
    16 [f653a6af|a684cfb3] (0+5/5) Accurately ripped
    17 [fd1b239d|bf3729b4] (0+5/5) Accurately ripped
    18 [6fe97374|bd077075] (0+5/5) Accurately ripped
    19 [0fbb5706|a625dd08] (0+5/5) Accurately ripped
    20 [2049f1c6|9db8a449] (0+5/5) Accurately ripped
    21 [02ed5ebf|bd09b660] (0+5/5) Accurately ripped
    22 [91260109|5884e866] (0+5/5) Accurately ripped
    23 [a407932d|0e2bc791] (0+5/5) Accurately ripped
    24 [c53a696b|1bf21b29] (0+5/5) Accurately ripped
    25 [33221ada|4dae7eda] (0+5/5) Accurately ripped
    26 [96867e98|b0521aae] (0+5/5) Accurately ripped
    27 [eb21ceae|6ef25f30] (0+5/5) Accurately ripped
    28 [78b534e1|9259a530] (0+5/5) Accurately ripped
    29 [f1c22537|ff244ef8] (0+5/5) Accurately ripped
    30 [2882a0ed|b2954a2e] (0+5/5) Accurately ripped
    31 [4f13fb72|5cc9b498] (0+5/5) Accurately ripped
    32 [b87201ae|adbfc5cf] (0+5/5) Accurately ripped
    33 [d0b09039|2a7e9e72] (0+5/5) Accurately ripped
    34 [0632a8a1|f3219e74] (0+5/5) Accurately ripped
    35 [32692302|d1a2d3e9] (0+5/5) Accurately ripped
    36 [1b1cc9f4|0cedf6d3] (0+5/5) Accurately ripped
    37 [0f66b6c0|cbc8fa10] (0+5/5) Accurately ripped
    38 [1983204d|50dc2ab8] (0+5/5) Accurately ripped
    39 [f0ad6b40|98a6ed0c] (0+5/5) Accurately ripped
    40 [eaa2053c|70ed7c2e] (0+5/5) Accurately ripped
    41 [3fc8001e|cbe0280c] (0+5/5) Accurately ripped
    42 [0f4471a9|c3aa9118] (0+5/5) Accurately ripped
    43 [7b655dae|04e4eb15] (0+5/5) Accurately ripped
    44 [efb26923|4a8f6cf5] (0+5/5) Accurately ripped
    45 [a4c92dc2|c4a3d0ff] (0+5/5) Accurately ripped
    46 [e3fa88ef|9c9a2c88] (0+5/5) Accurately ripped
    47 [7957c683|07b4e969] (0+5/5) Accurately ripped
    48 [09bae514|ea98fcb9] (0+5/5) Accurately ripped
    49 [0f9707b8|6ceb1ee5] (0+5/5) Accurately ripped
    50 [2d576008|c1d8df1d] (0+5/5) Accurately ripped
    51 [a7fdf56a|de776bca] (0+5/5) Accurately ripped

    Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
    – 98,8 [D0A28AC3] [0444E9FD]
    01 13,3 [EBF22B39] [4CFAA462] CRC32
    02 19,5 [9DAB225A] [1E1B53E5] CRC32
    03 42,5 [158817A2] [9461DFC2] CRC32
    04 58,1 [4E688330] [98B3B38D] CRC32
    05 20,7 [E4AD0456] [B9E0EE17] CRC32
    06 25,1 [EC85B217] [34C1F6E1] CRC32
    07 30,0 [0D515D6A] [0017069C] CRC32
    08 34,3 [6BB76E99] [C426E4AA] CRC32
    09 46,6 [EB2DB937] [2C0822E4] CRC32
    10 66,2 [4AD07EF9] [5ABE61CF] CRC32
    11 65,8 [B595D642] [E915DC6E] CRC32
    12 6,4 [655F51C9] [ADF6A9B8] CRC32
    13 6,8 [BFB9E28B] [573AF5E3] CRC32
    14 98,8 [072C67F5] [39476050] CRC32
    15 52,3 [7D9DE643] [06F6A80F] CRC32
    16 68,1 [ADBE33CB] [D1ED0EE5] CRC32
    17 22,4 [BB9B70B2] [D7F78ED1] CRC32
    18 19,1 [81CEB470] [8A4D1E0D] CRC32
    19 10,5 [383C90A4] [AEDD3547] CRC32
    20 45,8 [39231B73] [FE391500] CRC32
    21 30,3 [8FF9B221] [9E12A770] CRC32
    22 31,8 [DF0E5F97] [5E0E346A] CRC32
    23 62,3 [1D79F704] [2CE6E10B] CRC32
    24 14,7 [1D826B57] [2589A71A] CRC32
    25 9,7 [4B8878A8] [5531E58D] CRC32
    26 28,7 [090FE9FB] [6A91FC2C] CRC32
    27 33,0 [29DE4FCA] [55FB5F7C] CRC32
    28 9,9 [398DDC88] [11A1EEB2] CRC32
    29 98,8 [3196744D] [FDBE5900] CRC32
    30 98,8 [6544D29E] [D73B828D] CRC32
    31 61,8 [5A73228F] [5A5C26B2] CRC32
    32 14,7 [2A4DE685] [B761D27B] CRC32
    33 85,7 [CE8B9FF1] [7EF43CEB] CRC32
    34 82,4 [DE45534B] [D56C479D] CRC32
    35 26,1 [3340BBAC] [F6B7FA29] CRC32
    36 49,7 [861CE9A5] [39940DC2] CRC32
    37 13,5 [A63895D3] [E938104B] CRC32
    38 4,7 [D663A6BF] [2BD13903] CRC32
    39 98,8 [3E04DB7E] [D4729E3B] CRC32
    40 34,0 [AC3BF8ED] [B7B7EA94] CRC32
    41 8,5 [3988A4BD] [622E3EA3] CRC32
    42 15,4 [CDE34F64] [71B69C75] CRC32
    43 12,5 [EDF3D344] [2FBF3BC5] CRC32
    44 98,8 [B92EBC98] [5108ABEF] CRC32
    45 98,8 [204AD517] [4B7B9C69] CRC32
    46 68,3 [F84BE9C8] [441AF8A4] CRC32
    47 16,3 [1CCB311A] [B6E70FCA] CRC32
    48 65,0 [30FED3D5] [EF9CEFBA] CRC32
    49 33,9 [8256EAFB] [E18C4458] CRC32
    50 29,2 [297CCAB7] [C545C802] CRC32
    51 27,2 [F835B758] [205E1633] CRC32

    foobar2000 1.2 / Dynamic Range Meter 1.1.1
    log date: 2017-11-02 18:49:54

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Ensemble Belcanto / Ordo Virtutum
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR8 -17.52 dB -34.27 dB 1:30 01-Patriarchae Et Prophetae
    DR10 -14.19 dB -29.62 dB 2:06 02-Patriarchae Et Prophetae
    DR14 -7.42 dB -26.45 dB 1:16 03-Querela Animarum In Carne Positarum
    DR13 -4.71 dB -22.28 dB 0:38 04-Felix Anima
    DR13 -13.65 dB -31.94 dB 0:42 05-Felix Anima
    DR12 -12.00 dB -28.07 dB 1:09 06-Virtutes
    DR12 -10.43 dB -25.13 dB 0:20 07-Anima Illa
    DR11 -9.28 dB -26.68 dB 1:05 08-Scientia Dei Ad Animam Illam
    DR13 -6.62 dB -23.63 dB 0:53 09-Infelix Anima
    DR9 -3.58 dB -20.65 dB 0:49 10-Scientia Dei
    DR11 -3.63 dB -23.89 dB 0:42 11-Anima Illa
    DR12 -23.75 dB -39.09 dB 1:17 12-Strepitus Diaboli Ad Animam Illam
    DR9 -23.29 dB -40.35 dB 1:05 13-Diabolus
    DR15 -0.10 dB -22.94 dB 3:05 14-Humilitas
    DR12 -5.63 dB -22.74 dB 0:49 15-Humilitas
    DR11 -3.33 dB -20.07 dB 0:25 16-Humilitas
    DR13 -12.98 dB -31.18 dB 1:43 17-Caritas
    DR12 -14.37 dB -30.45 dB 2:10 18-Timor Dei
    DR7 -19.50 dB -39.55 dB 0:33 19-Diabolus
    DR11 -6.78 dB -26.84 dB 0:46 20-Obedientia
    DR14 -10.37 dB -31.12 dB 2:10 21-Fides
    DR14 -9.93 dB -29.44 dB 3:28 22-Spes
    DR13 -4.10 dB -24.28 dB 1:33 23-Castitas
    DR11 -16.61 dB -31.27 dB 1:44 24-Innocentia
    DR12 -20.20 dB -37.38 dB 2:41 25-Contemptus Mundi
    DR13 -10.84 dB -29.03 dB 2:54 26-Amor Caelestis
    DR13 -9.61 dB -28.47 dB 0:52 27-Disciplina
    DR11 -20.05 dB -33.96 dB 1:09 28-Verecundia
    DR14 -0.10 dB -21.80 dB 2:23 29-Misericordia
    DR12 -0.10 dB -15.57 dB 1:03 30-Victoria
    DR13 -4.18 dB -21.69 dB 1:02 31-Discretio
    DR11 -16.64 dB -32.13 dB 2:03 32-Patientia
    DR14 -1.33 dB -22.40 dB 1:39 33-Track33
    DR12 -1.67 dB -21.06 dB 0:43 34-Querela Animae Paenitentis
    DR12 -11.64 dB -29.23 dB 1:01 35-Anima Illa
    DR14 -6.06 dB -24.46 dB 1:16 36-Anima Illa
    DR16 -17.36 dB -40.06 dB 3:57 37-Paenitens Anima Ad Virtutes
    DR11 -26.38 dB -42.37 dB 3:01 38-Anima Illa
    DR13 -0.10 dB -22.16 dB 0:56 39-Humilitas
    DR12 -9.35 dB -27.52 dB 1:40 40-Humilitas
    DR11 -21.32 dB -36.41 dB 1:39 41-Diabolus
    DR12 -16.21 dB -34.05 dB 0:28 42-Paenitens Anima
    DR12 -18.03 dB -35.47 dB 1:04 43-Anima Illa
    DR11 -0.10 dB -19.64 dB 1:54 44-Humilitas Ad Victoriam
    DR14 -0.10 dB -19.33 dB 1:13 45-Victoria Ad Virtutes
    DR9 -3.31 dB -26.86 dB 0:58 46-Virtutes
    DR11 -15.72 dB -38.42 dB 0:43 47-Victoria
    DR12 -3.73 dB -22.59 dB 1:42 48-Castitas
    DR8 -9.39 dB -33.59 dB 0:37 49-Diabolus
    DR17 -10.68 dB -34.23 dB 3:03 50-Castitas
    DR15 -11.29 dB -34.03 dB 5:14 51-Epilog
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 51
    Official DR value: DR12

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 447 kbps
    Codec: FLAC
    ================================================================================

    Ensemble Belcanto, Dietburg Spohr - Hildegard von Bingen: Ordo Virtutum (2013)

    All thanks to original releaser - miloslav2011

    More interesting music in My Blog