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Ensemble Belcanto, Dietburg Spohr - Hildegard von Bingen: Ordo Virtutum (2013)

Posted By: Designol
Ensemble Belcanto, Dietburg Spohr - Hildegard von Bingen: Ordo Virtutum (2013)

Ensemble Belcanto, Dietburg Spohr - Hildegard von Bingen: Ordo Virtutum (2013)
EAC | FLAC | Tracks (Cue&Log) ~ 283 Mb | Mp3 (CBR320) ~ 189 Mb | Scans included | 01:18:52
Classical, Medieval, Contemporary, Choral | Label: ECM | # ECM New Series 2219, 476 4633

This is the second New Series album to feature the Stuttgart-based Ensemble Belcanto. Where its 2001 predecessor focused on contemporary composition by Wolfgang Rihm and others (Come un'ombra di luna), this disc looks at Hildegard of Bingen's Ordo Virtutum, written around 1150 and generally considered the first large-scale musical work beyond the prescribed form of the Mass liturgy. This is sacred music reflecting Medieval thought, as music and morality play are intertwined.

In her creative interpretation, Belcanto leader Dietburg Spohr waives claims to 'objective' historical literalness. Instead, she and her fellow singers encounter the work as if it were written specifically for the Ensemble Belcanto: "We sought to free Hildegard from mystical-esoteric associations and to emphasize the work of an emancipated woman and composer." They have been performing the music of Hildegard von Bingen since the early 1990s, and view her compositions as a joyously experimental bridge between the Middle Ages and contemporary music.

Ensemble Belcanto was formed in 1986 by mezzo-soprano Dietburg Spohr, then a member of Clytus Gottwald's Schola Cantorum in Stuttgart, drawing on her experiences in improvisation as well as choral music, classical singing and new music performance. The group has been committed to adventurous programming from the outset, and many composers have written music for the ensemble.

On this account of Hildegard von Bingen's Ordo Virtutum, the Ensemble Belcanto avoids what founder Dietburg Spohr describes as the "emotive sonic incense" that the medieval composer is often subjected to.

Instead, Spohr's group view her work as a bridge to contemporary music, reflecting the song cycle's questioning attitude in arrangements of different techniques that represent the "virtues" and "characters" counselling the soul on its spiritual journey.

In some verses, dissonant harmonies represent the struggle; in others, a childlike register evokes innocence. Elsewhere, a series of innovations – breathing, whistling – lend an astringent feel arguably truer to the original intentions.

Review by Andy Gill, Independent.co.uk

The other item is a new composition created from the music of Hildegard’s Ordo virtutum, her theatrical piece with distinctive dramatic verve. Dietburg Spohr has arranged it for the five female voices of her Ensemble Belcanto (with just an added girl’s voice and two speaking voices); and she has done it mainly in the language to which they are accustomed, namely of contemporary vocal music. The variety of sounds they can produce is truly impressive, as is the virtuosity of the singers. And what is perhaps most important is the way Spohr resists the temptation to highlight or exaggerate the dramatic details of the Ordo. There is no text provided; but the booklet gives a most useful and original summary of the story (in German only).

Review by David Fallows, Gramophone


Whichever way you slice it, this an odd CD. To start with, fans of Hildegard von Bingen, or fans of what they think they might expect to hear from Hildegard von Bingen based on past experience, need to be warned - this is more than likely not what you would expect to hear from an album dedicated to the music of Hildegard von Bingen.

Dietburg Spohr’s Ensemble Belcanto has already appeared on the ECM label, performing works by Wolfgang Rihm, Konrad Boehmer, Fabrizio Casti and Haim Alexander on ECM New Series 1739. With Belcanto’s reputation in new music you might not expect them to appear in a work from around 1150, but Dietburg Spohr is sensitive to the very real affinities between early music and some of today’s avant-garde. The original Ordo Virtutum is a morality play or liturgical drama, considered the earliest known to have a name author for both the music and the text.

The approach in this case is not a search for historical authenticity. In order to gain some kind of reference I had a listen online to the recording of Ordo Virtutum by Sequentia on the BMG label, and if you know this or perhaps the Vox Animæ recording on Et’Cetera KTC1203 then you will be wondering what on earth is going on with Ensemble Belcanto.

Ensemble Belcanto have embarked on a ‘creative interpretation’, one which Gerhard R. Koch’s booklet notes describe as being “based on respect and the faithful handling of the auratic composer and her presumed intentions. Precisely because her world is so distant and foreign, one must refrain from enfolding it in emotive sonic incense or from making it ironical. Experience with new vocal music is applied in this version, as is the endeavour to impart the Middle Ages - a kind of balancing act between the modern and the archaic which, in any event, does more justice to the work than a beautified halo. Dietburg Spohr activates the potential for contrast in Ordo in her arrangement, as if an imaginary Medieval composer had composed for a ‘bel canto’ ensemble.”

In other words, we get strange dissonances, atonal wandering accompanying lines which have a kind of plainchant texture but as if performed by singers looking for their notes rather than in possession of clarity of intent, bluesy parallel close-harmony, gasping and pain-ridden vocalisations, laughing and whistling, staccato jabbing features or repeating vowel sounds like flights of seagulls or a choir in search of a new production of Einstein on the Beach. Don’t expect any sublime revelation towards the end either, it just keeps on going. It’s all very strange and not without its own fascination, but pretty far removed from general expectations of medieval music. I wonder at the comment “one must refrain … from making it ironical”. To my ears there is plenty of irony to be found in the many incongruities in this performance, though with its deadly serious intent these little parcels of capriciousness may well be accidental. It’s hard to tell, which is perhaps part of the charm of the piece: perhaps Koch has been taken for a ride as well.

As with all such things, we have to ditch preconceptions and take these sounds at face value - as music for our times inspired by a rich and mysterious past. Like it or loathe it, this is an artefact which gazes upon the mists of time and refracts what little light emerges from that other country into something new and unique. It confounds our comfortable idea of what Von Bingen’s music might have sounded like or sought to express, or indeed the expressive means of those recreating her work in her own times and beyond.

I would be the last to want to put you off, but take care - if Mother likes a bit of Hildegard, this might not be the gift you want her putting on for a quiet evening around the tree next Christmas … and what would Sibyl of the Rhine make of it all? I suspect that, with an amused twinkle in her eye, she would say “you are all just crazy”, before turning back to her reading and making us all feel a bit silly.

Review by Dominy Clements, MusicWeb-International.com


Ensemble Belcanto, Dietburg Spohr - Hildegard von Bingen: Ordo Virtutum (2013)



Ensemble Belcanto:
Dietburg Spohr (mezzo-soprano, conductor)
Andrea Baader, Martina Scharstein, Selina Drews (soprano)
Edith Murasov (mezzo-soprano)
Benjamin Cromme, Lilith Reid (spoken voice)

rec. October 2010, Festeburgkirche, Frankfurt am Main

Tracklist:

Hildegard von Bingen (1098-1179)

Ordo Virtutum, liturgical drama

01. Patriarchae Et Prophetae (1:30)
02. Patriarchae Et Prophetae (2:06)
03. Querela Animarum In Carne Positarum (1:16)
04. Felix Anima (0:38)
05. Felix Anima (0:42)
06. Virtutes (1:09)
07. Anima Illa (0:20)
08. Scientia Dei Ad Animam Illam (1:05)
09. Infelix Anima (0:53)
10. Scientia Dei (0:49)
11. Anima Illa (0:42)
12. Strepitus Diaboli Ad Animam Illam (1:17)
13. Diabolus (1:05)
14. Humilitas (3:05)
15. Humilitas (0:49)
16. Humilitas (0:25)
17. Caritas (1:43)
18. Timor Dei (2:10)
19. Diabolus (0:33)
20. Obedientia (0:46)
21. Fides (2:10)
22. Spes (3:28)
23. Castitas (1:33)
24. Innocentia (1:44)
25. Contemptus Mundi (2:41)
26. Amor Caelestis (2:54)
27. Disciplina (0:52)
28. Verecundia (1:09)
29. Misericordia (2:23)
30. Victoria (1:03)
31. Discretio (1:02)
32. Patientia (2:03)
33. Track33 (1:39)
34. Querela Animae Paenitentis (0:43)
35. Anima Illa (1:01)
36. Anima Illa (1:16)
37. Paenitens Anima Ad Virtutes (3:57)
38. Anima Illa (3:01)
39. Humilitas (0:56)
40. Humilitas (1:40)
41. Diabolus (1:39)
42. Paenitens Anima (0:28)
43. Anima Illa (1:04)
44. Humilitas Ad Victoriam (1:54)
45. Victoria Ad Virtutes (1:13)
46. Virtutes (0:58)
47. Victoria (0:43)
48. Castitas (1:42)
49. Diabolus (0:37)
50. Castitas (3:03)
51. Epilog (5:14)


Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 21. November 2013, 16:19

Ensemble Belcanto / Ordo Virtutum

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Track | Start | Length | Start sector | End sector
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1 | 0:00.00 | 1:29.70 | 0 | 6744
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30 | 41:57.02 | 1:02.60 | 188777 | 193486
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32 | 44:02.19 | 2:02.69 | 198169 | 207387
33 | 46:05.13 | 1:39.04 | 207388 | 214816
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37 | 50:44.05 | 3:57.15 | 228305 | 246094
38 | 54:41.20 | 3:01.29 | 246095 | 259698
39 | 57:42.49 | 0:55.74 | 259699 | 263897
40 | 58:38.48 | 1:40.19 | 263898 | 271416
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Track 48

Filename C:\MY RIPS\48 - Castitas.wav

Peak level 65.0 %
Extraction speed 0.9 X
Track quality 99.8 %
Test CRC 30FED3D5
Copy CRC 30FED3D5
Accurately ripped (confidence 1) [09BAE514]
Copy OK

Track 49

Filename C:\MY RIPS\49 - Diabolus.wav

Peak level 33.9 %
Extraction speed 0.4 X
Track quality 99.7 %
Test CRC 8256EAFB
Copy CRC 8256EAFB
Accurately ripped (confidence 1) [0F9707B8]
Copy OK

Track 50

Filename C:\MY RIPS\50 - Castitas.wav

Peak level 29.2 %
Extraction speed 2.2 X
Track quality 100.0 %
Test CRC 297CCAB7
Copy CRC 297CCAB7
Accurately ripped (confidence 1) [2D576008]
Copy OK

Track 51

Filename C:\MY RIPS\51 - Epilog.wav

Peak level 27.2 %
Extraction speed 2.5 X
Track quality 100.0 %
Test CRC F835B758
Copy CRC F835B758
Accurately ripped (confidence 1) [A7FDF56A]
Copy OK


All tracks accurately ripped

No errors occurred

End of status report

==== Log checksum 0DB92656C3470C3B04BA5C5C7302D11788E8C60EED7852BC2286EBA210AC094F ====

[CUETools log; Date: 02.11.2017 19:28:54; Version: 2.1.4]
[CTDB TOCID: _qwkuNCCRmQxy_X3ad7xM5lZyaE-] found.
Track | CTDB Status
1 | (6/6) Accurately ripped
2 | (6/6) Accurately ripped
3 | (6/6) Accurately ripped
4 | (6/6) Accurately ripped
5 | (6/6) Accurately ripped
6 | (6/6) Accurately ripped
7 | (6/6) Accurately ripped
8 | (6/6) Accurately ripped
9 | (6/6) Accurately ripped
10 | (6/6) Accurately ripped
11 | (6/6) Accurately ripped
12 | (6/6) Accurately ripped
13 | (6/6) Accurately ripped
14 | (6/6) Accurately ripped
15 | (6/6) Accurately ripped
16 | (6/6) Accurately ripped
17 | (6/6) Accurately ripped
18 | (6/6) Accurately ripped
19 | (6/6) Accurately ripped
20 | (6/6) Accurately ripped
21 | (6/6) Accurately ripped
22 | (6/6) Accurately ripped
23 | (6/6) Accurately ripped
24 | (6/6) Accurately ripped
25 | (6/6) Accurately ripped
26 | (6/6) Accurately ripped
27 | (6/6) Accurately ripped
28 | (6/6) Accurately ripped
29 | (6/6) Accurately ripped
30 | (6/6) Accurately ripped
31 | (6/6) Accurately ripped
32 | (6/6) Accurately ripped
33 | (6/6) Accurately ripped
34 | (6/6) Accurately ripped
35 | (6/6) Accurately ripped
36 | (6/6) Accurately ripped
37 | (6/6) Accurately ripped
38 | (6/6) Accurately ripped
39 | (6/6) Accurately ripped
40 | (6/6) Accurately ripped
41 | (6/6) Accurately ripped
42 | (6/6) Accurately ripped
43 | (6/6) Accurately ripped
44 | (6/6) Accurately ripped
45 | (6/6) Accurately ripped
46 | (6/6) Accurately ripped
47 | (6/6) Accurately ripped
48 | (6/6) Accurately ripped
49 | (6/6) Accurately ripped
50 | (6/6) Accurately ripped
51 | (6/6) Accurately ripped
[AccurateRip ID: 007fa505-12133969-ec127c33] found.
Track [ CRC | V2 ] Status
01 [a8d5dfa9|144b0731] (0+5/5) Accurately ripped
02 [77120e4c|279bf5e1] (0+5/5) Accurately ripped
03 [ac1c3001|6f4d91c2] (0+5/5) Accurately ripped
04 [658d6565|e1b2d78c] (0+5/5) Accurately ripped
05 [75ccc3dd|5f8f2933] (0+5/5) Accurately ripped
06 [1cba3ef9|846aed4d] (0+5/5) Accurately ripped
07 [a29e2927|3ae00eb0] (0+5/5) Accurately ripped
08 [bd07a8a6|5e9f52ed] (0+5/5) Accurately ripped
09 [ff5b6317|ac8eccac] (0+5/5) Accurately ripped
10 [ebacf11b|a2b35f74] (0+5/5) Accurately ripped
11 [e55547b2|48f7f10d] (0+5/5) Accurately ripped
12 [a74c207f|7c8dd27d] (0+5/5) Accurately ripped
13 [d597f9b4|8e964b55] (0+5/5) Accurately ripped
14 [4aa10fda|8c4cb598] (0+5/5) Accurately ripped
15 [97fb68bb|d03f3af5] (0+5/5) Accurately ripped
16 [f653a6af|a684cfb3] (0+5/5) Accurately ripped
17 [fd1b239d|bf3729b4] (0+5/5) Accurately ripped
18 [6fe97374|bd077075] (0+5/5) Accurately ripped
19 [0fbb5706|a625dd08] (0+5/5) Accurately ripped
20 [2049f1c6|9db8a449] (0+5/5) Accurately ripped
21 [02ed5ebf|bd09b660] (0+5/5) Accurately ripped
22 [91260109|5884e866] (0+5/5) Accurately ripped
23 [a407932d|0e2bc791] (0+5/5) Accurately ripped
24 [c53a696b|1bf21b29] (0+5/5) Accurately ripped
25 [33221ada|4dae7eda] (0+5/5) Accurately ripped
26 [96867e98|b0521aae] (0+5/5) Accurately ripped
27 [eb21ceae|6ef25f30] (0+5/5) Accurately ripped
28 [78b534e1|9259a530] (0+5/5) Accurately ripped
29 [f1c22537|ff244ef8] (0+5/5) Accurately ripped
30 [2882a0ed|b2954a2e] (0+5/5) Accurately ripped
31 [4f13fb72|5cc9b498] (0+5/5) Accurately ripped
32 [b87201ae|adbfc5cf] (0+5/5) Accurately ripped
33 [d0b09039|2a7e9e72] (0+5/5) Accurately ripped
34 [0632a8a1|f3219e74] (0+5/5) Accurately ripped
35 [32692302|d1a2d3e9] (0+5/5) Accurately ripped
36 [1b1cc9f4|0cedf6d3] (0+5/5) Accurately ripped
37 [0f66b6c0|cbc8fa10] (0+5/5) Accurately ripped
38 [1983204d|50dc2ab8] (0+5/5) Accurately ripped
39 [f0ad6b40|98a6ed0c] (0+5/5) Accurately ripped
40 [eaa2053c|70ed7c2e] (0+5/5) Accurately ripped
41 [3fc8001e|cbe0280c] (0+5/5) Accurately ripped
42 [0f4471a9|c3aa9118] (0+5/5) Accurately ripped
43 [7b655dae|04e4eb15] (0+5/5) Accurately ripped
44 [efb26923|4a8f6cf5] (0+5/5) Accurately ripped
45 [a4c92dc2|c4a3d0ff] (0+5/5) Accurately ripped
46 [e3fa88ef|9c9a2c88] (0+5/5) Accurately ripped
47 [7957c683|07b4e969] (0+5/5) Accurately ripped
48 [09bae514|ea98fcb9] (0+5/5) Accurately ripped
49 [0f9707b8|6ceb1ee5] (0+5/5) Accurately ripped
50 [2d576008|c1d8df1d] (0+5/5) Accurately ripped
51 [a7fdf56a|de776bca] (0+5/5) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 98,8 [D0A28AC3] [0444E9FD]
01 13,3 [EBF22B39] [4CFAA462] CRC32
02 19,5 [9DAB225A] [1E1B53E5] CRC32
03 42,5 [158817A2] [9461DFC2] CRC32
04 58,1 [4E688330] [98B3B38D] CRC32
05 20,7 [E4AD0456] [B9E0EE17] CRC32
06 25,1 [EC85B217] [34C1F6E1] CRC32
07 30,0 [0D515D6A] [0017069C] CRC32
08 34,3 [6BB76E99] [C426E4AA] CRC32
09 46,6 [EB2DB937] [2C0822E4] CRC32
10 66,2 [4AD07EF9] [5ABE61CF] CRC32
11 65,8 [B595D642] [E915DC6E] CRC32
12 6,4 [655F51C9] [ADF6A9B8] CRC32
13 6,8 [BFB9E28B] [573AF5E3] CRC32
14 98,8 [072C67F5] [39476050] CRC32
15 52,3 [7D9DE643] [06F6A80F] CRC32
16 68,1 [ADBE33CB] [D1ED0EE5] CRC32
17 22,4 [BB9B70B2] [D7F78ED1] CRC32
18 19,1 [81CEB470] [8A4D1E0D] CRC32
19 10,5 [383C90A4] [AEDD3547] CRC32
20 45,8 [39231B73] [FE391500] CRC32
21 30,3 [8FF9B221] [9E12A770] CRC32
22 31,8 [DF0E5F97] [5E0E346A] CRC32
23 62,3 [1D79F704] [2CE6E10B] CRC32
24 14,7 [1D826B57] [2589A71A] CRC32
25 9,7 [4B8878A8] [5531E58D] CRC32
26 28,7 [090FE9FB] [6A91FC2C] CRC32
27 33,0 [29DE4FCA] [55FB5F7C] CRC32
28 9,9 [398DDC88] [11A1EEB2] CRC32
29 98,8 [3196744D] [FDBE5900] CRC32
30 98,8 [6544D29E] [D73B828D] CRC32
31 61,8 [5A73228F] [5A5C26B2] CRC32
32 14,7 [2A4DE685] [B761D27B] CRC32
33 85,7 [CE8B9FF1] [7EF43CEB] CRC32
34 82,4 [DE45534B] [D56C479D] CRC32
35 26,1 [3340BBAC] [F6B7FA29] CRC32
36 49,7 [861CE9A5] [39940DC2] CRC32
37 13,5 [A63895D3] [E938104B] CRC32
38 4,7 [D663A6BF] [2BD13903] CRC32
39 98,8 [3E04DB7E] [D4729E3B] CRC32
40 34,0 [AC3BF8ED] [B7B7EA94] CRC32
41 8,5 [3988A4BD] [622E3EA3] CRC32
42 15,4 [CDE34F64] [71B69C75] CRC32
43 12,5 [EDF3D344] [2FBF3BC5] CRC32
44 98,8 [B92EBC98] [5108ABEF] CRC32
45 98,8 [204AD517] [4B7B9C69] CRC32
46 68,3 [F84BE9C8] [441AF8A4] CRC32
47 16,3 [1CCB311A] [B6E70FCA] CRC32
48 65,0 [30FED3D5] [EF9CEFBA] CRC32
49 33,9 [8256EAFB] [E18C4458] CRC32
50 29,2 [297CCAB7] [C545C802] CRC32
51 27,2 [F835B758] [205E1633] CRC32

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-11-02 18:49:54

––––––––––––––––––––––––––––––––––––––––
Analyzed: Ensemble Belcanto / Ordo Virtutum
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 -17.52 dB -34.27 dB 1:30 01-Patriarchae Et Prophetae
DR10 -14.19 dB -29.62 dB 2:06 02-Patriarchae Et Prophetae
DR14 -7.42 dB -26.45 dB 1:16 03-Querela Animarum In Carne Positarum
DR13 -4.71 dB -22.28 dB 0:38 04-Felix Anima
DR13 -13.65 dB -31.94 dB 0:42 05-Felix Anima
DR12 -12.00 dB -28.07 dB 1:09 06-Virtutes
DR12 -10.43 dB -25.13 dB 0:20 07-Anima Illa
DR11 -9.28 dB -26.68 dB 1:05 08-Scientia Dei Ad Animam Illam
DR13 -6.62 dB -23.63 dB 0:53 09-Infelix Anima
DR9 -3.58 dB -20.65 dB 0:49 10-Scientia Dei
DR11 -3.63 dB -23.89 dB 0:42 11-Anima Illa
DR12 -23.75 dB -39.09 dB 1:17 12-Strepitus Diaboli Ad Animam Illam
DR9 -23.29 dB -40.35 dB 1:05 13-Diabolus
DR15 -0.10 dB -22.94 dB 3:05 14-Humilitas
DR12 -5.63 dB -22.74 dB 0:49 15-Humilitas
DR11 -3.33 dB -20.07 dB 0:25 16-Humilitas
DR13 -12.98 dB -31.18 dB 1:43 17-Caritas
DR12 -14.37 dB -30.45 dB 2:10 18-Timor Dei
DR7 -19.50 dB -39.55 dB 0:33 19-Diabolus
DR11 -6.78 dB -26.84 dB 0:46 20-Obedientia
DR14 -10.37 dB -31.12 dB 2:10 21-Fides
DR14 -9.93 dB -29.44 dB 3:28 22-Spes
DR13 -4.10 dB -24.28 dB 1:33 23-Castitas
DR11 -16.61 dB -31.27 dB 1:44 24-Innocentia
DR12 -20.20 dB -37.38 dB 2:41 25-Contemptus Mundi
DR13 -10.84 dB -29.03 dB 2:54 26-Amor Caelestis
DR13 -9.61 dB -28.47 dB 0:52 27-Disciplina
DR11 -20.05 dB -33.96 dB 1:09 28-Verecundia
DR14 -0.10 dB -21.80 dB 2:23 29-Misericordia
DR12 -0.10 dB -15.57 dB 1:03 30-Victoria
DR13 -4.18 dB -21.69 dB 1:02 31-Discretio
DR11 -16.64 dB -32.13 dB 2:03 32-Patientia
DR14 -1.33 dB -22.40 dB 1:39 33-Track33
DR12 -1.67 dB -21.06 dB 0:43 34-Querela Animae Paenitentis
DR12 -11.64 dB -29.23 dB 1:01 35-Anima Illa
DR14 -6.06 dB -24.46 dB 1:16 36-Anima Illa
DR16 -17.36 dB -40.06 dB 3:57 37-Paenitens Anima Ad Virtutes
DR11 -26.38 dB -42.37 dB 3:01 38-Anima Illa
DR13 -0.10 dB -22.16 dB 0:56 39-Humilitas
DR12 -9.35 dB -27.52 dB 1:40 40-Humilitas
DR11 -21.32 dB -36.41 dB 1:39 41-Diabolus
DR12 -16.21 dB -34.05 dB 0:28 42-Paenitens Anima
DR12 -18.03 dB -35.47 dB 1:04 43-Anima Illa
DR11 -0.10 dB -19.64 dB 1:54 44-Humilitas Ad Victoriam
DR14 -0.10 dB -19.33 dB 1:13 45-Victoria Ad Virtutes
DR9 -3.31 dB -26.86 dB 0:58 46-Virtutes
DR11 -15.72 dB -38.42 dB 0:43 47-Victoria
DR12 -3.73 dB -22.59 dB 1:42 48-Castitas
DR8 -9.39 dB -33.59 dB 0:37 49-Diabolus
DR17 -10.68 dB -34.23 dB 3:03 50-Castitas
DR15 -11.29 dB -34.03 dB 5:14 51-Epilog
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 51
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 447 kbps
Codec: FLAC
================================================================================

Ensemble Belcanto, Dietburg Spohr - Hildegard von Bingen: Ordo Virtutum (2013)

All thanks to original releaser - miloslav2011

More interesting music in My Blog