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    Steven Bernstein - Diaspora Hollywood (2004)

    Posted By: Designol
    Steven Bernstein - Diaspora Hollywood (2004)

    Steven Bernstein - Diaspora Hollywood (2004)
    EAC | FLAC | Image (Cue&Log) ~ 319 Mb | Mp3 (CBR320) ~ 145 Mb | Scans included | 00:59:25
    Modern Creative, Post-Bop, Fusion, West Coast Jazz, Ethnic | Label: Tzadik | # TZ 7191

    In this, the third installment in Steven Bernstein's Diaspora series, one of the most active and imaginative musicians in the downtown scene explores compositions from the Jewish tradition through the rose colored lens of West Coast Jazz. Actually recorded in the Hollywood Hills with a fabulous all star quintet including vibes and bass flute, Steve's lush arrangements take off from the intimate small group jazz sound of the Shelley Manne and Shorty Rogers units from the mid fifties. Beautiful arrangements that come from the heart and a savvy choice of traditional compositions make this one of Steve's greatest projects.

    Steven Bernstein's Diaspora series continues with Diaspora Hollywood, inspired by the great film composers who immigrated from Eastern Europe to New York and then to Hollywood, and also by the sound of cool West Coast jazz. Diaspora Hollywood has a great sound, like some kind of Jewish jazz noir with its rich, moody tones and haunting vibraphone. Pablo Calogero's woodwinds and flute mostly inhabit the low end, with delicious baritone sax, bass clarinet, and bass flute. Bernstein's playing will sound reserved to Sex Mob fans in comparison, but he's going for a very different mood here and his playing is exquisite. The songs are anchored by David Piltch's woody bass and the tasty and understated percussion of Danny Frankel with D.J. Bonebrake's vibes hanging in the air, adding cool colors throughout. It's a mostly laid-back affair that doesn't so much build in energy as it does in mood, totally immersing the listener by the end. Lovely.

    Review by Sean Westergaard, Allmusic.com

    Sitting somewhere between the approachable Diaspora Soul and the mysterious Diaspora Blues , Bernstein's latest offering, Diaspora Hollywood is inspired by, as Bernstein recounts, "listening to Shorty Rogers, Shelly Manne and Jimmy Giuffre. I'd been fascinated by the LA arrangers from the '50s and '60s, I wanted to figure out how they achieved those sounds. I'm lucky to have great friends in LA who are incredible musicians, and I've been waiting to record with percussionist Danny Frankel and saxophonist Pablo Calogero in this kind of situation for years, so the ensemble was obvious."

    There's a certain film noire aesthetic about the record, which also features D.J. Bonebrake on vibraphone and bassist David Piltch. The material ranges from the rhythmical insistence of Bernstein's "King Kong" to the cooler vibe of "Havenu Shalom Alechum" and Bernstein's "Hollywood Diaspora," with its late-night ambience. Calogero works the bottom range of all his instruments - baritone sax, bass clarinet and bass flute, to create a rich texture that is reminiscent, not surprisingly, of Gerry Mulligan.

    This is music that manages to be both ethereal and rooted at the same time. "Jehudas Bas Zion," with its light funk groove and Calogero's bass clarinet, is ominous yet strangely compelling. "Sim Shalom," with its dark and smoky feel, translates a traditional piece that is more commonly heard at an up-tempo pace into something that could be an outtake from Miles Davis' soundtrack to Ascenseur pour l'éschafaud.

    What becomes immediately apparent upon sampling the disk aside, Bernstein actually articulates in the liner notes that he quite intentionally combined the improvisational style of Diaspora Blues with the more through-composed approach of Diaspora Soul , resulting in a heady mix that is the best of both worlds. Consequently, Diaspora Hollywood may be the most fully-realized and successful of the three disks and, if there is any justice, will show up on many critics' top ten lists for '04.

    Whether or not Bernstein continues with the Diaspora series, there is no question that he has created a trilogy of music that manages to successfully blend Jewish themes, both traditional and inspired, with a variety of musical situations, proving that, indeed, context is everything. And that even such seemingly straightforward titles as Soul , Blues and Hollywood can have broader meaning, implications that extend beyond the obvious into more intriguing combinations of music from a variety of sources. Bernstein, with the Diaspora series, has created some of the most memorable music to come from Zorn's Radical Jewish Culture imprint proving, in no uncertain terms, that there is a wealth of possibility in interpreting this music. Far more than mere shtick, fusing music from a variety of cultures only enriches all its sources, and Bernstein's Diaspora series does nothing if not enhancing all its reference points.

    Review by John Kelman, AllAboutJazz.com


    Steven Bernstein - Diaspora Hollywood (2004)



    Personnel:
    Steven Bernstein: Trumpet, Flugelhorn
    D.J. Bonebrake: Vibraphone
    Pablo Calogero: Baritone Saxophone, Bass Clarinet, Bass Flute, Flute, Balloon Flutes
    Danny Frankel: Drums, Bongos, Percussion
    David Piltch: Bass

    Tracklist:

    01. Yis May Hoo (5:08)
    02. King Kong (3:13)
    03. Jehudis Bas Zion (5:34)
    04. Hollywood Diaspora (3:53)
    05. Meyer Lansky (5:04)
    06. B'rich Sh'me (9:21)
    07. Eliyahoo Hanavee (5:17)
    08. Sim Shalom (4:02)
    09. B'archu (4:29)
    10. V'shamru (8:37)
    11. Havenu Shalom Alechum (4:47)


    Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

    EAC extraction logfile from 22. October 2010, 3:25

    Steven Bernstein / Diaspora Hollywood

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    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

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    Selected bitrate : 320 kBit/s
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    Add ID3 tag : No
    Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
    Additional command line options : -8 -V %s


    TOC of the extracted CD

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    10 | 46:01.34 | 8:36.45 | 207109 | 245853
    11 | 54:38.04 | 4:47.26 | 245854 | 267404


    Range status and errors

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    Filename C:\EAC\Steven Bernstein - Diaspora Hollywood.wav

    Peak level 98.8 %
    Range quality 100.0 %
    Test CRC A7D5195E
    Copy CRC A7D5195E
    Copy OK

    No errors occurred


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    All tracks accurately ripped

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    [CUETools log; Date: 06.07.2017 0:23:49; Version: 2.1.4]
    [CTDB TOCID: VvmVhOaOWkR8B2gUGSs2064EcdE-] found.
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    10 | (9/9) Accurately ripped
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    [AccurateRip ID: 00174e8a-00cd608a-8d0ded0b] found.
    Track [ CRC | V2 ] Status
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    Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
    – 98,8 [A7D5195E] [8EA5F735] CRC32
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    foobar2000 1.2 / Dynamic Range Meter 1.1.1
    log date: 2017-07-06 00:59:41

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Steven Bernstein / Diaspora Hollywood
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR8 -0.10 dB -10.78 dB 5:08 01-Yis May Hoo
    DR9 -0.10 dB -11.69 dB 3:13 02-King Kong
    DR9 -0.10 dB -11.95 dB 5:34 03-Jehudis Bas Zion
    DR9 -0.10 dB -11.70 dB 3:53 04-Hollywood Diaspora
    DR9 -0.10 dB -12.16 dB 5:04 05-Meyer Lansky
    DR10 -0.10 dB -14.21 dB 9:21 06-B'rich Sh'me
    DR10 -0.10 dB -12.04 dB 5:17 07-Eliyahoo Hanavee
    DR9 -0.10 dB -11.62 dB 4:02 08-Sim Shalom
    DR9 -0.10 dB -11.68 dB 4:29 09-B'archu
    DR9 -0.10 dB -12.82 dB 8:37 10-V'shamru
    DR9 -0.10 dB -12.09 dB 4:47 11-Havenu Shalom Alechum
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 11
    Official DR value: DR9

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 729 kbps
    Codec: FLAC
    ================================================================================

    Steven Bernstein - Diaspora Hollywood (2004)

    Steven Bernstein - Diaspora Hollywood (2004)

    All thanks to original releaser

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