Jack O’ The Clock’s Leaving California is a highly-detailed musical adventure that reveals new layers with repeated listens, from the opening strums of “Jubilation,” which introduces the record with whimsical folksy fanfare, to the angular harmonized violin lead on the closing track, “Narrow Gate.” Throughout, the songs of bandleader Damon Waitkus recall artists such as David Sylvian, Fairport Convention, and Elliott Smith, while creative musical arrangements showcase the band’s high-level compositional and instrumental chops. Upon first listen, Leaving California offers plenty of hooks, but this is music that truly reveals its depth upon the scrutiny of repeated spins.
The band have referred to themselves as 'majestic junk folk' and that's a pretty funny but not inaccurate description for a band who blend folk music and experimental music together in a unique way.

A kaleidoscopic trip through the anxieties and possibilities of the present moment, the new album ranges through some of the weirdest, heaviest landscapes we’ve ever visited. Containing two epics that have been under construction as long as the band has been in existence alongside a handful of newer studio creations, it is the culmination of many years of experimentation and refinement lyrically and musically, a musical palimpsest.

San Francisco area band Jack O' The Clock is fronted by Damon Waitkus who has been a progressive rock fan since the first wave, but also a fan of more melodic and poetic music of that time. Their sound is not your typical folk music, or typical music at all for that manner, being a surprisingly accessible blend of avant garde and Americana, and has been compared to Henry Cow, Gentle Giant, Sufjan Stevens, Frank Zappa and others. A band that is hard to characterize, they have found a home in prog folk because of their inherently folk instrumentation and timbre, their profound take on storytelling, and, well, the tendency for folkies to be an inclusive lot anyway.