This is 'Winds Of Change', a very nice tiny new collection of tracks featuring 'Experience," "DNA," "Life," and some more.

DYNAMIC EARLY 1970 BROADCAST FROM PETER GREEN & CO Fleetwood Mac s Autumn & Winter tour of 1969/1970, moved from Europe to the US on 19th November 69, and by 21st they were performing in New York at the Irving Meadows venue, supported by King Crimson. Mac went on to play several more dates in the Big Apple, including a splendid set at the Fillmore East, supporting Joe Cocker, on November 21st. The band then spent the remainder of the year performing in cities across the USA, and by New Year s Eve they were in Chicago, for a show the Kinetic Playground. By early January 1970, Messrs Green, Fleetwood, Kirwin and Spencer were on the West Coast and their first gig of the New Year took place at Bill Graham s Fillmore West on the 4th. The group played a stunning show, mixing Green and Kirwin originals with blues and rock n roll classics, and the whole concert was recorded for live FM broadcast across the city.

Schubert’s Arpeggione Sonata has today become part of the cello repertoire but it was originally written for the arpeggione, a form of bowed guitar invented by the Viennese maker Johann Georg Staufer in 1823. With a unique ethereal sound, this instrument reveals the true beauty of Schubert’s initial conception. The Piano Trio No. 2 was performed at the Vienna Musikverein on the first anniversary of Beethoven’s death—its extremes of urgent drama and sublime bittersweet lyricism are characteristic of Schubert’s artistic surge during his final year.

"Rage Of War" is the fourth album by Belgian heavy metallers FIREFORCE. Twelve intensely powerful songs that will definitively put the power in their combat metal. At the same time, many pleasant harmonic and melodic components are sure to make an impression. This record sounds solid, heavy and it will definitely be the Heavy Metal must-have record for all the true metalheads around the world!

Andrew Stone has been a musician for a while now. He was "Born in the Fifties", and loved all the great British and American bands of the early 70's. He has had a career as a musician, a sound engineer, producer, and record company boss. Now, he has fulfilled his ambition to bring his love for English Progressive Rock into one album. A true representation of his pilgrimage, and a life in music.
Although this album is a "solo" project, it has been made possible by the wonders of modern technology, and through collaboration. This has allowed four friends from opposite sides of the Atlantic to re-visit a musical relationship which had its genesis at a UK Midlands University in 1979, where they formed a band known as "Tiny Lites".

Carlo Domeniconi is a master of guitar composition. His fusion of Western and Eastern elements is a distinctive feature of his writing, and this album presents a body of work for the unusual combination of mandolin and guitar. The large-scale Durandarte charts a medieval knights wild journey through the countryside, which is accompanied by poignant love songs, elegies, and agitated cross-rhythms.

The ballet Le Pavillon d’Armide opened Diaghilev’s first Paris season. The ballet had been conceived by Alexandre Benois, whose niece, daughter of the painter Albert Benois, became Tcherepnin’s wife. Benois, who had in 1901 become artistic director of the Imperial Theatres, was inspired by the novella Omphale by Théophile Gautier to propose a ballet derived from the subject. In his original proposal the Vicomte de Beaugency sets out to visit his betrothed but is caught in a storm and compelled to take refuge in a mysterious chateau.

The wedding in 1568 of Renate of Lorraine to Wilhelm V, heir to the throne of the Duke of Bavaria, was a sumptuous, 18-day spectacular designed to rival those of the Italian courts. Orlande de Lassus had been the court’s maestro di cappella since 1556. Using an eye-witness account of the event, Ensemble Origo presents a hypothetical reconstruction of some of his musical contributions – a Te Deum, the moresca (a genre related to the villanella), and an improvised comedy – thereby shedding light on some of the various meanings that the music had for its 16th-century listeners.

Pulitzer and Erasmus Prize-winning composer John Adams occupies a unique position in the world of American music. His works stand out among contemporary classical compositions for their depth of expression, brilliance of sound, and the profoundly humanist nature of their themes. Adams describes My Father Knew Charles Ives as “an homage and encomium to a composer whose influence on me has been huge.” Harmonielehre was a deliberate move by Adams to expand his musical language beyond Minimalism, keeping its energetic pulse but embracing the rich tonal resources of the past to create a work that has accrued an aura of timelessness.

This panoramic survey of Argentine tangos shows the genre in all its rich variety of moods and virtuosity. It salutes Ángel Villoldo, the father of tango, whose El choclo (‘The Corncob’) is one of the most famous tangos of all time, and charts the music’s evolution towards the romanticism and lush harmonies of Augustín Bardi. Improvisatory styles, syncopation and jazz harmonies were introduced by such great composers as José Pascual and Orlando Goñi, whilst Enrique Francini developed his personal qualities of dissonance and rhythmic flair into the 1960s. This survey is the first in a series that will document around one hundred rare and classic tangos, all performed by the Argentine pianist Mirian Conti.

The Austrian mezzo-soprano Klaudia Tandl, the acting legend Gabriele Jacoby and the Irish pianist Niall Kinsella present "Schubert's Women" with Schubert songs and recitations by contemporary poets with a strong connection to women and the subject "love". There are classics like Das Heidenröslein, You Don't Love Me, The Girl's Lament or Only Who Knows Longing, but also lesser known songs like Luisen's Answer, Thekla or Gretchen's Request. This is accompanied by texts by Johann Wolfgang von Goethe, Ludwig Rellstab, Friedrich Schiller, Ignaz Franz Castelli, and Friedrich Gottlieb Klopstock, which Gabriele Jacoby staged in a unique way.