Broekhuis-Keller-Schönwälder, for years a solid base in the Electronic and "Berlin School" style of music. Inspired by Klaus Schulze, Tangerine Dream and Vangelis they have managed to develop their own style of Electronic Music, with Trance and Ambient influences and their way to perform that on stage. Beautiful sequences and driving drums with a wide variety of pads and astonishing sound effects on top, which can best be described as "the -BK&S-way of Electronic Music".

This CD from 2002 delivers 68 minutes of dense electronic music by Detlef Keller (whose frequent collaborations with Mario Schönwälder have made the pair's music a mainstay in the European electronic music genre and concert scene). Here, we get to hear Keller's solo accomplishments, which are purely and respectfully cut in the Berlin School of Electronics mode. Densely layered textures emerge from darkness, drenched with somber sentiments and languid tonalities. The music gradually evolves power and structure with vibrating pulsations that lend rhythm, while the keyboard cycles accelerate with sportive determination. Light and airy tuneage grows more mature with each turn, becoming almost frenzied by the time E-perc appears to lend complexity to the driving sequencing. This release features only three tracks (two of which exceed 25 minutes each), allowing the melodies to flourish to incredible intensity.

Berlin School retro style electronic music with long tracks with carefully composed sequences and ambient landscapes that is perfect for dreaming and reflection.
Bas Broekhuis, Detlef Keller, Mario Schönwälder, Wolfram Spyra & Bill Fox get together as the Space Cowboys in Jelenia Gora Poland in September 2004 for the Ricochet Gathering Electronic Music Festival. All musicians are from Germany except Bill Fox who traveled from USA. Spyra and Bill Fox are featured on the last two tracks. This is the first time all musicians played together without rehearsal so the music is live and improvised. The music is definitely like 1970's Tangerine Dream and Klaus Schulze and this release is limited to only 300 digipaks.

One thing that must be said right from the beginning is that, for most of the tracks, it's very different to their previous collaboration 'Loops & Beats'. It is a live album, except the last piece, the tracks being taken from two performances and sound rather improvised. One of these performances was in a church and great use was made of the organ! The first track opens with chord after chord layered on top of one another but before long a sequence can be heard low in the mix. This gradually forces its way to the surface and mutates slowly throughout the piece, reminiscent of Klaus Schulze at times…