Inspired by the first works of Jean-Michel Jarre, the artist from the northeast of France has been integrating the influence of Klaus Schulze for a few years. He builds a work that delights lovers of both trends. Elaborate harmonies, interlaced sequences and constructed in multiple strata, songs and solos which are exposed in ecstasy.

Noc Na Zamku (2008). This seems to be a live recording (part of the Polish event "Olszty skie Lato Artystyczne 2007") although it overall sounds like a studio work. The album offers eight tracks of intense, fresh, versatile Berliner School, slightly Redshift-oriented sequencing and lush solo voices. The third piece "La Orkestra" accelerates into fourth gear, as the well rendered electronics, beats and rhythms venture into dance/trance territory as TD's "Kiew Mission" kindred vocal samples pass by through the sonic spectrum. Vocal phrases and breathing sounds mingled with holdback electronics slow things down again on "Ambient II"…

Synthetic Block (1998). Jonathan Block records as Synthetic Block. Synthetic Block is also the title of his debut release. He combines sequences and atmospheres to create little pockets of energy. It is all very tidy and systematic. Block sets his compositions with right angles and exact circles. He puts square pegs in square holes and round pegs in round holes. The scientific approach, while it seems harsh, works well for Block. The atmospheres are gentle and warm. The soundscapes are friendly and inviting. This is a very nice debut. It will appeal to fans of Ron Boots, Dave Fulton, and Paul Ellis…

Erratics & Unconformities is the first album by Craven Faults. Real-time journeys across decades and continents, and swathes of post-industrial northern Britain. Everything in its own time. The output from the old textile mill Craven Faults calls home is no longer as linear as it once was. There was no clear start point for the project, rather simply rediscovering the joy in experimentation with no material goals. Some of the recordings that make up Erratics & Unconformities go back almost seven years. Tracks have come and gone in that time. They don’t leave until they’ve undertaken a stringent quality control process. It started slowly, but has picked up momentum in the last eighteen months. Recorded and re-recorded to the correct level of imperfection, and then left to breathe. Mixed and re-mixed. Carefully compiled when the time was right.

The present box is the second of five. Together it's 50 CDs of music by Klaus Schulze. It includes the former sets Silver Edition (10 CDs), Historic Edition (10 CDs), Jubilee Edition (25 CDs), and five new albums made especially as bonus for The Ultimate Edition. This second set (Historic Edition) was released on the 17th of March 1995. It contained unreleased archival recordings.

The perfect distillation of the classic Teutonic Electronic sound. The tracks begin with waves of synthetics unfolding, sequencer slowly filtering into the mix, and then long, undulating multi-layers of synthetic sound mutating from one cosmic, symphonic theme into the next. A cerebral listening trip extraordinaire.

Esoteric Recordings are pleased to announce the release of a newly remastered edition of 'Poland-The Warsaw Concert' by Tangerine Dream. On the 10th December 1983, Edgar Froese, Chris Franke and Johannes Schmoelling performed a legendary concert in the Ice Stadium in Warsaw - a unique event, given the political situation in Poland at the time. The resulting 'live' album was issued as a double LP set on the Jive Electro label the following year to great acclaim. Of all the subsequent CD releases of the album, only two early editions, released in the USA & Germany, featured the full un-edited version of the original double LP. This newly remastered Edition fully restores the Entire Unedited Double LP Version to Compact Disc and includes a Lavishly Illustrated Deluxe Booklet with New Essay.

The second chapter of this concept CD, which was released and played live at "E-Day 2009", continues the musical road with analog, romantic flavored electronics, fine Berlin School sequencing patterns, vintage drums and encompassing solos (which are kept to a minimum this time), all spread out over seven "parts". The warm, inviting and smooth atmosphere makes this melodic, retro-infused music shine like a diamond, as it gradually unfolds for the listeners ears.

Voices from unknown lands, the call of endless space and the pulse of our time are interlaced in the music of Gert Emmens. It is cosmic and at the same time it is very earthy. And his music is a very powerful. It infects the listener with its vivid energy. This album brings feelings of freshness and simultaneously recalls the best samples of classical electronic music. It has a strong melodical basis around which the composer draws up his improvisations. One hour and eleven minutes run very insensibly with the colorful music of Gert Emmens. His album "Nearest Faraway Place Volume 1" is undoubtedly not just an addition to the artist’s rich discography but also to the collection of any ambient/electronic music lover. It is a creative perception of our contradictory and rapidly changing world.

Software formed in 1983 by German duo Peter Mergener and Michael Weisser, Software owes much to electronic pioneer Klaus Schulze. Software's music usually builds on sequencer patterns and simple melodies, creating a lighter version of the Schulze style.

Emmens & Heij team up for a fourth time on Silent Witnesses of Industrial Landscapes, and they just keep the Berlin train rolling right along. Fans of retro EM should once again be in analog heaven. As usual, this is improv-based synthesizer music with an equipment list a mile long.

Chip-Meditation is one of the better efforts from the Software "team" of Peter Mergener and Michael Weisser. The inspiration for the set comes from contemporary philosophers. Their statements regarding rapid change, technological advancement, and the unpredictable stretching of boundaries and human imagination sent Weisser and Mergener to the studio to examine new limits. They have found several questions to ask. The examination of these issues manifests itself in Software's Berlin-school electronica and metallic textures. This is a fairly strong CD. It will appeal to fans of Klaus Schulze, Dweller at the Threshold, and Ashra.

FRBs are Fast Radio Bursts. Only recently, very unusual repeating signals, coming from a source about 1.5 billion light years away have been detected. These signals have been picked up from a distant galaxy and so far, little is known about this cosmic puzzle. The music of Colin Rayment takes this event as its composing base.

Software formed in 1983 by German duo Peter Mergener and Michael Weisser, Software owes much to electronic pioneer Klaus Schulze. Software's music usually builds on sequencer patterns and simple melodies, creating a lighter version of The Schulze style. Digital-Dance is globally very relaxing and alternates floating pieces (Magnificient-Shore), atmospherical tunes (Island Sunrise, Sea-Gulls-Audience) and for sure synthetic tracks (Oceans-Breath, Digital-Dance) and odd passages (Waving-Voices). Soundscapes are very reminiscent of Tangerine Dream is the mid 80s.

A conversation with an international fashion designer inspired Software's Michael Weisser to create a series of compositions based on his interaction with eight different perfumes. Fragrances CD music Whatever the impetus, the end result is too much music with not enough "nose. " The basic Software sound remains intact, with support from Georg Stettner and the godfather of German electronic music, Klaus Schulze. Eight tracks are dedicated to a particular scent, while the ninth track is a compendium of themes developed earlier; sort of a mixture of fragrances. The overall sound is typically German electronic new age art-rock with repetitive themes that modulate endlessly…